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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
L'espace public, ce lieu de liens, ne peut plus se penser comme il l'est depuis une vingtaine d'ann&amp;eacute;es.&lt;/div&gt;
&lt;br /&gt;
L'urgence d'une v&amp;eacute;ritable politique du paysage, ambitieuse dans ses moyens mais raisonnablement modeste dans ses objectifs, s'impose &amp;agrave; mesure que le tissu social se d&amp;eacute;sagr&amp;egrave;ge au rythme des r&amp;eacute;habilitations des centres-villes et de la mise sous cloche d'espaces au nom du d&amp;eacute;veloppement durable. II est encore possible de reconqu&amp;eacute;rir le territoire pour en faire un espace v&amp;eacute;ritablement public.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Architect Alexander D'Hooghe believes urban design has lost its way. Once among the most articulate and avant-garde of disciplines, the field now lacks, he suggests, the confidence necessary to address its most critical challenge : sprawl. In his provocative manifesto The Liberal Monument, D'Hooghe argues that architecture and urbanism must boldly intervene in city planning and growth management. This strategic use of architecture represents, for him, the last hope to revitalize the quasi-endless gray carpetspreading between the world's urban centers. D'Hooghe's starting point requires a reassessment of discarded, sometimes disgraced, late-modern theories of placemaking. D'Hooghe points out that the very idea of top-down urban planning and monumentalized space was jettisoned due to its commonly held associations with the monumental neoclassicism and symbolism employed by Nazi architect and urban planner Albert Speer. D'Hooghe respectfully posits that we should not allow this perversion of thought to preclude our own thinking at the scale of urban planning.&lt;br /&gt; &lt;br /&gt; D'Hooghe travels the world in search of experiments in urbanism and findsin the ruins of these failed utopias a way forward. He discovers in the work of 'second-generation modernists' Sigfried Giedion and Louis I. Kahn an effort to connect architecture, planning, and liberal politics. This becomes the seed for what he calls the liberal monument.&lt;br /&gt; &lt;br /&gt; The Liberal Monument is a provocative, accessible work of theory that challenges all of the accepted truths of urban design. Its goal is to restore the confidence architecture will need, whether it is building cities from the ground up in China and Dubai or managing the growth of the sprawling suburbs of Phoenix and Raleigh/Durham.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Alexander D'Hooghe &lt;/b&gt;is an associate professor of architectural urbanism at MIT and director of the MIT Platform for a Permanent Modernity, a research group for design and theoretical investigations into ideal forms of contemporary urbanism.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Presses universitaires de Perpignan

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&amp;nbsp;&lt;/div&gt;
Cinq ans ont pass&amp;eacute; depuis les &amp;eacute;meutes de 2005. On a vu depuis diverses r&amp;eacute;pliques qui ont marqu&amp;eacute; les esprits (Villiers-le-Bel) ou bien sont pass&amp;eacute;es inaper&amp;ccedil;ues. Puis sont apparues quantit&amp;eacute; de publications r&amp;eacute;actives. Enfin, un certain nombre de lois et de d&amp;eacute;cisions publiques ont d&amp;eacute;coul&amp;eacute; de ces &amp;eacute;meutes.&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; By focusing on the interplay between material, social and narrative dimensions of the city, this book examines urban complexity, namely the dynamic and entangled nature of urban issues, and puts forward a notion of the city as an urban texture. Taking an innovative interdisciplinary approach, it perceives the way cities are organized as a restless stratification of materials, meanings and uses, and deals with the interrelationships between actors, places, administrative rationalities and artefacts. It argues that urban fabric is 'manufactured' in this interplay between imagery and practices (of all the stake-holders, including planners, city managers and city users).