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                <text>Neoliberalism and the city</text>
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                <text>, néolibéralisme, économie, politique urbaine, Harvey David</text>
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2 November 2006

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David Harvey</text>
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                <text>&lt;div&gt;&lt;b&gt;Organisers' description :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
The distinguished geographer and social theorist, David Harvey, will be the 22nd Annual Urban Studies Public Lecturer. The lecture is entitled &amp;lsquo;Neoliberalism and the City&amp;rsquo;, and will take place Thursday, November 2, 2006 at 5:00 PM. &lt;br /&gt;
&lt;br /&gt;
In his talk, Harvey will draw on his recent book, A Brief History of Neoliberalism (2005), in which he traces the rise of neoliberal principles based on the theory of free markets and unfettered international capital flows from an obscure economic theory to dominance on the world stage. Harvey shows how proponents of a neoliberal economic philosophy, such as the influential leaders Ronald Reagan and Margaret Thatcher, gained the consensus of key figures and economic and political institutions, driven by an aspiration to re-establish class power. He dissects the logic of neoliberalism, revealing its built-in contradictions and the tremendous variation in how it looks from place to place and at different scales. He will talk about how cities have both complied and resisted neoliberalism&amp;rsquo;s discipline.&lt;br /&gt;
&lt;br /&gt;
David Harvey&amp;rsquo;s career has had several phases, from work on the methodology and philosophy of geography and historical geography to an exploration of Marxist approaches, particularly related to urbanization and the crises of poverty and racism in US cities. His later work delves into such issues as environmental justice, alternative modes of urbanization, progressive approaches to addressing problems of the environment and inequality. His most recent works looks at questions of globalization and uneven geographical development within a globalizing world.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;David Harvey&lt;/b&gt; is a Distinguished Professor in the Ph.D. Program in  Anthropology at the City University of New York Graduate Center.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>, lien social, interaction sociale, réseaux sociaux, social networks, technology, technologie, environnement urbain, Presner Todd, Stark David, Hirsch Tad, Hosein Hanson</text>
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8 December 2010

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&amp;nbsp;&lt;/div&gt;
How are new digital media changing how we build and maintain the social connections that make urban environments vibrant? This panel brings together experts from humanities, social science, and technology to focus on questions of how computer networks and social networks are reshaping, remapping, and remaking cities. Technology and infrastructure have always helped to define urban environments and rapidly changing information and communication technologies are no exception. From digital maps to online social networks, new technologies are changing what we know about the cities we are in, how we use them, and how we connect to one another.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Todd Presner &lt;/b&gt;is Professor of Germanic Languages, Comparative Literature and Jewish Studies at the University of California Los Angeles and the founder and director of the HyperCities digital mapping platform.&lt;/div&gt;
&lt;b&gt;David Stark &lt;/b&gt;is Arthur Lehman Professor of Sociology and of International and Public Affairs at Columbia University.&lt;/div&gt;
&lt;b&gt;Tad Hirsch &lt;/b&gt;is a Researcher in the People and Practices Research Group at Intel.&lt;/div&gt;
&lt;b&gt;Hanson Hosein &lt;/b&gt;is Director of the Master of Communication in Digital Media at the University of Washington.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>culture urbaine, urbanité, métropole, banlieue, espace urbain, forme urbaine, périurbanisation, démographie, De Jong Judith K., États-Unis, United States </text>
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29 November 2011

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Judith K. De Jong</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the distributor:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
In this talk, 2011-2012 GCI Faculty Scholar De Jong will discuss the research and writing she is undertaking during her fellowship year at the Institute. Her project investigates how American cultural attitudes about urban life in the metropolis, reinforced by significant demographic change, are dissolving traditional relationships between city and suburb and producing new spatial and formal conditions; in particular, the project aims to identify new models for (sub)urbanisation.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Judith K. De Jong &lt;/b&gt;is a licensed architect and an Assistant Professor of Architecture at the University of Illinois at Chicago.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>This paper presents the results of a magnetic survey on the Hellenistic and Roman site of Doura-Europos in Syria. The interpretation of the magnetic data is based on an original approach by considering the use of space in a domestic unit.This type of study has been developed for sociological research but is adapted to the information carriedwithin geophysical data. After a brief presentation of the role of geophysicalmethods for the study of city planning, the most important components of the ‘space syntax' will be presented and applied to two blocks of Doura-Europos, one that has been excavated in the twentieth century by theYale University and another surveyed using the magnetic method.</text>
