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                <text>Aller, venir, bouger ! Questions, expérimentations, innovations</text>
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                <text>Une livraison des cahiers du Développement Social Urbain (N°58, second semestre 2013).&#13;
&#13;
L’objectif de ce numéro est de sensibiliser les acteurs de la politique de la ville, des transports et de l’insertion à la prise en compte de la problématique de mobilité dans les quartiers qui est l’un des enjeux de la politique de la ville et l’un des instruments de la cohésion sociale.&#13;
&#13;
Ce numéro interroge les liens entre les inégalités de mobilité et les difficultés d’insertion sociale et professionnelle qui touchent les habitants des quartiers populaires. Il se propose d’identifier les obstacles et les leviers permettant de lever les freins à la mobilité et ce à partir d’exemples rhônalpins.&#13;
&#13;
Trois parties structurent ce numéro. Pour la première partie, le pari fut de partir des pratiques et usages des habitants en interrogeant les usagers eux-mêmes et les professionnels qui les accompagnent. Dans la deuxième partie, il s’agit de montrer comment les acteurs se mobilisent pour lever les freins à la mobilité. L’objectif de la troisième partie est de proposer des pistes de réflexion et d’action possibles pour l’avenir.</text>
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                <text>Les villes capitales au Moyen Âge</text>
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                <text>Alliance ou défiance ? Les ambiguïtés de la politique des Capétiens envers leur capitale, XIIe-XVIIe siècles</text>
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27 novembre 2009

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Editions Belin

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le d&amp;eacute;veloppement des villes repose sur des brassages humains. Les articles de ce num&amp;eacute;ro s&amp;rsquo;int&amp;eacute;ressent aux&amp;nbsp; �relations sociales d&amp;rsquo;alt&amp;eacute;rit&amp;eacute; � initi&amp;eacute;es &amp;agrave; la suite de l&amp;rsquo;identification comme &amp;quot;autre&amp;quot; d&amp;rsquo;une population, d&amp;rsquo;une institution, d&amp;rsquo;un commerce, etc. Ils montrent le r&amp;ocirc;le de &amp;quot;levier&amp;quot; de ces identifications, dans les projets sociaux et &amp;eacute;conomiques, les trajectoires des citadins et la morphologie de la ville.&lt;/div&gt;
&lt;br /&gt;
L&amp;rsquo;historienne L. Croq pense l&amp;rsquo;alt&amp;eacute;rit&amp;eacute; en ville au XVIIIe si&amp;egrave;cle entre fractions qui composent la noblesse : entre l&amp;rsquo;alt&amp;eacute;rit&amp;eacute; de la noblesse de robe r&amp;eacute;sidant dans le Marais, et celle, souvent d&amp;rsquo;origine bourgeoise, des philosophes des Lumi&amp;egrave;res, les aristocrates d&amp;rsquo;&amp;eacute;p&amp;eacute;e et de finance r&amp;eacute;sidant dans l&amp;rsquo;Ouest parisien, se positionnent comme &amp;quot;modernes&amp;quot; et ouverts sur l&amp;rsquo;&amp;eacute;tranger.&lt;br /&gt;
&lt;br /&gt;
L&amp;rsquo;ethnologue S. Corbill&amp;eacute; s&amp;rsquo;int&amp;eacute;resse aux rencontres improbables provoqu&amp;eacute;es par la proximit&amp;eacute; entre anciens et nouveaux habitants, dans les 10e, 11e, 19e et 20e arrondissements de Paris deux si&amp;egrave;cles plus tard. Ces arrondissements &amp;quot;populaires&amp;quot; et &amp;quot;immigr&amp;eacute;s&amp;quot; sont modifi&amp;eacute;es, &amp;agrave; partir des ann&amp;eacute;es 1980, par la venue de citadins des &amp;quot;nouvelles couches moyennes et sup&amp;eacute;rieures&amp;quot; que les m&amp;eacute;dias ont identifi&amp;eacute; comme &amp;quot;bobos&amp;quot; (&amp;quot;bourgeois boh&amp;egrave;mes&amp;quot;). L&amp;rsquo;alt&amp;eacute;rit&amp;eacute; y est objet de discours fleuris, valorisant le fait de vivre &amp;agrave; proximit&amp;eacute; de citadins identifi&amp;eacute;s comme &amp;quot;autres&amp;quot;.&lt;br /&gt;
&lt;br /&gt;
Le sociologue Jean-Pierre Hassoun nous conduit en banlieue pour suivre le processus qui m&amp;egrave;ne un responsable de mairie &amp;agrave; identifier une industrie agro-alimentaire comme &amp;quot;ethnique&amp;quot;. Cette identification vise &amp;agrave; valoriser cette activit&amp;eacute; &amp;eacute;conomique comme &amp;quot;moderne&amp;quot;. Affleure une sorte de bonheur symbolique dans la mise en &amp;oelig;uvre d&amp;rsquo;une gestion ma&amp;icirc;tris&amp;eacute;e de l&amp;rsquo;alt&amp;eacute;rit&amp;eacute; qui doit finir par se fondre dans la norme &amp;eacute;conomique.&lt;br /&gt;
&lt;br /&gt;
Ces articles nous incitent &amp;agrave; nous demander quelles sont les conditions de possibilit&amp;eacute; pour qu&amp;rsquo;une alt&amp;eacute;rit&amp;eacute; soit construite comme r&amp;eacute;cit de modernit&amp;eacute; et que celui qui &amp;eacute;nonce ce r&amp;eacute;cit en retire un b&amp;eacute;n&amp;eacute;fice narcissique.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                  <text>Métropoles se veut le carrefour des travaux scientifiques issus de la plupart des disciplines en sciences sociales qui s’intéressent au fait urbain et métropolitain. Cette revue thématique souhaite présenter à la communauté académique internationale les travaux les plus significatifs et originaux issus soit des disciplines s’intéressant traditionnellement à la ville comme la géographie, la sociologie, la science politique ou l’économie, soit des disciplines qui interrogent le fait urbain depuis moins longtemps comme l’histoire  et le droit. Elle accueille les travaux produits au croisement des disciplines comme ceux de l’urbanisme, de l’aménagement ou du « planning ». Elle publie des articles en français et en anglais.</text>
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                <text>de Bercegol, Rémi</text>
