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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Cities are conspicuous among settlements because of their bulk and pace: Venice, Paris, or New York. Each is distinctive, but all share a social structure that mixes systems (families, businesses, and schools), their members, and a public regulator. Cities alter this structure in ways specific to themselves: orchestras play music too elaborate for a quartet; city densities promote collaborations unachievable in simpler towns. Cities, Real and Ideal avers with von Bertalanffy, Parsons, Simmel, and Wirth that a theory of social structure is empirically testable and confirmed.  It proposes a version of social justice appropriate to this structure, thereby updating Marx&amp;rsquo;s claim that justice is realizable without the intervention of factors additional to society&amp;rsquo;s material conditions.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;David Weissman&lt;/b&gt; is a Professor of Philosophy at the City College of New York.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ce travail d&amp;rsquo;architecte-historien extr&amp;ecirc;mement fouill&amp;eacute; et document&amp;eacute; traque, &amp;agrave; l&amp;rsquo;occasion de la rencontre de l&amp;rsquo;auteur de l&amp;rsquo;Esprit nouveau, du concepteur de &amp;quot;la ville contemporaine pour trois millions d&amp;rsquo;habitants&amp;quot;, avec l&amp;rsquo;Inde mill&amp;eacute;naire, les prises de conscience, corrections et remises en question de la pens&amp;eacute;e la plus puissamment abstraite qui ait jamais &amp;eacute;t&amp;eacute; con&amp;ccedil;ue en mati&amp;egrave;re d&amp;rsquo;urbanisme.&lt;/div&gt;
&lt;br /&gt;
Comment l&amp;rsquo;histoire et la temporalit&amp;eacute; m&amp;ecirc;me, ainsi que l&amp;rsquo;ouverture au devenir, peuvent-elles &amp;ecirc;tre r&amp;eacute;int&amp;eacute;gr&amp;eacute;es dans la conception d&amp;rsquo;une ville nouvelle qui soit &amp;quot;d&amp;rsquo;une seule pens&amp;eacute;e&amp;quot;, enti&amp;egrave;rement pr&amp;eacute;m&amp;eacute;dit&amp;eacute;e, et de &amp;quot;pure g&amp;eacute;om&amp;eacute;trie&amp;quot;, c&amp;rsquo;est-&amp;agrave;-dire rigoureusement planifi&amp;eacute;e et con&amp;ccedil;ue par principe d&amp;rsquo;un point de vue exclusivement spatial&amp;thinsp; ?&lt;/div&gt;
&lt;br /&gt;
Avec l&amp;rsquo;acc&amp;eacute;l&amp;eacute;ration sans pr&amp;eacute;c&amp;eacute;dent du ph&amp;eacute;nom&amp;egrave;ne urbain, nous sommes en effet pass&amp;eacute;, au cours du XXe si&amp;egrave;cle, d&amp;rsquo;une &amp;egrave;re essentiellement temporelle &amp;agrave; une &amp;egrave;re exclusivement spatiale, du moins telle que la modernit&amp;eacute; la con&amp;ccedil;ut &amp;agrave; Brasilia comme &amp;agrave; Chandigarh. Auparavant, comme le disait P&amp;eacute;guy, la ville &amp;eacute;tait une histoire qui devenait g&amp;eacute;ographie. Mais l&amp;rsquo;on ne fait plus aujourd&amp;rsquo;hui aucune confiance au temps. L&amp;rsquo;&amp;quot;urbanisme moderne&amp;quot; n&amp;eacute; de la vieille Europe coloniale, rationaliste, et industrielle, aspire au travers de la planification (la r&amp;eacute;duction du temps &amp;agrave; l&amp;rsquo;espace) &amp;agrave; la parfaite pr&amp;eacute;visibilit&amp;eacute; d&amp;rsquo;une organisation sociale &amp;agrave; toutes les &amp;eacute;chelles de la vie collective. Le Corbusier, le planiste de la premi&amp;egrave;re heure, tenant de l&amp;rsquo;esprit de pure g&amp;eacute;om&amp;eacute;trie, &amp;quot;&amp;eacute;tincelante comme du cristal&amp;quot;, d&amp;rsquo;une rationalit&amp;eacute; salvatrice, l&amp;rsquo;auteur du &amp;quot;Po&amp;egrave;me de l&amp;rsquo;angle droit&amp;quot;, tendu vers le &amp;quot;fait contemporain&amp;quot; au point de ne vouloir partout