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Gilles Ortlieb</text>
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20 janvier 2011

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Le temps qu'il fait

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Que peut-on esp&amp;eacute;rer comprendre, appr&amp;eacute;hender, d&amp;rsquo;une ville &amp;agrave; laquelle rien, aucune histoire commune ne nous rattache, sinon un endurant d&amp;eacute;sir de voir ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Toutes ces cit&amp;eacute;s d&amp;rsquo;une vall&amp;eacute;e ouvri&amp;egrave;re qui aura pes&amp;eacute; sur le si&amp;egrave;cle &amp;eacute;coul&amp;eacute;, l&amp;rsquo;une apr&amp;egrave;s l&amp;rsquo;autre visit&amp;eacute;es : une arch&amp;eacute;ologie humaine de la disparition et de la perte par la pratique assidue d&amp;rsquo;une &amp;eacute;pigraphie de vitrines, de pignons, de fa&amp;ccedil;ades, de frontons.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
En qu&amp;ecirc;te de quoi, pr&amp;eacute;cis&amp;eacute;ment ? D&amp;rsquo;inscriptions d&amp;eacute;teintes, &amp;agrave; moiti&amp;eacute; effac&amp;eacute;es, de palimpsestes h&amp;eacute;rit&amp;eacute;s d&amp;rsquo;un jadis ou d&amp;rsquo;un nagu&amp;egrave;re qui subsistent encore, ici et l&amp;agrave;, dans des niches ou poches le temps malmen&amp;eacute;, mais sauvegard&amp;eacute;, s&amp;eacute;diment&amp;eacute; en strates quasi g&amp;eacute;ologiques : Jean Baton, Au Colifichet, Salon Carmen, Musette l&amp;rsquo;&amp;Eacute;toile, Paris Couture, Bimbeloterie, Blanche-Neige et ses Sept, Caf&amp;eacute; de l&amp;rsquo;Usine.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Gilles Ortlieb&lt;/b&gt; est traducteur, auteur de po&amp;egrave;mes, de r&amp;eacute;cits et de carnets&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Xavier De Weirt, 
Xavier Rousseaux, 
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Janvier 2011

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Presses universitaires de Louvain

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                <text>&lt;div&gt;Violences juv&amp;eacute;niles urbaines en Europe : histoire d'une construction sociale&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
De nos jours, dans les villes, la violence des jeunes alarme, inqui&amp;egrave;te. &amp;quot;Ils sont de plus en plus violents, de plus en plus jeunes&amp;quot;, entend-on r&amp;eacute;guli&amp;egrave;rement de l'opinion publique. Pourtant, ces commentaires ne reposent sur aucune base scientifique fiable : ils rel&amp;egrave;vent d&amp;rsquo;un discours construit depuis pr&amp;egrave;s de deux cents ans sur des faits peu repr&amp;eacute;sentatifs et des impressions non critiqu&amp;eacute;es.&lt;/div&gt;
&lt;br /&gt;
Jusqu&amp;rsquo;ici, ville et violence, jeunesse et violence, voire jeunesse et ville &amp;eacute;taient analys&amp;eacute;es de mani&amp;egrave;re s&amp;eacute;par&amp;eacute;e ; en revanche, la probl&amp;eacute;matique de la violence des jeunes dans l&amp;rsquo;espace public urbain n&amp;rsquo;avait pas donn&amp;eacute; lieu &amp;agrave; des recherches crois&amp;eacute;es.&lt;br /&gt;
