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7 septembre 2011

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Actes Sud

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Par son ampleur, par la richesse exceptionnelle de sa documentation photographique, r&amp;eacute;alis&amp;eacute;e par Alexandre Orloff, en mission pour l&amp;rsquo;Unesco, par l&amp;rsquo;autorit&amp;eacute;, le style souverain et enjou&amp;eacute; de son auteur, Salah St&amp;eacute;ti&amp;eacute;, voici le livre majeur sur les m&amp;eacute;dinas.&lt;br /&gt;
&lt;br /&gt;
Ces &amp;quot;villes&amp;quot; par excellence, bord&amp;eacute;es par le d&amp;eacute;sert, furent de tout temps au coeur de la civilisation m&amp;eacute;diterran&amp;eacute;enne. Les merveilles de l&amp;rsquo;architecture et du d&amp;eacute;cor &amp;ndash; mosqu&amp;eacute;es, &amp;eacute;coles coraniques (medersas), zaou&amp;iuml;as consacr&amp;eacute;es &amp;agrave; un saint, portes monumentales, coupoles, plafonds et fen&amp;ecirc;tres de bois polychrome &amp;ndash;, se d&amp;eacute;ploient en majest&amp;eacute;, au rythme des doubles pages qui, pour un m&amp;ecirc;me sujet, alternent vues panoramiques et d&amp;eacute;tails des entrelacs d&amp;eacute;coratifs &amp;agrave; la vertigineuse complexit&amp;eacute;.&lt;br /&gt;
&lt;br /&gt;
A l&amp;rsquo;instar de Chartres, de Reims ou de Versailles, voici, &amp;agrave; F&amp;egrave;s, la c&amp;eacute;l&amp;egrave;bre mosqu&amp;eacute;e Al-Qaraouy&amp;icirc;ne, synth&amp;egrave;se de tous les courants artistiques de l&amp;rsquo;art m&amp;eacute;di&amp;eacute;val en Islam, qui fut la plus ancienne universit&amp;eacute; d&amp;rsquo;Occident (avec sa biblioth&amp;egrave;que de trente mille volumes et dix mille manuscrits) ; la supr&amp;ecirc;me &amp;eacute;l&amp;eacute;gance des medersas Bou-Inania, el Azzarine, Sahrig aux fen&amp;ecirc;tres de bois sculpt&amp;eacute;... auxquelles r&amp;eacute;pondent, &amp;agrave; Tunis, les marbres des mosqu&amp;eacute;es Ez-Zitouna et Hammouda Pacha ou de la medersa Suleymaniya &amp;agrave; la coupole d&amp;rsquo;une finesse in&amp;eacute;gal&amp;eacute;e.&lt;br /&gt;
&lt;br /&gt;
Les palais de la casbah d&amp;rsquo;Alger &amp;ndash; celui du Ra&amp;iuml;s, aujourd&amp;rsquo;hui restaur&amp;eacute;, ceux du dey et du bey, zelliges, miroirs et stucs de Dar Hassan Pacha et Dar Bekri (mus&amp;eacute;e des Arts et Traditions populaires) &amp;ndash; rivalisent de luxuriance avec le splendide Dar Husse&amp;iuml;n de Tunis (Institut d&amp;rsquo;art et d&amp;rsquo;architecture) ou, &amp;agrave; F&amp;egrave;s, le palais du Glaou&amp;iuml; et le Dar Chergui et son riyad aux c&amp;eacute;l&amp;egrave;bres fontaines. La profusion des mat&amp;eacute;riaux &amp;ndash; marbre, c&amp;eacute;ramique, stuc, verre, bois (&amp;agrave; F&amp;egrave;s sp&amp;eacute;ciale-ment) &amp;ndash; et les multiples influences stylistiques &amp;ndash; italienne et turque &amp;agrave; Tunis, andalouse &amp;agrave; Alger et surtout &amp;agrave; F&amp;egrave;s, &amp;eacute;vitant toute monotonie, conduisent le lecteur de surprises en &amp;eacute;merveillements sans cesse renouvel&amp;eacute;s.&lt;br /&gt;
&lt;br /&gt;
Y contribue aussi le foisonnement des activit&amp;eacute;s humaines, des plus humbles aux plus festives tel le moussem de Moulay Idriss, &amp;agrave; F&amp;egrave;s. Echoppes des souks, femmes &amp;agrave; la fontaine (la Najjar&amp;icirc;ne de F&amp;egrave;s, mariant le zellige au bois de c&amp;egrave;dre), &amp;quot;royaume des femmes&amp;quot; aux terrasses de la casbah d&amp;rsquo;Alger, dinandiers, orf&amp;egrave;vres, tanneurs, cordonniers de F&amp;egrave;s, mara&amp;icirc;chers, libraires, fabricants de ch&amp;eacute;chias de Tunis : les &amp;quot;Travaux et les Jours&amp;quot; rythment la m&amp;eacute;dina, ferment de vie, noyau de l&amp;rsquo;Histoire et de la civilisation.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Salah St&amp;eacute;ti&amp;eacute;&lt;/b&gt;, grand po&amp;egrave;te de langue fran&amp;ccedil;aise et de langue arabe, ancien ambassadeur du Liban au Maroc, sait &amp;eacute;couter le coeur des villes, au rythme du p&amp;eacute;rissable et de l&amp;rsquo;&amp;eacute;ternel.&lt;/div&gt;