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                <text>L’universalisation de l’accès à l’eau potable reste un défi majeur dans les villes du monde en développement. Face à l’ampleur de cet enjeu, toutes les initiatives techniques et institutionnelles tentant d’y répondre doivent être prises en compte. A travers l’analyse précise de « réseaux de groupes d’usagers » mis en place dans un quartier pauvre du Nord-Est de Mumbai, l’objet de cet article est de mettre en lumière la capacité des communautés locales à élaborer et gérer elles-mêmes des modes de desserte fonctionnels pour compenser les insuffisances du service public. On cherchera à questionner l’efficacité du rôle des usagers dans la régulation locale de ces « réseaux de groupes d’usagers » et les implications politico-territoriales de cette gestion. Ainsi, après avoir explicité les modalités d’émergence et de fonctionnement des dispositifs observés, leur description critique et leur évaluation technico-économique en seront faites afin d’en proposer d’éventuelles améliorations.Plus largement, cette réflexion s’inscrit dans un champ d’étude portant sur la diversité des modalités d’accès à l’eau urbaine et la légitimité des communautés locales à les prendre en charge. Elle vise à contribuer au débat sur la différenciation du service entre les habitants d’une même ville.  </text>
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                <text>Providing universal access to drinking water remains a formidable challenge in the cities of developing countries and all potential technical and institutional solutions need to be taken into account. By looking at the specific example of “user group networks” set up in a poor neighbourhood in the North-East of Mumbai, this article aims to highlight the ability of local communities to design and run functional systems that compensate for shortcomings in the public service. We will analyse the effective role that users play in regulating these groups at local level as well as the political-territorial implications of this type of management. After providing a clear overview of the systems that have emerged and their modus operandi, we will describe and assess them from a critical technical/economic perspective in order to suggest possible improvements.More generally, our research is part of a broader attempt to study the different ways of providing access to urban water and the legitimacy of local communities in taking the process in hand. We wish to contribute to the debate that focuses on providing a differentiated service to the inhabitants of the same city.  </text>
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                <text>Mumbai</text>
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                <text>slum</text>
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                <text>water service</text>
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                <text>bidonville</text>
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                <text>groupe d’usagers</text>
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                <text>service d’eau</text>
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            <description>A name given to the resource</description>
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                <text>Alternative au service public d’eau conventionnel : l’exemple des « réseaux de groupes d’usagers » d’un bidonville de Mumbai</text>
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                  <text>Archives ouvertes des études urbaines</text>
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                <text>Pumain, Denise</text>
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            <description>An account of the resource</description>
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                <text>The hierarchical differentiation of urban systems has been noticed for a long time and various explanations have been suggested. Among them: an intentional functional organisation for controlling a territory; the application of a spatial economic equilibrium principle; a “purely” random growth process; the statistical addition of Pareto-like elementary phenomena; self-organisation or co-evolution of competing subsystems, without constraint or under space-time optimisation principle. We review these explanations and related methods of analysis, trying to assess their relevance and exploring the possible similarities between urban dynamics and other types of hierarchical complex systems.</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00145933</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/14/59/33/PDF/hierarchy_dp.pdf</text>
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                <text>Hierarchy in natural and social sciences</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:GEO] Humanities and Social Sciences/Geography</text>
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                <text>urban systems</text>
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                <text>Zipf</text>
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                <text>Alternative explanations of hierarchical differentiation in urban systems</text>
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                  <text>Confins</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text/>
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            <name>Creator</name>
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              <elementText elementTextId="562384">
                <text>Veschambre, Vincent</text>
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                <text>Ripoll, Fabrice</text>
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                <text>Séchet, Raymonde</text>
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                <text>Aldhuy, Julien</text>
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                <text>2009-11-16</text>
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            <description>An account of the resource</description>