Par la confrontation syst&amp;eacute;matique des sources (r&amp;eacute;pressives, discursives) et selon une pluralit&amp;eacute; d&amp;rsquo;approches m&amp;eacute;thodologiques (travail sur archives, enqu&amp;ecirc;te orale), les auteurs de ce livre, historiens, criminologues ou sociologues, tentent de cerner l&amp;rsquo;&amp;eacute;cart existant entre perception et r&amp;eacute;alit&amp;eacute; du ph&amp;eacute;nom&amp;egrave;ne aux diff&amp;eacute;rentes p&amp;eacute;riodes de l&amp;rsquo;histoire.&lt;/div&gt;
&lt;br /&gt;
Sur la base de recherches r&amp;eacute;centes, ils proposent de mieux comprendre quand, comment et pourquoi s&amp;rsquo;est construite dans la soci&amp;eacute;t&amp;eacute; europ&amp;eacute;enne cette repr&amp;eacute;sentation de la jeunesse comme vecteur de violence associ&amp;eacute; &amp;agrave; la vie urbaine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Introduction. Violences juv&amp;eacute;niles urbaines : entre masculinit&amp;eacute;s, mobilit&amp;eacute;s et m&amp;eacute;diatisations - Xavier De Weirt, Xavier Rousseaux&lt;br /&gt;
&lt;br /&gt;
PREMIERE PARTIE&lt;/div&gt;
&lt;b&gt;Pourquoi les jeunes font-ils peur ? Socio-histoire d'une anxi&amp;eacute;t&amp;eacute;&lt;/b&gt;&lt;br /&gt;
La d&amp;eacute;linquance juv&amp;eacute;nile, des &amp;quot;Blousons noirs&amp;quot; &amp;agrave; nos jours. Le d&amp;eacute;tour historique comme pr&amp;eacute;alable au questionnement sociologique contemporain - Laurent Mucchielli&lt;br /&gt;
De la jeunesse belliqueuse &amp;agrave; la d&amp;eacute;linquance juv&amp;eacute;nile. Jeunes, violence et urbanit&amp;eacute; dans les soci&amp;eacute;t&amp;eacute;s m&amp;eacute;di&amp;eacute;vales et modernes (1300-1850) - Aude Musin, Xavier Rousseaux&lt;br /&gt;
Jeunes, ville et violence. Grande-Bretagne XIXe-XXe si&amp;egrave;cles - Philippe Chassaigne&lt;br /&gt;
&lt;br /&gt;
DEUXIEME PARTIE&lt;/div&gt;
&lt;b&gt;La ville, foyer de violence juv&amp;eacute;nile ? Etudes de terrain&lt;/b&gt;&lt;br /&gt;
Violence juv&amp;eacute;nile &amp;agrave; Paris au temps des Apaches. Fin XIXe si&amp;egrave;cle&amp;ndash;d&amp;eacute;but du XXe si&amp;egrave;cle - Jean-Claude Farcy&lt;br /&gt;
D&amp;eacute;viances et d&amp;eacute;linquance d&amp;rsquo;une jeunesse populaire dans un quartier ouvrier en transformation durant le XXe si&amp;egrave;cle. De l&amp;rsquo;Entre-deux-guerres &amp;agrave; l&amp;rsquo;&amp;egrave;re postindustrielle - &amp;Eacute;ric Marli&amp;egrave;re&lt;br /&gt;
Terreurs de quartiers. Jeunesse et violences &amp;agrave; Marseille (1850-1914) - C&amp;eacute;line Regnard&lt;br /&gt;
Un faux probl&amp;egrave;me ? La violence des jeunes &amp;agrave; Anvers dans la premi&amp;egrave;re moiti&amp;eacute; du XXe si&amp;egrave;cle - Antoon Vrints&lt;br /&gt;
La r&amp;eacute;bellion &amp;agrave; Bruxelles apr&amp;egrave;s la Seconde Guerre mondiale (1945-1975). Un contre-exemple &amp;agrave; la construction sociale dominante du ph&amp;eacute;nom&amp;egrave;ne comme action collective et juv&amp;eacute;nile - Melpomeni Skordou&lt;br /&gt;
Des jeunes adultes jug&amp;eacute;s devant le tribunal correctionnel de Bruxelles. La perception des comportements violents entre rouages judiciaires et approche de la r&amp;eacute;alit&amp;eacute; (1946-1975) - Xavier De Weirt&lt;br /&gt;
Postface. Le savoir et la distance - Dominique Kalifa&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Septembre 2010

