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                <text>&lt;div&gt;Sous la direction de Christophe MAGER (&amp;eacute;d.), Laurent MATTHEY (&amp;eacute;d.) et David GAILLARD (co-&amp;eacute;d.)&lt;br /&gt;
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&lt;b&gt;Sommaire :&lt;/b&gt;&lt;br /&gt;
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&amp;bull; Entre fragmentation et ordre urbain : une g&amp;eacute;ographie politique des espaces de l&amp;rsquo;entre-soi - Christophe Mager et Laurent Matthey&lt;br /&gt;
&amp;bull; Ensembles r&amp;eacute;sidentiels ferm&amp;eacute;s en France et mont&amp;eacute;e d&amp;rsquo;un ordre s&amp;eacute;curitaire - Fran&amp;ccedil;ois Mador&amp;eacute;&lt;br /&gt;
&amp;bull; Auto-s&amp;eacute;gr&amp;eacute;gation r&amp;eacute;sidentielle et ordre urbain chez les classes moyenne et sup&amp;eacute;rieure &amp;agrave; Mexico : une question d&amp;rsquo;&amp;eacute;chelle ?  - Gu&amp;eacute;nola Capron&lt;br /&gt;
&amp;bull; La quintessence d&amp;rsquo;une ville priv&amp;eacute;e. Le cas de Nordelta dans la municipalit&amp;eacute; de Tigre, Buenos Aires  - Viviana Riwilis&lt;br /&gt;
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&amp;bull; Emergence of gated communities in Russia: Causes and consequences - Maria Zotova&lt;br /&gt;
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Gareth Millington

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Macmillan

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Adopting a perspective inspired by Henri Lefebvre, this book considers the spread of multiculture from the central city to the periphery and considers the role that 'race' continues to play in structuring the metropolis, taking London, New York and Paris as examples.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Gareth Millington &lt;/b&gt;is Senior Lecturer in the Department of Social Sciences at Roehampton University.&lt;/div&gt;
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                <text>"Dear, dirty Dublin" : A city in distress, 1899 - 1916</text>
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Joseph V. O'Brien

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1982

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University of California Press

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                <text>&lt;b&gt;Extract from the preface : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Only a few cities evoke those clear images that feed the mind and imagination of successive generations or represent for posterity the spirit of an age : Johnson's London, Louis Napoleon's Paris, Brecht's Berlin. And so also the Dublin of Yeats and Joyce. This &amp;quot;literary&amp;quot; Dublin has long fascinated specialist and student alike. And little wonder, for ever since the creative genius of her most famous son reincarnated the wandering Ulysses in the person of a Dublin Jew, the city on the Liffey has become a &amp;quot;world city&amp;quot; - a world city of the literary imagination. There is another Dublin, again a Dublin of Yeats and Joyce, but one that evokes harsher images and nurtures little of the interest reserved for the milieu of dramatist and poet. This, the nether world of tenement and slum, of the poor and unemployed, is in large part the subject of this study.&lt;/div&gt;
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&lt;b&gt;Joseph V. O'Brien &lt;/b&gt;is a Professor in the Department of History at John Jay College of Criminal Justice, New York.&lt;/div&gt;
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                <text>, paysage urbain, littérature, film, photographie, espace urbain, santé, Africa, Afrique, O'Shaughnessy Emma Vivian</text>
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2009

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University of Cape Town Centre for African Studies

