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                <text>Carrouet, Guillaume</text>
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                <text>La grande vitesse ferroviaire, destinée à réduire les distances-temps entre les grandes métropoles françaises et européennes, conduit à inscrire les espaces intermédiaires dans une situation peu favorable. Fortement polarisé par les grands foyers urbains qui l'encadrent, ce type d'espace est généralement réduit à son unique statut d'aire de transit. Pourtant, la branche Est, premier tronçon du projet de LGV Rhin-Rhône, de par sa dimension régionale, constitue le facteur d'émergence d'un processus de territorialisation de l'aire Rhin-Rhône. Ainsi, l'arrivée de la grande vitesse ferroviaire est à l'origine de la création d'un réseau de villes qui s'étend de Dijon à Bâle. Pour répondre à cette problématique territoriale, l'analyse fine des configurations spatiales, enrichie par l'approche des représentations, permet de voir dans quelle mesure l'aire Rhin-Rhône est, à l'heure actuelle, dépourvue d'une dimension territoriale. Ensuite, l'entrée par les configurations des réseaux de transport et les pratiques de mobilité permettent de voir comment le projet de LGV Rhin-Rhône s'insère au sein de l'aire d'étude. Enfin, les trois formes d'appropriation choisies : les jeux d'acteurs dans la définition du tracé, les projets de valorisation et les stratégies de promotion territoriale associées à la nouvelle offre ferroviaire, visent à montrer comment les perceptions des gains d'accessibilité par les acteurs locaux peuvent conduire à inscrire l'aire Rhin-Rhône dans un processus de territorialisation. Cette recherche met en évidence la difficile adaptation de la grande vitesse ferroviaire à la desserte des espaces intermédiaires. La localisation des nouvelles gares TGV en périphérie des agglomérations franc-comtoises et la construction de deux contournements ferroviaires aux extrémités de la LGV, constituent des freins au développement de la grande vitesse régionale, condition pourtant nécessaire au fonctionnement territorial de l'aire Rhin-Rhône. En plus d'être un facteur du renforcement de la situation intermédiaire de l'aire Rhin-Rhône, la branche Est exacerbe les concurrences et rivalités entre territoires. En témoigne la redondance des projets de valorisation destinés à accueillir des activités tertiaires, les agglomérations, séparées seulement d'une centaine de kilomètres, adoptant des stratégies similaires. Si l'analyse de l'insertion de la branche Est au sein de l'aire Rhin-Rhône souligne la rigidité du modèle français à grande vitesse, ce cas d'étude fournit des pistes de réflexion sur l'élaboration des futurs projets de LGV, dont la réalisation sera étroitement dépendante du soutien financier des collectivités territoriales.</text>
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                <text>Université de Bourgogne</text>
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                <text>[SHS:HIST] Humanities and Social Sciences/History</text>
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                <text>Aire Rhin-Rhône</text>
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                <text>Du TGV Rhin-Rhône au "Territoire" Rhin-Rhône : réticularité, mobilité et territorialité dans un espace intermédiaire</text>
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                <text>André-Lamat, Véronique</text>
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                <text>Couderchet, Laurent</text>
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                <text>Hoyaux, André-Frédéric</text>
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                <text>Ce texte éclaire la récupération médiatique effectuée par la publicité autour du concept d'habiter abordé par la phénoménologie. En effet, la communication publicitaire semble jouer et se jouer de l'approche présentiste (tout relève du ici et maintenant) et constitutiviste (tout est construit en acte par l'habitant hors d'une quelconque objectivation rationnelle de la réalité) développé par ce courant philosophique pour en détourner les valeurs positives au regard des habitants de nos sociétés contemporaines. Sous les vocables projet, intentionnalité, authenticité, habiter, la publicité met en scène et en récit l'individu éco-responsable de la nature et du monde qu'il construit, qu'il invente ici et maintenant en fictions...pour les générations futures ! Elle valorise alors subtilement les choix " d'acteurs " en rendant prétendument à l'habitant sa puissance réflexive de décision, de démocratie, alors qu'à travers son message même, elle le dépossède déjà de son esprit critique pour le conformer à un contexte ambiant techniciste plus préoccupé de progrès que de réflexivité.</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00838145</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/83/81/45/PDF/Habiter_Durable_ECOPOL_AndrA_Couderchet_Hoyaux_Version_Publi_Final.pdf</text>
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                <text>Education relative à l'environnement</text>
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                <text>[SHS:GEO] Humanities and Social Sciences/Geography</text>
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                <text>Habiter</text>
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                <text>Publicité</text>
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                <text>Constituvisme</text>
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                <text>L'Habiter Durable : Du détournement philosophique à travers les images et récits médiatiques</text>
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                <text>Grenoble</text>