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Presses universitaires de Louvain

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Quelles ont &amp;eacute;t&amp;eacute; les tendances de la production de logements dans les 20 premi&amp;egrave;res ann&amp;eacute;es d'existence de la R&amp;eacute;gion de Bruxelles-Capitale, et comment a &amp;eacute;volu&amp;eacute; le syst&amp;egrave;me de relations entre les fonctions de l'habiter et celles qui permettent &amp;agrave; la ville-r&amp;eacute;gion d'exister comme m&amp;eacute;tropole internationale ? Comment les sc&amp;eacute;narios mis en oeuvre permettent-ils de penser les d&amp;eacute;fis du futur, et de faire face aux &amp;eacute;volutions de la d&amp;eacute;mographie ?&lt;/div&gt;
&lt;br /&gt;
La recherche a permis de produire une cartographie in&amp;eacute;dite de la production immobili&amp;egrave;re de 10 logements et plus entreprise entre 1989 et 2007, fond&amp;eacute;e d'une part sur une typologie morphologique, et d'autre part sur une analyse des processus et des strat&amp;eacute;gies des acteurs immobiliers priv&amp;eacute;s. Ce segment de la production immobili&amp;egrave;re s'ins&amp;egrave;re dans un jeu de tensions urbanistiques li&amp;eacute; &amp;agrave; la n&amp;eacute;cessit&amp;eacute; de faire coexister, &amp;agrave; l'int&amp;eacute;rieur des dix-neuf communes, deux dimensions de la ville : la ville comme p&amp;ocirc;le d'&amp;eacute;changes &amp;eacute;conomiques et la ville comme lieu de pratiques quotidiennes. Par ailleurs, dans la ville contemporaine, cette probl&amp;eacute;matique de la mixit&amp;eacute; fonctionnelle se complexifie : on observe une diversification des &amp;eacute;chelles territoriales auxquelles il convient de r&amp;eacute;f&amp;eacute;rer les &amp;eacute;quipements de la centralit&amp;eacute; urbaine, ce qui multiplie les effets de fronti&amp;egrave;re et radicalise les diff&amp;eacute;rents statuts entre les espaces constitutifs de la ville.&lt;/div&gt;
&lt;br /&gt;
La th&amp;egrave;se de l'auteur est que Bruxelles ne souffre pas d'un probl&amp;egrave;me d'espace pour les 20 ans &amp;agrave; venir, mais que la situation qu'elle pr&amp;eacute;sente r&amp;eacute;clame une nouvelle mani&amp;egrave;re de penser l'urbanisme.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; The Spanish colonial project in Latin America from the sixteenth to the eighteenth centuries was distinctly urban in focus. The impact of the written word on this process was explored in &amp;Aacute;ngel Rama's seminal book The Lettered City, and much has been written by historians of art and architecture on its visible manifestations, yet the articulation of sound, urban geography and colonial power - 'the resounding city' - has been passed over in virtual silence. This collection of essays by leading scholars examines the role of music in Spanish colonial urbanism in the New World and explores the urban soundscape and music profession as spheres of social contact, conflict, and negotiation. The contributors demonstrate the role of music as a vital constituent part of the colonial city, as Rama did for writing, and therefore illustrate how musicology may illuminate and take its place in the broader field of Latin American urban history.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Preface&lt;br /&gt; 1. The resounding city - Geoffrey Baker&lt;br /&gt; 2. Music and ritual in urban spaces: the case of Lima, c.1600 - Tess Knighton&lt;br /&gt; 3. A conflicted relationship: music, power and the inquisition in viceregal Mexico City - Javier Mar&amp;iacute;n L&amp;oacute;pez&lt;br /&gt; 4. Making music, writing myth: urban Guadalupan ritual in eighteenth-century New Spain - Drew Edward Davies&lt;br /&gt; 5. 'Gold was music to their ears': conflicting sounds in Santaf&amp;eacute; (Nuevo Reino de Granada), 1540&amp;ndash;1590 - Egberto Berm&amp;uacute;dez&lt;br /&gt; 6. The 'spirit of independence' in the Fiesta de la Naval of Caracas - David Coifman&lt;br /&gt; 7. Employment, enfranchisement and liminality: ecclesiastical musicians in early modern Manila  - David R. M. Irving&lt;br /&gt; 8. Chapelmasters and musical practice in Brazilian cities in the eighteenth century - Paulo Castagna and Jaelson Trindade&lt;br /&gt; 9. Music, authority and civilization in Rio de Janeiro (1763&amp;ndash;1790) - Rog&amp;eacute;rio Budasz&lt;br /&gt; 10. Transcending the walls of the churches: the circulation of music and musicians in Santiago de Chile - Alejandro Vera&lt;br /&gt; 11. The slave's progress: music as profession in Criollo Buenos Aires - Bernardo Illari&lt;br /&gt; 12. Urban music in the wilderness: ideology and power in the Jesuit reducciones, 1609&amp;ndash;1767 - Leonardo J. Waisman&lt;br /&gt; 13. Enlightened Reformism versus Jesuit Utopia: music in the foundation of El Carmen de Guarayos (Moxos, Bolivia), 1793&amp;ndash;1801 - Mar&amp;iacute;a Gembero Ust&amp;aacute;rroz&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Geoffrey Baker &lt;/b&gt;is a Lecturer in the Department of Music at Royal Holloway, University of London&lt;/div&gt; &lt;b&gt;Tess Knighton &lt;/b&gt;is a College Lecturer in Spanish at the University of Cambridge.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Vincent Lemire</text>
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Publications de la Sorbonne

