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                <text>Les difficultés des documentaires de sciences humaines ne résident-ils pas souvent dans la coupure trop marquée entre l'écrit et le visuel ? Soit que l'image ne soit à vrai dire pensée qu'après la recherche, par délégation à un spécialiste de la réalisation, avec tous les risques de décalage de cette "image-illustration" ; soit qu'elle soit assurée d'emblée par le chercheur, avec toute la difficulté – sauf à de rares exceptions près –, de ne capter une vérité qu'à la forme peu diffusable ou à la sémiologie fuyante...&lt;br /&gt;Pour tenter de surmonter cette dichotomie, un chercheur, Bernard Ganne (de l'équipe CNRS du GLYSI – Groupe Lyonnais de sociologie industrielle) et un homme d'image, Jean-Paul Pénard, ont entrepris depuis quelques années de conjuguer leurs efforts pour tenter de rendre compte par l'image du monde du travail et des mutations actuellement observées dans le monde industriel.&lt;br /&gt;Un premier film de sensibilisation générale a ainsi été réalisé en 1990, Filigranes (67 mn) ; un second film, constituant la suite du premier et intitulé Rumeurs d'atelier : Vous avez dit ‘flexible' ? (133 mn) plus directement focalisé sur les nouvelles formes d'organisation, a été achevé fin 1992. La communication relate la libre réflexion des auteurs sur cette expérience.</text>
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                <text>13th ICAES -International Congress of Anthropological and Ethnological Sciences-, The Cultural and Biological Dimensions of Global Change - Las dimensiones culturales y biologicas del cambio global, Mexico July 29 - August 5 1993</text>
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                <text>Filmer le changement industriel ? Filigranes d'une expérience (A propos des films documentaires "Filigranes" et "Rumeurs d'atelier : Vous avez dit ‘flexible' ?")</text>
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                <text>This paper presents a territorial and anthropological research that produced the film "Stagioni e salotti sul Lemene". The documentary is set in the Italian regions of Veneto and Friuli and it shows the inhabitants as actors and as productors of the social and cultural atmosphere. We want to demonstrate that the audiovisual support could be a very useful tool for planners and architects. It represents and conveys the local atmosphere in order to protect the natural and cultural heritage. The film shows a sensitive and aesthetic tour on the magical Lemene river in the countryside of Venice. The landscape changes according to the musical rythm of Vivaldi's Four Seasons. This movie won the identity film festival in Italy (2011).</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>Lingelser, Julien</text>
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                <text>Plusieurs encriers se sont déjà épuisés à écrire sur la Venise des films, mais leurs études étaient avant tout d'ordre historique. Nous tenons compte de cette approche, de cette histoire de l'imaginaire, car nous pensons qu'elle est le passage vers un regard esthétique sur certaines interprétations de l'espace vénitien, tel qu'il est représenté dans le cinéma de fiction. Choisies pour leur éclectisme mais aussi pour leurs éventuelles correspondances, les images de notre corpus filmographique nous entraînent vers une analyse variée de l'espace du plan (le cadre, le champ) et de celui du montage (la " dialectique " des plans). Notre démarche, attachée aussi bien aux rapports spirituels et matériels qu'aux résultats signifiants et inconscients entre le créateur et Venise, retrace la sensibilité perceptible dans chacun des films concernés. Grâce à cette sensibilité, nous voulons mieux connaître les conditions d'une poétique de l'espace vénitien (et urbain) à travers le film, mais aussi le statut de la fiction pour son spectateur. Nous considérons objectivement autant les lieux communs que les visions anti-mythiques de la ville, car la spectacularité, le quotidien et la découverte font tous partie de sa nature. Nous cherchons simplement à comprendre comment les images filmiques et leurs histoires peuvent encore progresser vers une définition plus claire de la " place " de Venise et du cinéma pour chacun de leurs observateurs, pour chacun de leurs auteurs.</text>
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                <text>http://tel.archives-ouvertes.fr/tel-00730648</text>
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                <text>Université de Haute Alsace - Mulhouse</text>
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                <text>[SHS:MUSIQ] Humanities and Social Sciences/Musicology and performing arts</text>