&lt;br /&gt; &lt;br /&gt; Illustrated by in-depth empirical studies from across Europe and Latin America, the book explores material and symbolic aspects of the urban experience. In particular, the contributors focus on the less visible ways of organizing urban spaces, such as those enacted and embodied by local news, artefacts such as signals, maps, regulations, public acts, artistic performances, sensory experience and collective memories. The book offers an articulated discussion on these various means of spatial organisation, thereby providing insights into situations of conflict and proposing innovative ways forward for enhancing urban sociability.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Contents :&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Foreword: the city narrated, the city organized?&lt;br /&gt; Introduction: urban plots, organizing cities - Giovanna Sonda, Claudio Coletta and Francesco Gabbi&lt;br /&gt; The graphical performation of a public space: the subway signs and their scripts - J&amp;eacute;r&amp;ocirc;me Denis and David Pontille&lt;br /&gt; The wall and the mobile phone: organizing, governing, resisting - Andrea Mubi Brighenti&lt;br /&gt; Redefining the right to the city: representations of public space as part of the urban struggles - Stavros Stavrides&lt;br /&gt; Hybrid cities: narratives of urban development and popular culture, the case of Medell&amp;iacute;n (Colombia) - Beatriz Acevedo and Ana Maria Carreira&lt;br /&gt; Organizing urban space: tools, processes and public action - Lavinia Bifulco and Massimo Bricocoli&lt;br /&gt; Public sphere in times of governance: public action, disputed building and local cultural system in a northen city of Italy - Vando Borghi and Claudia Meschiari&lt;br /&gt; Transition, memory and narrations in the urban space: the case of East German cities - Barbara Gr&amp;uuml;ning&lt;br /&gt; Transforming spaces: translation as a practice that reveals changing e-motional structures in space - Daniela Allocca&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Giovanna Sonda &lt;/b&gt;is a researcher at the Istituto Regionale di Studi e Ricerca Sociale (IRSRS)&lt;/div&gt; &lt;b&gt;Claudio Coletta &lt;/b&gt;is a PhD candidate in Sociology and Social Research at the University of Trento.&lt;/div&gt; &lt;b&gt;Francesco Gabbi &lt;/b&gt;is a PhD student in Urban Planning and Public Policies at IUAV Venice.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Septentrion

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&amp;nbsp;&lt;/div&gt;
Villeneuve d&amp;rsquo;Ascq, c&amp;rsquo;est aujourd&amp;rsquo;hui plus de 60 000 habitants et seulement 40 ans d&amp;rsquo;histoire. Nombre de Villeneuvois d&amp;rsquo;aujourd&amp;rsquo;hui ont v&amp;eacute;cu en direct sa naissance au milieu des ann&amp;eacute;es 1970. Leur t&amp;eacute;moignage permet de comprendre comment les aspirations &amp;agrave; &amp;quot;mieux habiter&amp;quot; y ont &amp;eacute;t&amp;eacute; v&amp;eacute;cues, comment une m&amp;eacute;moire locale s&amp;rsquo;est s&amp;eacute;diment&amp;eacute;e autour de quelques &amp;eacute;v&amp;eacute;nements rassembleurs &amp;ndash;&amp;thinsp;mobilisations collectives &amp;agrave; la suite de nombreuses malfa&amp;ccedil;ons dans les constructions, lancement des chartes d&amp;rsquo;am&amp;eacute;nagement et de concertation, f&amp;ecirc;tes de quartier. On retrouve certaines valeurs et utopies &amp;quot;post soixante-huitardes&amp;quot; port&amp;eacute;es par les am&amp;eacute;nageurs et par beaucoup des premiers Villeneuvois. Les r&amp;eacute;cits recueillis participent d&amp;rsquo;une v&amp;eacute;ritable &amp;quot;po&amp;eacute;tique sociale&amp;quot;, pour reprendre les termes de l&amp;rsquo;anthropologue Michael Herzfeld, par exemple ceux qui &amp;eacute;voquent les pratiques et les repr&amp;eacute;sentations de ce que nous appelons l&amp;rsquo;&amp;quot;espace public de proximit&amp;eacute;&amp;quot;, les multiples mani&amp;egrave;res de se l&amp;rsquo;approprier, de ruser avec ses limites, de le partager.&lt;/div&gt;