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
L&amp;rsquo;histoire urbaine de J&amp;eacute;rusalem aux XIXe et XXe si&amp;egrave;cles, ensevelie sous les m&amp;eacute;moires concurrentes, a fini par s&amp;rsquo;effacer derri&amp;egrave;re les conflits symboliques et nationalistes. Pour rompre avec une vision &amp;eacute;troitement communautariste et g&amp;eacute;ostrat&amp;eacute;gique de la Ville sainte, pour en faire rejaillir la dimension profane et quotidienne sans perdre de vue l&amp;rsquo;agencement de ses territoires, de ses monuments, de son relief et de ses citadins, Vincent Lemire a choisi de faire l&amp;rsquo;histoire de la ville au prisme de la question de l&amp;rsquo;eau. Perch&amp;eacute;e &amp;agrave; plus de 700 m&amp;egrave;tres d&amp;rsquo;altitude, J&amp;eacute;rusalem manque cruellement d&amp;rsquo;eau potable, surtout entre les ann&amp;eacute;es 1840, moment du d&amp;eacute;collage d&amp;eacute;mographique, et l&amp;rsquo;inauguration en 1936 de la monumentale canalisation de Ras el-A&amp;iuml;n. La &amp;quot;soif de J&amp;eacute;rusalem&amp;quot; devient d&amp;egrave;s lors un enjeu majeur de l&amp;rsquo;action publique, qu&amp;rsquo;elle soit port&amp;eacute;e par les autorit&amp;eacute;s civiles et religieuses de la ville ou par les puissances internationales qui s&amp;rsquo;en disputent le contr&amp;ocirc;le.&lt;/div&gt;
&lt;br /&gt;
L&amp;rsquo;histoire de cette longue qu&amp;ecirc;te hydraulique, domin&amp;eacute;e tour &amp;agrave; tour par les arch&amp;eacute;ologues et les philanthropes occidentaux, puis par les autorit&amp;eacute;s imp&amp;eacute;riales ottomanes et les &amp;eacute;diles municipaux et enfin par les porte-drapeaux du projet sioniste et du nationalisme palestinien, s&amp;rsquo;appuie sur l&amp;rsquo;analyse de sources tr&amp;egrave;s diverses et largement in&amp;eacute;dites : archives de la municipalit&amp;eacute; ottomane et mandataire de J&amp;eacute;rusalem, archives de l&amp;rsquo;administration des waqf, archives imp&amp;eacute;riales d&amp;rsquo;Istanbul, archives consulaires et diplomatiques de Londres, Nantes et Paris, archives du mouvement sioniste &amp;agrave; J&amp;eacute;rusalem, collections priv&amp;eacute;es. Cette &amp;eacute;tude pionni&amp;egrave;re montre que la question hydraulique est un passionnant observatoire pour l&amp;rsquo;histoire urbaine et dessine les contours d&amp;rsquo;une nouvelle m&amp;eacute;thode historique, l&amp;rsquo;hydrohistoire, particuli&amp;egrave;rement efficace pour comprendre des lieux satur&amp;eacute;s de sens comme la ville de J&amp;eacute;rusalem.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Vincent Lemire&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en histoire contemporaine &amp;agrave; l&amp;rsquo;universit&amp;eacute; Paris-Est Marne-la-Vall&amp;eacute;e et membre du laboratoire &amp;quot;Analyse compar&amp;eacute;e des pouvoirs&amp;quot; (EA 3350). Ses recherches actuelles portent sur J&amp;eacute;rusalem et le Proche-Orient contemporain, l&amp;rsquo;histoire environnementale et la patrimonialisation urbaine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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arturbain&lt;/a&gt;.&lt;/div&gt;
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Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the prize of empires, the site of Judgement Day and the battlefield of today's clash of civilisations. From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel-Palestine conflict, this is the epic history of 3,000 years of faith, slaughter, fanaticism and coexistence.&lt;/div&gt;
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How did this small, remote town become the Holy City, the 'centre of the world' and now the key to peace in the Middle East? In a gripping narrative, Simon Sebag Montefiore reveals this ever-changing city in its many incarnations, bringing every epoch and character blazingly to life. Jerusalem's biography is told through the wars, love affairs and revelations of the men and women - kings, empresses, prophets, poets, saints, conquerors and whores - who created, destroyed, chronicled and believed in Jerusalem. As well as the many ordinary Jerusalemites who have left their mark on the city, its cast varies from Solomon, Saladin and Suleiman the Magnificent to Cleopatra, Caligula and Churchill; from Abraham to Jesus and Muhammad; from the ancient world of Jezebel, Nebuchadnezzar, Herod and Nero to the modern times of the Kaiser, Disraeli, Mark Twain, Rasputin and Lawrence of Arabia.&lt;/div&gt;
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&lt;br /&gt;
The epic story of Jerusalem told through the lives of the men and women who created, ruled and inhabited it.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Simon Sebag Montefiore &lt;/b&gt;is an historian and award-winning author of books including 'Young Stalin' and 'Stalin : The court of the red Tsar'.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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L'Harmattan

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 Yale University Press

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In this pioneering study of the water infrastructure of Renaissance Rome, urban historian Katherine Rinne offers a new understanding of how technological and scientific developments in aqueduct and fountain architecture helped turn a medieval backwater into the preeminent city of early modern Europe. Supported by the author&amp;rsquo;s extensive topographical research, this book presents a unified vision of the city that links improvements to public and private water systems with political, religious, and social change. Between 1560 and 1630, in a spectacular burst of urban renewal, Rome&amp;rsquo;s religious and civil authorities sponsored the construction of aqueducts, private and public fountains for drinking, washing, and industry, and the magnificent ceremonial fountains that are Rome&amp;rsquo;s glory. Tying together the technological, sociopolitical, and artistic questions that faced the designers during an age of turmoil in which the Catholic Church found its authority threatened and the infrastructure of the city was in a state of decay, Rinne shows how these public works projects transformed Rome in a successful marriage of innovative engineering and strategic urban planning.&lt;br /&gt;
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&lt;b&gt;Katherine Wentworth Rinne&lt;/b&gt; is an urban designer and historian of Renaissance and baroque architecture and urbanism. She is adjunct professor in the department of architecture at the California College of the Arts and associate fellow at the Institute for Advanced Technology in the Humanities at the University of Virginia.&lt;/div&gt;
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Waters of the city of Rome&lt;/a&gt;'&lt;/div&gt;
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Christy (Chryssanthi) Petropoulou</text>
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F&amp;eacute;vrier 2011

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L'Harmattan

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&amp;nbsp;&lt;/div&gt;
Les grandes villes des pays r&amp;eacute;cemment industrialis&amp;eacute;s, comme Mexico et Ath&amp;egrave;nes, pr&amp;eacute;sentent des particularit&amp;eacute;s similaires au niveau de leur structure urbaine, notamment dans les quartiers d'origine spontan&amp;eacute;e. Le concept d'&amp;quot;&amp;eacute;co-paysage urbain&amp;quot; a permis d'analyser les paysages des deux villes &amp;agrave; &amp;eacute;chelles spatiales et temporelles. L'approche &amp;eacute;cologique, historique et socio-&amp;eacute;conomique met en &amp;eacute;vidence le syst&amp;egrave;me producteur ayant donn&amp;eacute; naissance &amp;agrave; ces paysages et le r&amp;ocirc;le des acteurs sociaux.&lt;/div&gt;
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Mustapha Chouiki</text>
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Janvier 2011