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                <text>Venise</text>
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                <text>Cinéma</text>
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                <text>Filmer Venise : Imaginaire et interprétation d'un espace urbain fictionnel</text>
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                <text>Pétonnet, Colette</text>
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                <text>Dans ce texte d'hommage à Roger Bastide, qui dirigea sa thèse, CP apporte une contribution à la recherche des lois de l'acculturation, basée sur l'étude de la seconde génération de migrants portugais résidents en région parisienne.</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00193678</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/19/36/78/PDF/Petonnet_1976_halshs00193678.pdf</text>
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              <elementText elementTextId="505822">
                <text>L'autre et l'ailleurs. Hommages à Roger Bastide présentés par Jean Poirier et François Raveau</text>
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                <text>Fin ou renaissance des quartiers?Les significations des territoires de proximité dans une ville pluriethnique</text>
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                <text>Cette thèse contribue à la recherché académique en immobilier en fournissant une estimation du risque pour la gestion d'investissement en immobilier commercial. L'investissement immobilier compte de nombreuses particularités parmi lesquelles la localisation, la liquidité, la taille d'investissement ou l'obsolescence et requiert une gestion active. Ces spécificités rendent les approches traditionnelles de mesure du risque difficile à appliquer. Ce travail de recherche se présente sous la forme de quatre articles académiques traitant de la gestion de portefeuille et du risque en immobilier. Ce travail est construit sur la littérature académique existante et repose les publications antérieures. Il s'attache d'abord à analyser les options de départ des locataires contenues dans les baux commerciaux en Europe continental et en étudie les impacts sur la valeur, la gestion et le risque des portefeuilles. Ensuite, la thèse étudie l'évaluation d'un outil de mesure du risque en finance, la Value at Risk au travers de deux approches novatrices.Dans le premier article, nous prenons en considérations les options de départ inclus dans les baux en Europe continental pour mieux apprécier la valeur et risque d'un portefeuille de biens immobiliers. Ceci est obtenu par l'utilisation simultanée de simulations de Monte-Carlo et de la théorie des options. Le second article traite de la durée de détention optimale d'un portefeuille immobilier lorsque sont pris en compte les options contenues dans les baux. Le troisième article s'intéresse à la Value at Risk et propose un modèle qui tient compte de la non-normalité des rendements en immobilier. Ceci est obtenu par la combinaison de l'utilisation du développement de Cornish-Fisher et de procédures de réarrangement. Enfin dans un dernier article, nous présentons un modèle spécialement développé pour le calcul de Value at Risk en immobilier. Ce modèle a la particularité de prendre en compte les spécificités de l'immobilier et les paramètres qui ont une plus grande influence sur la valeur des actifs.</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt; &lt;br /&gt; Le continent africain conna&amp;icirc;t le plus fort taux de croissance urbaine de la plan&amp;egrave;te. Les villes d'Afrique sub-saharienne &amp;agrave; elles seules vont accueillir plus de 300 millions d'habitants suppl&amp;eacute;mentaires dans les vingt prochaines ann&amp;eacute;es. Dans la plupart des pays du continent, la productivit&amp;eacute; &amp;eacute;conomique des villes et les conditions de vie des habitants sont d&amp;eacute;j&amp;agrave; aujourd&amp;rsquo;hui gravement affect&amp;eacute;es par les dysfonctionnements et le sous-&amp;eacute;quipement. Or, dans la majorit&amp;eacute; des cas, il semble que le retard des investissements urbains r&amp;eacute;alis&amp;eacute;s par rapport aux consid&amp;eacute;rables besoins induits par la croissance d&amp;eacute;mographique ne diminue pas mais, au contraire, s&amp;rsquo;aggrave. Un changement d&amp;rsquo;&amp;eacute;chelle dans les montants d&amp;rsquo;investissements s&amp;rsquo;impose pour que la ville puisse r&amp;eacute;ellement &amp;ecirc;tre le moteur de croissance et de cr&amp;eacute;ation d&amp;rsquo;emplois qu&amp;rsquo;elle a &amp;eacute;t&amp;eacute; pour les pays &amp;eacute;mergents en Asie. Parall&amp;egrave;lement &amp;agrave; la poursuite des efforts pour augmenter la solvabilit&amp;eacute; et am&amp;eacute;liorer la gouvernance des collectivit&amp;eacute;s, les modalit&amp;eacute;s et syst&amp;egrave;mes de financement sont &amp;agrave; repenser.