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                <text>Extract from a review of 'New ideals in the planning of cities, towns and villages' from the Discovering Urbanism blog : &amp;nbsp; &amp;quot;Probably more than anyone else, John Nolen was the voice of the early American city planning establishment... New ideals is both an amalgamation of the basic planning platform of the time and a passionate plea to carry it into action.&amp;quot; &amp;nbsp; John Nolen was a landscape architecture and city planner who lectured frequently on city and town planning and was active in many professional organisations in his field. &amp;nbsp; </text>
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&#13;
Présentation par l'éditeur :&#13;
&#13;
Pourquoi un ouvrage sur les villes nouvelles ? Les villes nouvelles constituent des expériences spécifiques en termes de développement urbain, au carrefour de la banlieue et du péri-urbain. Regroupant sur un territoire donné un ensemble d’enjeux politiques, structurels et techniques, elles font appel à une diversité de disciplines dans un bouillonnement d’interactions pour répondre à un défi majeur et complexe : créer des villes de toutes pièces et des lieux de vie.&#13;
&#13;
Puisque ces enjeux sont toujours d’actualité des deux côtés de la Méditerranée, se pencher sur les échanges entre autorités locales&#13;
et experts permet d’enrichir les réflexions et les pratiques dans ce domaine. C’est dans ce sens que cet ouvrage collectif met en évidence les résultats du projet New Medina, projet reposant sur la coopération entre villes et associations européennes et méditerranéennes.&#13;
&#13;
À propos des auteurs :&#13;
Les contributeurs, d’origines diverses par leur localisation et par leurs disciplines (sociologie, urbanisme, aménagement, géographie,&#13;
sciences politiques), apportent à la fois des éléments de contexte, une vision croisée sur les villes nouvelles et des suggestions&#13;
pour le développement durable de ces villes en devenir : autant de perspectives variées qui donnent à cet ouvrage sa profondeur et son intérêt.&#13;
&#13;
Contenu :&#13;
- Pascaline Gaborit : Les contradictions des Nouvelles Médinas. Projets-pilotes, territoires complexes et autres problèmes de durabilité&#13;
- Rachid Sidi Boumedine : Une ville nouvelle ? Où ? Pourquoi ? Comment ? Une approche critique et comparative ; des projets de villes nouvelles au Maghreb&#13;
- Deni Ruggeri : Un concept voyageur. L’idéal de la ville nouvelle depuis les cités jardins d’Howard jusqu’aux éco-cités d’Aujourd’hui&#13;
- Christian Horn : Construire des villes durables dans le désert pour les citoyens&#13;
- Pierre-Arnaud Barthel : Optimiser la démarche d’urbanisme durable dans les projets de villes nouvelles. Retours d’expériences et propositions (Maroc et Égypte)&#13;
- Lauriane Lahery : Entre injonctions et appropriations, retour sur le concept de développement urbain durable au sud de la Méditerranée&#13;
- Hend Farouh : Rendre les villes égyptiennes durables. Le rêve et la réalité.&#13;
&#13;
Pascaline Gaborit dirige depuis 2002 la Plateforme européenne des Villes Nouvelles/Villes Pilotes. Elle organise des événements et développe des projets de coopération. Auteur de plusieurs ouvrages et articles, elle pense que les projets de coopération et d’échanges entre collectivités locales, experts et chercheurs sont importants.</text>
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        <name>villes égyptiennes durables</name>
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                  <text>Métropoles se veut le carrefour des travaux scientifiques issus de la plupart des disciplines en sciences sociales qui s’intéressent au fait urbain et métropolitain. Cette revue thématique souhaite présenter à la communauté académique internationale les travaux les plus significatifs et originaux issus soit des disciplines s’intéressant traditionnellement à la ville comme la géographie, la sociologie, la science politique ou l’économie, soit des disciplines qui interrogent le fait urbain depuis moins longtemps comme l’histoire  et le droit. Elle accueille les travaux produits au croisement des disciplines comme ceux de l’urbanisme, de l’aménagement ou du « planning ». Elle publie des articles en français et en anglais.</text>
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                <text>Au début du xxie siècle, les espaces urbains traversent une période de croissance et de transformation radicale. Les villes s’étendent de plus en plus. Leur configuration spatiale devient de plus en plus décentralisée et fragmentée. La dichotomie traditionnelle entre hiérarchie urbaine et périphérie est en train de disparaître. Les nouveaux espaces métropolitains sont caractérisés par des processus de segmentation et de spécialisation à distance ainsi que par des polarisations sociales qui structurent l’espace. Les tentatives de planification des villes-régions essaient de rééquilibrer ces processus qui font éclater la ville. Cet article explore brièvement les transformations métropolitaines actuelles en utilisant une approche générique. Il se focalise également sur les stratégies des métropoles pour affronter ces défis dans le cadre de situations institutionnelles variées, un peu partout en Europe. En troisième lieu, cet article interroge les effets potentiels des projets urbains sur un rééquilibrage des transformations urbaines. Comment les grands projets urbains sont-ils conceptuellement élaborés ? Comment les alliances d’acteurs qui les soutiennent se forgent-elles ? Comment les citoyens et les groupes sociaux sont-ils impliqués de manière à produire de nouveaux espaces plus intégrés ? </text>