&lt;b&gt;Alexandre Orloff&lt;/b&gt;, photographe am&amp;eacute;ricain, a r&amp;eacute;alis&amp;eacute; sous les auspices de l&amp;rsquo;Unesco, voici trois d&amp;eacute;cennies, ces reportages qui constituent un document unique sur l&amp;rsquo;h&amp;eacute;ritage culturel des m&amp;eacute;dinas du Maghreb.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Caen, Gien, Dunkerque, Royan, Lorient, Brest, Beauvais ou Le Havre, Saint-L&amp;ocirc;, Saint-Malo, mais aussi Nantes ou Toulon... au lendemain de la Seconde Guerre mondiale, la France ne compte plus ses villes martyres. On ne pouvait condamner leur population &amp;agrave; vivre plus longtemps dans les planches ; il fallut les relever dans l&amp;rsquo;urgence. Inspir&amp;eacute;e des Modernes, mais tiraill&amp;eacute;e entre r&amp;eacute;gionalisme et tradition, cette architecture de la n&amp;eacute;cessit&amp;eacute;, longtemps m&amp;eacute;pris&amp;eacute;e, brille n&amp;eacute;anmoins par sa coh&amp;eacute;rence et son id&amp;eacute;al d&amp;rsquo;harmonie. Elle porte &amp;agrave; son apog&amp;eacute;e la ma&amp;icirc;trise du b&amp;eacute;ton arm&amp;eacute; : peu ou point de d&amp;eacute;cor, mais une composition raffin&amp;eacute;e des fa&amp;ccedil;ades, l&amp;rsquo;ampleur et la luminosit&amp;eacute; des espaces int&amp;eacute;rieurs...&lt;br /&gt;
&lt;br /&gt;
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&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
1453 : Constantinople, moribonde, s'effondre sous les coups du sultan Mehemmed le Conqu&amp;eacute;rant.&lt;br /&gt;
L'ancienne cit&amp;eacute; des empereurs de Byzance s'efface pour devenir Istanbul, la capitale de l'empire ottoman, le symbole de sa civilisation, le signe de sa splendeur. Pour ces nouveaux ma&amp;icirc;tres, dont l'esprit avait puis&amp;eacute; &amp;agrave; l'islam comme &amp;agrave; la chr&amp;eacute;tient&amp;eacute;, pouvait-on r&amp;ecirc;ver rien de plus embl&amp;eacute;matique que cette ville construite sur le Bosphore au passage des deux mondes, l'occidental et l'oriental, le grec et l'asiatique ? Dessinant son apog&amp;eacute;e &amp;agrave; l'&amp;eacute;poque de S&amp;uuml;leyman le Magnifique, ils en firent pour plusieurs si&amp;egrave;cles la ville phare, dont po&amp;egrave;tes, peintres et voyageurs ne se lass&amp;egrave;rent pas de raconter les merveilles.&lt;/div&gt;
&lt;br /&gt;
Tout &amp;eacute;tonnait &amp;agrave; Istanbul : l'architecture, le syst&amp;egrave;me de gouvernement, la beaut&amp;eacute; des palais, l'organisation artisanale, la vitalit&amp;eacute; commerciale. Caravans&amp;eacute;rails et bazars accueillaient les caravanes venues des confins d'Asie, les marchands des mers d'Europe, dans un extraordinaire brassage de langues, de religions et de coutumes t&amp;eacute;moignant de l'&amp;eacute;tonnante richesse de la ville. C'est toute son originalit&amp;eacute; et sa magnificence que Bernard Lewis nous restitue aujourd'hui en se servant abondamment des t&amp;eacute;moins de l'&amp;eacute;poque. Ils disent ce que fut la vie &amp;agrave; Istanbul et de quelle civilisation elle &amp;eacute;tait le reflet.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Bernard Lewis&lt;/b&gt; est un historien consid&amp;eacute;r&amp;eacute; comme l'un des meilleurs sp&amp;eacute;cialistes du Moyen-Orient et de l'Islam. Il est professeur &amp;eacute;m&amp;eacute;rite des &amp;eacute;tudes sur le Moyen-Orient &amp;agrave; l'Universit&amp;eacute; de Princeton.