&lt;br /&gt; &lt;br /&gt; Le sujet du financement de l&amp;rsquo;investissement local s&amp;rsquo;inscrit dans les vastes ensembles des syst&amp;egrave;mes financiers nationaux et des finances des collectivit&amp;eacute;s territoriales. Ce dernier renvoie lui-m&amp;ecirc;me &amp;agrave; une s&amp;eacute;rie de th&amp;egrave;mes, comme la d&amp;eacute;centralisation, la fiscalit&amp;eacute; locale, l&amp;rsquo;encadrement de l&amp;rsquo;endettement sous-souverain, la gouvernance urbaine, ainsi qu&amp;rsquo;&amp;agrave; des politiques sectorielles, en particulier celles du foncier, de l&amp;rsquo;am&amp;eacute;nagement et de l&amp;rsquo;habitat.&lt;br /&gt; &lt;br /&gt; Ce livre propose une synth&amp;egrave;se et une mise en perspective &amp;ndash; rarement effectu&amp;eacute;es &amp;ndash; de ces diff&amp;eacute;rents sujets. Il offre un &amp;eacute;clairage m&amp;eacute;thodologique de la probl&amp;eacute;matique de l&amp;rsquo;investissement local &amp;agrave; l&amp;rsquo;usage des d&amp;eacute;cideurs et des op&amp;eacute;rationnels. En s&amp;rsquo;appuyant sur une s&amp;eacute;rie d&amp;rsquo;&amp;eacute;tudes de cas africains et sur un grand nombre d&amp;rsquo;exemples dans d&amp;rsquo;autres parties du monde, il propose des pistes concr&amp;egrave;tes pour moderniser les syst&amp;egrave;mes de financement de l&amp;rsquo;investissement, promouvoir l&amp;rsquo;implication du secteur priv&amp;eacute;, le recours &amp;agrave; des solutions endog&amp;egrave;nes et mobiliser de nouvelles sources de financement.&lt;br /&gt; &lt;br /&gt; La crise financi&amp;egrave;re r&amp;eacute;cente a mis en &amp;eacute;vidence l&amp;rsquo;imbrication profonde des finances des collectivit&amp;eacute;s territoriales et des politiques de l&amp;rsquo;habitat avec l&amp;rsquo;ensemble des syst&amp;egrave;mes financiers et de l&amp;rsquo;&amp;eacute;conomie. De ce point de vue, le financement de l&amp;rsquo;investissement local peut &amp;ecirc;tre vu comme un fil rouge dans la lecture d&amp;rsquo;un syst&amp;egrave;me complexe de questions devenues essentielles pour les soci&amp;eacute;t&amp;eacute;s du continent africain.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;Sommaire&lt;/b&gt;&lt;br /&gt; &lt;br /&gt; 1. Le financement de l'investissement local : rappel de quelques fondamentaux&lt;br /&gt; 2. Le contexte de l'urbanisation et les politiques sectorielles&lt;br /&gt; 3. La d&amp;eacute;centralisation, les services de base et la gouvernance locale&lt;br /&gt; 4. Le cadre du financement de l'investissement, les nouveaux financements&lt;br /&gt; 5. Horizon 2030-2050 : quelle(s) feuille(s) de route ?&lt;br /&gt; 6. &amp;Eacute;tudes de cas : huit ensembles pays-outils de financement&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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                <text>Cette communication propose d'observer en prenant comme analyseur, un acteur majeur de la production urbaine (les sociétés foncières cotées), comment deux mouvements, a priori antinomiques, la financiarisation de l'immobilier non résidentiel, d'une part, et le développement urbain durable, d'autre part, sont négociés dans la fabrique de la ville d'aujourd'hui. Nous développerons la thèse qu'il existe un profil de " foncières " plus ou moins sensible au DUD et un lien entre Investissement Socialement Responsable (ISR) et " grandes foncières ". Nous argumenterons cette thèse, à partir d'une analyse qualitative de leurs intentions en matière de développement urbain durable (DUD), qui s'est fondée, entre autres, sur le contenu de leurs rapports d'activité diffusés aux actionnaires.</text>
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  Exploitant les espaces de l'entre-deux causés par la métropolisation, les firmes multinationales ont développé à Mexico le commerce ambulant comme nouveau canal de distribution. À partir des études de cas des entreprises Telcel et Quala, dont les vendeurs ambulants sont omniprésents dans la capitale mexicaine, cet article propose d'étudier à la fois les logiques de fonctionnement et d'organisation des multinationales et de leurs vendeurs et les pratiques de consommation des citadins. Il démontre que ce mode de vente, rentable et hyperflexible, est adapté aux évolutions des mobilités quotidiennes au sein de la métropole, où le consommateur est lui aussi ambulant.
