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                <text>, néolibéralisme, économie, politique urbaine, Harvey David</text>
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2 November 2006

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David Harvey</text>
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                <text>&lt;div&gt;&lt;b&gt;Organisers' description :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
The distinguished geographer and social theorist, David Harvey, will be the 22nd Annual Urban Studies Public Lecturer. The lecture is entitled &amp;lsquo;Neoliberalism and the City&amp;rsquo;, and will take place Thursday, November 2, 2006 at 5:00 PM. &lt;br /&gt;
&lt;br /&gt;
In his talk, Harvey will draw on his recent book, A Brief History of Neoliberalism (2005), in which he traces the rise of neoliberal principles based on the theory of free markets and unfettered international capital flows from an obscure economic theory to dominance on the world stage. Harvey shows how proponents of a neoliberal economic philosophy, such as the influential leaders Ronald Reagan and Margaret Thatcher, gained the consensus of key figures and economic and political institutions, driven by an aspiration to re-establish class power. He dissects the logic of neoliberalism, revealing its built-in contradictions and the tremendous variation in how it looks from place to place and at different scales. He will talk about how cities have both complied and resisted neoliberalism&amp;rsquo;s discipline.&lt;br /&gt;
&lt;br /&gt;
David Harvey&amp;rsquo;s career has had several phases, from work on the methodology and philosophy of geography and historical geography to an exploration of Marxist approaches, particularly related to urbanization and the crises of poverty and racism in US cities. His later work delves into such issues as environmental justice, alternative modes of urbanization, progressive approaches to addressing problems of the environment and inequality. His most recent works looks at questions of globalization and uneven geographical development within a globalizing world.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;David Harvey&lt;/b&gt; is a Distinguished Professor in the Ph.D. Program in  Anthropology at the City University of New York Graduate Center.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Les enjeux du recyclage à Dharavi</text>
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octobre 2010

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                <text>&lt;div&gt;Un reportage d'Edith Bouvier diffus&amp;eacute; dans l'&amp;eacute;mission &lt;i&gt;C'est pas du vent&lt;/i&gt; d'Anne-C&amp;eacute;cile Bras.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Bombay, une m&amp;eacute;gapole, c&amp;oelig;ur financier de l&amp;rsquo;Inde compte pr&amp;egrave;s de 16 millions d&amp;rsquo;habitants. Une ville de la d&amp;eacute;mesure, surpeupl&amp;eacute;e, toujours en activit&amp;eacute;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La premi&amp;egrave;re image de la ville est l'&amp;eacute;norme bidonville que l&amp;rsquo;on aper&amp;ccedil;oit du hublot de l'avion. Dharavi. Il s'&amp;eacute;tend sur des kilom&amp;egrave;tres aux abords de l'a&amp;eacute;roport. Le plus vaste du continent asiatique.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Paradoxe, c&amp;rsquo;est dans cet amas de d&amp;eacute;chets que se trouve pourtant la solution &amp;eacute;cologique de l&amp;rsquo;Inde. Plus pr&amp;eacute;cis&amp;eacute;ment dans le quartier des recycleurs.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
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26'31&amp;quot;</text>
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20 octobre 2010

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Anne-C&amp;eacute;cile Bras</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Plus de la moiti&amp;eacute; de la population mondiale vit en ville. Comment adapter notre mobilit&amp;eacute;, nos habitats et notre environnement quotidien aux imp&amp;eacute;ratifs &amp;eacute;cologiques ? Une solution : les villes durables.&lt;br /&gt;
&lt;br /&gt;