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                <text>At the beginning of the 21st century, urban spaces can be said to be in a stage of growth and radical transformation. Cities are highly expansive, both in scale and scope. The spatial configuration of urban spaces is, however, becoming more and more decentralised and fragmentary. The traditional dichotomy between urban hierarchy and periphery is disappearing. New metropolitan spaces are characterised by distance related processes of social and economic specialisation and segmentation, and often also by splitting social polarisation. The planning agendas in city regions are trying to make add more balance to the process of disruptive urban development. This paper briefly explores the transformation of metropolitan spaces using a generic approach. The article also focuses on the attempts in metropolitan planning strategies to cope with these challenges under different typical institutional conditions of regions in Europe. Finally, the paper investigates the potential impact of strategic urban projects as regards a more balanced shaping of urban transformation. The questions dealt with are: How are urban mega projects conceptually framed, how are the supporting alliances mobilised and how are citizens and social groups involved in order to create new integrated urban space ? </text>
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                <text>http://metropoles.revues.org/262</text>
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                <text>en</text>
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            <description>The topic of the resource</description>
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                <text>local democracy</text>
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                <text>strategic planning</text>
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                <text>urban policies</text>
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                <text>démocratie locale</text>
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                <text>planification stratégique</text>
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                <text>politiques urbaines</text>
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            <description>A name given to the resource</description>
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                <text>New Metropolitan Spaces and Metropolitan Strategies in the Face of Modernisation</text>
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            <description>The nature or genre of the resource</description>
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              <name>Title</name>
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                  <text>Géocarrefour</text>
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              <description>An account of the resource</description>
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                  <text>revue publiée par Assoc. des amis de la R.G.L.</text>
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                  <text>CAIRN</text>
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                <text>21</text>
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                <text>Darroch, Michael</text>
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                <text>2003</text>
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                <text>
  Ce travail analyse les représentations culturelles nées de la présence de la Nouvelle-Orléans et de la Louisiane au Festival International de Jazz de Montréal entre 1999 et 2001. Il étudie la manière dont le Québec et la Louisiane ont construit un héritage partagé ainsi que des affinités culturelles contemporaines entre leurs histoires francophones, au travers des "images de lieux" touristiques de Montréal et de la Nouvelle-Orléans comme villes festives. J'introduis tout d'abord la notion de "l'image de lieu" touristique - le cadre de significations ou de narrations diverses associées à un lieu ou une région - avant de me pencher sur les discours de la Nouvelle-Orléans en tant que "berceau du jazz" mythique, héritage qui fait référence à son caractère festif autant qu'à son caractère tabou, originaire des bordels. Cette notion d'authenticité culturelle s'est d'ailleurs étendue à toute la Louisiane pour englober les musiques francophones "cadienne" et "zydeco" parallèlement aux efforts de préservation culturelle de la part des folkloristes et des élus qui combattent les forces d'assimilation anglophones. Montréal est, quant à elle, reconnue aujourd'hui comme la "ville des festivals", une métropole francophone qui véhicule tant la haute culture québécoise et canadienne que l'image d'une vie nocturne ouverte à tous les possibles. La notion de jazz comme pratique culturelle est donc fortement liée aux images de la festivité ainsi que de la transgression dans l'imaginaire urbain de chaque ville. Il s'agit ainsi de montrer dans cet article comment Montréal est vue dans le contexte du Festival de jazz comme un lieu où la culture louisianaise peut être célébrée avec authenticité. Je conclus en arguant que le marketing fondé sur l'image de lieu festif de chaque ville s'est mis en place autour d'une logique touristique qui cherche à construire en même temps une diaspora francophone nord-américaine. Bien que négligeables, les contacts culturels, économiques et même historiques entre ces deux régions se rejoignent par la mémoire de ce métissage.