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                <text>L’objet de cette communication est de faire part de réflexions théoriques qui sont en cours au sein de la géographie sociale et plus largement d’interroger la place de la géographie dans les sciences sociales. Deux orientations fortes qui dessinent les principaux chantiers théoriques engagés en géographie sociale et qui peuvent plus largement concerner l’ensemble de la discipline peuvent être retenues. Premièrement, il est apparu la nécessité d’inscrire la géographie dans un mode de connaissance critique qui puisse intégrer les valeurs d’émancipation et de justice dans l’élaboration même des connaissances produites. Dans un second temps a été soulignée la contribution de la géographie sociale à l’inscription de la discipline dans les sciences sociales. Affirmer une telle orientation, c’est tout à la fois revendiquer l’importance et l’omniprésence de l’espace et s’engager dans une approche dimensionnelle de l’espace qui permette de dépasser la contradiction d’une science qui se voudrait sociale tout en prenant l’espace pour objet, afin d’affirmer son autonomie. Cela passe par une déconstruction des catégories spatiales en vigueur au sein de la discipline et par l’adoption de notions qui renvoient à la dimension spatiale des rapports sociaux. </text>
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                <text>The purpose of this article is to share theoretical ideas underway in the social geography and more broadly to examine the role of geography in the social sciences. Two major tendencies can be distinguished, related to the major theoretical tasks in social geography, both relevant across the discipline. First, it has been deemed necessary to include geography in a mode of critical knowledge able to integrate the values of empowerment and justice in the development of the knowledge produced. In a second step we highlight the contribution of geography to the social inclusion of the discipline in the social sciences. Confirming this, we claim simultaneously the importance and pervasiveness of space and engage in a dimensional approach to space beyond the contradiction of a science that would be social while taking up space intended, in order to assert its autonomy. This requires a deconstruction of spatial categories in force within the discipline and the adoption of concepts that refer to the spatial dimension of social relations. </text>
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                <text>O objeto deste artigo é compartilhar reflexões teóricas que estão em andamento no seio da geografia social e, mais amplamente, interrogar o lugar da geografia dentro das ciências sociais. Duas fortes orientações que delineiam os principais campos teóricos envolvidos na geografia social e que, sobretudo, abarcam o conjunto da disciplina, podem ser apreendidos. Primeiramente, surgiu a necessidade de inscrever a geografia num modo de conhecimento crítico que pudesse integrar os valores de emancipação e justiça na própria elaboração dos conhecimentos produzidos. Num segundo momento destacou-se a contribuição da geografia social para a inclusão da disciplina nas ciências sociais. Afirmar tal orientação é, ao mesmo tempo, reivindicar a importância e a onipresença do espaço e se envolver numa abordagem dimensional do espaço que permita superar a contradição de uma ciência que se quer social tomando o espaço por objeto, objetivando afirmar a sua autonomia. Isso requer uma desconstrução das categorias espaciais em vigor no seio da disciplina e na adoção de conceitos que se referem à dimensão espacial das relações sociais. </text>
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                <text>http://confins.revues.org/6229</text>
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                <text>geografia social</text>
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                <text>teoria crítica</text>
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                <text>Amanhã, a geografia social?</text>
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            <name>Coverage</name>
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                <text>Le Caire</text>
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                <text>Egypt</text>
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                <text>Volait, Mercedes</text>
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                <text>2000</text>
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                <text>Qu'elles aient été induites par une Egyptophilie déjà ancienne ou aient répondu au goût naissant pour les arts de "l'Orient", les monuments égyptiens de l'art arabe ont éveillé, au cours du XIXe siècle, toutes sortes de curiosités françaises. Les artistes voyageurs sont les premiers à s'y adonner : d'un bref passage au Caire en 1785, le dessinateur Louis-François Cassas ramène de saisissantes esquisses de Sultan Hasan (la "mosquée cathédrale du Caire") comme des portes de la ville, qui en sont à ce jour les plus anciennes représentations connues à avoir été "croquées sur le motif", plutôt que restituées de seconde main. L'entreprise de "mise en images" des richesses architecturales de l'Egypte médiévale était lancée; elle était appelée à connaître dans les décennies suivantes de notables développements, avec les prolongements éditoriaux que l'on sait, des prémices d'inventaire insérées dans la Description de l'Egypte aux panoramas proposés par Pascal Coste, puis par Emile Prisse d'Avennes, bientôt complétés par les répertoires d'ornements assemblés par Jules Bourgoin.&lt;br /&gt;Si l'on manque encore d'éléments pour en apprécier pleinement la circulation et la réception, ainsi que leurs répercussions culturelles, du moins peut-on penser qu'en révélant des manifestations artistiques méconnues, cette imagerie put contribuer à en faire reconnaître les qualités esthétiques et à élargir le cercle de leurs amateurs. Toujours est-il qu'au temps de la représentation figurée des monuments de l'art arabe égyptien, succède bientôt celui de la collection de leurs fragments. C'est en effet à partir des années 1870 que des résidents français du Caire entreprennent de constituer d'importantes collections d'art islamique, ainsi que l'enquête menée sur l'un d'entre eux, l'architecte Ambroise Baudry, a permis de le mettre en lumière et celles-ci ne paraissent pas avoir eu de véritable précédent. Enfin, et pour paradoxal que cela puisse apparaître aujourd'hui, certains de ces collectionneurs ne furent pas sans s'inquiéter du sort du patrimoine monumental et mobilier qui, en Egypte, avait leur préférence. Ils furent des protagonistes de premier plan de la campagne en faveur de la sauvegarde du patrimoine dit alors "arabe", qui devait aboutir à la création, par décret khédivial du 18 décembre 1881, du Comité de conservation des monuments de l'art arabe.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>La France et l'Egypte à l'époque des vice-rois (1805-1882)</text>