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                <text>&lt;b&gt;From the editorial by Emma Vivian O'Shaughnessy : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
We hope that this edition of postamble presents avenues through which readers can imagine a different type of urban language, one that accommodates the differences between all the world&amp;rsquo;s cities and one that has the capacity to deconstruct or dismantle the bifurcations traditionally established within the discourse of &amp;lsquo;the west&amp;rsquo; and &amp;lsquo;the rest.&amp;rsquo; This language must enable us to access and understand African cities, in all their manifestations. We do not seek to dismiss the harsh realities of most of Africa&amp;rsquo;s urban centres, the suffering of many of its peoples, nor the ways in which the distribution of power and wealth in African cities and states reflects the dominant world order. However, what we do seek to do here is to prompt an engagement with African urban discourse, to portray the routes that many have taken as they try to assess and redefine the potentials, as well as the pitfalls, of the African urban landscape. At the same time, we hope to contribute to this moment in urban history, where a new form of urban discourse and a powerful response to established world orders is emerging from spaces like Africa.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
(Re)reading the African urban landscape - Emma Vivian O'Shaughnessy&lt;/div&gt;
African urban discourse : Invisible and reflexive practice in African cities - Emma Vivian O'Shaughnessy&lt;/div&gt;
Walking the city : Movement and space in Peter Abrahams' 'Mine Boy' - Megan Jones&lt;/div&gt;
Recreating the African city in Zakes Mda's Ways of Dying - Megan Cole Paustian&lt;/div&gt;
'Diseased dystopias'? HIV/AIDS and the South African city in 'Yesterday' and 'Tsotsi' - Rebecca Hodes&lt;/div&gt;
Crisis averted - Clare Butcher&lt;/div&gt;
Twin town - Svea Josephy&lt;/div&gt;
Soft city - Emma O'Shaughnessy&lt;/div&gt;
Book reviews&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Emma O'Shaughnessy &lt;/b&gt;is a graduate student in English language and literature at the University of Cape Town.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Mars 2009

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Le Moniteur

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&amp;nbsp;&lt;/div&gt;
Tout comprendre sur l&amp;rsquo;&amp;eacute;volution de l&amp;rsquo;immeuble d&amp;rsquo;habitation.&lt;/div&gt;
&lt;br /&gt;
Avec l&amp;rsquo;accroissement rapide de la population urbaine au tournant du XXe si&amp;egrave;cle appara&amp;icirc;t un nouveau type d&amp;rsquo;habitat collectif, le grand ensemble d&amp;rsquo;habitation. Pour les architectes, c&amp;rsquo;est un nouveau domaine d&amp;rsquo;activit&amp;eacute; dont l&amp;rsquo;importance n&amp;rsquo;a, depuis, jamais cess&amp;eacute; de s&amp;rsquo;affirmer.&lt;/div&gt;
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Loger les citadins, particuli&amp;egrave;rement dans les grandes villes, est en effet un enjeu de taille qui ne manque pas de soulever maintes interrogations : comment multiplier les habitations sur un parcellaire limit&amp;eacute; ? Organiser le collectif en pr&amp;eacute;servant l&amp;rsquo;intimit&amp;eacute; des r&amp;eacute;sidents ? Privil&amp;eacute;gier la qualit&amp;eacute; de la construction et des services &amp;agrave; moindre co&amp;ucirc;t ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Nombreux sont les architectes &amp;agrave; avoir apport&amp;eacute; des r&amp;eacute;ponses innovantes &amp;agrave; ces questions, chacun &amp;agrave; sa mani&amp;egrave;re, en fonction de l&amp;rsquo;&amp;eacute;poque et des circonstances. Les progr&amp;egrave;s techniques, particuli&amp;egrave;rement sensibles au si&amp;egrave;cle dernier &amp;ndash; le d&amp;eacute;veloppement du b&amp;eacute;ton ou des structures m&amp;eacute;talliques par exemple &amp;ndash;, ont permis de faire &amp;eacute;voluer la forme et la qualit&amp;eacute; des constructions de mani&amp;egrave;re spectaculaire.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
On trouvera dans cet ouvrage presque cent projets de logements collectifs de r&amp;eacute;f&amp;eacute;rence, con&amp;ccedil;us par les architectes les plus c&amp;eacute;l&amp;egrave;bres. Chaque b&amp;acirc;timent est replac&amp;eacute; dans son contexte historique, d&amp;eacute;crit dans ses caract&amp;eacute;ristiques techniques et conceptuelles et illustr&amp;eacute; de photographies et de dessins &amp;ndash; plans d&amp;rsquo;appartements, d&amp;rsquo;&amp;eacute;tages, coupes et &amp;eacute;l&amp;eacute;vations. Un CD regroupant tous ces dessins fait de ce livre une ressource pr&amp;eacute;cieuse pour les architectes et les &amp;eacute;tudiants.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Hilary French&lt;/b&gt;, Architecte et historienne de l&amp;rsquo;architecture, dirige l&amp;rsquo;&amp;eacute;cole d&amp;rsquo;architecture et de design du Royal College de Londres. Elle est notamment l&amp;rsquo;auteur de Accomodating Change : Innovation in Housing (2002) et New Urban Housing (2006).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Marie d'Hombres et Blandine Scherer</text>
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Ref2c