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                <text>http://www.cairn.info/article.php?ID_ARTICLE=GEOC_782_0005</text>
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                <text>fre</text>
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                <text>Cairn</text>
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                <text>Géocarrefour, , 2, 2003-04-01, pp.5-5</text>
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                <text>Montréal</text>
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                <text> la Nouvelle-Orléans</text>
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                <text> images de lieux</text>
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                <text> marketing touristique</text>
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                <text> festivals de jazz</text>
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                <text> authenticité culturelle</text>
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                <text>Montréal</text>
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                <text> New Orleans</text>
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                <text> place-images</text>
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                <text> tourist marketing</text>
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                <text> jazz festivals</text>
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                <text> cultural authenticity</text>
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                <text>New Orleans in Montréal : The Cradle of Jazz in the City of Festivals</text>
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                  <text>Archives ouvertes des études urbaines</text>
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              <description>An account of the resource</description>
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                <text>The Napoleonic Empire turned Paris around from an administrative to an industrial city. A new atmosphere created by sulfuric oxide smells took possession of the Right Bank with sulfuric acid and coal, while mercury fumes and chloride, used respectively for gilding copper and felting hats, poisoned the neighbourhoods downstream and upstream as Paris became the first European producer of luxury items. Before 1789, smells came from fermenting materials and the putrefaction of nightsoil. After 1800, Montfaucon became the world's leading craft district and its stench crossed the Seine and spread as far as the Sorbonne. Along the Bievre River, tanneries and fine leather crafts were so polluted that neither flies nor mosquitoes could ever survive, workers never caught malaria but a lot of lung ailments.</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>New Parisian atmospheres during the First Empire: crafts and industry</text>
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                <text>In this paper, a modelling framework to complete the recent scientific works on urban goods modelling is proposed. More precisely, we introduce a substitution procedure that estimates the number of trips and the corresponding travelled distances for shopping drive, home delivery and reception points' strategies. Moreover, an appraisal of scenarios is proposed in order to study how these three new forms of proximity delivery services impact on the overall urban goods movement distribution. Starting from four extreme situations, we introduce more realistic scenarios in order to find a suitable combination of delivery strategies. All the scenarios are simulated using the proposed framework, and the main traffic issues related to e-commerce distribution channel are discussed. The best realistic combination promotes the joint usage of home deliveries and proximity reception points and allows a reduction of about 13% of the road occupancy rates in urban areas.</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the distributor:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