Avec &lt;b&gt;Dominique Pialot&lt;/b&gt;, responsable des pages Green business de la Tribune.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cette &amp;eacute;mission peut &amp;ecirc;tre &amp;eacute;cout&amp;eacute;e en ligne ou t&amp;eacute;l&amp;eacute;charg&amp;eacute;e au format mp3 sur le site de RFI.&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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26'31''</text>
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11 octobre 2010

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Le cycle &amp;ldquo;Cultures urbaines&amp;rdquo; se poursuit avec une table ronde consacr&amp;eacute;e au temps : Qu'est-ce que le temps de la ville ?&lt;br /&gt;
Les rythmes de la ville changent et se d&amp;eacute;synchronisent : avec le d&amp;eacute;ploiement des nouvelles technologies de l&amp;rsquo;information et des communications, le temps est devenu manipulable : on le stocke, on le diff&amp;egrave;re, on le compresse. L&amp;rsquo;instantan&amp;eacute;it&amp;eacute; et la simultan&amp;eacute;it&amp;eacute; modifient les modes de vie des urbains et imposent de nouvelles normes temporelles. Comment articuler aujourd&amp;rsquo;hui temps singulier et temps collectif, comment vivre &amp;agrave; plusieurs temps dans la ville ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Intervenants :&lt;/b&gt; Thierry Paquot&amp;nbsp; ; Thomas P&amp;eacute;rez-Vitoria&amp;nbsp; ; Jean Richer&lt;/div&gt;
&lt;b&gt;Animateur :&lt;/b&gt; Fran&amp;ccedil;ois Chaslin&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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31 janvier 2007

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Ang&amp;egrave;s Deboulet</text>
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&amp;nbsp;&lt;/div&gt;
La culture, Ville et pauvret&amp;eacute; dans le monde, Les &amp;Eacute;tats-Unis au XXe si&amp;egrave;cle, ou... l&amp;rsquo;Albertine disparue de Proust : tels sont quelques-uns des sujets soumis aux &amp;eacute;tudiants qui, cette ann&amp;eacute;e, pr&amp;eacute;parent le concours de l&amp;rsquo;&amp;Eacute;cole Normale Sup&amp;eacute;rieure de Lyon. Parce que l&amp;rsquo;int&amp;eacute;r&amp;ecirc;t de ces sujets d&amp;eacute;passe largement le cadre acad&amp;eacute;mique, l&amp;rsquo;&amp;eacute;quipe de la classe pr&amp;eacute;paratoire du lyc&amp;eacute;e Jean Jaur&amp;egrave;s coordonne, en partenariat avec la Maison populaire, une s&amp;eacute;rie de conf&amp;eacute;rences ouvertes au grand public comme aux &amp;eacute;tudiants : philosophes, g&amp;eacute;ographes, sociologues, critiques litt&amp;eacute;raires viendront y proposer des &amp;eacute;clairages contemporains sur les th&amp;egrave;mes du programme. Une mani&amp;egrave;re aussi de mieux faire conna&amp;icirc;tre le travail, &amp;agrave; deux pas de la Maison populaire, de cette formation litt&amp;eacute;raire de haut niveau ouverte sur la ville.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Agn&amp;egrave;s Deboulet&lt;/b&gt; est professeure &amp;agrave; l'&amp;eacute;cole d'architecture de Paris La Villette.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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15 novembre 2010

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&amp;nbsp;&lt;/div&gt;
Les quartiers difficiles sont parfois d&amp;eacute;sign&amp;eacute;s comme des &amp;quot;ghettos&amp;quot; : zones de non-droit, territoires de privation et de dangers qui doivent &amp;ecirc;tre craints et &amp;eacute;vit&amp;eacute;s.&lt;br /&gt;
Pourtant la s&amp;eacute;gr&amp;eacute;gation urbaine ne s&amp;rsquo;exerce pas seulement dans des zones d&amp;eacute;favoris&amp;eacute;es. Les notions de communautarisme et de ghetto permettent d&amp;rsquo;analyser le fonctionnement des diff&amp;eacute;rentes sph&amp;egrave;res de la soci&amp;eacute;t&amp;eacute; : comment les diff&amp;eacute;rentes classes sociales organisent les limites de leurs territoires. Dans la ville aujourd&amp;rsquo;hui, o&amp;ugrave; sont les fronti&amp;egrave;res, o&amp;ugrave; sont les ghettos ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Intervenants :&lt;/b&gt; Fran&amp;ccedil;ois Bonnet ; St&amp;eacute;phane Degoutin ; Claude Lanvers&lt;br /&gt;