que des actes de l&amp;rsquo;esprit hors de la mati&amp;egrave;re et du temps en fut le penseur et le propagandiste le plus &amp;eacute;minent. Car c&amp;rsquo;est en fid&amp;egrave;le h&amp;eacute;ritier de l&amp;rsquo;id&amp;eacute;alisme platonicien, que ce si&amp;egrave;cle, qui a vu s&amp;rsquo;&amp;eacute;tendre la domination de l&amp;rsquo;Occident sur le monde semble avoir n&amp;eacute;glig&amp;eacute;, oubli&amp;eacute;, voire ni&amp;eacute; les trois conditions de toute cr&amp;eacute;ation v&amp;eacute;ritable, de toute r&amp;eacute;alisation dans le monde, que sont l&amp;rsquo;autre, la mati&amp;egrave;re et le temps.&lt;/div&gt;
&lt;br /&gt;
La terre de l&amp;rsquo;Inde, le temps de l&amp;rsquo;Inde, les peuples et leurs cultures imm&amp;eacute;moriales viennent bouleverser les certitudes du d&amp;eacute;miurge platonicien, bon cart&amp;eacute;sien, volontiers fouri&amp;eacute;riste, qui s&amp;rsquo;est nomm&amp;eacute;, Le Corbusier. En lui le po&amp;egrave;te entend r&amp;eacute;sonner l&amp;rsquo;autre monde, celui qui r&amp;eacute;siste et &amp;eacute;chappe aux id&amp;eacute;es pures et intelligibles soustraites &amp;agrave; &amp;quot;la mati&amp;egrave;re et aux heures&amp;quot;, au &amp;quot;ma&amp;icirc;tre et possesseur de la nature&amp;quot;, de la terre et du temps. Et tandis que le th&amp;eacute;oricien se d&amp;eacute;bat avec les id&amp;eacute;es de sa raison, tandis qu&amp;rsquo;&amp;agrave; chaque nouvelle rencontre avec l&amp;rsquo;Inde, &amp;quot;le sentiment d&amp;eacute;borde&amp;quot;, Le Corbusier, acharn&amp;eacute; &amp;agrave; sauver quarante ans de travaux obstin&amp;eacute;s sur la ville contemporaine, pour rester le ma&amp;icirc;tre incontest&amp;eacute; de l&amp;rsquo;urbanisme moderne, face &amp;agrave; ce r&amp;eacute;el qui est plus fort que toute pens&amp;eacute;e, remet &amp;quot;tout ce qu&amp;rsquo;   croyait savoir sur la ville... en question&amp;quot;.&lt;/div&gt;
&lt;br /&gt;
Mais c&amp;rsquo;est l&amp;lsquo;oeuvre du po&amp;egrave;te qui s&amp;rsquo;impose finalement &amp;agrave; tous, celui qui d&amp;egrave;s les ann&amp;eacute;es vingt disait &amp;agrave; l&amp;rsquo;instar de Max Jacob pr&amp;eacute;f&amp;eacute;rer aux &amp;quot;v&amp;eacute;rit&amp;eacute;s premi&amp;egrave;res&amp;quot; &amp;quot;le mariage avec la terre&amp;quot;, le b&amp;acirc;tisseur du Capitole, de la tour des vents, c&amp;rsquo;est l&amp;rsquo;oeuvre du penseur inspir&amp;eacute; et du plus grand architecte du XXe si&amp;egrave;cle, qui s&amp;rsquo;&amp;eacute;panouit aux pieds de la cha&amp;icirc;ne himalayenne, &amp;quot;oeuvre ouverte&amp;quot; au vide o&amp;ugrave; tout prend naissance, &amp;agrave; l&amp;rsquo;espace et au temps, &amp;agrave; la nature enti&amp;egrave;re, ouverte &amp;agrave; l&amp;rsquo;autre et au monde &amp;agrave; venir. Ouvrant toute grande sa main aux g&amp;eacute;n&amp;eacute;rations futures, comme on s&amp;egrave;me dans le ciel et la terre de l&amp;rsquo;Inde, c&amp;rsquo;est bien plus que des id&amp;eacute;es qu&amp;rsquo;il nous l&amp;egrave;gue, c&amp;rsquo;est une &amp;oelig;uvre indicible o&amp;ugrave; se rejoignent l&amp;rsquo;autre, la mati&amp;egrave;re et le temps, une oeuvre qui scelle, plus que tout autre acte, la naissance d&amp;rsquo;une ville enracin&amp;eacute;e dans cette terre qui recueille la m&amp;eacute;moire des mythes fondateurs, des traces imm&amp;eacute;moriales des civilisations vivantes, et qui, sous l&amp;rsquo;ultime v&amp;eacute;rit&amp;eacute; de l&amp;rsquo;art reste ouverte aux mill&amp;eacute;naires futurs&amp;thinsp;: &amp;quot;Pleine main j&amp;rsquo;ai re&amp;ccedil;u, pleine main je donne&amp;quot;, &amp;eacute;pigraphe sous le toit du monde, aux pieds des sources &amp;eacute;ternelles, par lequel il nous faut aujourd&amp;rsquo;hui r&amp;eacute;&amp;eacute;valuer l&amp;rsquo;&amp;oelig;uvre enti&amp;egrave;re du Ma&amp;icirc;tre. &lt;i&gt;(St&amp;eacute;phane Gruet)&lt;/i&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;R&amp;eacute;mi Papillault&lt;/b&gt; est architecte, urbaniste, enseignant &amp;agrave; l&amp;rsquo;&amp;Eacute;cole d&amp;rsquo;Architecture de Toulouse.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Hugues Lethierry, 