The Transforming Auckland: Innovations for Sustainable Cities Thematic Research Initiative (TRI) hosted a very successful Research Symposium. Over two days international and local researchers examined some of the major issues faced by cities in their transformation towards sustainable, resilient futures.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Linda Williams&lt;/b&gt; is Associate Professor of Art, Environment and Cultural Studies in the School of Art at RMIT University where she leads a research group on the arts and environmental sustainability. Along with her work as a widely published art critic, she has published in the field of the history of culture and science, philosophy and critical theory, and is an active member of the Globalization and Culture project in the Global Cities Research Institute at RMIT.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Citadelles et Mazenod

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&amp;nbsp;&lt;/div&gt;
New York est assur&amp;eacute;ment une &amp;quot;ville d&amp;rsquo;art&amp;quot;, par les collections exceptionnelles que ses mus&amp;eacute;es ont accueilli depuis la fin du XIXe si&amp;egrave;cle, par la place prise par la ville sur la sc&amp;egrave;ne artistique mondiale depuis l&amp;rsquo;Armory Show de 1913 et par le r&amp;ocirc;le &amp;eacute;minent qui est le sien depuis qu&amp;rsquo;elle a &amp;eacute;clips&amp;eacute; Paris apr&amp;egrave;s 1945 en mati&amp;egrave;re de cr&amp;eacute;ation. Mais si c&amp;rsquo;est une &amp;quot;ville d&amp;rsquo;art&amp;quot;, c&amp;rsquo;est bien aussi parce qu&amp;rsquo;en d&amp;eacute;pit de sa brutalit&amp;eacute; physique, New York condense, dans sa mati&amp;egrave;re b&amp;acirc;tie m&amp;ecirc;me, tous les registres de l&amp;rsquo;invention architecturale, et parce que ses paysages urbains n&amp;rsquo;ont cess&amp;eacute; de provoquer &amp;eacute;crivains, artistes, photographes et cin&amp;eacute;astes.&lt;br /&gt;
&lt;br /&gt;
Ce livre porte ainsi sur chacune des composantes du paysage urbain et sur leur interaction. New York est une collection d&amp;rsquo;&amp;eacute;difices priv&amp;eacute;s et publics et d&amp;rsquo;ouvrages d&amp;rsquo;art sans lesquels elle serait asphyxi&amp;eacute;e, des quais et des aqueducs aux tunnels et aux ponts. Reliant les objets b&amp;acirc;tis, les jardins, les parcs cr&amp;eacute;ent des respirations contrastant, par l&amp;rsquo;illusion d&amp;rsquo;espace et de nature qu&amp;rsquo;elles sugg&amp;egrave;rent, avec la masse min&amp;eacute;rale de la ville.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le paysage de New York est constitu&amp;eacute; par les longues s&amp;eacute;quences de rues et des avenues, dont beaucoup ont une personnalit&amp;eacute; originale et se d&amp;eacute;coupe en quartier &amp;agrave; l&amp;rsquo;identit&amp;eacute; forte&amp;hellip;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Enfin, le propos sur la constitution historique de la ville et sa lecture actuelle est irrigu&amp;eacute; par d&amp;rsquo;innombrable r&amp;eacute;cits de voyage publi&amp;eacute;s depuis le XVIIIe si&amp;egrave;cle (de Charles Dickens &amp;agrave; Maxime Gorki, Paul Morand et Jean-Paul Sartre) et la litt&amp;eacute;rature am&amp;eacute;ricaine (de Walt Whitman, Washington Irving, Paul Auster en passant par Henry James).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Jean-Louis Cohen&lt;/b&gt; est architecte et historien. Il enseigne &amp;agrave;  l'Institut fran&amp;ccedil;ais d'urbanisme et de l'Institute of fine arts (New York).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Torsten Andreas Hoffmann</text>
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20 mai 2010

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Aubanel

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&amp;nbsp;&lt;/div&gt;