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                <text>La France et l'Egypte à l'époque des vice-rois (1805-1882)</text>
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                <text>La France et l'Egypte à l'époque des vice-rois (1805-1882)</text>
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            <description>The topic of the resource</description>
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                <text>[SHS:MUSEO] Humanities and Social Sciences/Cultural heritage and museology</text>
              </elementText>
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                <text>[SHS:ART] Humanities and Social Sciences/Art and art history</text>
              </elementText>
              <elementText elementTextId="501298">
                <text>collectionisme</text>
              </elementText>
              <elementText elementTextId="501299">
                <text>Le Caire</text>
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                <text>conservation</text>
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                <text>monuments historiques</text>
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                <text>art arabe</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Amateurs français et dynamique patrimoniale : aux origines du Comité de conservation des monuments de l'art arabe</text>
              </elementText>
            </elementTextContainer>
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                <text>scientific book chapter</text>
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              <description>An account of the resource</description>
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            <name>Coverage</name>
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                <text>Grenoble</text>
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                <text>Daro, Carlotta</text>
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            <name>Date</name>
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                <text>2011</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="476354">
                <text>Ambiance et environnement. Il est très courant aujourd'hui d'assister à une vaste et vague utilisation de ces deux termes. Par cette contribution, je vais essayer d'analyser quelques étapes importantes qui expliquent l'introduction, ou plutôt la théorisation de ces deux notions en architecture. Tout en révélant des différences sémantiques nettes, l'utilisation des termes " ambiance " et " environnement " caractérise une approche particulière spécifique à la période des années 1950 et 1960. Par la manière dont ces termes ont été utilisés et rapprochés au projet architectural, on évoque quelques repères fondateurs. Ces exemples s'appuient fondamentalement sur l'apport des nouvelles technologies capables de maîtriser les flux qui habitent la forme bâtie. L'ambiance et l'environnement rentrent dans le langage architectural associés à une conception technologiste de la modernité.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00836217</text>
              </elementText>
              <elementText elementTextId="476356">
                <text>http://halshs.archives-ouvertes.fr/docs/00/83/62/17/PDF/Ambiance2008_Daro.pdf</text>
              </elementText>
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          </element>
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            <description>A language of the resource</description>
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              <elementText elementTextId="476358">
                <text>Creating an atmosphere|Faire une ambiance</text>
              </elementText>
              <elementText elementTextId="476359">
                <text>1st International Congress on Ambiances, Grenoble 2008</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="476360">
                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
              </elementText>
              <elementText elementTextId="476361">
                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
              </elementText>
              <elementText elementTextId="476362">
                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
              </elementText>
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                <text>architecture</text>
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                <text>perception</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="476366">
                <text>Ambiance et environnement : quelques repères en architecture</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>conference proceeding</text>
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          <name>Dublin Core</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="644253">
                  <text>Archives ouvertes des études urbaines</text>
                </elementText>
              </elementTextContainer>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="644254">
                  <text>Collection of HAL papers</text>
                </elementText>
              </elementTextContainer>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                <elementText elementTextId="644255">
                  <text>HAL</text>
                </elementText>
              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="484540">
                <text>Montreal</text>
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                <text>Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="484542">
                <text>Bonnet, Aurore</text>
              </elementText>
            </elementTextContainer>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="484543">
                <text>2012</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="484544">