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                <text>Blum, Élisabeth</text>
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                <text>The research on urban atmospheres goes along with the idea to produce a knowledge that can be useful for urban planners. My presentation acts in the assumption that research should establish a typology of atmospheres if it wants to besome an instrument for planners. I will present three types of urban atmospheres that result from a research project. Discussing the conditions of the emergence of the tree types of atmospheres I will shwo that there are a number of environmental factors that cannot be controlled by urban planners. I conclude that a typology can nevertheless help to understand the elements that influence the appearance of urban atmospheres and therefore facilitate the communication among planners about the lived quality of urban space.</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/83/80/13/PDF/Ambiance2008_Blum.pdf</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>Lucerne laboratoire urbain (SLL) : Ambiances induites par des espaces et des objets urbains un projet d'étude 2007-2008</text>
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                <text>On n'imagine pas ce que les scénographies de Théâtre, d'Opéra, de Cinéma et d'exposition impliquent comme énergies dépensées avant qu'elles ne soient regardées. La conception, les démarches de recherches, d'analyses, d'informations, les études techniques, les moyens mis en œuvre, les artistes, artisans et techniciens qui construisent, peignent et rendent praticables les décors sont autant d'activités et de personnes qui précédent et opèrent à leur mise en œuvre. Le scénographe préside à tout ceci. Et c'est à travers son expérience que Guy-Claude François propose de montrer cet aspect dissimulé de la création au Théâtre et au Cinéma. Il développera en particulier ce que le Théâtre du Soleil lui a apporté comme fondement à toutes ces activités. Son état simultané d'enseignant lui a fait acquérir le réflexe de photographier les envers du décor d'une partie de ceux qu'il a conçu et réalisé. Ce sont ces photos qu'il commentera.</text>
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                <text>Espaces domestiques. Construire, habiter, représenter</text>
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                <text>De l'espace domestique au monde domestiqué. Point de vue phénoménologique sur l'habitation</text>
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                <text>A sustainable and sustaining planning strategy is globally important for metropolitan areas. Sustainable planning addresses the development of strategies to reduce the use of resources, increase economic efficiency and improve integration of social aspects. In contrast, splinter development (e.g. urban sprawl) involves damage to nature and generation of an increasing volume of traffic (these are the main criticisms following a study by Newman and Kenworthy (1989) on the relationship between settlement density and energy consumption). Interestingly, the overly compact city also has this effect as it may generate traffic flows for accessing green and leisure areas, or changes of residence due to a favouring of sites that lie farther away from the centre than the inhabitants' current places of residence. Households not only consume urban amenities integrated into densely populated areas, but also aspire to have access to green and leisure areas. Schwanen et al. (2004) showed that households usually optimize their residential choice with respect to accessibility to various types of amenities, which is inherently linked to the frequentation rate of these amenities (daily, weekly, monthly, and occasional) (c.f. spatial practice of people). Moreover, on an urban scale, over-compactness causes ecological problems such as a lack of green wedges for supplying the city with fresh air (urban microclimate). Thus, we aim to find a solution for managing dispersed development which marries the twin elements of green and built-up space in a highly efficient manner. This solution also needs to incorporate dynamic aspects of a city as well as minimizing traffic costs and emissions. Based on the observation that urban space is founded on the principle of fractal geometry, it seems interesting to explore to what extent fractal geometry may be drawn upon for solving the spatial antagonism of compactness and urban sprawl.</text>
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                <text>agglomerations</text>
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                <text>DEVELOPMENT OF SUSTAINABLE METROPOLITAN AREAS USING A MULTI-SCALE DECISION SUPPORT SYSTEM</text>
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                <text>Ce chapitre a pour vocation de construire une généalogie des champs épistémologiques et des courants géographiques qui ont investi le savoir géographique sur la ville. Il partira du postulat que la pensée géographique sur la ville et l'urbain n'est pas seulement produite par les géographes. Le champ d'investigation de ce chapitre s'élargira donc à toute réflexion concernant l'espace et la spatialité pour comprendre comment se sont construits les courants géographiques qui ont abordé la ville.</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/60/94/56/PDF/Hoyaux._La_France._Une_GA_ographie_Urbaine_Chap._4._La_pensA_e_gA_ographique_de_la_ville_et_de_l_urbain_en_France.pdf</text>
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                <text>La France. Une géographie urbaine</text>
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                <text>La pensée géographique de la ville et de l'urbain en France</text>
