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                <text>Berlin naît au XIIIe siècle, en même temps que s'y installent les premiers Juifs. Sept siècles de présence au cours desquels la communauté juive s'inscrit dans le paysage de la ville au point de faire corps avec elle, jusqu'à l'avènement du nazisme. Pourtant, dès l'après-guerre, c'est à Berlin (Est et Ouest) que reviennent quelques Juifs allemands, et c'est à Berlin qu'émigre une grande partie des Juifs de Russie après 1989. C'est encore à Berlin que séjournent nombre de jeunes israéliens qui font le choix d'un nouvel exode. Comment expliquer cet attachement à la ville ? Que dire de cette « relation d'amour et de désespoir » qui lie les Juifs à Berlin? Comment comprendre l'aura dont jouit cette ville, par-delà les générations, par-delà l'histoire, par-delà les ineffaçables souffrances? Les études de ce volume tentent d'y répondre en interrogeant l'architecture et l'urbanisme, la littérature et la musique, la pensée et l'histoire.&#13;
&#13;
Heidi Knörzer enseigne la langue et la culture allemande à l'Ecole polytechnique. Elle a publié à l'éclat un précédent volume dans la même collection: Expériences croisées, consacrées aux relations des Juifs de France et d'Allemagne aux XIXe et XXe siècles.&#13;
&#13;
Laurence Guillon est maître de conférences à Paris 10 en civilisation allemande. Elle a publié aux Presses du CNRS un livre intitulé: Les Juifs de Berlin après 1945, préfacé par Dominique Bourel. </text>
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                <text>Quels sont les usages de l'esthétique dans ce lieu de tous les échanges, l'"espace public" ? Est-ce que l'art a toujours, dans celui-ci, un rôle à jouer et pourquoi ? &#13;
&#13;
Découvrons dans cet ouvrage comment et pourquoi plusieurs chercheurs et artistes, de disciplines et de pays différents (arts visuels et numériques, musique contemporaine, mathématiques, sciences humaines et sociales, anthropologie...) nous apportent quelques pistes de réflexion autour de ce sujet brûlant...&#13;
&#13;
Marc Veyrat, agrégé d'arts plastiques, est artiste et enseignant chercheur au département Communication hypermédia de l'Université de Savoie Mont-Blanc.</text>
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Avril 2007

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Mehdi Ahoudig</text>
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                <text>&lt;div&gt;&lt;strong&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/strong&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Une histoire de la banlieue &amp;agrave; &amp;eacute;couter sans mod&amp;eacute;ration.&lt;br /&gt;
&lt;br /&gt;
L'histoire intime et musicale de la banlieue, c'est &lt;strong&gt;&lt;strong&gt;Ma cit&amp;eacute; va parler&lt;/strong&gt;&lt;/strong&gt; de &lt;strong&gt;Mehdi Ahoudig&lt;/strong&gt;, un formidable documentaire dr&amp;ocirc;le et rythm&amp;eacute;, qui bouscule les clich&amp;eacute;s en donnant la parole &amp;agrave; des Arabes comme vous et moi.&lt;/div&gt;
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49' 06&amp;quot;</text>
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&#13;
Préface de Catherine Delcroix&#13;
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Les jeunes de la rue : occuper l’espace public&#13;
- L’opposition Eux-Nous au Plateau&#13;
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&#13;
Rap et islam : constitution d’une sphère publique et rapports à l’espace public institué&#13;
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- Le hip-hop : son émergence et sa perception par les jeunes de la rue&#13;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; A great deal of attention continues to focus on Berlin&amp;rsquo;s cultural and political landscape after the fall of the Berlin Wall, but as yet, no single volume looks at the divided city through an interdisciplinary analysis. This volume examines how the city was conceived, perceived, and represented during the four decades preceding reunification and thereby offers a unique perspective on divided Berlin&amp;rsquo;s identities. German historians, art historians, architectural historians, and literary and cultural studies scholars explore the divisions and antagonisms that defined East and West Berlin; and by tracing the little studied similarities and extensive exchanges that occurred despite the presence of the Berlin Wall, they present an indispensible study on the politics and culture of the Cold War.