                <text>Public spaces that the pedestrian is found to browse last fifteen years tend all to a minimal materiality expression. While destabilizing, these areas are to be strong proposals for new public space and urban experience of passersby. How do we lose or do we take foot in such situations? Through the observation of walking rhythms in urban public space, we question the body movement as an expression of the meeting of passersby and its environment, and their joint update to opening a new space. Thus we ask the question of ambiances as a movement, or in other words, the question of the ambiance, not "already there", but which exists by the movement of bodies. We will try to present some elements to reflect on how passers take part in ambiances in which they will move and be moved.</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="484545">
                <text>http://halshs.archives-ouvertes.fr/halshs-00745870</text>
              </elementText>
              <elementText elementTextId="484546">
                <text>http://halshs.archives-ouvertes.fr/docs/00/74/58/70/PDF/ambiances2012_bonnet.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="484547">
                <text>FRE</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="484548">
                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
              </elementText>
              <elementText elementTextId="484549">
                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="484550">
                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
              </elementText>
              <elementText elementTextId="484551">
                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
              </elementText>
              <elementText elementTextId="484552">
                <text>walking rhythm</text>
              </elementText>
              <elementText elementTextId="484553">
                <text>bodies movement</text>
              </elementText>
              <elementText elementTextId="484554">
                <text>public space</text>
              </elementText>
              <elementText elementTextId="484555">
                <text>ambiances</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="484556">
                <text>Ambiance et mouvement des corps - Rythmes de marche dans l'espace public</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
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                <text>conference proceeding</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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      <elementSetContainer>
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          <name>Dublin Core</name>
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          <elementContainer>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Archives ouvertes des études urbaines</text>
                </elementText>
              </elementTextContainer>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>Collection of HAL papers</text>
                </elementText>
              </elementTextContainer>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>HAL</text>
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              </elementTextContainer>
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          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Grenoble</text>
              </elementText>
              <elementText elementTextId="475854">
                <text>France</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475855">
                <text>Simonnot, Nathalie</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475856">
                <text>2011</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475857">
                <text>L'analyse de quelques étapes significatives de l'évolution des qualités d'ambiance dans les musées français au XXe siècle permet de cerner le lien entre lieu de conservation et création d'un univers sensible. Les phénomènes d'ambiance sont partagés entre des contraintes climatiques fortes et l'originalité des propositions muséographiques censées faciliter la relation à l'œuvre. Des premières théories qui ont inauguré une tendance institutionnelle et muséographique radicalement moderne à partir des années trente aux musées-évènements symboles des pouvoirs politiques, on constatera une attention sans cesse accrue portée aux ambiances des espaces d'exposition et qui a progressivement contribué à l'ouverture des musées au grand public.</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="475858">
                <text>http://halshs.archives-ouvertes.fr/halshs-00833936</text>
              </elementText>
              <elementText elementTextId="475859">
                <text>http://halshs.archives-ouvertes.fr/docs/00/83/39/36/PDF/Ambiance2008_Simonnot.pdf</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475860">
                <text>FRE</text>
              </elementText>
            </elementTextContainer>
          </element>
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              <elementText elementTextId="475861">
                <text>Creating an atmosphere|Faire une ambiance</text>
              </elementText>
              <elementText elementTextId="475862">
                <text>1st International Congress on Ambiances, Grenoble 2008</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475863">
                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
              </elementText>
              <elementText elementTextId="475864">
                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
              </elementText>
              <elementText elementTextId="475865">
                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
              </elementText>
              <elementText elementTextId="475866">
                <text>architecture</text>
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          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="475869">
                <text>Ambiance et relation à l'œuvre - Perspective historique sur les musées français au XXe siècle</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <description>A name given to the resource</description>
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              <description>An account of the resource</description>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>HAL</text>
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    <elementSetContainer>