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Edition Dar Attaouhidi

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Cet ouvrage qui se veut une lecture apportant une valeur ajoute&amp;#769;e a&amp;#768; l&amp;rsquo;e&amp;#769;tude et a&amp;#768; la compre&amp;#769;hension de la ville marocaine, s&amp;rsquo;e&amp;#769;carte d&amp;rsquo;un grand nombre d&amp;rsquo;ide&amp;#769;es rec&amp;#807;ues, notamment celles qui cherchent a&amp;#768; continuer a&amp;#768; couler le phe&amp;#769;nome&amp;#768;ne urbain marocain dans un moule fait par et pour une e&amp;#769;poque re&amp;#769;volue.&lt;br /&gt;
&lt;br /&gt;
Il s&amp;rsquo;est attele&amp;#769; a&amp;#768; de&amp;#769;montrer que c&amp;rsquo;est en ville que la se&amp;#769;dimentation historique du Maroc re&amp;#769;ve&amp;#768;le la grande discordance introduite par la colonisation. C&amp;rsquo;est en ville que les mutations les plus pesantes prennent forme et provoquent les effets les plus profonds. C&amp;rsquo;est en ville que les pathologies sociales les plus lourdes de conse&amp;#769;quences naissent et se propagent. C&amp;rsquo;est en ville que s&amp;rsquo;inscrit dans l&amp;rsquo;espace, d&amp;rsquo;une fac&amp;#807;on criante la pauvrete&amp;#769; et la pre&amp;#769;carite&amp;#769;. C'est en ville que le Maroc re&amp;#769;ame&amp;#769;nage constamment sa vitrine de la modernite&amp;#769;. C&amp;rsquo;est en ville que la me&amp;#769;tamorphose des valeurs sociales fonctionne a&amp;#768; plein re&amp;#769;gime. C&amp;rsquo;est en ville que naissent et se de&amp;#769;veloppent de nouvelles couches sociales et se dessinent de nouveaux clivages sociaux. C&amp;rsquo;est en ville que se concentrent forces et symboles du pouvoir politique et du capital. C&amp;rsquo;est en fin en ville que se profile le nouveau projet de socie&amp;#769;te&amp;#769; souhaite&amp;#769; ou non, mais qui tend a&amp;#768; se ge&amp;#769;ne&amp;#769;raliser a&amp;#768; l&amp;rsquo;ensemble du pays.&lt;br /&gt;
&lt;br /&gt;
Toutes les dynamiques qui traversent la ville marocaine depuis l&amp;rsquo;accession du pays a&amp;#768; l&amp;rsquo;inde&amp;#769;pendance politique, refle&amp;#768;tent un changement qui au lieu de constituer une coupure avec le passe&amp;#769; colonial s&amp;rsquo;inscrit dans la continuite&amp;#769;, pour de&amp;#769;montrer que les pesanteurs de l&amp;rsquo;histoire imposent l&amp;rsquo;invariance comme corollaire du changement.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Mustapha CHOUIKI&lt;/b&gt; est professeur a&amp;#768; l&amp;rsquo;Universite&amp;#769; Hassan II de Casablanca, ou&amp;#768; il enseigne la ge&amp;#769;ographie urbaine et l&amp;rsquo;urbanisme. Ses travaux de recherche se focalisent depuis plus de trente ans sur la ville marocaine, au sein de l&amp;rsquo;e&amp;#769;quipe de recherche qu&amp;rsquo;il dirige (POL.AM)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Virginie Brunelot</text>
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Cayenne entre 1919 et 1939. Un entre-deux-guerres qui laisse peu de souvenirs, &amp;agrave; part ceux de quelques soubresauts politiques. L'auteure retrace le quotidien des Cayennais &amp;agrave; l'aide des archives &amp;eacute;crites, non exemptes d'erreur, d'approximation et d'omission, et de la m&amp;eacute;moire orale individuelle, soumise &amp;agrave; l'oubli (volontaire ou non) et &amp;agrave; l'interpr&amp;eacute;tation. Pour cela, l'auteure a interrog&amp;eacute; une quinzaine de Guyanais ayant v&amp;eacute;cu leur enfance &amp;agrave; Cayenne.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Virginie Brunelo&lt;/b&gt;t, bien que non historienne, &amp;eacute;crit sur l'histoire quotidienne &amp;agrave; Cayenne.&lt;/div&gt;
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Fariba Zarinebaf

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January 2011

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University of California Press