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Partant du pi&amp;eacute;ton pour interroger de nouvelles approches de l'espace public, chercheurs et responsables locaux se penchent sur les cas de Paris, Lyon, Amsterdam, Londres, Copenhague, Lausanne et Vienne. Quelle prise en compte de la diversit&amp;eacute; des usages et des usagers de l'espace public ? Quels enjeux d'accessibilit&amp;eacute; mais aussi de confort et de s&amp;eacute;curit&amp;eacute; sont associ&amp;eacute;s &amp;agrave; ces pratiques en plein renouvellement ? La notion de lenteur - consid&amp;eacute;r&amp;eacute;e depuis deux d&amp;eacute;cennies comme garante d'une certaine qualit&amp;eacute; de vie - est de fait li&amp;eacute;e &amp;agrave; la marche. Les auteurs de cet ouvrage analysent comment le pi&amp;eacute;ton peut trouver sa place dans le processus de r&amp;eacute;&amp;eacute;quilibrage de l'espace public &amp;agrave; l'oeuvre dans les villes europ&amp;eacute;ennes - r&amp;eacute;&amp;eacute;quilibrage qui tend vers un m&amp;ecirc;me objectif : faire la ville vivable et d&amp;eacute;sirable.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Jean-Jacques Terrin&lt;/b&gt; est architecte et enseigne &amp;agrave; l'&amp;eacute;cole d'architecture de Versailles.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par Archicool.com :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cet ouvrage analyse et relate les exp&amp;eacute;riences de sept villes europ&amp;eacute;ennes dans le partage et la reconqu&amp;ecirc;te de l&amp;rsquo;espace public (Amsterdam, Copenhague, Lausanne, Londres, Lyon, Paris et Vienne ( Autriche.)&lt;br /&gt;
&lt;br /&gt;
A l&amp;rsquo;humanisme des villes du nord ayant toujours pr&amp;eacute;serv&amp;eacute; l&amp;rsquo;&amp;eacute;chelle du pi&amp;eacute;ton et du cycliste sur l&amp;rsquo;ensemble de leurs territoires, les villes latines firent la part belle &amp;agrave; l&amp;rsquo;automobile et son insatiable app&amp;eacute;tit d&amp;rsquo;espace ;  ravalant les espaces d&amp;eacute;laiss&amp;eacute;s, comme les berges des fleuves, ou ceintures vertes non construites en parfaite r&amp;eacute;serve fonci&amp;egrave;re &amp;agrave; autoroutes et voies express. Le temps gagn&amp;eacute; et la quantit&amp;eacute; de v&amp;eacute;hicules &amp;agrave; mouvoir &amp;eacute;taient de puissants leviers de pouvoir.&lt;br /&gt;
&lt;br /&gt;
Les ann&amp;eacute;es 80 am&amp;egrave;neront progressivement un changement radical autoris&amp;eacute; par trois mots magiques :  Alstom, Feder, Disney. Alstom, motiv&amp;eacute; de vendre ses nouveaux tramways silencieux, propres et confortables, Feder, du nom des fonds europ&amp;eacute;ens d&amp;eacute;bloqu&amp;eacute;s pour la r&amp;eacute;novation urbaine, qui permettront de r&amp;eacute;nover chauss&amp;eacute;es et espaces publics jusqu&amp;rsquo;au plus petit village, et enfin la r&amp;eacute;sidentialisation ludique &amp;agrave; la Disney, favorisant la ville franchis&amp;eacute;e (Mangin a-t-il des int&amp;eacute;r&amp;ecirc;ts chez Disney ?) et son fashion shopping toujours ensoleill&amp;eacute; &amp;agrave; l&amp;rsquo;ombre des RTT triomphantes. Il faudrait ajouter la prise de conscience sanitaire du co&amp;ucirc;t social des infections pulmonaires d&amp;ucirc; &amp;agrave; la pollution automobile en milieu urbain pour comprendre la mise en marche de ce cocktail qui permettra de changer radicalement l&amp;rsquo;aspect de la plupart des villes fran&amp;ccedil;aises en une petite vingtaine d&amp;rsquo;ann&amp;eacute;es. Ce mieux-vivre r&amp;eacute;clam&amp;eacute; est devenu aujourd&amp;rsquo;hui un passage oblig&amp;eacute; autant que prot&amp;eacute;g&amp;eacute; dans la fabrication de la ville, en France en tout le cas. L&amp;rsquo;ouvrage vient peut &amp;ecirc;tre dix ans trop tard, maintenant que tous les chantiers sont presque termin&amp;eacute;s... &amp;agrave; l&amp;rsquo;exception de l&amp;rsquo;&amp;eacute;lectoral et parisien am&amp;eacute;nagement des berges de la Seine qui justement est opportun&amp;eacute;ment ins&amp;eacute;r&amp;eacute; dans cet ouvrage...