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        <elementContainer>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Montreal</text>
              </elementText>
              <elementText elementTextId="485338">
                <text>Canada</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="485339">
                <text>Monin, Éric</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2012</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The history of window display in France during the fifties and sixties tells us about the creation of strong relationships between this decorative art and theatre. Although decorations and classical principles of composition inherited from the old days did illustrate the very first statements of this art, window display designers also managed to settle visual ambiances in windows to tempt the modern public. Thanks to the clever use of paper, cardboard, metal and any kind of unexpected materials, including modern lighting, they created artificial environments enhancing consumer goods, and introducing dreamlands in the heart of the cities.</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>shop windows</text>
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                <text>Ambiance in vitro - Les pouvoirs de l'étalagiste</text>
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                <text>Dans cet article nous proposons de décrire l'ambiance d'un des plus vieux quartiers cosmopolites de Paris : la Goutte d'Or. Nous analyserons les ressorts de la vie publique qui s'est fixée dans cet espace malgré trente ans de politique de " rénovation urbaine ". Ce quartier fonctionne comme une centralité, un nœud de réseaux pour les mondes de l'immigration et la rue y est transformée en espace de sociabilité et d'activités économiques informelles. C'est à la fois un espace de ressourcement culturel et une scène " cosmo-politique " populaire, un univers pluraliste en tension. Nous étudierons les rassemblements spontanés qu'occasionne quotidiennement le spectacle de la rue, la dynamique de communication et de " concernement " générée par cette vie publique. Nous verrons que cette ambiance est une forge pluraliste où se focalisent des attentions, se décentrent des opinions, se redéfinissent des seuils, une forge où se cristallise une diversité de publics mutuellement concernés par ce qu'ils peuvent ou non partager.</text>
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                <text>[SHS:ANTHRO_SE] Humanities and Social Sciences/Social Anthropology and ethnology</text>
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                <text>Ambiance</text>
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                <text>informalité</text>
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                <text>Foule et publics</text>
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                <text>Ambiance pluraliste et socialisation urbaine : ethnographie de l'espace public du quartier de la Goutte d'Or à Paris</text>
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          <element elementId="38">
            <name>Coverage</name>
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                <text>Montpellier</text>
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                <text>France</text>
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                <text>Ben Hadj Salem, Mohsen</text>
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            <name>Date</name>
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                <text>2007-01</text>
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                <text>L'extension et la diffusion de l'urbain décrivent une société qui, dans le territoire, a considérablement accru la mobilité à toutes les échelles temporelles. Accompagnant cette accélération, références et modèles architecturaux se renouvellent à un rythme rapide. Par exemple, à la naissance d'un mode de transport nouveau correspond la création d'une typologie architecturale nouvelle&lt;br /&gt;Ce qui fonde la réalité du lieu, sa nature la plus enfouie c'est d'une part , la façon qu'il a, culturellement et historiquement de se sédimenter, de devenir archive et mémoire de la ville ; et d'autre part, la façon dont certains éléments sensibles se figent et se fixent dans l'imaginaire collectif.&lt;br /&gt;Les pratiques sociales fabriquent donc et transforment les ambiances architecturales. Celles-ci ne se réduisent pas à des données environnementales, elles sont des potentiels à développer. Il n'y a pas d'ambiance définitive et figée : une ambiance est en perpétuelle mutation.&lt;br /&gt;Il nous a semblé qu'un angle fécond d'approche pouvait être ainsi défini et méritait l'investigation : il s'agit de partir des caractéristiques d'ambiances pour faire évoluer et avancer la pensée projetante.&lt;br /&gt;Les gares sont d'étonnants révélateurs des mythes et réalités de l'épopée des temps modernes. Il est d'innombrables façons d'appréhender les gares et c'est bien là une des preuves de leur remarquable pouvoir de suggestion. Pour les cerner de plus près nous avons choisi de les envisager sous différents aspects : architecture et urbanisme, technologie et décorum, art et culture populaire, poétique et imaginaire. Par ce jeu de complémentarités, nous espérons susciter un regard neuf sur les gares et sur notre environnement quotidien. A travers cette mise en scène du progrès que stigmatise la gare, notre propos n'est pas d'entretenir un quelconque passéisme pas plus qu'une confiance béate dans le futur, mais de confronter le plus objectivement possible les effets induits par un système existant depuis un siècle et demi afin de permettre à chacun de mieux apprécier la nature des évolutions suivies, de mieux comparer les divers termes d'une histoire qui, parfois, s'est déjà réfugiée dans l'univers des mythes et des fantasmes. &lt;br /&gt;Les gares travaillent leur passé, elles sont prises comme le lieu expérimental le plus approprié pour traiter de façon précise des questions des transformations répétées. Notre exploration concerne globalement les apports et limites d'une problématique des ambiances dans la définition et la conception des transformations de l'existant. Cette sédimentation sensible nous conduit, d'un point de vue méthodologique, à passer par la restitution de ces différentes couches d'ambiances. &lt;br /&gt;Comme point de départ de notre balayage bibliographique, nous nous sommes donc appuyés sur les pratiques du voyage qui étaient fortement inscrits dans un imaginaire collectif. Les récits et les témoignages qui y réfèrent se révèlent être des indicateurs très précieux sur les environnements sensibles des gares traversées. &lt;br /&gt;Précédemment, nous évoquions la nécessité de comprendre les mécanismes de mutation sensible d'un lieu. &lt;br /&gt;L'idée de construire un corpus de références sensibles à travers l'histoire, la littérature, les récits de voyage et les expériences ou les rêveries personnelles est une tentative intéressante qui illustre bien à la fois la relation singulière de l'homme à l'univers ferroviaire et la nécessité d'utiliser des cheminements intellectuels très différents pour aborder un tel sujet.