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Xavier Guillot</text>
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31 janvier 2008

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 Presses Universitaires
de Saint Etienne 

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211</text>
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                <text>&lt;div&gt;&lt;strong&gt;Pr&amp;eacute;sentation de l'&amp;eacute;diteur :&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Depuis les ann&amp;eacute;es 1980 et la c&amp;eacute;l&amp;eacute;bration du centenaire de la naissance de Le Corbusier, l'ensemble de son &amp;oelig;uvre a &amp;eacute;t&amp;eacute; l'objet d'une reconnaissance grandissante &amp;agrave; l'&amp;eacute;chelle nationale et internationale.&lt;br /&gt;
&lt;br /&gt;
Firminy n'a pas &amp;eacute;t&amp;eacute; exclue de ce mouvement. Le r&amp;eacute;cent ach&amp;egrave;vement de l'&amp;eacute;glise Saint Pierre de Firminy-Vert et le projet d'inscription au patrimoine mondial de l'UNESCO du &amp;quot;Site Le Corbusier &amp;agrave; Firminy&amp;quot;, constituent le couronnement d'un processus de reconnaissance sans pr&amp;eacute;c&amp;eacute;dent. &lt;br /&gt;
&lt;br /&gt;
Ce mouvement de reconnaissance est aujourd'hui &amp;agrave; Firminy au c&amp;oelig;ur d'un vaste projet de requalification &amp;eacute;conomique et identitaire dont le tourisme culturel constitue un des axes principaux.&lt;br /&gt;
&lt;br /&gt;
Comprendre les m&amp;eacute;canismes et les cons&amp;eacute;quences de ce mouvement, en int&amp;eacute;grant l'histoire et le changement de statut de ce b&amp;acirc;ti, constitue l'objet central de cet ouvrage. &lt;br /&gt;
&lt;br /&gt;
Fruit d'un travail commun entre chercheurs et praticiens men&amp;eacute; sur le terrain pendant trois ans, cet ouvrage offre un &amp;eacute;clairage sp&amp;eacute;cifique sur le sens que l'on doit donner aujourd'hui &amp;agrave; l'h&amp;eacute;ritage corbus&amp;eacute;en &amp;agrave; Firminy, h&amp;eacute;ritage dont la post&amp;eacute;rit&amp;eacute; est d&amp;eacute;sormais li&amp;eacute;e aux transformations &amp;eacute;conomiques, sociales et culturelles de notre &amp;eacute;poque.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Xavier Guillot&lt;/strong&gt; est architecte, ma&amp;icirc;tre-assistant &amp;agrave; l'Ecole nationale sup&amp;eacute;rieure d'architecture de Saint-Etienne. Christian Garrier est artsite, ma&amp;icirc;tre-assistant &amp;agrave; l'Ecole nationale sup&amp;eacute;rieure d'architecture de Paris-La Vilette.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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En 1777, quand la promenade des Champs-&amp;Eacute;lys&amp;eacute;es devient un lieu public et que tout Paris y est, le comte d&amp;#39;Angiviller, directeur des B&amp;acirc;timents du Roi, d&amp;eacute;cide de la doter d&amp;#39;un gardien, fort d&amp;#39;une petite troupe de quatre soldats. Il les choisit parmi des militaires s&amp;ucirc;rs, les troupes suisses, et nomme &amp;agrave; leur t&amp;ecirc;te Ferdinand de Federici, originaire des Grisons, homme d&amp;eacute;vou&amp;eacute;, z&amp;eacute;l&amp;eacute;, d&amp;#39;extraction modeste, qui va faire de cette promenade sa chose.&lt;br /&gt;
&lt;br /&gt;