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29 mars 2011

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L'Harmattan

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
S&amp;rsquo;adressant &amp;agrave; un large public (sp&amp;eacute;cialistes ou pas) les auteurs s&amp;rsquo;interrogent sur notre actuel &amp;quot;droit &amp;agrave; la ville&amp;quot;, le combat contre les ali&amp;eacute;nations, pour une r&amp;eacute;appropriation de l&amp;rsquo;humain, contre la ghetto&amp;iuml;sation, la segmentation de l&amp;rsquo;espace scolaire, pour un pouvoir plus collectif.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Tout un programme qui ne reste pas dans les seules &amp;quot;id&amp;eacute;alit&amp;eacute;s&amp;quot; et int&amp;eacute;ressera tant les acteurs sociaux que les urbanistes et &amp;eacute;ducateurs de terrain, soucieux de r&amp;eacute;habiter et de r&amp;eacute;habiliter l&amp;rsquo;espace.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Hugues Lethierry&lt;/b&gt; &amp;eacute;tait professeur &amp;agrave; l'IUFM de Lyon.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Avant-propos de Alain Bihr&lt;br /&gt;
Pr&amp;eacute;face de Andy Merrifield &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Les auteurs :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
G. Busquet, universit&amp;eacute; Paris X&lt;br /&gt;
A. Cazetien, maire honoraire de Mourenx (64)&lt;br /&gt;
L. Costes, universit&amp;eacute; d&amp;rsquo;Evry&lt;br /&gt;
D. Lesage, dessinateur&lt;br /&gt;
H. Lethierry, universit&amp;eacute; Lyon 1 (IUFM)&lt;br /&gt;
J.-Y. Martin, agr&amp;eacute;g&amp;eacute;, docteur en g&amp;eacute;ographie et &amp;eacute;lu local&lt;br /&gt;
A. Mutuale, universit&amp;eacute; Paris 8&lt;br /&gt;
A. Querrien, urbaniste&lt;br /&gt;
C. Revol, doctorante Lyon 3&lt;br /&gt;
S. Sangla, docteur en philosophie&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Premi&amp;egrave;re partie - Les mots de la ville&lt;/b&gt;&lt;br /&gt;
L&amp;rsquo;espace&lt;br /&gt;
Rythmes&lt;br /&gt;
L&amp;rsquo;Urbain&lt;br /&gt;
La ville &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Deuxi&amp;egrave;me partie - Une autre ville pour une autre vie&lt;/b&gt;&lt;br /&gt;
Le territoire d&amp;rsquo;Henri Lefebvre&lt;br /&gt;
H. Lefebvre modernit&amp;eacute; urbaine et exploration des possibles&lt;br /&gt;
Droit &amp;agrave; la ville et plan&amp;eacute;tarisation de l&amp;rsquo;urbain&lt;br /&gt;
Fragments d&amp;rsquo;une totalit&amp;eacute;&lt;br /&gt;
Un analyste de la soci&amp;eacute;t&amp;eacute; urbaine&lt;br /&gt;
Les &amp;quot;conditions&amp;quot; du maire de Mourenx &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Troisi&amp;egrave;me partie - S&amp;eacute;gr&amp;eacute;gation dans l&amp;rsquo;espace &amp;eacute;ducatif&lt;/b&gt;&lt;br /&gt;
Une rupture dans la vie&lt;br /&gt;