&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; In this unique book Scott A. Bollens combines personal narrative with academic analysis in telling the story of inflammatory nationalistic and ethnic conflict in nine cities &amp;ndash; Jerusalem, Beirut, Belfast, Johannesburg, Nicosia, Sarajevo, Mostar, Bilbao, and Barcelona. Reporting on 17 years of research and over 240 interviews with political leaders, planners, architects, community representatives, and academics, he blends personal reflections, reportage from a wealth of original interviews, and the presentation of hard data in a multidimensional and interdisciplinary exploration of these urban environments of damage, trauma, healing, and repair.&lt;br /&gt; &lt;br /&gt; City and Soul reveals what it is like living and working in these cities, going inside the head of the researcher. This approach extends the reader&amp;rsquo;s understanding of these places and connects more intimately with the lived urban experience. Bollens observes that a city disabled by nationalistic strife looks like a callous landscape of securitized space, divisions and wounds, frozen in time and in place. Yet, the soul in these cities perseveres.&lt;br /&gt; &lt;br /&gt; Written for general readers and academic specialists alike, City and Soul integrates facts, opinions, photographs, and observations in original ways in order to illuminate the substantial challenges of living in, and governing, polarized and unsettled cities.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Scott A. Bollens &lt;/b&gt;is Professor of Urban Planning at the University of California, Irvine.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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L'installation architecturale est une intervention de petite &amp;eacute;chelle limit&amp;eacute;e dans le temps. Tel un agent provocateur, elle est un dispositif qui agit sur son environnement, sans fonction d&amp;eacute;termin&amp;eacute;e : l''installation architecturale navigue dans l'inutile. Faisant maintenant bien partie de nos paysages urbains, elle stimule, engage et transforme nos mani&amp;egrave;res d'appr&amp;eacute;hender l'architecture et la ville.&lt;br /&gt;
&lt;br /&gt;
Cet ouvrage explore les fondements de ces petites constructions temporaires et postule que ces choses qui arrivent, qui s'installent et repartent sans crier gare, sont des outils avec lesquels explorer des questions disciplinaires plus larges et articuler l'utilit&amp;eacute; de l'inutile.&lt;/div&gt;
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&lt;b&gt;Carole L&amp;eacute;vesque&lt;/b&gt; enseigne &amp;agrave; la Facult&amp;eacute; d'ing&amp;eacute;nierie et d'rchitecture &amp;agrave; l'universit&amp;eacute; am&amp;eacute;ricaine de Beyrouth.&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
La mobilit&amp;eacute; d&amp;rsquo;aujourd&amp;rsquo;hui se conjugue au pluriel. &amp;Agrave; la fois physique, num&amp;eacute;rique et mentale, elle induit une condition nouvelle, une forme de nomadisme parfois impos&amp;eacute;, souvent voulu, parfois jusqu&amp;rsquo;au-boutiste, pas toujours bien v&amp;eacute;cu. Ce n&amp;eacute;o-nomadisme donne naissance &amp;agrave; des modes de vie autrefois atypiques qui, d&amp;eacute;sormais, se g&amp;eacute;n&amp;eacute;ralisent. Il apporte aussi un &amp;eacute;tat d&amp;rsquo;esprit g&amp;eacute;n&amp;eacute;rant transgressions et situations in&amp;eacute;dites, qui nous am&amp;egrave;nent &amp;agrave; nous interroger sur ses cons&amp;eacute;quences profondes.&lt;br /&gt;