&lt;b&gt;Animateur :&lt;/b&gt;  Raph&amp;auml;l Yem&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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26 janvier 2009

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&amp;nbsp;&lt;/div&gt;
Dans l&amp;rsquo;espace urbain, le r&amp;eacute;seau internet est souvent associ&amp;eacute; au non lieu. Cette soci&amp;eacute;t&amp;eacute; de l&amp;rsquo;information a toutes les apparences de l&amp;rsquo;immat&amp;eacute;rialit&amp;eacute; car il existe peu de marqueurs territoriaux qui soient visibles pour le quidam : quelques signes d&amp;eacute;sormais reconnaissables sur la devanture des caf&amp;eacute;s (spot wifi), des usagers toujours plus agripp&amp;eacute;s &amp;agrave; leur t&amp;eacute;l&amp;eacute;phone portable, un cybercaf&amp;eacute; ici, des antennes paraboliques l&amp;agrave;&amp;hellip; Mais, au fond, peu de choses au regard des chemin&amp;eacute;es des industries qui fument, des voitures qui circulent, des trains qui arrivent ! Ce paradoxe pose une vraie question : la ville occidentale est-elle en train de changer sous l&amp;rsquo;effet de ces technologies ? Ou bien Internet n&amp;rsquo;est-il finalement qu&amp;rsquo;un r&amp;eacute;seau de plus dans un environnement urbain ayant d&amp;eacute;j&amp;agrave; enregistr&amp;eacute; &amp;ndash; et parfois rejet&amp;eacute; pour mieux les r&amp;eacute;inventer (tramway, v&amp;eacute;lo) &amp;ndash; nombre d&amp;rsquo;innovations successives ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Philippe Vidal&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en g&amp;eacute;ographie et am&amp;eacute;nagement &amp;agrave; l'universit&amp;eacute; du Havre et au laboratoire du CIRTAI.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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1h16'00&amp;quot;</text>
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        <name>internet</name>
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        <name>technologie</name>
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        <name>Vidal Philippe</name>
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                <text>Au coeur du Saint-Pétersbourg de Dostoïevski</text>
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1993

</text>
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            <description>An entity primarily responsible for making the resource</description>
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Daniel Mermet, 
Zo&amp;eacute; Varier</text>
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                <text>&lt;div&gt;&lt;strong&gt;         Un reportage &lt;/strong&gt;&lt;strong&gt; diffus&amp;eacute; dans &lt;a target="_blank" href="http://www.radiofrance.fr/franceinter/em/labassijysuis/"&gt;L&amp;agrave; bas si j'y suis&lt;/a&gt;  de Daniel Mermet&lt;br /&gt;
&lt;/strong&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Certains romanciers sont les hommes d&amp;rsquo;une ville, comme Balzac de Paris, Thomas Mann de L&amp;uuml;beck. La ville aux deux visages de Dosto&amp;iuml;evski, c&amp;rsquo;est Saint-P&amp;eacute;tersbourg, architecture abstraite cern&amp;eacute;e d&amp;rsquo;un monde de bas-fonds.&lt;br /&gt;
&lt;br /&gt;
Un reportage de Daniel Mermet avec Zo&amp;eacute; Varier en Russie, tourn&amp;eacute; en 1993.&lt;/div&gt;
&lt;strong&gt;&lt;br /&gt;
&lt;/strong&gt;                   &lt;strong&gt;Ecoute et Podcast :&lt;/strong&gt;&lt;br /&gt;
&lt;p align="justify"&gt;Comme pour toutes les &amp;eacute;missions de France Inter, les &amp;eacute;missions de         L&amp;agrave;-bas si j'y suis peuvent &amp;ecirc;tre &amp;eacute;cout&amp;eacute;es sur son site jusqu'&amp;agrave; la         diffusion de la prochaine &amp;eacute;mission.  &lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;         Heureusement, le site non officiel de L&amp;agrave;-bas si j'y suis, &lt;a target="_blank" href="http://www.la-bas.org/"&gt;www.la-bas.org&lt;/a&gt;          , conserve et offre &amp;agrave; tous les enregistrements de toutes les &amp;eacute;missions         de Daniel Mermet sous tous les formats audios possibles. &lt;br /&gt;
&lt;/strong&gt;&lt;/p&gt;