La ghetto&amp;iuml;sation dans l&amp;rsquo;espace urbain et scolaire &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Conclusion :&lt;/b&gt; &amp;quot;Certains naissent de fa&amp;ccedil;on posthume&amp;quot;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Cet ouvrage interroge les enjeux professionnels et politiques de la fabrication urbaine au Maroc, en Alg&amp;eacute;rie et en Tunisie. Dans des villes maghr&amp;eacute;bines en profondes mutations, marqu&amp;eacute;es par l&amp;rsquo;affirmation d&amp;rsquo;un urbanisme qui int&amp;egrave;gre de plus en plus les lois du march&amp;eacute;, l&amp;rsquo;entr&amp;eacute;e par les architectes, les urbanistes, les ing&amp;eacute;nieurs, les cadres municipaux, les promoteurs immobiliers priv&amp;eacute;s, les chefs de projet des holdings d&amp;rsquo;am&amp;eacute;nagement, etc., permet de rep&amp;eacute;rer d&amp;rsquo;importantes recompositions dans la hi&amp;eacute;rarchie des dispositifs et des savoirs techniques l&amp;eacute;gitimes sur la ville.Celles-ci mettent en &amp;eacute;vidence des formes de gouvernance urbaine diff&amp;eacute;renci&amp;eacute;es dans les trois pays.&lt;br /&gt;
&lt;br /&gt;
Les contributions ici rassembl&amp;eacute;es montrent que m&amp;ecirc;me dans des configurations qui restent tr&amp;egrave;s centralis&amp;eacute;es, o&amp;ugrave; la ma&amp;icirc;trise des dynamiques locales et des territoires constitue un &amp;eacute;l&amp;eacute;ment cl&amp;eacute; de gestion du pouvoir et donne lieu &amp;agrave; des dispositifs vari&amp;eacute;s de contr&amp;ocirc;le des populations, l&amp;rsquo;arbitrage des praticiens de l&amp;rsquo;urbanisme et de l&amp;rsquo;am&amp;eacute;nagement compte. Mus par des logiques &amp;eacute;conomiques, professionnelles, corporatistes, id&amp;eacute;ologiques, etc., ils n&amp;eacute;gocient leur place dans la d&amp;eacute;termination des enjeux urbains, sans que leurs actions soient le seul produit d&amp;rsquo;arbitrages savants ou le pur r&amp;eacute;sultat de consid&amp;eacute;rations intangibles d&amp;rsquo;int&amp;eacute;r&amp;ecirc;t g&amp;eacute;n&amp;eacute;ral.&lt;br /&gt;
&lt;br /&gt;
Cet ouvrage pointe les fortes interd&amp;eacute;pendances nou&amp;eacute;es entre experts et acteurs politiques. Il souligne &amp;eacute;galement les r&amp;eacute;appropriations locales des mod&amp;egrave;les urbains en circulation &amp;agrave; l&amp;rsquo;&amp;eacute;chelle internationale, notamment &amp;agrave; travers l&amp;rsquo;av&amp;egrave;nement du projet urbain.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Lamia Zaki&lt;/b&gt; est politologue. Elle a &amp;eacute;t&amp;eacute; charg&amp;eacute;e de recherche &amp;agrave; l&amp;rsquo;Institut de recherche sur le Maghreb contemporain &amp;agrave; Tunis entre f&amp;eacute;vrier 2007 et ao&amp;ucirc;t 2010. Elle est actuellement chercheure invit&amp;eacute;e au Center for Contemporary Arab Studies de l&amp;rsquo;Universit&amp;eacute; de Georgetown.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;
Ce qui r&amp;eacute;unit ces textes apparemment &amp;eacute;clat&amp;eacute;s, c&amp;rsquo;est qu&amp;rsquo;ils ont en commun de parler de la tension propre &amp;agrave; Paris, de la force de rupture de Paris. Bien qu&amp;rsquo;il soit devenu habituel de consid&amp;eacute;rer que Paris gentrifi&amp;eacute;, glac&amp;eacute;, vid&amp;eacute; de sa substance populaire, est devenu inoffensif, la conviction qui porte ces textes est que la nouvelle couche situ&amp;eacute;e au-del&amp;agrave; du p&amp;eacute;riph&amp;eacute;rique va lui rendre &amp;mdash; conform&amp;eacute;ment &amp;agrave; la tradition de cette ville depuis Charles V &amp;mdash; tout son potentiel de subversion.&lt;/div&gt;
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&lt;b&gt;Eric Hazan&lt;/b&gt; est fondateur de la Fabrique Editions et l&amp;rsquo;auteur de &lt;i&gt;L'Invention de Paris, il n'y a pas de pas perdus&lt;/i&gt; (Le Seuil, 2002).&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Rapport&amp;eacute;e &amp;agrave; la ville en g&amp;eacute;n&amp;eacute;ral, &amp;agrave; son architecture et &amp;agrave; ses modes d'habitat, la &amp;quot;mondialisation&amp;quot; &amp;eacute;gale moins d'Ailleurs et plus d'Occident. Evolution dommageable ? Evolution, du moins, que l'auteur de cet ouvrage a soin de constater et d'analyser sur place, d'un bout &amp;agrave; l'autre du monde actuel, sans s'en d&amp;eacute;clarer d'entr&amp;eacute;e de jeu l'avocat ou le pourfendeur.&lt;br /&gt;