Chaque semaine, Federici &amp;eacute;crit un rapport, d&amp;eacute;crivant ses actions de police et son lien de plus en plus affectif &amp;agrave; cet endroit entre ville et campagne, fr&amp;eacute;quent&amp;eacute; par les aristocrates comme par les pauvres h&amp;egrave;res, lieu de jeux, de loisirs, de promenades et de parades, espace de la s&amp;eacute;duction, de la convoitise, du voyeurisme, mais aussi de l&amp;#39;&amp;eacute;meute et de la violence. Les querelles, les duels &amp;agrave; l&amp;#39;&amp;eacute;p&amp;eacute;e ou au pistolet, les batailles collectives, les jeux de barres interdits, les chapardages, les &amp;eacute;meutes d&amp;#39;&amp;eacute;tudiants, les ventes &amp;agrave; la sauvette, les attroupements autour des carrosses, les dragues de prostitu&amp;eacute;es et les agissements des p&amp;eacute;d&amp;eacute;rastes sont le pain quotidien de la garde des Champs-&amp;Eacute;lys&amp;eacute;es.&lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
&lt;strong&gt;Arlette Farge&lt;/strong&gt; est une historienne fran&amp;ccedil;aise sp&amp;eacute;cialis&amp;eacute;e dans l&amp;rsquo;&amp;eacute;tude du XVIIIe si&amp;egrave;cle, directrice de recherche au CNRS et enseignante &amp;agrave; &lt;a href="http://www.ehess.fr/html/html/index.html" target="_blank"&gt;l&amp;rsquo;EHESS&lt;/a&gt; .&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Laurent Turcot&lt;/strong&gt; est docteur en histoire de l&amp;rsquo;&lt;a href="http://www.ehess.fr/html/html/index.html" target="_blank"&gt;&amp;Eacute;cole des Hautes &amp;Eacute;tudes en Sciences Sociales&lt;/a&gt;  &amp;agrave; Paris. Il est actuellement stagiaire post-doctoral &amp;agrave; l&amp;rsquo;&lt;a href="http://www.uqam.ca/" target="_blank"&gt;Universit&amp;eacute; du Qu&amp;eacute;bec&lt;/a&gt;  &amp;agrave; Montr&amp;eacute;al&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;

&amp;nbsp;
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Editi

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                <text>&lt;div&gt;&lt;b&gt;Sommaire du n&amp;deg; 85/3, 2010 de G&amp;eacute;ocarrefour :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Articles&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Thomas Le Roux - Une rivi&amp;egrave;re industrielle avant l&amp;rsquo;industrialisation : la Bi&amp;egrave;vre et le fardeau de la pr&amp;eacute;destination, 1670-1830      &lt;br /&gt;
&lt;br /&gt;
Justine Ultsch - Les temporalit&amp;eacute;s de l&amp;rsquo;interface ville-rivi&amp;egrave;re &amp;agrave; travers le cas de Saint-&amp;Eacute;tienne et du Furan      &lt;br /&gt;
&lt;br /&gt;
Sylvain Rode - Reconqu&amp;ecirc;te urbaine de la Loire et risque d&amp;rsquo;inondation : des repr&amp;eacute;sentations aux am&amp;eacute;nagements urbains&lt;br /&gt;
&lt;br /&gt;
J&amp;eacute;r&amp;ocirc;me Rollin - La protection des petites rivi&amp;egrave;res p&amp;eacute;riurbaines dans les Bouches-du-Rh&amp;ocirc;ne depuis les ann&amp;eacute;es 1960 : une analyse de la construction locale de la norme environnementale &lt;br /&gt;
&lt;br /&gt;
St&amp;eacute;phane Castonguay et Hubert Samson - Les productions de l&amp;rsquo;environnement riverain au Qu&amp;eacute;bec : industrialisation, d&amp;eacute;contamination et embellissement de la rivi&amp;egrave;re Saint-Fran&amp;ccedil;ois au XXe s.&lt;br /&gt;
&lt;br /&gt;
Fanny Romain - Le fleuve, porteur d&amp;rsquo;images urbaines : formes et enjeux       &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Comptes rendus&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Rivers in History. Perspectives on Waterways in Europe and North America par St&amp;eacute;phane Frioux&lt;br /&gt;
&lt;br /&gt;
L&amp;rsquo;eau mondialis&amp;eacute;e, la gouvernance en question, sous la direction de Graciela Schneier-Madanes par Jacques Bethemont&lt;br /&gt;
&lt;br /&gt;
Ecologies urbaines, sous la direction de Olivier Coutard et Jean-Pierre L&amp;eacute;vy par Laurence Rocher&lt;br /&gt;
&lt;br /&gt;
Les g&amp;eacute;ographes et l&amp;rsquo;eau par Anne Rivi&amp;egrave;re-Honegger&lt;br /&gt;
&lt;br /&gt;
Philippe Madeline, Jean-Marc Moriceau, Un paysan et son univers, de la guerre au march&amp;eacute; commun par Jacques Bethemont&lt;br /&gt;
&lt;br /&gt;