&lt;p align="justify"&gt;&lt;strong&gt;Il propose         &amp;eacute;galement un service de podcast de L&amp;agrave;-bas si j'y suis. Merci aux         animateurs de ce site !&lt;br /&gt;
&lt;/strong&gt;&lt;/p&gt;
&lt;/div&gt;
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                <text>

</text>
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                  <text>Crévilles</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Explorer les villes (regards croisés sur l’urbain)</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="410927">
                <text>participation, projet urbain, habitants, culture urbaine, art dans la ville</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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23 octobre 2010

</text>
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                <text>
Xavier Thomas</text>
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                <text>http://www.radiogrenouille.com/programmes/actualites/conversation-perchee-explorer-les-villes-regards-croises-sur-lurbain/</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La ville : terrain de jeu r&amp;eacute;serv&amp;eacute; aux urbanistes et aux politiques ? S&amp;ucirc;rement pas ! Artistes, chercheurs et habitants sont parfaitement fond&amp;eacute;s &amp;agrave; produire une r&amp;eacute;flexion pertinente sur l&amp;rsquo;urbain, &amp;agrave; d&amp;eacute;placer et renouveler les champs du d&amp;eacute;bat. Qu&amp;rsquo;est-ce qu&amp;rsquo;une ville, comment l&amp;rsquo;explorer quand on y d&amp;eacute;barque, quels sont les enjeux d&amp;rsquo;une nouvelle g&amp;eacute;ographie qui int&amp;egrave;gre les donn&amp;eacute;es culturelles et s&amp;rsquo;associe aux artistes, comment ces artistes travaillent-ils l&amp;rsquo;urbain ?&lt;br /&gt;
&lt;br /&gt;
A l&amp;rsquo;occasion de la programmation du collectif Berlin au Merlan, on accueille pour cette conversation perch&amp;eacute;e :&lt;br /&gt;
Boris Gr&amp;eacute;sillon (g&amp;eacute;ographe), Guillaume Calas (architecte, projet Archist par la galerie Art-cade), Yves Degryse (artiste, collectif Berlin), Agn&amp;egrave;s Kaiser (association Colin&amp;eacute;o, sensibilisation &amp;agrave; l&amp;rsquo;environnement), Fatima Mostefaoui (Conf&amp;eacute;d&amp;eacute;ration des Familles, section de la cit&amp;eacute; des Flamands), Jean-Claude Groussard (ancien directeur de l&amp;rsquo;&amp;eacute;cole d&amp;rsquo;architecture de Marseille), Nathalie Marteau (le Merlan, sc&amp;egrave;ne nationale).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>
53'</text>
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        <name>participation</name>
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        <name>projet urbain</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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              </elementTextContainer>
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              <name>Contributor</name>
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      <name>Sound</name>
      <description>A resource whose content is primarily intended to be rendered as audio.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Habiter précaire. Quelle place dans la ville, quelle place dans la société ?</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>habiter, précarité, précarisation, exclusion, stigmatisation, sans-abri, sans-papiers, immigrés, roms, foyer d'hébergement, campement, squat, bidonville, pratiques habitantes, politiques institutionnelles</text>
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                <text>&lt;div&gt;Enregistrements audios d'une journ&amp;eacute;e de d&amp;eacute;bat et r&amp;eacute;flexion organis&amp;eacute;e &amp;agrave; Tours par l'&lt;a href="http://www.universite-populaire-tours.fr/" target="_blank"&gt;Universit&amp;eacute; Populaire de Tours&lt;/a&gt;, en association avec &lt;a href="http://www.facebook.com/group.php?gid=41937315300" target="_blank"&gt;Confluence&lt;/a&gt; (Association tourangelle des &amp;eacute;tudiants en g&amp;eacute;ographie), Cr&amp;eacute;villes (Centre de ressources &amp;eacute;lectroniques sur les villes, Maison des sciences de l&amp;rsquo;homme de Tours) et avec la participation de l'association de r&amp;eacute;alisateurs &lt;a href="http://www.sanscanalfixe.org/" target="_blank"&gt;Sans Canal Fixe&lt;/a&gt;.&lt;/div&gt;&#13;