&lt;br /&gt;L'exemple qui sera présenté pour argumenter ces réflexions est celui de la gare Saint-Lazare à Paris. C'est la gare de chemins de fer la plus ancienne de France, et celle qui a subi le plus de réaménagements (plus d'une dizaine depuis sa construction en 1837).</text>
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                <text>http://halshs.archives-ouvertes.fr/halshs-00353003</text>
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                <text>http://halshs.archives-ouvertes.fr/docs/00/35/30/03/PDF/Ben_hadj_salem_imaginaire_ferroviaire.pdf</text>
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                <text>FRE</text>
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            <name>Source</name>
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                <text>Imaginaire, territoires, sociétés&lt;br /&gt;Contribution à un déploiement transdisciplinaire de la géographie sociale</text>
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                <text>Ecole d'été de géographie sociale</text>
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                <text>[SHS:GEO] Humanities and Social Sciences/Geography</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>ambiance</text>
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                <text>chemin de fer</text>
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                <text>existant</text>
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                <text>gare</text>
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                <text>Ambiance(s) de gare, imaginaire ferroviaire, mémoire des lieux</text>
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                  <text>Crévilles</text>
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                <text>Ambiance(s). Ville, architecture, paysages</text>
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                <text>ambiances, architecture, paysage</text>
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Automne 2007

</text>
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Minist&amp;egrave;re de la Culture

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                <text>http://www.culture.gouv.fr/culture/editions/r-cr_113.htm</text>
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</text>
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              <elementText elementTextId="334195">
                <text>&lt;strong&gt;Pr&amp;eacute;sentation de l'&amp;eacute;diteur :&lt;/strong&gt;&lt;br /&gt;
&lt;br /&gt;
Qu&amp;rsquo;est-ce qu&amp;rsquo;une ambiance ?&lt;br /&gt;
&lt;br /&gt;
Nous sommes tous sensibles &amp;agrave; la perception imm&amp;eacute;diate d&amp;rsquo;un lieu, parfois &amp;quot;saisis&amp;quot; par son ambiance : lumi&amp;egrave;res, sons, mati&amp;egrave;res, flux, pr&amp;eacute;sences, &amp;eacute;chelle, volumes&amp;hellip; nous partageons ces exp&amp;eacute;riences sensibles sans difficult&amp;eacute;, et pourtant la notion d&amp;rsquo;ambiance &amp;eacute;chappe &amp;agrave; toute d&amp;eacute;finition formelle. &lt;br /&gt;
&lt;br /&gt;
Depuis plus de 15 ans, la recherche architecturale et urbaine s&amp;rsquo;int&amp;eacute;resse aux ambiances, domaine aujourd&amp;rsquo;hui en plein essor interdisciplinaire et international.&lt;br /&gt;
&lt;br /&gt;
Car &amp;quot;faire une ambiance&amp;quot;, n&amp;rsquo;est-ce pas une finalit&amp;eacute; pour tout projet architectural et nombre de projets culturels ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Revue</text>
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Anne Laporte et Nicolas Tixier (dir.)</text>
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2007

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Minist&amp;egrave;re de la Culture

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8-39</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Qu&amp;rsquo;est-ce qu&amp;rsquo;une ambiance ? Nous sommes tous sensibles &amp;agrave; la perception imm&amp;eacute;diate d&amp;rsquo;un lieu, parfois &amp;laquo; saisis &amp;raquo; par son ambiance : lumi&amp;egrave;res, sons, mati&amp;egrave;res, flux, pr&amp;eacute;sences, &amp;eacute;chelle, volumes... nous partageons ces exp&amp;eacute;riences sensibles sans difficult&amp;eacute;, et pourtant la notion d&amp;rsquo;ambiance &amp;eacute;chappe &amp;agrave; toute d&amp;eacute;finition formelle. Depuis plus de 15 ans, la recherche architecturale et urbaine s&amp;rsquo;int&amp;eacute;resse aux ambiances, domaine aujourd&amp;rsquo;hui en plein essor interdisciplinaire et international. Car &amp;laquo; faire une ambiance &amp;raquo;, n&amp;rsquo;est-ce pas une finalit&amp;eacute; pour tout projet architectural et nombre de projets culturels ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire du n&amp;deg; 113 de Culture et Recherche :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
L&amp;rsquo;usage des ambiances, Nicolas Tixier&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;La physique des ambiances&lt;/b&gt;&lt;br /&gt;
Mod&amp;eacute;lisation, simulation d&amp;rsquo;&amp;eacute;clairage et conception de projets lumi&amp;egrave;re, Didier Bur&lt;br /&gt;
Le r&amp;ocirc;le climatique de la v&amp;eacute;g&amp;eacute;tation urbaine, Marjorie Musy&lt;br /&gt;