Torsten Andreas Hoffmann a relev&amp;eacute; le d&amp;eacute;fi de pouvoir nous &amp;eacute;tonner encore avec ces photographies, alors que New York est sans doute la ville la plus photographi&amp;eacute;e au monde...&lt;br /&gt;
&lt;br /&gt;
Des clich&amp;eacute;s panoramiques superbes, d'un graphisme en noir et blanc &amp;eacute;pur&amp;eacute; et &amp;eacute;l&amp;eacute;gant, qui renouvellent notre regard sur la ville-monde.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Torsten Andreas Hoffmann&lt;/b&gt; est photographe.&lt;/div&gt;
&lt;b&gt;Michael Barchet&lt;/b&gt; est &amp;eacute;crivain et &amp;eacute;diteur ind&amp;eacute;pendant.&lt;/div&gt;
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Christopher Gray</text>
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 Gr&amp;uuml;nd

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&lt;br /&gt;
L'&amp;eacute;volution de l'environnement urbain de New York est ici d&amp;eacute;crite &amp;agrave; travers l'histoire de ses chefs-d'oeuvre architecturaux et de ses infrastructures savamment &amp;eacute;tudi&amp;eacute;es. Seule la photographie permet de saisir imm&amp;eacute;diatement cette &amp;eacute;volution. Sous nos yeux, New York s'&amp;eacute;veille, se d&amp;eacute;ploie vers le nord, engloutit Central Park, enjambe des rivi&amp;egrave;res, creuse des tunnels et s'&amp;eacute;lance vers le ciel.&lt;br /&gt;
&lt;br /&gt;
Les mat&amp;eacute;riaux de construction &amp;eacute;voluent de la brique et du gr&amp;egrave;s &amp;agrave; l'acier et au verre, l'&amp;eacute;lectricit&amp;eacute; et les ascenseurs font leur entr&amp;eacute;e en sc&amp;egrave;ne. Nous voyons un Longacre Square rena&amp;icirc;tre de ses cendres en un Times Square rutilant, nouvelle adresse des th&amp;eacute;&amp;acirc;tres et du si&amp;egrave;ge du Times. &lt;br /&gt;
&lt;br /&gt;
New York - Cit&amp;eacute; g&amp;eacute;ante relate l'&amp;eacute;volution de la 5e Avenue en une &amp;quot;Avenue des Millionnaires&amp;quot; ainsi que celle du coin est de Central Park en un paradis des mus&amp;eacute;es. Cet ouvrage &amp;eacute;voque non seulement les gratte-ciel et les &amp;eacute;difices publics, mais aussi les grands magasins, les gares, les h&amp;ocirc;tels, les &amp;eacute;glises, les voies express et les a&amp;eacute;roports.&lt;br /&gt;
&lt;br /&gt;
New York, en pleine expansion &amp;agrave; l'&amp;eacute;poque des premi&amp;egrave;res photographies, a toujours &amp;eacute;t&amp;eacute; tr&amp;egrave;s soucieuse de son image. Cette incroyable collection de photos provient des quelque 70 millions d'images que poss&amp;egrave;de ou repr&amp;eacute;sente Getty Images. Beaucoup proviennent de Time &amp;amp; Life Pictures et du &lt;a target="_blank" href="http://www.mcny.org/"&gt;Mus&amp;eacute;e de la Ville de New York&lt;/a&gt; . C'est gr&amp;acirc;ce &amp;agrave; elles que cette repr&amp;eacute;sentation grandeur nature de New York a pu voir le jour.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Bruce Marshall &lt;/strong&gt;fut le fondateur de la collection de litt&amp;eacute;rature g&amp;eacute;n&amp;eacute;rale du Reader's Digest, dont le premier ouvrage, l'Atlas Mondial, se vendit &amp;agrave; plus de 20 millions d'exemplaires dans le monde. Il fonda ensuite les Editions Marshall et publia de nombreux atlas th&amp;eacute;matiques. Son ouvrage The Real World explore la dynamique des grandes villes, parmi lesquelles New York, dont l'histoire extraordinaire inspira cette &amp;eacute;tude sur ses b&amp;acirc;timents et ses b&amp;acirc;tisseurs.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Christopher Gray&lt;/strong&gt; est un grand sp&amp;eacute;cialiste de l'histoire et du d&amp;eacute;veloppement de l'environnement urbain de New York. Il est l'auteur de la colonne &amp;quot; Streetscape, portraits urbains &amp;quot; pour le New York Times depuis 1987.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Malgr&amp;eacute; la concurrence d'autres cit&amp;eacute;s tentaculaires dans le monde, New York conserve un extraordinaire pouvoir de fascination.&lt;/div&gt;