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&amp;nbsp;&lt;/div&gt;
This vividly detailed revisionist history exposes the underworld of the largest metropolis of the early modern Mediterranean and through it the entire fabric of a complex, multicultural society. Fariba Zarinebaf maps the history of crime and punishment in Istanbul over more than one hundred years, considering transgressions such as riots, prostitution, theft, and murder and at the same time tracing how the state controlled and punished its unruly population. Taking us through the city's streets, workshops, and houses, she gives voice to ordinary people&amp;mdash;the man accused of stealing, the woman accused of prostitution, and the vagabond expelled from the city. She finds that Istanbul in this period remains mischaracterized&amp;mdash;in part by the sensational and exotic accounts of European travelers who portrayed it as the embodiment of Ottoman decline, rife with decadence, sin, and disease. Linking the history of crime and punishment to the dramatic political, economic, and social transformations that occurred in the eighteenth century, Zarinebaf finds in fact that Istanbul had much more in common with other emerging modern cities in Europe, and even in America.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Fariba Zarinebaf&lt;/b&gt; is Associate Professor of History at the University of California at Riverside.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Arnaud Passalacqua</text>
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3 f&amp;eacute;vrier 2011

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Economica

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&amp;nbsp;&lt;/div&gt;
Berceau de l'automobile et ville identifi&amp;eacute;e &amp;agrave; son m&amp;eacute;tro, Paris semble aujourd'hui r&amp;eacute;server &amp;agrave; son r&amp;eacute;seau d'autobus un r&amp;ocirc;le secondaire. Un sentiment que ne pouvait partager le Parisien du XIXe si&amp;egrave;cle, marqu&amp;eacute; par l'image de l'omnibus Madeleine-Bastille, ins&amp;eacute;parable de la figure c&amp;eacute;l&amp;eacute;br&amp;eacute;e du boulevard. L'autobus aurait donc &amp;eacute;t&amp;eacute; victime d'une mobilit&amp;eacute; urbaine qui s'est massifi&amp;eacute;e. Il n'a pourtant pas rejoint la longue liste des modes disparus, des tramways aux bateaux omnibus. Comment expliquer cette adaptation d'un syst&amp;egrave;me de transport ancien &amp;agrave; une soci&amp;eacute;t&amp;eacute; urbaine qui s'est industrialis&amp;eacute;e ? A quel prix l'autobus s'est-il maintenu dans le jeu parisien ? Quelle m&amp;eacute;tamorphose le m&amp;eacute;tro et l'automobile lui-ont ils fait subir ? Au-del&amp;agrave; de l'image contemporaine d'un mode plut&amp;ocirc;t domin&amp;eacute;, l'autobus n'a-t-il pas lui aussi jou&amp;eacute; les ma&amp;icirc;tres de la chauss&amp;eacute;e et les fers de lance de la technique ? Quelle est donc cette souplesse qui caract&amp;eacute;rise l'autobus, dans les discours et les perceptions ? Comment se combine-t-elle avec les &amp;eacute;volutions de l'espace public ? Le regard propos&amp;eacute; ici se porte sur des &amp;eacute;pisodes rarement mis en avant, des conflits mondiaux aux manifestations de f&amp;eacute;vrier 1934, l'exceptionnel permettant souvent de r&amp;eacute;v&amp;eacute;ler la place de l'objet technique dans la soci&amp;eacute;t&amp;eacute;.&lt;br /&gt;
&lt;br /&gt;
C'est plus g&amp;eacute;n&amp;eacute;ralement &amp;agrave; une plong&amp;eacute;e dans l'&amp;eacute;cosyst&amp;egrave;me des modes de transport parisiens qu'invite cet ouvrage. Leurs relations, faites d'alliances, d'oppositions et d'hybridations, y sont explicit&amp;eacute;es et analys&amp;eacute;es. Au long de ce livre, le contrepoint de Londres permet de saisir les enjeux d'identit&amp;eacute; et de construction sociale qui caract&amp;eacute;risent les relations entre une ville et ses modes de transport.&lt;br /&gt;
&lt;br /&gt;
En se fondant sur l'id&amp;eacute;e de mobilit&amp;eacute; urbaine, cet ouvrage propose donc une r&amp;eacute;flexion sur ce que pourrait &amp;ecirc;tre une autre histoire des transports, int&amp;eacute;ress&amp;eacute;e aux voyageurs et aux images sociales, autant qu'aux &amp;eacute;l&amp;eacute;ments couramment &amp;eacute;tudi&amp;eacute;s que sont les chiffres de fr&amp;eacute;quentation et le mat&amp;eacute;riel roulant.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Arnaud Passalacqua&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en histoire contemporaine &amp;agrave; l'Universit&amp;eacute; Paris Diderot Paris 7.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Pierre Laurence</text>
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5 f&amp;eacute;vrier 2011