&lt;br /&gt;
Quels sont les nouveaux liens qui se tissent entre les personnes, les objets, les donn&amp;eacute;es et les lieux ? Quel est l&amp;rsquo;impact de ces mutations sur l&amp;rsquo;identit&amp;eacute; des individus, autant connect&amp;eacute;s qu&amp;rsquo;isol&amp;eacute;s, sur les territoires et les espaces ?&lt;br /&gt;
&lt;br /&gt;
Dans un contexte n&amp;eacute;o-nomade, les technologies de l&amp;rsquo;information sont-elles lib&amp;eacute;ratrices ou ali&amp;eacute;nantes ? Que deviennent le r&amp;ocirc;le de l&amp;rsquo;urbaniste et celui de l&amp;rsquo;architecte, confront&amp;eacute;s &amp;agrave; une instabilit&amp;eacute; qui oblige &amp;agrave; red&amp;eacute;finir les contours de la ville et son accessibilit&amp;eacute; ? Comment ces transformations peuvent-elles s&amp;rsquo;inscrire dans une dynamique de durabilit&amp;eacute;, au plan environnemental, &amp;eacute;conomique et social ?&lt;br /&gt;
&lt;br /&gt;
Cet essai critique porte un regard sans concession sur les transformations issues de ces nouvelles mobilit&amp;eacute;s, et fournit les cl&amp;eacute;s pour en comprendre les risques et mieux les appr&amp;eacute;hender.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Yasmine Abbas&lt;/b&gt; est architecte.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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De nos jours, New York est l'une des villes les plus importantes au monde d'un point de vue &amp;eacute;conomique, politique et culturel. Si la statue de la Libert&amp;eacute; et la ligne des gratte-ciel sont des images universelles, il est difficile d'imaginer comment, en presque quatre si&amp;egrave;cles, la petite colonie de quelques centaines d'Indiens, d'Europ&amp;eacute;ens et d'Africains est devenue non seulement la plus grande ville des Etats-Unis, mais &amp;eacute;galement la plus dense et la plus diverse.&lt;br /&gt;
&lt;br /&gt;
Organis&amp;eacute; de mani&amp;egrave;re th&amp;eacute;matique et chronologique, ce livre nous raconte la fondation de la Nouvelle-Amsterdam et le r&amp;ocirc;le jou&amp;eacute; par New York dans plusieurs des &amp;eacute;pisodes fondamentaux de l'histoire des Etats-Unis. A travers les chapitres sur l'industrialisation de la ville, son r&amp;ocirc;le de terre d'accueil pour de nombreux immigrants et sa croissance autour des cinq boroughs : la l&amp;eacute;gendaire New York prend vie. Le livre souligne aussi l'implication de la ville dans les domaines de la litt&amp;eacute;rature, de la musique, de la mode et de l'art. Au fur et &amp;agrave; mesure des chapitres, la grande diversit&amp;eacute; de New York est mise en valeur.&lt;br /&gt;
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Ouvrage r&amp;eacute;alis&amp;eacute; en collaboration avec le Museum of the City of New York et illustr&amp;eacute; de nombreux documents originaux provenant des riches collections du mus&amp;eacute;e. 20 fac-simil&amp;eacute;s d&amp;eacute;tachables superbement reproduits illustrent les hauts et les bas de son pass&amp;eacute; : une invitation &amp;agrave; l'inauguration du pont de Brooklyn, la une du journal le jour des fun&amp;eacute;railles de Lincoln, le premier ticket de m&amp;eacute;tro, des papiers d'immigrants, le programme d'un match de base-ball, les instructions de s&amp;eacute;curit&amp;eacute; lors de la Seconde Guerre mondiale, un catalogue de mode... Comme l'a dit un jour Agatha Christie : &amp;quot;Il est inutile d'&amp;eacute;crire un roman policier qui se d&amp;eacute;roule &amp;agrave; New York, New York est d&amp;eacute;j&amp;agrave; en elle-m&amp;ecirc;me un roman policier.