Simon Edelblutte, Paysages et territoires de l&amp;rsquo;industrie en Europe. H&amp;eacute;ritages et renouveaux par Jacques Donze&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Fleuve et ville forment un couple selon un genre qui n’est pas nouveau, même s’il a été ravivé ces dernières décennies, à la fois par des discours et par des projets : la première idée pour expliquer ce revival est la montée des préoccupations pour la préservation de la nature et du paysage, voire, plus extrémiste encore, la montée d’un désir de voir s’améliorer les conditions écologiques, esthétiques et sociales de ces milieux très abîmés. Cet article examine donc dans quelle mesure l’écologie est invoquée dans les opérations de réappropriation des fleuves par les villes. Comment le fleuve est-il travaillé dans ces projets de « reconquête » ? Est-ce une valorisation esthétique, symbolique ou écologique ? ou l’émergence de nouvelles pratiques sociales en milieu urbain ? Nous nous appuyons sur de nombreux exemples européens, mais une partie se penche particulièrement sur la place du fleuve dans deux projets urbains, les îles du Rhône en aval de Lyon ; et l’île de Nantes, sur la Loire. Cela nous conduit notamment à infirmer l’hypothèse d’un lien entre cette dynamique et une montée des préoccupations pour les hydroécosystèmes comme milieu de vie (êtres humains inclus), en ville. La valorisation du fleuve en ville prend place effectivement au titre d’un visuel, et d’une symbolique vectrice d’identité. Mais le chemin qui conduirait à un fonctionnement écologique de la ville au bord de son fleuve, à une harmonie entre images et usages du fleuve, s’il existe, est encore long. </text>
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                <text>Sophie Bonin, Rivers and the city : ecological issues and urban projects River and city form a couple of a kind which is not new, even if it has been revived in past decades, at the same time in discourses and projects: the first idea to explain this revival is the growing concern for nature and landscape protection and even more, the rise of a desire to improve the ecological, aesthetic and social conditions of these ecosystems. This article thus examines the extent to which ecology is called upon in the operations of reconquest of the rivers by the cities. How is the river dealt with in these projects of “reconquest”? Does this correspond to an aesthetic, symbolic, or ecological valorisation, or to the emergence of new social practices in urban environment? The analysis is based on several european examples, focusing particularly on the place of the river in two urban projects, the islands of the Rhone downstream from Lyon; and the île de Nantes, on the Loire. These latter examples lead us to refute the assumption of a relationship between this dynamics and a growing interest in hydroecosystems as a life environment (including for human beings). The value given to the downtown river is indeed associated with a visual and symbolic system operating as a vector of identity. But it would take a long way to achieve the goals of and ecological functioning of the city at the edge of the river, reconciling, if possible, between images and uses of the river. </text>
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                <text>Fleuves en ville : enjeux écologiques et projets urbains</text>
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                <text>Fleuves et rivières couleront toujours. Les nouvelles urbanités chinoises</text>