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                <text>Le Mouël, Eloi</text>
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                <text>2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475586">
                <text>Nous proposons pour cette intervention un double regard sur les parcours dans les espaces de transport : celui de sociologue analysant les interactions en espaces publics et celui de chargé de projets en design et projets culturels à la RATP. L'analyse sociologique en action (école de Chicago) portée au cœur des espaces de transport sur les conséquences des projets de design a permis d'identifier une attente majeure vécue par les usagers (enquêtes de terrain/entretiens lors du travail de thèse). Ils espèrent des concepteurs qu'ils prennent en compte de façon systématiquement combinée les compétences fonctionnelles et sensibles des espaces, là où elles sont souvent pensées comme radicalement distinctes. Le déploiement par les savoirs " sensibles " (Architecture, Design...) de vocabulaires attentionnés en espaces publics passe par un travail global de scénographie des lieux, déclinable en fonction des publics. De la construction d'une ambiance à la métamorphose totale des perceptions, se dessine une dynamique de préservation de la vulnérabilité des engagements en espace public. Le trajet envisagé comme récit au sein d'une ville mosaïque s'écrit de manière radicalement différente en fonction de la qualité des affects proposés par les lieux, co-acteurs de la scène. L'action du Design au sein des espaces de transport de la RATP doit-il donc se lire comme une volonté d'échapper au paradigme posé par Hanna Arendt : " vivre avec l'autre, sans autrui " ?</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00836337</text>
              </elementText>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/83/63/37/PDF/Ambiance2008_LeMouel.pdf</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Perceptions et récits de trajets au sein des espaces de transport de la RATP</text>
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            </elementTextContainer>
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          <element elementId="51">
            <name>Type</name>
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                <text>Grenoble</text>
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                <text>France</text>
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                <text>Bermudez, Julio</text>
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          <element elementId="40">
            <name>Date</name>
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            <elementTextContainer>
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              </elementText>
            </elementTextContainer>
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            <elementTextContainer>
              <elementText elementTextId="475604">
                <text>Cet article présente des résultats de deux grandes enquêtes (en anglais et espagnol) conduites d'avril 2007 à avril 2008. L'objectif était de recueillir des informations empiriques sur des Expériences Architecturales Extraordinaires (EAE). L'enquête a produit le plus grand nombre de témoignages personnels d'EAEs jamais rassemblés auparavant (2.872). Cet article présente 15 réponses qui couvrent le processus, la nature, et les effets caractérisant de telles atmosphères extrêmes. Les résultats montrent une phénoménologie de perceptions intenses/profondes/vives d'éveil soudain, de déploiement spontané, d'état élevé de conscience, d'autres de manière silencieuse/ introspective, de fortes réactions corporelles, et de niveaux remarquables de rappel. On a primordialement rapporté que les EAEs sont émotives, sensuelles/physiques/perceptuelles, intemporelles, et agréables.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="475606">
                <text>http://halshs.archives-ouvertes.fr/docs/00/83/63/33/PDF/Ambiance2008_Bermudez.pdf</text>
              </elementText>
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          </element>
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            <description>A language of the resource</description>
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              <elementText elementTextId="475609">
                <text>1st International Congress on Ambiances, Grenoble 2008</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="475610">
                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
              </elementText>
              <elementText elementTextId="475611">
                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
              </elementText>
              <elementText elementTextId="475612">
                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
              </elementText>
              <elementText elementTextId="475613">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Cartographier le territoire phénoménologique des ambiances architecturales</text>
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            </elementTextContainer>
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            <description>The nature or genre of the resource</description>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Noucher, Matthieu</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>2013-03-01</text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Dans le contexte actuel de diffusion rapide des technologies de l'information géographique, les outils de la géomatique ne sont plus réservés à quelques techniciens mais touchent désormais l'ensemble des acteurs du territoire (urbanistes, géologues, forestiers, gestionnaires de réseaux, etc.). Face à cette multiplication de systèmes d'information géographique experts et devant les besoins croissants de visions intégrées du territoire, de nombreuses initiatives partenariales voient le jour. Leurs finalités tendent à évoluer progressivement : de la diffusion de référentiels géographiques à l'harmonisation voire la coproduction de données métier. On observe, ainsi, un basculement progressif des logiques de porter à connaissance vers des objectifs plus ambitieux de partage de connaissances.</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00836325</text>