&amp;quot;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt; &lt;br /&gt; Les 101 mots de l'urbanisme commencent par le mot agriculture. une certaine culture du territoire. Ils se terminent par ZAC pour nous encourager &amp;agrave; suivre d'autres voies. Les mots ne sont pas d&amp;eacute;finitifs et c'est en cela qu'ils sont urbains.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Ce sont des passeurs entre la r&amp;eacute;alit&amp;eacute; et la pens&amp;eacute;e, une ressource pour construire. Agissons en urbanistes, d&amp;eacute;sob&amp;eacute;issons avec infiniment de pr&amp;eacute;cautions et d'attentions, servons nous des mots pour nous parler, lire et relire, voir et revoir. &lt;br /&gt; &lt;br /&gt; &lt;b&gt;Patrick Henry&lt;/b&gt;, Architecte, urbaniste et enseignant &amp;agrave; l'&amp;Eacute;cole nationale sup&amp;eacute;rieure d'architecture de Versailles.&lt;br /&gt; &lt;br /&gt; Pr&amp;eacute;face d'&lt;b&gt;Alexandre Chemetoff&lt;/b&gt;.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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&lt;br /&gt;
Avant que les bulldozers ne le transforment au d&amp;eacute;but des ann&amp;eacute;es soixante-dix, Belleville &amp;eacute;tait encore ce village dans la Ville, avec ses rues pentues bord&amp;eacute;es de fa&amp;ccedil;ades us&amp;eacute;es, ses petits m&amp;eacute;tiers, son argot et ses troquets o&amp;ugrave; l&amp;rsquo;on buvait ferme le ginguet. Une mani&amp;egrave;re de vivre unissait alors les Bellevillois les uns aux autres. Combien de trag&amp;eacute;dies et de mis&amp;egrave;res recelait le Belleville des ann&amp;eacute;es quarante &amp;agrave; soixante, mais combien de joies simples et sinc&amp;egrave;res il donnait aussi &amp;agrave; sa population amalgam&amp;eacute;e !&lt;br /&gt;
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&amp;Eacute;crivain et po&amp;egrave;te de Paris, Michel Dansel a re&amp;ccedil;u l&amp;rsquo;empreinte du village. Son &amp;eacute;vocation des lieux et des figures inoubliables de sa jeunesse ressuscite l&amp;rsquo;&amp;acirc;me populaire du Belleville qu&amp;rsquo;il a aim&amp;eacute;.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Michel Dansel &lt;/b&gt;est l&amp;rsquo;auteur de plusieurs ouvrages sur la capitale, notamment sur des quartiers Belleville et M&amp;eacute;nilmontant dans lesquels il a v&amp;eacute;cu. Laur&amp;eacute;at du prix du Quai des Orf&amp;egrave;vres, il a consacr&amp;eacute; une th&amp;egrave;se, &amp;agrave; la Sorbonne, &amp;agrave; Tristan Corbi&amp;egrave;re et a &amp;eacute;crit diff&amp;eacute;rentes &amp;eacute;tudes sur des po&amp;egrave;tes de la modernit&amp;eacute;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
La personne et la personnalit&amp;eacute; de Jean-Eudes Roullier (1931-2010) sont indissociables de l'histoire de l'am&amp;eacute;nagement urbain du dernier tiers du XXe si&amp;egrave;cle. Cet &amp;eacute;narque, devenu inspecteur des Finances r&amp;eacute;alisera l'essentiel de sa carri&amp;egrave;re au sein du minist&amp;egrave;re de l'&amp;Eacute;quipement. Directeur de l'urbanisme et des paysages puis d&amp;eacute;l&amp;eacute;gu&amp;eacute; &amp;agrave; la recherche et &amp;agrave; l'innovation, son nom reste associ&amp;eacute; &amp;agrave; une conception d&amp;eacute;cloisonn&amp;eacute;e de l'urbanisme.&lt;/div&gt;
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Ce proche collaborateur de Paul Delouvrier est aussi l'un des p&amp;egrave;res fondateurs des villes nouvelles. Issus pour partie d'une journ&amp;eacute;e tenue &amp;agrave; Paris en octobre 2010, les textes ici r&amp;eacute;unis aident &amp;agrave; comprendre sa place aussi singuli&amp;egrave;re qu'essentielle dans l'histoire urbaine r&amp;eacute;cente. Amis, t&amp;eacute;moins et chercheurs invitent ici &amp;agrave; s'interroger sur l'articulation de l'histoire individuelle et de l'histoire collective. L'ouvrage est jalonn&amp;eacute; d'interviews in&amp;eacute;dites ou d'&amp;eacute;crits rares de Jean-Eudes Roullier qui permettent de saisir la finesse de son raisonnement et sa capacit&amp;eacute; &amp;agrave; transformer le doute en levier des politiques de l'espace urbain.