&lt;div&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;p&gt;&lt;strong id="tinymce" class="mceContentBody " dir="ltr"&gt;Liste des enregistrements :&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;Cliquez sur le lien pour &amp;eacute;couter un enregistrement ou faire un clic droit et "enregistrez sous" pour en t&amp;eacute;l&amp;eacute;charger le fichier mp3&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_1.mp3" target="_blank"&gt;- Introduction et pr&amp;eacute;sentation de la journ&amp;eacute;e, par Pascal Garret, membre de l'Universit&amp;eacute; Populaire de Tours et ing&amp;eacute;nieur de recherche &amp;agrave; la MSH de Tours (Cr&amp;eacute;villes).&lt;/a&gt; &amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_2.mp3"&gt;- &lt;em&gt;Les visages de la crise du logement&lt;/em&gt;, par Claire L&amp;eacute;vy-Vro&amp;eacute;lant, Professeure de sociologie &amp;agrave; l'Universit&amp;eacute; de Paris VIII-Saint Denis.&lt;/a&gt;&lt;br /&gt;&lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_2.mp3"&gt; T&amp;eacute;l&amp;eacute;charger le diaporama de Claire L&amp;eacute;vy-Vro&amp;eacute;lant &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_3.mp3" target="_blank"&gt;- &lt;em&gt;La lutte quotidienne d'un sans-abri : rester soi-m&amp;ecirc;me "malgr&amp;eacute; tout", par &lt;/em&gt;Claudia Girola, Ma&amp;icirc;tre de conf&amp;eacute;rence en sociologie &amp;agrave; l'Universit&amp;eacute; de Paris VII - Denis Diderot. &lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_4.mp3" target="_blank"&gt;- Premier d&amp;eacute;bat avec le public.&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_5.mp3" target="_blank"&gt;- Discussion avec Anne Moltrecht, r&amp;eacute;alisatrice du film &lt;em&gt;Patrick est reparti&lt;/em&gt;, et avec Patrick Tachet, ancien sans-abri et personnage principal de ce documentaire.&lt;br /&gt; &lt;/a&gt; &lt;br /&gt; &lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_6.mp3" target="_blank"&gt;- &lt;em&gt;Bidonvilles roms en France : politiques institutionnelles, pratiques habitantes, par &lt;/em&gt;Olivier Legros, Ma&amp;icirc;tre de conf&amp;eacute;rence en g&amp;eacute;ographie &amp;agrave; l'Universit&amp;eacute; de Tours et animateur du r&amp;eacute;seau Urbarom.&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; &lt;a href="http://crevilles.org/mambo/audio/habiter_precaire/habiter_precaire_7.mp3" target="_blank"&gt;- Second d&amp;eacute;bat avec le public.&lt;/a&gt; &amp;nbsp; contrat Creative Commons.&lt;/p&gt;</text>
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                <text>FR</text>
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                <text>Journée d'étude</text>
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          <element elementId="50">
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                <text>Lagos : Confronting change in a global megacity</text>
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                <text>Lagos, mutation urbaine, croissance urbaine, mégapole, mondialisation, urbanisation, gouvernance, politique de la ville, politique urbaine, Fashola Babatunde, environnement urbain</text>
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19 November 2010

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Lagos is one the fastest growing cities in Africa, and the seventh fastest growing city in the world. Governor Babatunde Fashola discusses how his administration is managing rapid urbanization and growth of this 17.5 million city, the engine of Nigeria's economy. Central to his strategy is the view that cities must pursue a bottom-up approach to solve the environmental and social challenges of the contemporary city.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Babatunde Fashola &lt;/b&gt;is the youngest Governor of Lagos State in the history of Nigeria and a lawyer by profession.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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3, 4 et 5 juin 2010