&lt;br /&gt;
Villeneuve d&amp;rsquo;Ascq a &amp;eacute;t&amp;eacute; une ville d&amp;rsquo;utopistes r&amp;ecirc;vant d&amp;rsquo;une ville plus humaine, plus conviviale, qu&amp;rsquo;ils soient am&amp;eacute;nageurs ou habitants &amp;quot;pionniers&amp;quot;. Avec le temps, l&amp;rsquo;arriv&amp;eacute;e de nouveaux habitants, elle se transforme. Ce que tous nous disent finalement, c&amp;rsquo;est que si une ville proc&amp;egrave;de de politiques d&amp;rsquo;am&amp;eacute;nagement et des mani&amp;egrave;res de l&amp;rsquo;habiter, une &amp;quot;bonne ville&amp;quot;, celle o&amp;ugrave; l&amp;rsquo;on se sent bien, c&amp;rsquo;est aussi une ville qu&amp;rsquo;on peut r&amp;ecirc;ver et imaginer.&lt;/div&gt;
&lt;br /&gt;
Ainsi ce livre, tout en apportant des donn&amp;eacute;es nouvelles sur l&amp;rsquo;histoire de Villeneuve d&amp;rsquo;Ascq et sur sa sociologie, appuy&amp;eacute;es par de nombreux t&amp;eacute;moignages, entend montrer qu&amp;rsquo;une ville ne peut se comprendre hors du recueil des repr&amp;eacute;sentations que s&amp;rsquo;en font ses habitants.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;B&amp;eacute;n&amp;eacute;dicte Lefebvre&lt;/b&gt;, sociologue, est ing&amp;eacute;nieure d&amp;rsquo;&amp;eacute;tudes CNRS &amp;agrave; l&amp;rsquo;UMR 8019, Centre Lillois d&amp;rsquo;Etudes et de Recherches en Sciences Economiques et Sociales (CLERSE), Universit&amp;eacute; de Lille 1, Maison Europ&amp;eacute;enne des Sciences de l&amp;rsquo;Homme et de la Soci&amp;eacute;t&amp;eacute; (MESHS).&lt;/div&gt;
&lt;b&gt;Michel Rautenberg&lt;/b&gt;, anthropologue, est professeur &amp;agrave; l&amp;rsquo;Universit&amp;eacute; Jean Monnet de Saint-Etienne, directeur de l&amp;rsquo;UMR 5264 Mondes et Dynamiques des Soci&amp;eacute;t&amp;eacute;s (Modys).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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9 d&amp;eacute;cembre 2010

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Archibooks

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&amp;nbsp;&lt;/div&gt;
Convictions, prises de position &amp;eacute;nergiques et refus de tout fatalisme caract&amp;eacute;risent les &amp;eacute;crits de Nicolas Michelin, auxquels s'ajoutent cette fois, des textes de fiction - contes &amp;eacute;tranges mais non &amp;eacute;trangers &amp;agrave; l'architecture et &amp;agrave; la ville - qui entra&amp;icirc;nent le lecteur dans de singuliers mondes parall&amp;egrave;les.&lt;br /&gt;
&lt;br /&gt;
Cette nouvelle livraison s'inscrit dans le prolongement d'Avis - propos sur l'architecture, la ville, l'environnement (publi&amp;eacute; en 2004), poursuivant la r&amp;eacute;flexion engag&amp;eacute;e par Nicolas Michelin sur les grandes questions contemporaines qui concernent l'architecture, l'urbanisme et la responsabilit&amp;eacute; de chacun des acteurs. &lt;b&gt;Nicolas Michelin&lt;/b&gt;, architecte, urbanisme et directeur de l'&amp;eacute;cole nationale d'architecture de Versailles, est reconnu internationalement. Ancien associ&amp;eacute; de Finn Geipel au sein de l'agence Labfac (Laboratory for Architecture), il est maintenant associ&amp;eacute; &amp;agrave; Cyril Tr&amp;eacute;tout et Michel Delplace au sein de la structure ANMA (Agence Nicolas Michelin et associ&amp;eacute;s).&lt;br /&gt;
&lt;br /&gt;
L'ouvrage est divis&amp;eacute; en trois parties, qui donnent chacune &amp;agrave; voir un aspect diff&amp;eacute;rent de la pens&amp;eacute;e de Nicolas Michelin : positions, o&amp;ugrave; il prend parti, impose sa voix ; contes, o&amp;ugrave; il utilise la fiction pour s'interroger sur l'avenir de l'urbanisme et de la plan&amp;egrave;te ; conversations , o&amp;ugrave; par le dialogue il confronte sa vision avec celle de ses interlocuteurs (Michel Delplace et Cyril Tr&amp;eacute;tout, Emmanuel Saulnier, Benjamin Drossart et Bruno Rollet).