              </elementText>
              <elementText elementTextId="475622">
                <text>http://halshs.archives-ouvertes.fr/docs/00/83/63/25/PDF/CFC2012_These_Noucher_preprint.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <description>A language of the resource</description>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="475624">
                <text>Cartes &amp; Géomatique - Revue du Comité Français de Cartographie</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="475625">
                <text>[SHS:GEO] Humanities and Social Sciences/Geography</text>
              </elementText>
              <elementText elementTextId="475626">
                <text>géomatique</text>
              </elementText>
              <elementText elementTextId="475627">
                <text>donnée géographique</text>
              </elementText>
              <elementText elementTextId="475628">
                <text>objet-frontière</text>
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                <text>appropriation</text>
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              <elementText elementTextId="475630">
                <text>cognition</text>
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                <text>systémique</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475632">
                <text>La donnée géographique aux frontières des organisations. Approche socio-cognitive de son appropriation.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475633">
                <text>article in peer-reviewed journal</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <description>A name given to the resource</description>
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            <name>Coverage</name>
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                <text>Grenoble</text>
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              <elementText elementTextId="475635">
                <text>France</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="475636">
                <text>Karoui, Hind</text>
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            <name>Date</name>
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            <elementTextContainer>
              <elementText elementTextId="475637">
                <text>2011</text>
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                <text>L'objet de notre contribution vise à répondre à un des questionnements posés par le programme scientifique du colloque, à savoir : " Comment fait-on une ambiance dans le projet d'architecture et d'urbanisme ? ". L'étude présentée est historico-sociale. Elle consiste à comprendre par quels moyens l' " architecte " tunisien du XVIIIes traduisait ses intentions de " mise en lumière " de l'espace domestique citadin. A cette fin, nous nous intéresserons à tout ce qui relève de la " fabrication " d'ambiances lumineuses dans la grande demeure tunisoise de la période husseinite : types d'ouverture, types de dispositions spatiales, modes d'agencement des espaces. Pouvons nous affirmer que cet " architecte " se préoccupait de la " mise en ambiances lumineuses " de la demeure d'une manière consciente et réfléchie ?</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="475639">
                <text>http://halshs.archives-ouvertes.fr/halshs-00833965</text>
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              <elementText elementTextId="475640">
                <text>http://halshs.archives-ouvertes.fr/docs/00/83/39/65/PDF/Ambiance2008_Karoui.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <elementText elementTextId="475642">
                <text>Creating an atmosphere|Faire une ambiance</text>
              </elementText>
              <elementText elementTextId="475643">
                <text>1st International Congress on Ambiances, Grenoble 2008</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
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              </elementText>
              <elementText elementTextId="475645">
                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
              </elementText>
              <elementText elementTextId="475646">
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              </elementText>
              <elementText elementTextId="475647">
                <text>architecture</text>
              </elementText>
              <elementText elementTextId="475648">
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              </elementText>
              <elementText elementTextId="475649">
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475650">
                <text>La "mise en ambiances lumineuses" de la grande demeure tunisoise du XVIIIe siècle : entre conscience sensible et savoir constitué</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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            </elementTextContainer>
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                <text>Grenoble</text>
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                <text>France</text>
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                <text>Jarrigeon, Anne</text>