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Lo&amp;iuml;c Vadelorge&lt;/b&gt; est historien et enseigne &amp;agrave; l'universit&amp;eacute; Paris XIII.&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Cities have always had a key role in warfare, as strategic centres which periodically suffered the horrors of siege and sack. With industrialisation, however, they were drawn ever closer to the front line and to direct and continuous experience of fighting and destruction. 'Cities into Battlefields: Metropolitan Scenarios, Experiences and Commemorations of Total War' explores the cultural imprint of military conflict on metropolises world wide in the era of the First and Second World Wars. It brings together cultural and urban historians and scholars of related disciplines including anthropology, education, and geography. The volume examines how the emergence of 'total' warfare blurred the boundaries between home and front and transformed cities into battlefields. The logic of total mobilisation turned the social and cultural fabric of urban life upside down.&lt;br /&gt; &lt;br /&gt; Arranged so as to bring out the evolution of experience over time, the essays explore Eastern and Central Europe, Britain and Western Europe, and Japan and address several key themes. The first strand - scenarios - explores the apocalyptic imagination of intellectuals and experts in peacetime. Artists and writers anticipating doom presented the coming upheaval as an urban event - a commonplace of late-Victorian and post-1918 pessimism. On a different plane, civil servants and engineers materialised visions of urban chaos and devised countermeasures in case of emergencies. Both groups helped to furnish a repertoire of cultural forms which channelled and encoded the actual experience of war. The second strand deals with metropolitan experiences, notably mobilisation, deprivation, and destruction in wartime. Ruins and the repercussions of war is the central theme of the third strand - commemorations - which investigates post-war efforts to remember and forget. The quest for meaningful forms of commemoration was hard enough after the First World War; the Second World War, which saw whole cities disappear in flames, raised the possibility that the limits of representation had been reached. The central contention of this volume - that total war in the twentieth century has a significant but often overlooked metropolitan dimension - is fully addressed, thereby filling a conspicuous gap in the currently available literature.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Contents:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Stefan Goebel and Derek Keene - Towards a metropolitan history of total war: An introduction&lt;/div&gt; Susan R. Grayzel - 'A promise of terror to come&amp;quot;: Air power and the destruction of cities in British imagination and experience, 1908-39&lt;/div&gt; Peter Stansky - '9/7', the first day of the London blitz: The context&lt;/div&gt; Patrice Higonnet - Parisian peculiarities: The French capital in the age of total war&lt;/div&gt; Eyal Ginio - Constructing a symbol of defeat and national rejuvenation: Edirne (Adrianople) in Ottoman propaganda and writing during the Balkan Wars&lt;/div&gt; Jovana Kneževic - Reclaiming their city: Belgraders and the combat against Habsburg propaganda through rumours, 1915-81&lt;/div&gt; Maureen Healey  - Local space and total war: Enemies in Vienna in the two world wars&lt;/div&gt; Tim Cole - Ghettos and the remaking of urban space: A comparative study of Budapest