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; For the first time in history, the majority of the world's population lives in urban areas. Much of this urbanization has been fueled by the rapidly growing cities of the developing world, exemplified most dramatically by booming megacities such as Lagos, Karachi, and Mumbai. In the coming years, as both the number and scale of cities continue to increase, the most important matters of social policy and economic development will necessarily be urban issues. Urbanization, across the world but especially in Asia and Africa, is perhaps the critical issue of the twenty-first century.&lt;br /&gt; &lt;br /&gt; Global Urbanization surveys essential dimensions of this growth and begins to formulate a global urban agenda for the next half century. Drawing from many disciplines, the contributors tackle issues ranging from how cities can keep up with fast-growing housing needs to the possibilities for public-private partnerships in urban governance. Several essays address the role that cutting-edge technologies such as GIS software, remote sensing, and predictive growth models can play in tracking and forecasting urban growth. Reflecting the central importance of the Global South to twenty-first-century urbanism, the volume includes case studies and examples from China, India, Uganda, Kenya, and Brazil.&lt;br /&gt; &lt;br /&gt; While the challenges posed by large-scale urbanization are immense, the future of human development requires that we find ways to promote socially inclusive growth, environmental sustainability, and resilient infrastructure. The timely and relevant scholarship assembled in Global Urbanization will be of great interest to scholars and policymakers in demography, geography, urban studies, and international development.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Eugenie L. Birch&lt;/b&gt; is Lawrence C. Nussdorf Professor of Urban Research and Education, Department of City and Regional Planning, PennDesign. &lt;br /&gt; &lt;b&gt;Susan M. Wachter&lt;/b&gt; is Richard B. Worley Professor of Financial Management and Professor of Real Estate and Finance at the Wharton School of the University of Pennsylvania and Professor of City and Regional Planning at PennDesign.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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D&amp;eacute;cembre 2010

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L'Harmattan

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La ville serait-elle le &amp;quot;tombeau de la religion&amp;quot; ? Croiser les probl&amp;eacute;matiques de l'immigration et du rapport &amp;agrave; l'espace constitue un excellent observatoire pour &amp;eacute;tudier ces mutations : pluralisation accentu&amp;eacute;e, nouvelle dialectique invisibilit&amp;eacute;/visibilit&amp;eacute; dans l'espace urbain et culture de r&amp;eacute;seau. Ces trois axes ont une cons&amp;eacute;quence directe sur la gestion de l'espace urbain : une comp&amp;eacute;tition accrue pour l'espace induite par l'arriv&amp;eacute;e de nouveaux acteurs religieux issus de l'immigration.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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December 2010

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&amp;nbsp;&lt;/div&gt;
&amp;lsquo;From nothing; from nothing to construction.&amp;rsquo;&lt;br /&gt;
&lt;br /&gt;
It was in these almost epically laconic terms that Marcel Gautherot recalled the formidable undertaking to which he committed himself in the late 1950s &amp;ndash; photographing every step of the construction of the city of Brasilia, from untouched grassland to modern capital.&lt;br /&gt;
&lt;br /&gt;
The ideal architectural photographer, he initially studied architecture and design, and was influenced by Le Corbusier and other modernist architects as well as the political radicalism of the interwar period. Postwar, however, he devoted his life to travel and photography, taking with him a gaze trained in the formal rigour of modernism but also a natural sympathy for ordinary people that was to help him in his ethnographic work.&lt;br /&gt;
&lt;br /&gt;