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Connaissances et Savoirs

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&lt;br /&gt;
De plus en plus, nous vivons en milieu urbain. Les villes occupent d&amp;eacute;sormais une place centrale dans l'organisation et la transformation des pays. Toutefois, loin d'&amp;ecirc;tre un tissu tendant &amp;agrave; l'homog&amp;eacute;n&amp;eacute;it&amp;eacute;, on assiste, corr&amp;eacute;lativement &amp;agrave; cet essor, &amp;agrave; une d&amp;eacute;gradation de certains quartiers retranch&amp;eacute;s dans la pauvret&amp;eacute; et les difficult&amp;eacute;s, voire &amp;agrave; l'apparition d'une nouvelle forme de s&amp;eacute;gr&amp;eacute;gation. Pour enrayer ce ph&amp;eacute;nom&amp;egrave;ne, des politiques de r&amp;eacute;g&amp;eacute;n&amp;eacute;ration urbaine ont &amp;eacute;t&amp;eacute; lanc&amp;eacute;es, notamment celles dites de d&amp;eacute;veloppement urbain durable fond&amp;eacute;es sur des approches int&amp;eacute;gr&amp;eacute;es. Celles-ci font aujourd'hui l'objet de l'attention de l'ouvrage compos&amp;eacute; par Pierre Laurence, chercheur qui fait le choix de la comparaison des mises en oeuvre de politiques urbaines de revitalisation au sein de trois quartiers de part et d'autre de l'Atlantique (La Croix-Rousse &amp;agrave; Lyon, Sainte-Marie &amp;agrave; Montr&amp;eacute;al, et les premiers quartiers de Trois-Rivi&amp;egrave;res au Qu&amp;eacute;bec).&lt;br /&gt;
&lt;br /&gt;
Si La ville est appel&amp;eacute;e &amp;agrave; devenir le lieu de vie privil&amp;eacute;gi&amp;eacute; de l'humanit&amp;eacute;, si l'on ne veut pas qu'elle se fragmente et devienne territoire d'in&amp;eacute;galit&amp;eacute;, il y a urgence &amp;agrave; repenser son d&amp;eacute;veloppement, son fonctionnement, ses strat&amp;eacute;gies et m&amp;eacute;thodes d'intervention de d&amp;eacute;veloppement urbain. D&amp;egrave;s lors, quel est le r&amp;ocirc;le des acteurs ? Quels leviers convient-il d'actionner ? Comment tenir compte dans un contexte urbain en mutation de la mise en oeuvre d'approches int&amp;eacute;gr&amp;eacute;es de d&amp;eacute;veloppement urbain durable ? Quels en sont les leviers ? Et comment d&amp;eacute;velopper des formules de gestion urbaine nouvelles mettant en synergie les diff&amp;eacute;rents acteurs de la ville ? Telles sont les questions soulev&amp;eacute;es au cours de la recherche men&amp;eacute;e par Pierre Laurence qui, via une &amp;eacute;tude comparative de cas en mati&amp;egrave;re de revitalisation de trois quartiers aupr&amp;egrave;s d'une centaine d'acteurs selon une conception durable du d&amp;eacute;veloppement urbain, interroge les enjeux et les limites de ce type de d&amp;eacute;marche, en particulier la reconfiguration profonde des modes d'intervention en mati&amp;egrave;re de revitalisation.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Pierre Laurence&lt;/b&gt; est intervenant, consultant, chercheur, formateur, et &amp;eacute;galement conseiller en d&amp;eacute;veloppement communautaire &amp;agrave; la Ville de Montr&amp;eacute;al, membre de l'Observatoire qu&amp;eacute;b&amp;eacute;cois sur la d&amp;eacute;mocratie et du Groupe de recherche sur la coop&amp;eacute;ration d&amp;eacute;centralis&amp;eacute;e et le d&amp;eacute;veloppement des collectivit&amp;eacute;s locales.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Taschen GmbH