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                <text>, urbanité, Chine, vie quotidienne, Mozère Liane</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Compos&amp;eacute; &amp;agrave; partir d&amp;rsquo;observations directes, d&amp;rsquo;entretiens, de romans, de films et de documentaires, ce livre interroge les nouvelles formes d&amp;rsquo;urbanit&amp;eacute; dans les villes chinoises depuis que l&amp;rsquo;encadrement mao&amp;iuml;ste strict des populations et des territoires s&amp;rsquo;est en partie d&amp;eacute;lit&amp;eacute;. &lt;br /&gt; &lt;br /&gt; Sous Mao, chacun &amp;eacute;tait &amp;quot;&amp;agrave; sa place&amp;quot; dans une division sociale et territoriale strictement contr&amp;ocirc;l&amp;eacute;e. Les danwei, v&amp;eacute;ritables unit&amp;eacute;s de travail et de vie, prenaient en charge leurs membres dans tous les domaines de la vie. La p&amp;eacute;riode des r&amp;eacute;formes impuls&amp;eacute;es par Deng Xiaoping, en transformant les r&amp;egrave;gles de la vie sociale, va conduire les citoyens &amp;agrave; pouvoir jouir de certaines formes de libert&amp;eacute; (d&amp;eacute;placements, commerce&amp;hellip;), qui vont modifier le rapport public/priv&amp;eacute;, non sans que restent ancr&amp;eacute;s en ville des comportements h&amp;eacute;rit&amp;eacute;s des ann&amp;eacute;es Mao. &lt;br /&gt; &lt;br /&gt; Facettes multiples de ces &amp;eacute;volutions, arrangements inattendus, inventions pragmatiques du rapport toujours renouvel&amp;eacute; du rapport &amp;agrave; l&amp;rsquo;autre dans un espace partag&amp;eacute;. Une plong&amp;eacute;e surprenante dans la vie quotidienne en Chine, comme si vous y &amp;eacute;tiez. &lt;br /&gt; &lt;br /&gt; &lt;b&gt;Liane Moz&amp;egrave;re&lt;/b&gt; est professeure &amp;eacute;m&amp;eacute;rite de sociologie &amp;agrave; l'universit&amp;eacute; de Metz.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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                <text>&lt;div&gt;&lt;b&gt;Organisers' description : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
As a technique of representation, aerial photography has often been associated with &amp;ldquo;top-down&amp;rdquo;  urban planning programs initiated by twentieth-century modern capitalist states. This book seeks to demonstrate that, in fact, the new social conception of space developed by French urban  sociologist Henri Lefebvre and others in the 1960s and 1970s was actually engendered with the aid  of this novel twentieth-century tool of vision. Beginning in the 1930s, French social scientists  working in a variety of different academic fields used aerial photos to investigate the spaces of  human habitation in French colonies as well as in France. The technique, which was closely linked to the French colonial state and military, helped them to see the connection between spatial organization and social organization. After World War II, these anthropological theories of spatial  organization were turned back onto the metropole. By the 1960s and 1970s, as we will see, the anthropological critique developed in the 1930s had become a full-fledged attack on contemporary urbanism.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Jeanne Haffner &lt;/b&gt;is an urban historian and a fellow at Harvard University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
See also other lectures from this conference:&lt;/div&gt;
Vertical urbanism&lt;/a&gt;&lt;/div&gt;
Vertigo: For a vertical turn in critical social science&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&#13;
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&#13;
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&#13;
Sudhir Venkatesh is professor of sociology and African American studies at Columbia University. His writings, stories, and documentaries have appeared in The American Prospect, and on PBS and National Public Radio’s This American Life.</text>
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