After moving to Brazil in 1940, he forged many friendships and partnerships, most notably with Oscar Niemeyer, the chief architect of Brasilia. Indeed, Gautherot recorded most of Niemeyer&amp;rsquo;s work as his photographer of choice. It was, however, in Brasilia &amp;ndash; the high point of the careers of both Niemeyer and chief urban planner Lucio Costa &amp;ndash; that the photographer&amp;rsquo;s art of light and shadow reached its apex.&lt;br /&gt;
&lt;br /&gt;
For three years Gautherot repeatedly visited Brasilia, photographing not only every stage of construction, but also the faces and homes of the workers who worked on the construction sites and satellite cities in the making. The result is a monumental and radical photo essay.&lt;br /&gt;
&lt;br /&gt;
Here, for the first time, the photographs are collected to form a portfolio of Gautherot&amp;rsquo;s work in Brasilia, and it pays due tribute to this great Franco-Brazilian artist in the centennial year of his birth and on the fiftieth anniversary of Brasilia&amp;rsquo;s inauguration.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Marcel Gautherot &lt;/b&gt;(1910&amp;ndash;1996) spent some five decades photographing Brazil&amp;rsquo;s transformation.&lt;br /&gt;
&lt;b&gt;Kenneth Frampton&lt;/b&gt; is Ware Professor of Architecture at the Graduate School of Architecture, Planning and Preservation at Columbia University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Following the British withdrawal in 1971, the Gulf Region entered a heady period of political restructuring, awash with oil money that helped fund national aspirations. Infrastructure investment became a central part of the region's nation-building initiatives and fueled strong competition.&lt;/div&gt; &lt;br /&gt; Without its neighbours' oil fields, infrastructure and territorial development became particularly vital to Dubai. This book provides a unique and detailed understanding of Dubai urbanism by demonstrating that cumulative programmatic intensification and scalar amplification of its large-scale infrastructural components guided its metropolitan growth and generated a territorial organization logic that outstripped the predictive capacity of traditional Western master planning.&lt;/div&gt; &lt;br /&gt; Dubai&amp;rsquo;s rapid series of infrastructural projects culminated in the Jebel Ali Port, Industrial Area, and Free Zone, which marked a definitive &amp;quot;before and after&amp;quot; point. The book shows how Jebel Ali also became the template for subsequent developments, Dubai World Holdings Company's international aspirations, and the agencies that manage and regulate Dubai's large-scale infrastructural projects today.&lt;/div&gt; &lt;br /&gt; Dubai Amplified highlights the cycle of typological borrowing, prototypical replication, and scalar amplification, specifically in Dubai's infrastructure projects, to best describe its general territorial development. While infrastructure is traditionally understood as the elemental &amp;quot;hardware&amp;quot; that undergirds urban development, the book concludes by arguing that the definition should be expanded in this case as more of a set of objects, networks, and services that cities can selectively borrow, replicate, and amplify.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Stephen J. Ramos&lt;/b&gt; is a Research Fellow at the Belfer Center for Science and International Affairs, Harvard Kennedy School, Harvard University.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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16 d&amp;eacute;cembre 2010

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Steidl

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par la &lt;a href="http://bensimonleblog.wordpress.com/2010/12/09/dedicace-detroit-vestiges-du-reve-americain-chez-artazart/" target="_blank"&gt;librairie Artazart&lt;/a&gt; :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Au d&amp;eacute;but du 20&amp;egrave;me si&amp;egrave;cle avec l'invention des cha&amp;icirc;nes d'assemblage, D&amp;eacute;troit devient rapidement la capitale mondiale de l'automobile, et l'une des villes les plus prosp&amp;egrave;res des Etats-Unis avant de conna&amp;icirc;tre un d&amp;eacute;clin dramatique. Depuis les ann&amp;eacute;es 60, principalement &amp;agrave; cause de la d&amp;eacute;sindustrialisation, la ville surnomm&amp;eacute;e &amp;quot;Motor City&amp;quot; a perdu plus de la moiti&amp;eacute; de sa population. Le temps semble s'y &amp;ecirc;tre arr&amp;ecirc;t&amp;eacute;...&lt;/div&gt;