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Colloque</text>
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&amp;nbsp;&lt;/div&gt;
N&amp;eacute; en 1924, Michel Ragon se consacre &amp;agrave; l&amp;rsquo;activit&amp;eacute; litt&amp;eacute;raire et &amp;agrave; la critique d&amp;rsquo;art &amp;agrave; partir en 1948. Apr&amp;egrave;s son engagement en faveur de l&amp;rsquo;Abstraction lyrique, il s&amp;rsquo;int&amp;eacute;resse d&amp;egrave;s 1956 &amp;agrave; l&amp;rsquo;architecture et, parall&amp;egrave;lement &amp;agrave; son intense activit&amp;eacute; de critique, fonde en 1965 le GIAP (Groupe International d&amp;rsquo;Architecture Prospective). Un r&amp;eacute;cent partenariat avec les Archives de la critique d&amp;rsquo;art a permis d&amp;rsquo;inventorier et de num&amp;eacute;riser 264 lettres in&amp;eacute;dites relatives &amp;agrave; l&amp;rsquo;activit&amp;eacute; de Michel Ragon. Ces lettres apportent une lumi&amp;egrave;re nouvelle sur sa double pratique de critique d&amp;rsquo;art et d&amp;rsquo;architecture.&lt;/div&gt;
&lt;br /&gt;
Ce colloque s&amp;rsquo;attache &amp;agrave; explorer la figure du critique, en tant qu&amp;rsquo;acteur de la sc&amp;egrave;ne artistique et &amp;quot;producteur&amp;quot; d&amp;rsquo;archives livrant &amp;agrave; la recherche de pr&amp;eacute;cieuses informations sur l&amp;rsquo;histoire de l&amp;rsquo;art du second XXe si&amp;egrave;cle. Il s&amp;rsquo;agit d&amp;rsquo;interroger les sp&amp;eacute;cificit&amp;eacute;s de son &amp;eacute;criture critique dans ses rapports &amp;agrave; l&amp;rsquo;&amp;eacute;criture de l&amp;rsquo;histoire, &amp;agrave; la narration et &amp;agrave; la litt&amp;eacute;rature anarchiste, genres auxquels le critique s&amp;rsquo;est confront&amp;eacute; successivement. Les choix d&amp;eacute;fendus par Michel Ragon sont analys&amp;eacute;s &amp;agrave; travers l&amp;rsquo;&amp;eacute;tude des diff&amp;eacute;rentes facettes qui composent son activit&amp;eacute; de critique d&amp;rsquo;art et d&amp;rsquo;architecture. Tour &amp;agrave; tour promoteur de l&amp;rsquo;&amp;Eacute;cole de Paris, de l&amp;rsquo;Art Brut et du Nouveau R&amp;eacute;alisme, Michel Ragon se distingue, en contrepoint de sa d&amp;eacute;fense de l&amp;rsquo;art fran&amp;ccedil;ais, par la pratique d&amp;rsquo;une critique d&amp;rsquo;art &amp;quot;hors les murs&amp;quot;, qui le conduit &amp;agrave; &amp;eacute;crire sur COBRA, sur la &amp;quot;Nouvelle Figuration&amp;quot; europ&amp;eacute;enne et sur la peinture et l&amp;rsquo;architecture am&amp;eacute;ricaines.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Acc&amp;eacute;der aux enregistrements :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Les engagements de Ragon&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Michel Ragon, un critique d&amp;rsquo;art anarchiste ? Avec Annie Claustres&lt;br /&gt;
Louis Lecoin et Michel Ragon : insoumis, libertaires, citoyens du monde, objecteurs. Avec Michel Giroud&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ragon hors les murs&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Michel Ragon et le Pop art : vers un d&amp;eacute;passement de &amp;quot;l&amp;rsquo;acad&amp;eacute;misme abstrait&amp;quot; ? Avec Marine Sch&amp;uuml;tz&lt;br /&gt;
La participation fran&amp;ccedil;aise &amp;agrave; la 9&amp;egrave;me Biennale de S&amp;atilde;o Paulo (1967) et sa r&amp;eacute;percussion sur le milieu artistique br&amp;eacute;silien. Avec Ana Magalhaes&lt;br /&gt;
&lt;br /&gt;
Michel Ragon et les artistes am&amp;eacute;ricains : quel regard sur l&amp;rsquo;art nouveau venu d&amp;rsquo;Am&amp;eacute;rique ? Avec &amp;Eacute;lisa Capdevila&lt;br /&gt;
Lignes de fuite : Michel Ragon et Les Am&amp;eacute;ricains (1959). Avec Jean-Philippe Mathy&lt;br /&gt;
A la tienne Michel : A ce Dragon de Ragon. Avec Serge Guilbaut&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Histoires de l&amp;rsquo;art, histoires de l&amp;rsquo;architecture&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Historiographie de l&amp;rsquo;abstraction. Avec Guitemie Maldonado&lt;br /&gt;
Les activit&amp;eacute;s &amp;eacute;ditoriales de Michel Ragon. Avec Jean-Marc Poinsot&lt;br /&gt;
&lt;br /&gt;