&lt;br /&gt;
Terre habit&amp;eacute;e se pr&amp;eacute;sente comme un r&amp;eacute;cit de voyages, mais alors circonstanci&amp;eacute;. La ville en est le sujet principal et, &amp;agrave; son propos, cette double interrogation : comment, aujourd'hui, la b&amp;acirc;tit-on, et comment y habite-t-on ? La r&amp;eacute;flexion propos&amp;eacute;e, moins celle d'un globe-trotter que d'un g&amp;eacute;ographe pointilleux, fait une large part &amp;agrave; la description, aux faits, &amp;agrave; la vie m&amp;ecirc;me. Men&amp;eacute;e dans le cadre d'un Grand Tour dont le trac&amp;eacute; zigzague entre m&amp;eacute;tropoles tentaculaires, cit&amp;eacute;s quelconques et lieux divers o&amp;ugrave; l'on exp&amp;eacute;rimente ou non un &amp;quot;habiter&amp;quot; renouvel&amp;eacute;, l'enqu&amp;ecirc;te conduite par Paul Ardenne affronte pour l'occasion ce qui constitue un des probl&amp;egrave;mes majeurs de la ville contemporaine concr&amp;egrave;te, sur fond de militantisme vernaculaire ou, &amp;agrave; l'inverse, universaliste : l'&amp;eacute;cart entre usage et repr&amp;eacute;sentation de la cit&amp;eacute;. Un &amp;eacute;cart, on le pressent, facteur de tension entre r&amp;eacute;sidents d'un c&amp;ocirc;t&amp;eacute;, architectes et urbanistes de l'autre.&lt;br /&gt;
&lt;br /&gt;
En 2005, Paul Ardenne nous livrait un r&amp;eacute;cit de voyages dont la ville &amp;eacute;tait le sujet principal avec cette double interrogation : comment, aujourd'hui, la b&amp;acirc;tit-on, et comment y habite-t-on ? La r&amp;eacute;flexion propos&amp;eacute;e, moins celle d'un globe-trotter que d'un g&amp;eacute;ographe pointilleux, fait une large part &amp;agrave; la description, aux faits, &amp;agrave; la vie m&amp;ecirc;me. Paul Ardenne revient aujourd'hui sur cet ouvrage paru en 2005 et nous propose une version enti&amp;egrave;rement revue et augment&amp;eacute;e de nouveaux chapitres. Il est illustr&amp;eacute; par des photographies r&amp;eacute;alis&amp;eacute;es par l'auteur lui-m&amp;ecirc;me lors de ses voyages.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Paul Ardenne&lt;/b&gt; est historien de l'art contemporain et sp&amp;eacute;cialiste de l'architecture.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Septentrion

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&amp;nbsp;&lt;/div&gt;
Alors que nous sommes entr&amp;eacute;s dans l&amp;rsquo;&amp;egrave;re de l&amp;rsquo;urbain le monde connait une acc&amp;eacute;l&amp;eacute;ration de la mobilit&amp;eacute;. En effet, gr&amp;acirc;ce aux moyens de transport qui sont &amp;agrave; notre disposition qu&amp;rsquo;il s&amp;rsquo;agisse de la voiture, du train ou de l&amp;rsquo;avion, la mobilit&amp;eacute; est devenue naturelle pour chacun, nous permettant ainsi de nous d&amp;eacute;placer librement, quelle que soit la dur&amp;eacute;e de notre voyage. Mais la mobilit&amp;eacute; a un prix.&lt;/div&gt;
&lt;br /&gt;
D&amp;rsquo;abord, une demande croissante de transport, laquelle a engendr&amp;eacute; des probl&amp;egrave;mes qui constituent pr&amp;eacute;cis&amp;eacute;ment une menace pour la mobilit&amp;eacute; et qui n&amp;rsquo;est pas compatible avec le principe de durabilit&amp;eacute;. Ensuite, le co&amp;ucirc;t &amp;eacute;nerg&amp;eacute;tique et la pollution qui en d&amp;eacute;coulent p&amp;egrave;sent sur le d&amp;eacute;veloppement des infrastructures et des r&amp;eacute;seaux de transport. Ainsi, pollutions, nuisances et &amp;eacute;talement urbains sont des indicateurs de cette nouvelle urbanit&amp;eacute; qui entretiennent une forte d&amp;eacute;pendance vis-&amp;agrave;-vis de l&amp;rsquo;automobile. Aux grands maux les grands rem&amp;egrave;des. Puisque les transports et la ville repr&amp;eacute;sentent 66&amp;#8200;% de la consommation des produits p&amp;eacute;troliers et sont responsables de 35&amp;#8200;% des &amp;eacute;missions de CO2, de v&amp;eacute;ritables alternatives &amp;agrave; la voiture individuelle se sont progressivement mises en place et nous incitent &amp;agrave; nous d&amp;eacute;placer autrement.