and Warsaw&lt;/div&gt; Antony Beevor - Total warfare in a city: Stalingrad, Berlin - and Baghdad&lt;/div&gt; Stefan Goebel - Commemorative cosmopolis: Transnational networks of remembrance in post-war Coventry&lt;/div&gt; Lisa Yoneyama - Memories in ruins: Hiroshima's nuclear annihilation and beyond&lt;/div&gt; Julie Higashi - The spirit of war remains intact: The politics of space in Tokyo and the Yasukuni shrine&lt;/div&gt; Jay Winter - Conclusion: Metropolitan history and national history in the age of total war&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Stefan Goebel &lt;/b&gt;is Senior Lecturer in History and Director of Learning and Teaching at the University of Kent.&lt;/div&gt; &lt;b&gt;Derek Keene &lt;/b&gt;is Leverhulme Professor of Comparative Metropolitan History at the Institute of Historical Research, University of London.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Editions Lyonnaises d'Art et d'Histoire

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
La Ville de Lyon a toujours montr&amp;eacute; de la sympathie vis-&amp;agrave;-vis deHenri IV : une rue du Deuxi&amp;egrave;me arrondissement porte son nom, une c&amp;eacute;l&amp;egrave;bre maison du Vieux-Lyon a plac&amp;eacute; son buste &amp;agrave; l&amp;rsquo;un de ses angles, sa figure &amp;agrave; cheval a &amp;eacute;t&amp;eacute; hiss&amp;eacute;e au d&amp;eacute;but du XIXe si&amp;egrave;cle sur le beffroi de l&amp;rsquo;h&amp;ocirc;tel de ville.&lt;br /&gt;
&lt;br /&gt;
La comm&amp;eacute;moration en 2010 du 4e Centenaire de son assassinat nous a sembl&amp;eacute; &amp;ecirc;tre l&amp;rsquo;occasion de revisiter l&amp;rsquo;histoire de Lyon au d&amp;eacute;but du XVIIe si&amp;egrave;cle, au sortir des guerres de religion, en se souvenant que c&amp;rsquo;est &amp;agrave; la cath&amp;eacute;drale Saint-Jean que Henri IV &amp;eacute;pousa Marie de M&amp;eacute;dicis qu&amp;rsquo;il &amp;eacute;tait venu accueillir apr&amp;egrave;s sa victoire militaire sur le duc de Savoie. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sommaire&lt;/b&gt; :&lt;br /&gt;
&lt;br /&gt;
&amp;bull; Introduction&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;I. La ville&lt;/b&gt;&lt;br /&gt;
&amp;bull; Le Rho&amp;#770;ne aux frontie&amp;#768;res de la ville &lt;br /&gt;
&amp;bull; Lyon pendant le re&amp;#768;gne de Henri IV, urbanisme et architecture&lt;br /&gt;
&amp;bull; Populations et migrations a&amp;#768; Lyon (Fin XVIe - de&amp;#769;but XVIIe)&lt;br /&gt;
&amp;bull; L&amp;rsquo;approvisionnement d&amp;rsquo;une grande ville, Lyon&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;II. Henri IV a&amp;#768; Lyon&lt;/b&gt;&lt;br /&gt;
&amp;bull; A&amp;#768; propos des entre&amp;#769;es royales de 1595 et de 1600&lt;br /&gt;
&amp;bull; Le second mariage de Henri IV&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;III. Lyon et Henri IV&lt;/b&gt;&lt;br /&gt;
&amp;bull; Transformer l&amp;rsquo;e&amp;#769;ve&amp;#769;nement en information : la me&amp;#769;diation politique a&amp;#768; la mort de Henri IV&lt;br /&gt;
&amp;bull; L&amp;rsquo;image de Henri IV chez les Lyonnais : 1589-1829. Essai d&amp;rsquo;iconographie historique compare&amp;#769;e&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;IV. Henri IV et Lyon&lt;/b&gt;&lt;br /&gt;
&amp;bull; La fin des ligueurs&lt;br /&gt;
&amp;bull; La reconstruction e&amp;#769;conomique a&amp;#768; Lyon sous Henri IV (1598-1610)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;bull; Conclusion&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Fran&amp;ccedil;oise Bayard&lt;/b&gt; est professeur &amp;eacute;m&amp;eacute;rite d'histoire moderne &amp;agrave; l'universit&amp;eacute; Lumi&amp;egrave;re Lyon 2.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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