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&amp;nbsp;&lt;/div&gt;
Remplir un blanc historique. La quatri&amp;egrave;me &amp;eacute;poque de l&amp;rsquo;architecture sovi&amp;eacute;tique&lt;br /&gt;
&lt;br /&gt;
Dans cet ouvrage, le photographe Fr&amp;eacute;d&amp;eacute;ric Chaubin d&amp;eacute;voile 90 b&amp;acirc;timents situ&amp;eacute;s dans les anciennes r&amp;eacute;publiques sovi&amp;eacute;tiques qui t&amp;eacute;moignent de ce que l'on pourrait consid&amp;eacute;rer comme la quatri&amp;egrave;me &amp;eacute;poque de l'architecture sovi&amp;eacute;tique. Ils r&amp;eacute;v&amp;egrave;lent une renaissance inattendue de l'imagination, un bourgeonnement jusqu'ici inconnu qui s'est d&amp;eacute;velopp&amp;eacute; de 1970 &amp;agrave; 1990. Contrairement aux ann&amp;eacute;es vingt et trente, on ne distingue ici ni &amp;quot;&amp;eacute;cole&amp;quot; ni tendance dominante. Ces constructions repr&amp;eacute;sentent un &amp;eacute;lan chaotique provoqu&amp;eacute; par un syst&amp;egrave;me qui tombait en d&amp;eacute;cr&amp;eacute;pitude. Leur diversit&amp;eacute; annonce la fin de l'Union Sovi&amp;eacute;tique.&lt;br /&gt;
&lt;br /&gt;
Profitant de l'effondrement de cette structure monolithique, des trous dans le filet qui devenait plus l&amp;acirc;che, des architectes ont revisit&amp;eacute; toutes les p&amp;eacute;riodes et tous les styles, remontant aux sources ou innovant librement. Certains audacieux r&amp;eacute;alis&amp;egrave;rent des projets qui auraient fait r&amp;ecirc;ver les constructivistes (le sanatorium de Druzhba), d'autres ont laiss&amp;eacute; parler leur imagination d'une mani&amp;egrave;re expressionniste (le Palais du Mariage de Tbilissi). Une colonie de vacances, inspir&amp;eacute;e d'esquisses d'un prototype de base lunaire revendique son influence supr&amp;eacute;matiste (Prom&amp;eacute;th&amp;eacute;e). Sans oublier l'&amp;quot;architecture parlante&amp;quot; qui s'est g&amp;eacute;n&amp;eacute;ralis&amp;eacute;e pendant les derni&amp;egrave;res ann&amp;eacute;es de l'URSS: un crematorium orn&amp;eacute; de flammes de b&amp;eacute;ton (crematorium de Kiev), un institut technologique avec une soucoupe volante &amp;eacute;cras&amp;eacute;e sur le toit (institut de Kiev), un centre politique qui vous observe comme Big Brother (la maison des soviets de Kaliningrad). Ce puzzle de styles t&amp;eacute;moigne de tous les r&amp;ecirc;ves id&amp;eacute;ologiques de cette p&amp;eacute;riode, de l'obsession du cosmos &amp;agrave; la renaissance de la vie priv&amp;eacute;e, tout en soulignant la g&amp;eacute;ographie de l'URSS, montrant comment les influences locales ont apport&amp;eacute; leurs d&amp;eacute;tournements exotiques avant de porter le coup fatal &amp;agrave; ce pays.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Fr&amp;eacute;d&amp;eacute;ric Chaubin&lt;/b&gt; est, depuis quinze ans, le r&amp;eacute;dacteur en chef du magazine Citizen K. Depuis 2000, il affirme un regard de photographe en publiant des sujets m&amp;ecirc;lant textes et images. Le projet CCCP s&amp;rsquo;est d&amp;eacute;velopp&amp;eacute; de 2003 &amp;agrave; 2010, au gr&amp;eacute; des voyages, selon une logique intuitive. Il a donn&amp;eacute; lieu &amp;agrave; de nombreuses expositions, du Japon aux Etats-Unis.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Visualiser une interview (en anglais)&lt;/a&gt; de Fr&amp;eacute;d&amp;eacute;ric Chaubin &amp;agrave; propos de cet ouvrage et de l'exposition de ses photos au Zentrum f&amp;uuml;r Kunst und Medientechnologie Karlsruhe du 29 janvier au 27 mars 2011.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; La communaut&amp;eacute; lesbienne, gaie, bi et transgenre (LGBT) n'a cess&amp;eacute;, en lien avec sa conscientisation, de d&amp;eacute;velopper voire de revendiquer des pratiques langagi&amp;egrave;res, un langage distinctif : le Gayspeak.&lt;br /&gt; &lt;br /&gt; Transgressant, au moins dans sa volont&amp;eacute;, les normes sociales, ce parler permet aujourd'hui &amp;agrave; la communaut&amp;eacute; LGBT de (re)construire sa propre r&amp;eacute;alit&amp;eacute; tout en oeuvrant &amp;agrave; de nouvelles perceptions et perspectives identitaires. Ainsi, la mani&amp;egrave;re dont on parle, en particulier la mani&amp;egrave;re dont on parle de soi en tant que sujet, t&amp;eacute;moigne d'une identit&amp;eacute; per&amp;ccedil;ue comme simple et homog&amp;egrave;ne mais n&amp;eacute;cessairement v&amp;eacute;cue comme complexe : en effet, cette fa&amp;ccedil;on de parler n'est pas r&amp;eacute;ductible &amp;agrave; une identit&amp;eacute;, d'autant qu'elle peut confirmer voire contrer des pratiques per&amp;ccedil;ues et assum&amp;eacute;es comme discriminantes.&lt;br /&gt; &lt;br /&gt; Pratiquement, et en lien avec la diversit&amp;eacute; des pratiques sociales et des praxis en oeuvre, est-ce que la communaut&amp;eacute; gaie rennaise s'identifie et/ou se diff&amp;eacute;rencie selon des crit&amp;egrave;res - spatiaux et/ou langagiers - sp&amp;eacute;cifiques ? D&amp;egrave;s lors, il est raisonnable de s'interroger, via la culture urbaine, sur l'existence d'une vari&amp;eacute;t&amp;eacute; gaie du fran&amp;ccedil;ais ? &lt;br /&gt; &lt;br /&gt; C'est &amp;agrave; ces quelques questions, et en appui sur une r&amp;eacute;flexion th&amp;eacute;orique d'une part, et d'autre part sur une enqu&amp;ecirc;te de terrain, que cet ouvrage tente de r&amp;eacute;pondre... Il aborde ainsi, selon les questionnements r&amp;eacute;cents de la sociolinguistique urbaine, les rapports entre l'appartenance &amp;agrave; une communaut&amp;eacute; sociale et linguistique (bretonne, urbaine...) et &amp;agrave; une communaut&amp;eacute; sexuelle.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Jeanne Robineau&lt;/b&gt; est doctorante en Sciences du langage &amp;agrave; l'universit&amp;eacute; de Rennes-2 (PREFics EA 3207). Elle est membre du GIS Pluralit&amp;eacute;s Linguistiques et Culturelles. Ses travaux de recherche portent sur la discrimination des femmes en entreprise, notamment dans le cas o&amp;ugrave; elles y affirment leur orientation sexuelle.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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