&lt;br /&gt;
Embl&amp;egrave;me du mat&amp;eacute;rialisme triomphant, cette ville est aussi l'&amp;eacute;crin d'un d&amp;eacute;veloppement intellectuel et artistique original et d'une force rare qui attire, sans distinction, provinciaux, touristes et immigrants. Tous convaincus de pouvoir l&amp;eacute;gitimement r&amp;eacute;ussir dans la &amp;quot;Big Apple&amp;quot;. Afin d'&amp;eacute;clairer ces innombrables facettes, ce livre explore, outre les landmarks bien connus - Central Park, le Chrysler, Grand Central, le pont de Brooklyn...-,les boroughs &amp;eacute;loign&amp;eacute;s des itin&amp;eacute;raires habituels - Brooklyn, terre de Walt Whitman mais aussi des Dodgers, Queens, creuset d'un nouveau multiculturalisme, le Bronx, berceau du hip-hop...&lt;/div&gt;
&lt;br /&gt;
Il entra&amp;icirc;ne le lecteur dans le tempo tr&amp;eacute;pidant d'une ville qui, du Vieux New York au New York clinquant d'aujourd'hui, n'a cess&amp;eacute; de changer de visage, au rythme des arriv&amp;eacute;es de milliers d'hommes et de femmes, et des destructions et reconstructions de quartiers entiers. A travers l'histoire, la litt&amp;eacute;rature, le cin&amp;eacute;ma et les avant-gardes artistiques, il invite le lecteur &amp;agrave; rejoindre ce gigantesque caravans&amp;eacute;rail o&amp;ugrave; se c&amp;ocirc;toient langues, coutumes, nationalit&amp;eacute;s et croyances diverses et o&amp;ugrave; se m&amp;ecirc;lent radicaux chics de Park Avenue et traders de Wall Street, sans-abri de Times Square et nouveaux venus en qu&amp;ecirc;te de rep&amp;egrave;res.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pauline Peretz&lt;/b&gt; est docteure en histoire et ma&amp;icirc;tre de conf&amp;eacute;rences en histoire contemporaine &amp;agrave; l'universit&amp;eacute; de Nantes.&lt;br /&gt;
Autour d'elle, Pauline Peretz a rassembl&amp;eacute; une &amp;eacute;quipe de seize auteurs confirm&amp;eacute;s, compos&amp;eacute;e d'historiens, d'&amp;eacute;crivains, d'un critique litt&amp;eacute;raire et d'une philosophe.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Marla Hamburg Kennedy</text>
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18 octobre 2011

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Feymedia

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Des photographes contemporains du monde entier ont captur&amp;eacute; en images la ville de New York, le dynamisme de ses quartiers et ses nombreuses transformations sous forme de sc&amp;egrave;nes urbaines, de portraits, de vignettes et d&amp;rsquo;instantan&amp;eacute;s. &lt;i&gt;New York : vue par ses photographes&lt;/i&gt; refl&amp;egrave;te l&amp;rsquo;esprit avant-gardiste de la ville &amp;agrave; travers des images encore in&amp;eacute;dites d&amp;rsquo;artistes contemporains renomm&amp;eacute;s et &amp;eacute;mergents. On y retrouve plus de 200 photos prises dans les cinq quartiers de New York par une bonne centaine d&amp;rsquo;artistes, dont Jack Pierson, Atta Kim, Andreas Gursky, Vik Muniz, Jenny Holzer, Michael Eastman et bien d&amp;rsquo;autres encore.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cet ouvrage ne se contente pas de documenter le paysage physique et architectural, il livre &amp;eacute;galement une perspective d&amp;eacute;centr&amp;eacute;e &amp;ndash; et par cons&amp;eacute;quent moins connue et plus innovante &amp;ndash; du regard port&amp;eacute; sur cette ville par des artistes au vingt-et-uni&amp;egrave;me si&amp;egrave;cle. &lt;i&gt;New York : vue par ses photographes&lt;/i&gt; r&amp;eacute;v&amp;egrave;le une approche post-onze septembre d&amp;rsquo;une grande fra&amp;icirc;cheur visuelle, explore la ville comme aucune publication ne l&amp;rsquo;a fait auparavant et interpellera tant les adeptes de la photographie d&amp;rsquo;art que les fans de New York.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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