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Contributeurs :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Elodie Castex, ma&amp;icirc;tre de conf&amp;eacute;rences &amp;agrave; l&amp;rsquo;Universit&amp;eacute; de Lille 1 (Laboratoire TVES)&lt;br /&gt;
S&amp;eacute;verine Fr&amp;egrave;re, ma&amp;icirc;tre de conf&amp;eacute;rences &amp;agrave; l&amp;rsquo;Universit&amp;eacute; du Littoral C&amp;ocirc;te d&amp;rsquo;Opale (Laboratoire TVES)&lt;br /&gt;
Patricia Lejoux, chercheure au Laboratoire d&amp;rsquo;&amp;eacute;conomie des Transports (CNRS-Universit&amp;eacute; de Lyon-ENTPE)&lt;br /&gt;
Caroline Lemoine, ing&amp;eacute;nieure sp&amp;eacute;cialis&amp;eacute;e en transports urbains&lt;br /&gt;
Charles Raux, chercheur au Laboratoire d&amp;rsquo;&amp;eacute;conomie des Transports (CNRS-Universit&amp;eacute; de Lyon-ENTPE)&lt;br /&gt;
Ana&amp;iuml;s Rocci, charg&amp;eacute;e d&amp;rsquo;&amp;eacute;tudes et de recherches chez 6T-Bureau de recherche&lt;br /&gt;
Isabelle Roussel, professeure &amp;eacute;m&amp;eacute;rite &amp;agrave; l&amp;rsquo;Universit&amp;eacute; de Lille 1 (Laboratoire TVES) et &amp;eacute;galement Vice-pr&amp;eacute;sidente de l&amp;rsquo;Association pour la pr&amp;eacute;vention de la pollution atmosph&amp;eacute;rique (APPA)&lt;br /&gt;
Helga-Jane Scarwell, professeure des Universit&amp;eacute;s &amp;agrave; l&amp;rsquo;Universit&amp;eacute; de Lille 1 (Laboratoire TVES)&lt;br /&gt;
Mathilde Szuba, doctorante en sociologie au CETCOPRA (Paris 1)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Dominique Carr&amp;eacute;

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ce livre est une histoire de l'architecture qui court du milieu du xxe si&amp;egrave;cle jusqu'aux ann&amp;eacute;es 2020. Peu de lieux urbains dans le monde peuvent se pr&amp;eacute;valoir d'une telle continuit&amp;eacute; urbanistique sur une p&amp;eacute;riode aussi restreinte et dans un p&amp;eacute;rim&amp;egrave;tre aussi serr&amp;eacute;. Le projet de La D&amp;eacute;fense, un quartier d'affaires con&amp;ccedil;u ex nihilo, est d&amp;egrave;s sa naissance un projet futuriste, &amp;agrave; l'instar de la conception du Concorde ou de la naissance du nucl&amp;eacute;aire civil (&lt;i&gt;sic&lt;/i&gt;).&lt;br /&gt;
&lt;br /&gt;
C'est-&amp;agrave;-dire d'abord un projet issu de la volont&amp;eacute; politique d'inscrire dans la France de l'apr&amp;egrave;s-guerre un centre d'affaires capable de rivaliser avec les grandes places financi&amp;egrave;res. On a finalement peu insist&amp;eacute; sur ce point pour mettre en avant une histoire architecturale et technique qui compterait sur les doigts de la main quelques am&amp;eacute;nageurs visionnaires ayant confi&amp;eacute; les cl&amp;eacute;s des lieux &amp;agrave; autant d'architectes pr&amp;eacute;curseurs.&lt;br /&gt;
&lt;br /&gt;
Or l'histoire est forc&amp;eacute;ment plus complexe et demandera d'&amp;ecirc;tre lue sous plusieurs prismes diff&amp;eacute;rents. Pour cet ouvrage, nous nous sommes attach&amp;eacute;s &amp;agrave; reconstituer l'une de ces histoires, celle qui a trait &amp;agrave; la centaine d'architectes qui ont sign&amp;eacute; des b&amp;acirc;timents sur le site de la D&amp;eacute;fense. &lt;br /&gt;