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Introduction - Philip Broadbent and Sabine Hake&lt;br /&gt; PART I: COLD WAR BEGINNINGS&lt;br /&gt; Life Among the Ruins: Sex, Space, and Subculture in Zero Hour Berlin - Jennifer Evans&lt;br /&gt; The Propagandistic Role of Modern Art in Postwar Berlin - Maike Steinkamp&lt;br /&gt; Back to the Future: New Music&amp;rsquo;s Revival and Redefinition in Occupied Berlin - Elizabeth Janik&lt;br /&gt; The Nylon Curtain: Architectural Unification in Divided Berlin - Greg Castillo&lt;br /&gt; Mediascape and Soundscape: Two Landscapes of Modernity in Cold War Berlin - Heiner Stahl&lt;br /&gt; PART II: EAST BERLIN, THE SOCIALIST CAPITAL&lt;br /&gt; Painting the Berlin Wall in Leipzig: The Politics of Art in 1960s East Germany&lt;br /&gt; April Eisman&lt;br /&gt; &amp;ldquo;You Have to Draw a Line Somewhere&amp;rdquo;: Tropes of Division in DEFA Films from the early 1960s - Mariana Ivanova&lt;br /&gt; Building the East German Television Tower - Heather Gumbert&lt;br /&gt; Deborah Asher Barnstone: Transparency in Divided Berlin: The Palace of the Republic - Heather Gumbert&lt;br /&gt; PART III: WEST BERLIN, SHOWCASE OF THE WEST&lt;br /&gt; &amp;ldquo;I Still Have a Suitcase in Berlin&amp;rdquo;: Hildegard Knef&amp;rsquo;s Cold War Movies - Ulrich Bach&lt;br /&gt; Benno Ohnesorg, Rudi Dutschke, and the Student Movement in West Berlin: Critical Reflections after Forty Years - David Barclay&lt;br /&gt; Berlin and Post-Meinhof Feminism: Yvonne Rainer&amp;rsquo;s Journeys from Berlin/1971 - Claudia Mesch&lt;br /&gt; Daniel Libeskind&amp;rsquo;s Jewish Museum in Berlin as a Cold War Project - Paul Jaskot&lt;br /&gt; Beyond the Berlin Myth: the Local, the Global and IBA 87 - Emily Pugh&lt;br /&gt; PART IV: BERLIN AFTER UNIFICATION: LOOKING BACK AND BEYOND&lt;br /&gt; Stereographic City: Berlin Photography in the Wende Era - Miriam Paeslack&lt;br /&gt; Divided City, Divided Heaven? Berlin Border Crossings in Post-Wende Fiction - Lyn Marven&lt;br /&gt; Interview with Barbara Hoidn&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Philip Broadbent&lt;/b&gt; is Assistant Professor in the Department of Germanic Studies at the University of Texas at Austin.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;Sabine Hake&lt;/b&gt; is the Texas Chair of German Literature and Culture in the Department of Germanic Studies at the University of Texas at Austin.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Qu'est-ce que la musique et les exp&amp;eacute;rimentations artistiques peuvent nous apprendre &amp;agrave; propos de la ville ? Comment avancer dans le projet d'architecture et d'urbanisme gr&amp;acirc;ce &amp;agrave; l'&amp;eacute;tude de la perception de l'espace au moyen de l'ou&amp;iuml;e ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ce sont l&amp;agrave; les th&amp;egrave;mes fondamentaux du livre, qui offrent une exploration de l'environnement sonore urbain, illustr&amp;eacute; par des cas significatifs de compositions musicales et d'installations dans les espaces publics, qui permettent de trouver des outils qui puissent s'appliquer au projet de la ville.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cet ouvrage est un guide utile pour d&amp;eacute;couvrir l'architecture sensorielle et apprendre &amp;agrave; construire et enrichir l'espace avec les sons.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Ricciarda Belgiojoso&lt;/b&gt; est architecte, dipl&amp;ocirc;m&amp;eacute;e en piano et en technologies du son au Conservatoire de Milan, docteure en Histoire de l'art &amp;agrave; l'universit&amp;eacute; Paris I Panth&amp;eacute;on-Sorbonne, professeure d'art public au Politecnico de Milan.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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