Michel Ragon et l&amp;rsquo;architecture moderne aux &amp;Eacute;tats-Unis : r&amp;eacute;cit d&amp;rsquo;historien et/ou de critique ? Avec Claude Massu&lt;br /&gt;
Appr&amp;eacute;hender l&amp;rsquo;architecture moderne : la place de Michel Ragon dans l&amp;rsquo;historiographie de l&amp;rsquo;architecture des ann&amp;eacute;es 1950 et 1960. Avec Paolo Scrivano&lt;br /&gt;
L&amp;rsquo;architecte, l&amp;rsquo;histoire et la fiction. Avec Laurent Baridon&lt;br /&gt;
&lt;br /&gt;
Entretien entre Michel Ragon et Genevi&amp;egrave;ve Breerette et Anne Tronche&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La critique du fonctionnalisme : architectures visionnaires et prospectives&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Futur tendance. Avec Dominique Rouillard&lt;br /&gt;
Ragon et les &amp;quot;anarchitectures&amp;quot;. Roberta Trapani&lt;br /&gt;
L&amp;rsquo;urbanisme contre la ville : Michel Ragon et la critique de la ville des ann&amp;eacute;es 60 et 70. Avec H&amp;eacute;l&amp;egrave;ne Janni&amp;egrave;re&lt;br /&gt;
&lt;br /&gt;
Du GEAM au GIAP : Michel Ragon et la culture de l&amp;rsquo;architecture visionnaire en France. Avec Cornelia Escher&lt;br /&gt;
Vers l&amp;rsquo;architecture prospective. Avec Roula Matar Perret&lt;br /&gt;
&lt;br /&gt;
D&amp;eacute;bat conclusif. Avec H&amp;eacute;l&amp;egrave;ne Janni&amp;egrave;re, Jacques Leenhardt et Jean-Marc Poinsot.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>, classe moyenne, bourgeoisie, gated communities, tissu urbain, économie, société urbaine, sciences politiques, beau quartier, Le Gales Patrick, mobilité</text>
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28 March 2008

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Patrick Le Gales</text>
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                <text>&lt;div&gt;Patrick Le Gales discusses his research on the upper middle classes in European cities, questioning to what extent they are isolated from the social and economic fabric of the city, and how this destabilises and reconfigures modern society.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Patrick Le Gales&lt;/b&gt; is a Research Director at the Centre for Political Research at Sciences Po (CEVIPOF) in Paris.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;Richard Harris discusses suburbs around the world in this lecture from the City Institute at York University City Seminar Series. Segregation is a key theme of the lecture - segregation between suburbs, between suburbs and cities, and the theoretical segregation in the literature about suburbs in the Global North and the Global South, between the Western World and elsewhere, between historical and contemporary research, and segregation in the literature on cities and on suburbs. He explores the diverse nature of suburbs worldwide and asks what commonalities we can find between suburbs in different countries.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Richard Harris &lt;/b&gt;is a Professor in the School of Geography and Earth Sciences at McMaster University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Steve Graham</text>
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&amp;nbsp;&lt;/div&gt;
This wide-ranging, synthetical paper offers a cross-cuang view of a range of emerging research on the politics of verticality which appertain to contemporary urban spaces. Arguing that critical urban  social science has long neglected the vertical aspects of urban life, the paper seeks starting points  for a vertical turn within such research through engaging with recent research in architecture, political theory and cultural studies on the intersections of architecture and contemporary colonial  power, the profusion of skyscrapers and subterranean architectures, and the proliferation of vertically-organised sensors and targeting and imaging systems within security, military and  cultural circuits. These emerging developments are connected with earlier discourses on the  politics of vertical architecture, aeriality and the vertical view within urban studies, architecture,  cartography and geopolitics. The paper finishes with a reflection on the challenges of addressing  the politics of verticality and aeriality within critical urban social science.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Steve Graham &lt;/b&gt;is Professor of Cities and Society at the Global Urban Research Unit at Newcastle University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