Qui sont-ils? D'o&amp;ugrave; viennent-ils? Avec qui se sont-ils alli&amp;eacute;s, et pour quel type de programme? Ce sont autant de questions auxquelles r&amp;eacute;pond ce livre, sachant que, depuis Robert Camelot jusqu'&amp;agrave; Thom Mayne, l'histoire des architectes de la D&amp;eacute;fense ne s'est pas simplement &amp;eacute;crite sur le seul registre de l'architecture novatrice, mais qu'il s'est dessin&amp;eacute;, une g&amp;eacute;n&amp;eacute;ration d'immeubles apr&amp;egrave;s l'autre, ce que l'on peut appeler un &amp;quot;esprit D&amp;eacute;fense&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Le livre r&amp;eacute;unit l'int&amp;eacute;gralit&amp;eacute; des immeubles construits sur le site et montr&amp;eacute;s sous deux aspects diff&amp;eacute;rents: en photographie et dans une repr&amp;eacute;sentation 3D qui met en &amp;eacute;vidence pour le lecteur la volum&amp;eacute;trie des immeubles. Des annexes biographiques tr&amp;egrave;s compl&amp;egrave;tes sont accompagn&amp;eacute;es de portraits dessin&amp;eacute;s des architectes les plus importants.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Simon Texier&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences HDR en histoire de l'architecture contemporaine &amp;agrave; l'universit&amp;eacute; Paris Sorbonne.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Julien Loiseau</text>
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F&amp;eacute;vrier 2011

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IFAO

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(2 volumes)</text>
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&amp;nbsp;&lt;/div&gt;
L&amp;rsquo;histoire du Caire, l&amp;rsquo;une des plus grandes capitales de l&amp;rsquo;Islam m&amp;eacute;di&amp;eacute;val et de tout l&amp;rsquo;Ancien monde, pr&amp;eacute;sente un double apog&amp;eacute;e &amp;agrave; l&amp;rsquo;&amp;eacute;poque mamelouke. Au milieu du XIV&amp;#7497; si&amp;egrave;cle, la ville atteint sa plus grande extension spatiale et conna&amp;icirc;t une monumentalisation spectaculaire, qui vaut &amp;agrave; la m&amp;eacute;tropole d&amp;rsquo;aujourd&amp;rsquo;hui une part essentielle de son patrimoine architectural. Dans la premi&amp;egrave;re moiti&amp;eacute; du XVe si&amp;egrave;cle s&amp;rsquo;&amp;eacute;labore au Caire une historiographie d&amp;rsquo;une richesse exceptionnelle, qui, autour de l&amp;rsquo;&amp;oelig;uvre d&amp;rsquo;al-Maqr&amp;#299;z&amp;#299;, soutient pour la premi&amp;egrave;re fois en Islam la possibilit&amp;eacute; d&amp;rsquo;&amp;eacute;crire une histoire globale de la ville. Entre-temps, Le Caire et le sultanat mamelouk ont travers&amp;eacute; l&amp;rsquo;&amp;eacute;preuve de la ruine et vu se modifier le cours de leur histoire.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le livre se donne ainsi pour objet ce si&amp;egrave;cle de bouleversements politiques et urbains. Il tente d&amp;rsquo;analyser deux processus qui, en quelques d&amp;eacute;cennies, ont profond&amp;eacute;ment red&amp;eacute;fini les &amp;eacute;quilibres du sultanat mamelouk : l&amp;rsquo;entr&amp;eacute;e en crise du pouvoir et la restauration de l&amp;rsquo;&amp;Eacute;tat d&amp;rsquo;une part, la ruine du Caire et la mue urbaine qui accompagne sa reconstruction d&amp;rsquo;autre part. La confrontation des textes, des inscriptions et des &amp;eacute;difices encore en place, ainsi que des actes de fondation en waqf, permet de comprendre comment le sultan et les hommes de sa Maison, dans leur h&amp;eacute;g&amp;eacute;monie nouvelle, ont &amp;eacute;t&amp;eacute; &amp;agrave; la fois des fauteurs de ruine et les premiers artisans de la reconstruction du Caire. Une plus grande communaut&amp;eacute; de destin s&amp;rsquo;est ainsi instaur&amp;eacute;e, &amp;agrave; la faveur de la crise, entre le sultanat mamelouk et sa capitale. Relever la ville de ses ruines ou restaurer l&amp;rsquo;&amp;Eacute;tat, c&amp;rsquo;est en somme devenu la m&amp;ecirc;me chose : dans les deux cas, il s&amp;rsquo;agit bien de reconstruire la Maison du sultan.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Julien Loiseau&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en histoire m&amp;eacute;di&amp;eacute;vale &amp;agrave; l'universit&amp;eacute; Paul-Val&amp;eacute;ry Montpellier 3.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Shilpa Phadke