Le s&amp;eacute;minaire &amp;laquo; Recherche architecturale et ma&amp;icirc;trise &amp;eacute;nerg&amp;eacute;tique &amp;raquo;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;La conception des ambiances&lt;/b&gt;&lt;br /&gt;
Concepteurs sonores et concepteurs lumi&amp;egrave;re. Figures professionnelles &amp;eacute;mergentes, Sandra Fiori, C&amp;eacute;cile Regnault&lt;br /&gt;
50 lux et pas dans le noir ! Sylvie Grange, Marie Petit&lt;br /&gt;
Entretien avec Guy-Claude Fran&amp;ccedil;ois, sc&amp;eacute;nographe&lt;br /&gt;
Peut-on cr&amp;eacute;er des ambiances sonores durables ? Roland Cahen&lt;br /&gt;
Design d&amp;rsquo;espaces sonores : quelques exemples, Roland Cahen&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Le v&amp;eacute;cu des ambiances&lt;/b&gt;&lt;br /&gt;
L&amp;rsquo;ambiance, chemin faisant. Vers une perspective internationale, Jean-Paul Thibaud&lt;br /&gt;
Enjeux sociologiques et conception d&amp;rsquo;ambiance. Les espaces de la mort &amp;agrave; l&amp;rsquo;h&amp;ocirc;pital, Isabelle Genyk&lt;br /&gt;
Partitions urbaines, Pierre Mayol&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Perspectives&lt;/b&gt;&lt;br /&gt;
Sens, sensible aux premiers temps de Clairvaux, Jean-Pierre P&amp;eacute;neau&lt;br /&gt;
Faire une ambiance. Un colloque international en 2008, Jean-Fran&amp;ccedil;ois Augoyard&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Considering the "orders of simulacrum" (Baudrillard, 1991), the crisis that affects our sensorial experience and taking into consideration what type of student (architect by training) we want to train and develop nowadays, this article lends itself to present a didactic experience in two schools of architecture in Brazil. Our goal is to present some responses revealed by the role of kinesthetic (movement) and synesthesia (sense) in the understanding of the world and different relationships that come about with the operation of body experience in the "measurement" of a design product. We concluded that no visible approach, bet it immediate or not, can substitute the relations of body movement, and more, that experience is the basis for the work of interpreting all built worlds, which in turn produce differentiated energetic atmospheres.</text>
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                <text>Ambiances in action. Proceedings of the 2nd International Congress on Ambiances / Ambiances en acte(s). Actes du 2nd Congrès International sur les Ambiances</text>
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                <text>Ambiances in action / Ambiances en acte(s) - International Congress on Ambiances, Montreal 2012</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>Ambiances kinesthésiques et synesthésiques - Expérience d'un atelier de projet dans deux Écoles d'architecture au Brésil</text>
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                <text>La communication qui s'appuie notamment sur des traversées menées depuis 1997 dans une centaine d'agglomérations européennes , aborde la question des ambiances urbaines côté nuit. Les parcours nocturnes d'une marge à l'autre de nos métropoles permettent d'éprouver la ville à la vitesse du pas. Ils autorisent une première relecture de la nuit urbaine, de ses contrastes ou opportunités et mettent notamment en évidence les différences de perception entre individus, les disparités centre-périphérie, les barrières qui s'opposent aux déplacements et les limites entre quartiers. Après une première analyse des conditions d'existence d'une ambiance, l'accent est mis sur l'intérêt de ces approches sensibles et participatives dans les processus de production de la ville et de ses quartiers. Elle interroge les " ambiances en mouvement " dans une société de la mobilité. Enfin, le géographe plaide pour des villes plus accessibles, conviviales et hospitalières et propose un " urbanisme nocturne " et une nouvelle " ergonomie des espaces publics ". Assurément : la nuit a beaucoup de choses à dire au jour.</text>
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                <text>Creating an atmosphere|Faire une ambiance</text>
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                <text>1st International Congress on Ambiances, Grenoble 2008</text>
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                <text>[SHS:ARCHI] Humanities and Social Sciences/Architecture, space management</text>
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                <text>[SHS:SOCIO] Humanities and Social Sciences/Sociology</text>
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                <text>[SHS:PHIL] Humanities and Social Sciences/Philosophy</text>
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                <text>Ambiances nocturnes des villes : Premières relectures en mouvement</text>
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                <text>La communication qui s'appuie notamment sur des traversées menées depuis 1990 dans une centaine d'agglomérations européennes1, aborde la question des ambiances urbaines côté nuit. Les parcours nocturnes d'une marge à l'autre de nos métropoles permettent d'éprouver la ville à la vitesse du pas. Ils autorisent une première relecture de la nuit urbaine, de ses contrastes ou opportunités et mettent notamment en évidence les différences de perception entre individus, les disparités centre-périphérie, les barrières qui s'opposent aux déplacements et les limites entre quartiers. Après une première analyse des conditions d'existence d'une ambiance, l'accent est mis sur l'intérêt de ces approches sensibles et participatives dans les processus de production de la ville et de ses quartiers. Elle interroge les " ambiances en mouvement " dans une société de la mobilité. Enfin, le géographe plaide pour des villes plus accessibles, conviviales et hospitalières et propose un " urbanisme nocturne " et une nouvelle " ergonomie des espaces publics ". Assurément : la nuit a beaucoup de choses à dire au jour.</text>
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                <text>[SHS:GEO] Humanities and Social Sciences/Geography</text>
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                <text>Ambiances</text>
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                <text>Ambiances nocturnes des villes. Premières relectures en mouvement</text>
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