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            <description>An account of the resource</description>
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                <text>Bien plus souvent décrié qu'analysé, l'anonymat semble constitutif de l'expérience de la grande ville. Mais que se passe-t-il vraiment au cours des interactions anonymes ? Que deviennent les ambiances lorsque la foule semble se saisir des lieux ? Cette contribution s'appuie sur les perceptives d'anthropologie poétique développée dans ma thèse sur l'anonymat urbain. Après une présentation de ma démarche interdisciplinaire, à la croisée de la sémiotique, de l'ethnologie critique et de l'anthropologie visuelle, je donnerai à vivre et à penser des ambiances anonymes saisies à Paris, sur la Piazza Beaubourg, au Forum des Halles, et dans le parc de la Villette, appareil photo et caméra au poing. La pratique de la prise de vue permet en effet de révéler, en les expérimentant, les dynamiques du voir / être-vu au cœur des interactions urbaines.</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00833964</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/83/39/64/PDF/Ambiance2008_Jarrigeon.pdf</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>L'ambiance des foules anonymes: Eléments d'anthropologie poétique des espaces publics parisiens</text>
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                <text>Kazig, Rainer</text>
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                <text>La recherche sur les ambiances urbaines est accompagnée de l'idée de produire un savoir pouvant être au service des concepteurs urbains. Ma présentation repose sur la conviction que la recherche devrait établir des typologies d'ambiances afin de pouvoir fonctionner comme un outil d'aide à la création. Elle présente trois types d'ambiances issues d'une recherche empirique. En discutant les conditions d'émergence des trois ambiances types elle montre l'existence de nombreux facteurs non contrôlables par les urbanistes. La présentation conclut que les ambiances types aident néanmoins à rendre intelligibles les facteurs pouvant influencer le développement d'une ambiance et facilitent ainsi la communication entre les acteurs de la conception urbaine sur la qualité de l'espace vécu.</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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              <elementText elementTextId="475686">
                <text>Les ambiances types - approche scientifique au service de la conception urbanistique ?</text>
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            <name>Coverage</name>
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                <text>Grenoble</text>
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                <text>France</text>
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                <text>Quartier, Katelijn</text>
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            <name>Date</name>
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                <text>2011</text>
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                <text>Il sera question d'analyser l'" ambiance " à travers son histoire, d'en faire ressortir les composantes et de les analyser séparément et par la suite d'en rassembler les résultats, espérant que l' " ambiance désirée " deviendra la somme de ces parties. Tout d'abord, donc, nous avons une connaissance limitée à savoir comment fonctionne certains paramètres spécifiques dans un espace architectural en trois dimensions. L'introduction de l'ambiance comme étant une notion holistique importante est relativement nouveau dans la recherche en design de vente au détail. Les espaces commerciaux se concentrent davantage sur les produits, les services et la vente. De nos jours, l'environnement commence à jouer un rôle important. Il est maintenant voulu de développer une méthodologie afin de mesurer l'influence de l'environnement de vente sur les consommateurs par l'entremise d'analyses sur différentes ambiances de vente, à travers la méthode du " design par la recherche ".</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>architecture</text>
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            <name>Title</name>
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                <text>Création d'expériences dans les espaces commerciaux à partir d'outils ambiantaux susceptibles d'influencer l'humeur et le comportement des consommateurs</text>
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                <text>Laousse, Dominique</text>
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                <text>According to major changes in daily uses of citizens, interaction with places and building couldn't be the same as ever and designers have to take that into deep account. In our view, urban atmosphere is made of daily uses, so creating an atmosphere deals with a comprehensive approach of spaces and places. Citizens want to be considered as individuals with their own practices of urban contexts they live in. People are more and more mobile, so there have to develop special competencies to understand every space they cross, knowing places of mobility (malls, hubs, stations, bus shelters...) are the most crowded spaces in cities. Moving ins't innate, it could be learned and as a sub-topic, it means learning how to move in different places. In other words, logic of user and logic of designer are often incompatible and regulation occurs during daily uses. Since 2001, RATP R1D work on pedagogy of mobility has been made to understand what we call "individual potential of mobility" which a conceptual model of week-being inside mobility places (vehicles and buildings, stations...). This model is based in five main dimensions (language mastering, partial representation, cognitive abilities, mental and physical health, transport experiences, particularly traumatic ones) and base been developed after systematic field observations. In that, mobility has to be understood as a problem of urban time-space cognition. Cognitive psychology was very useful to link time-space recognition with activation/ inhibition processes and crystallized fluid intelligence. In a word, well-being in a "new" place (activating mental process) means forgiving another (inhibiting former experience) and more using fluid intelligence (daily routine processes). Second step was to design an operational process to help acquisition of mobility core competencies in the same way as Economics Nobel Prize A. Sen spoke about capabilities. Results was to create mobility workshops for adults dedicated to learn mode d'emploi of transport systems and mobility classrooms to dedicated to learn basics of mobility culture for young students. After 10 years of empirical validation, we can confirm that learning mobility is made of learning many places and that learning places is an ever evolving process. In conclusion, we want to stress the importance of integrating a integrating pedagogy of daily use by real users as a core dimension of designing an atmosphere.</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>Apprendre une ambiance ? Entre usages et appropriation</text>
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                <text>Comment un parking par la question des ambiances peut entretenir des continuités avec l'espace urbain ? Comment les ambiances structurent fondamentalement le fonctionnement de ce type de projet ? Comment les différents sens sont mis à contribution pour passer du statut d'automobiliste à celui de piéton urbain ? Comment la signalétique liée au repérage dans l'espace peut éviter l'écueil du dispositif autonome et être un élément d'ambiance constituant du projet ? Comment le parcours architectural peut être gradué et caractérisé en accord avec les parcours des usagers ? Concevoir et réaliser un parking enterré en centre urbain pose la question de l'élaboration du projet par les ambiances. Une ambiance qui fait sens, c'est avant tout une perception mentale qui imprègne le projet dans son contexte. C'est ce que je nomme la rémanence contextuelle.</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>Remanence contextuelle : architecture et ambiances ; Parking cathedrale / Nantes</text>
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                <text>L'ambiance apparaît comme mélange : de propriétés physiques, d'expériences sensibles prises dans la multisensorialité, de caractérisations culturelles et fonctionnelles, les unes et les autres intimement imbriquées. Mais, pour venir à bout de ce genre d'agrégat : compact, hybride et résistant, reste toujours le pis-aller de la fragmentation. Il s'agit alors non plus de saisir globalement l'ambiance, mais plutôt de se colleter avec la gamme très étendue de ses composants dûments isolés. Ce faisant, on se résignera lucidement et stoïquement, à une saisie incomplète, indirecte, voire incertaine.</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>Faire et défaire les ambiances</text>
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                <text>Palmese, Cristina</text>
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                <text>Gutierrez, Luis Antonio</text>
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                <text>Carles, José Luis</text>
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                <text>L'intention de cette communication est de mettre à l'épreuve les catégories de l'ambiance à partir d'une perspective particulière : celle en rapport avec l'emploi des nouvelles technologies. Pour illustrer ces propos, la démarche présentée est la vidéo-installation Madrid-Paris, qui travaille sur des lieux représentatifs des deux villes à travers leurs respectives lignes 5 de métro. Cette installation questionne la perception du nouvel espace-temps qui se configure aujourd'hui dans le "réseau" et en général à travers l'observation du cyberespace. Il s'agit d'un simulacre ontologiquement équivalent à la réalité qu'il remplace ; altération de fragments d'une narration minimale audiovisuelle à caractère éphémère, perceptions subtiles dans lesquelles l'instant est altéré et où cohabitent les mêmes espaces en différents moments. Les objets de travail sont des lieux virtuels proposés par les pages web "Pages Jaunes", "QDQ" et "Google Earth" des deux villes, mis en parallèle avec une bande-son réalisée à partir de prises sonores "in situ" de Madrid et Paris.</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>L'espace audiovisuel du réel au virtuel : Vidéo-installation "Madrid-Paris"</text>
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                <text>Okamura, Cintia</text>
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                <text>Dans cette étude, nous présentons la mise en scène théâtrale comme une méthode permettant d'exprimer des ambiances urbaines. Cette forme trouvée par le chercheur, ici compris comme le narrateur-auteur, réunit et conjugue les différents personnages interviewés et transforme les fragments des scènes présentées en un seul scénario. Ainsi, nous présentons les procédés d'élaboration de la pièce de théâtre et leurs résultats, c'est-à-dire la mise en scène théâtrale proprement dite comme une forme permettant de décrire les ambiances urbaines des différents sites de l'espace public étudié.</text>
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                <text>Petites actions, grands changements environnementaux - un projet de rénovation d'habitat collectif</text>
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