Sameera Khan
Shilpa Ranade

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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Presenting an original take on women&amp;rsquo;s safety in the cities of twenty-first century India, Why Loiter? maps the exclusions and negotiations that women from different classes and communities encounter in the nation&amp;rsquo;s urban public spaces.&lt;br /&gt;
&lt;br /&gt;
Basing this book on more than three years of research in Mumbai, Shilpa Phadke, Sameera Khan and Shilpa Ranade argue that though women&amp;rsquo;s access to urban public space has increased, they still do not have an equal claim to public space in the city. And they raise the question: can women&amp;rsquo;s access to public space be viewed in isolation from that of other marginal groups? &lt;br /&gt;
&lt;br /&gt;
Going beyond the problem of the real and implied risks associated with women&amp;rsquo;s presence in public, they draw from feminist theory to argue that only by celebrating loitering&amp;mdash;a radical act for most Indian women&amp;mdash;can a truly equal, global city be created.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Shilpa Phadke &lt;/b&gt;is Assistant Professor at the Centre for Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, and an Associate at PUKAR - Partners for Urban Knowledge, Action and Research.&lt;/div&gt;
&lt;b&gt;Sameera Khan &lt;/b&gt;is a Mumbai-based journalist and writer who teaches journalism at the Tata Institute of Social Sciences, Mumbai.&lt;/div&gt;
&lt;b&gt;Shilpa Ranade &lt;/b&gt;is an architect and a partner in the Mumbai-based design firm DCOOP.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; An in-depth look at the urban history of British Bombay&lt;br /&gt; &lt;br /&gt; It was the era of the Raj, and yet A Joint Enterprise reveals the unexpected role of native communities in the transformation of the urban fabric of British Bombay from 1854 to 1918. Preeti Chopra demonstrates how British Bombay was, surprisingly, a collaboration of the colonial government and the Indian and European mercantile and industrial elite who shaped the city to serve their combined interests.&lt;br /&gt; &lt;br /&gt; Chopra shows how the European and Indian engineers, architects, and artists worked with each other to design a city&amp;mdash;its infrastructure, architecture, public sculpture&amp;mdash;that was literally constructed by Indian laborers and craftsmen. Beyond the built environment, Indian philanthropists entered into partnerships with the colonial regime to found and finance institutions for the general public. Too often thought to be the product of the singular vision of a founding colonial regime, British Bombay is revealed by Chopra as an expression of native traditions meshing in complex ways with European ideas of urban planning and progress.&lt;br /&gt; &lt;br /&gt; The result, she argues, was the creation of a new shared landscape for Bombay&amp;rsquo;s citizens that ensured that neither the colonial government nor the native elite could entirely control the city&amp;rsquo;s future.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Preeti Chopra &lt;/b&gt;is Associate Professor of Visual Culture Studies at the University of Wisconsin-Madison&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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