&lt;br /&gt;
Il en r&amp;eacute;sulte un paysage marqu&amp;eacute; par des &amp;eacute;difices colossaux, symboles de l'architecture am&amp;eacute;ricaine du d&amp;eacute;but du vingti&amp;egrave;me si&amp;egrave;cle et d&amp;eacute;sormais &amp;agrave; l'abandon : autrefois magasins, appartements, h&amp;ocirc;tels de luxe ou encore th&amp;eacute;&amp;acirc;tres, aujourd'hui ruines fabuleuses.&lt;br /&gt;
&lt;br /&gt;
C'est cette vision grandiose et terrifiante du d&amp;eacute;clin d'un v&amp;eacute;ritable empire que Yves Marchand et Romain Meffre, deux photographes, &amp;acirc;g&amp;eacute;s respectivement de 29 et 23 ans et travaillant en duo nous pr&amp;eacute;sente dans leur derni&amp;egrave;re s&amp;eacute;rie &amp;quot;D&amp;eacute;troit, vestiges du r&amp;ecirc;ve am&amp;eacute;ricain&amp;quot;.&lt;/div&gt;
&lt;br /&gt;
Pratiquant ce qu'ils appellent &amp;quot;l'arch&amp;eacute;ologie urbaine et industrielle&amp;quot;, ces deux photographes passionn&amp;eacute;s de ruines et plus particuli&amp;egrave;rement celles du XIX&amp;egrave;me et du si&amp;egrave;cle dernier, ont su arr&amp;ecirc;ter l'attention de Gerhard Steidl et faire l'&amp;eacute;v&amp;eacute;nement lors du dernier salon &amp;quot;Paris-Photo&amp;quot;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Les villes peuvent-elles v&amp;eacute;ritablement s'&amp;eacute;taler comme une tache d'huile ? Les constructions et les &amp;eacute;volutions des espaces urbains ob&amp;eacute;issent &amp;agrave; des processus ind&amp;eacute;pendants. Les &amp;quot;&amp;eacute;talements urbains&amp;quot; deviennent alors les effets, et non plus les causes, des transformations de nos villes. Pourtant articul&amp;eacute;es entre les univers politique, &amp;eacute;conomique, social et technique, la ma&amp;icirc;trise et la compr&amp;eacute;hension de ces &amp;quot;&amp;eacute;talements&amp;quot; semblent &amp;eacute;chapper aux comp&amp;eacute;tences locales mobilis&amp;eacute;es.&lt;/div&gt;
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&lt;b&gt;Emmanuel Amougou&lt;/b&gt; est sociologue et enseignant-chercheur &amp;agrave; l'Ecole nationale d'architecture de Paris La Villette.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Soraya Silveira Sim&amp;ocirc;es</text>
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Karthala

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&amp;nbsp;&lt;/div&gt;
A Rio de Janeiro, pr&amp;egrave;s du quartier prestigieux de Leblon, non loin des plages r&amp;eacute;put&amp;eacute;es de Copacabana et d'Ipanema une cit&amp;eacute; fait tache : la Cruzada Sao Sebastiao. Il s'agit de b&amp;acirc;timents ocres, parall&amp;egrave;les et comptant 916 appartements, sur lesquels plane toujours La figure tut&amp;eacute;laire de Dom H&amp;eacute;lder Camara, l'archev&amp;ecirc;que coadjuteur de Rio qui, en 1955, avait mis en oeuvre une croisade destin&amp;eacute;e &amp;agrave; b&amp;acirc;tir des immeubles et &amp;agrave; y reloger les habitants des favellas voisines.&lt;br /&gt;
&lt;br /&gt;
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&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Soraya Silveira Sim&amp;ocirc;es&lt;/b&gt; est ethnologue, chercheure du Laboratoire d'ethnographie m&amp;eacute;tropolitaine (LeMetro/IFCS-UFRJ) et de l'Institut national de science et technologie en &amp;eacute;tudes comparatives d'administration institutionnelle des conflits (INCT-InEAC) et enseignante &amp;agrave; l'Institut d'humanit&amp;eacute;s de l'Universit&amp;eacute; Candido Mendes (lH-UCAM, &amp;agrave; Rio de Janeiro).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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