See also other lectures from this conference:&lt;/div&gt;
Flight from modernity - aerial photography and the emergence of a social conception of space&lt;/a&gt;&lt;/div&gt;
Vertical urbanism&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
The paper considers how contemporary cities are constructed, framed and understood through  vertical axes and dimensions. It charts upward trajectories in not only iconic high-rises, but in  vertical gardens, townships, slums and urban farms, and in modes and methods of urban  transport. The paper argues that these vertical manifestations and domains of urban life are not  simply a response to space constraints and land values but mark and make visible new forms of  social and political power, which disrupt notions of centre-periphery in traditional, flatter models  of the city. Although recognising the validity and relevance of highlighting and analysing spatial  dichotomies between vertical and horizontal urban worlds, the paper seeks to complicate such  binaries.  Drawing on recent research from Mumbai, the paper explores and identifies overlapping (or vertizontal) connections, practices and assemblages in three-dimensional city-making.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Andrew Harris &lt;/b&gt;is a Lecturer in Urban Studies and Geography at University College London.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
See also other lectures from this conference:&lt;/div&gt;
Flight from modernity - aerial photography and the emergence of a social conception of space&lt;/a&gt;&lt;/div&gt;
Vertigo: For a vertical turn in critical social science&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
As a technique of representation, aerial photography has often been associated with &amp;ldquo;top-down&amp;rdquo;  urban planning programs initiated by twentieth-century modern capitalist states. This book seeks to demonstrate that, in fact, the new social conception of space developed by French urban  sociologist Henri Lefebvre and others in the 1960s and 1970s was actually engendered with the aid  of this novel twentieth-century tool of vision. Beginning in the 1930s, French social scientists  working in a variety of different academic fields used aerial photos to investigate the spaces of  human habitation in French colonies as well as in France. The technique, which was closely linked to the French colonial state and military, helped them to see the connection between spatial organization and social organization. After World War II, these anthropological theories of spatial  organization were turned back onto the metropole. By the 1960s and 1970s, as we will see, the anthropological critique developed in the 1930s had become a full-fledged attack on contemporary urbanism.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Jeanne Haffner &lt;/b&gt;is an urban historian and a fellow at Harvard University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
See also other lectures from this conference:&lt;/div&gt;
Vertical urbanism&lt;/a&gt;&lt;/div&gt;
Vertigo: For a vertical turn in critical social science&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;Qu'elle soit r&amp;eacute;elle ou imaginaire, une ville suppose des immeubles, des transports, des quartiers riches et pauvres... G&amp;eacute;ographe passionn&amp;eacute; de science-fiction, fan de Star Wars, Alain Musset est aussi directeur d'&amp;eacute;tudes &amp;agrave; l'Ecole des hautes &amp;eacute;tudes en sciences sociales et sp&amp;eacute;cialiste des cit&amp;eacute;s d'aujourd'hui. Il nous fait visiter Coruscant, la ville-plan&amp;egrave;te de Star Wars, et dresse un parall&amp;egrave;le entre ce monde imaginaire et le n&amp;ocirc;tre. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;R&amp;eacute;alisation&lt;/b&gt;: Ouiza Ouyed et Matthieu Crocq&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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