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                <text>The Funambulist Pamphlets (Volume 05).&#13;
&#13;
The fifth volume of The Funambulist Pamphlets that gathers and edits past articles (as well as additional photographs) of the blog about Occupy Wall Street, is now officially published by Punctum Books in collaboration with the Center for Transformative Media at Parsons The New School. &#13;
&#13;
You can either download the book as a PDF for free or order it online for the price of $7.00 or €6.00.&#13;
&#13;
Index of the Book :&#13;
&#13;
Introduction: My Body Is a Political Weapon&#13;
00/ Photographs of Occupy Wall Street&#13;
01/ “I Am a Citizen of Liberty Square”&#13;
02/ Urban Insurgencies: Algiers’ Labyrinthine Casbah vs. New York’s Weaponized Grid Plan&#13;
03/ “Mic-Check!”: Human Transmission Technology&#13;
04/ “This is What Democracy Looks Like” Is Not Just a Slogan&#13;
05/ Why We Should Stop Calling Occupy Wall Street a Protest&#13;
06/ Spatial Issues at Stake in Occupy Wall Street: Considering the Privately Owned Public Spaces&#13;
07/ The Tremendous Power of Space&#13;
08/ The Archipelago as a Territorial Manifesto&#13;
09/ About the Notion of Occupying&#13;
10/ Judith Butler to the Occupy Movement: “This is a Politics of the Public Body”&#13;
11/ Occupy the Department of Buildings&#13;
12/ Creating the Urban Labyrinth in an Orthogonal Street Grid&#13;
13/ National Security Drones vs. Liam Young’s Electronic Counter-Measures&#13;
14/ Aestheticizing Violence + Capitalizing on the Revolt Imaginary&#13;
15/ Impetus&#13;
16/ Occupy Gezi: Why Are Politicians Afraid of Bodies&#13;
17/ The Republic of Taksim&#13;
18/ What Is a People?&#13;
19/ The Political Archipelago: For a New Paradigm of Territorial Sovereignty&#13;
20/ Official Report on the question of the so-called New York Commune&#13;
21/ The New York Commune [Film in Progress]&#13;
&#13;
This work is Open Access, which means that you are free to copy, distribute, display, and perform the work as long as you clearly attribute the work to the authors, that you do not use this work for commercial gain in any form whatsoever, and that you in no way alter, transform, or build upon the work outside of its normal use in academic scholarship without express permission of the author and the publisher of this volume. For any reuse or distribution, you must make clear to others the license terms of this work (http://creativecommons.org/licenses/by-nc-nd/3.0/)</text>
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