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Situ&amp;eacute; &amp;agrave; proximit&amp;eacute; du centre-ville de Marseille, le parc Bellevue a &amp;eacute;t&amp;eacute; construit en 1957 dans une logique de progr&amp;egrave;s social et de modernisation de l&amp;rsquo;habitat urbain. Les ann&amp;eacute;es passent, les populations se  succ&amp;eacute;dent et la copropri&amp;eacute;t&amp;eacute; devient synonyme de ghetto et d&amp;rsquo;exclusion. Au cours des ann&amp;eacute;es 1990, ce vaste ensemble d&amp;rsquo;immeubles accueillant alors pr&amp;egrave;s de 5000 habitants  est qualifi&amp;eacute; de cit&amp;eacute; la plus insalubre d&amp;rsquo;Europe, plaque tournante de tous les trafics dans la ville phoc&amp;eacute;enne. Un plan de sauvegarde est lanc&amp;eacute; et les r&amp;eacute;habilitations se succ&amp;egrave;dent ; le 143 change de visage mais sa r&amp;eacute;putation demeure. Pourtant, l&amp;rsquo;&amp;eacute;volution du parc Bellevue ne se r&amp;eacute;sume pas &amp;agrave; une succession de faits-divers  ayant d&amp;eacute;fray&amp;eacute; la chronique et illustrant le mal-&amp;ecirc;tre des grands ensembles. Si l&amp;rsquo;on prend la peine de sonder les murs et d&amp;rsquo;&amp;eacute;couter les gens, c&amp;rsquo;est une histoire dense et captivante qui se d&amp;eacute;voile.&lt;br /&gt;
&lt;br /&gt;
&amp;Agrave; l&amp;rsquo;issue d&amp;rsquo;un travail d&amp;rsquo;enqu&amp;ecirc;te men&amp;eacute; sur le terrain pendant plusieurs mois, Marie d&amp;rsquo;Hombres et Blandine Scherer nous livrent un r&amp;eacute;cit singulier et exemplaire qui permet de d&amp;eacute;passer les clich&amp;eacute;s, d&amp;rsquo;aborder les questions de l&amp;rsquo;habitat populaire et de la r&amp;eacute;habilitation urbaine dans leur complexit&amp;eacute;.&lt;/div&gt;
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Michel Biard</text>
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Lemme edit

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Dans l'&amp;eacute;t&amp;eacute; 1793, la seconde ville fran&amp;ccedil;aise a &amp;eacute;t&amp;eacute; d&amp;eacute;clar&amp;eacute;e en &amp;eacute;tat de &amp;quot;r&amp;eacute;bellion&amp;quot; par la Convention nationale, assi&amp;eacute;g&amp;eacute;e et bombard&amp;eacute;e, avant de c&amp;eacute;der en octobre.&lt;/div&gt;
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L'histoire du si&amp;egrave;ge a suscit&amp;eacute; une historiographie souvent partisane, mais aussi un martyrologe entretenu deux si&amp;egrave;cles durant.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Les raisons et le d&amp;eacute;roulement de la r&amp;eacute;volte lyonnaise ont &amp;eacute;galement fait na&amp;icirc;tre des controverses durables.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
220 ans apr&amp;egrave;s les faits, ce livre entend proposer une synth&amp;egrave;se claire et d&amp;eacute;passionn&amp;eacute;e d'un moment tragique de la R&amp;eacute;volution.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;/div&gt;
- Un double jeu de miroirs d&amp;eacute;formants&lt;br /&gt;
- Un si&amp;egrave;ge en bonne et due forme&lt;br /&gt;
- &amp;quot;Lyon fit la guerre &amp;agrave; la Libert&amp;eacute; ; Lyon n'est plus.&amp;quot;&lt;/div&gt;
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Colette Drogoz et G&amp;eacute;rard Leidet</text>
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28 mars 2013

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Syllepse

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&amp;nbsp;&lt;/div&gt;
Apr&amp;egrave;s avoir abord&amp;eacute; la Commune de Marseille proprement dite, l'ouvrage regarde l'&amp;eacute;v&amp;eacute;nement &amp;quot;au miroir m&amp;eacute;ridional&amp;quot;. Roger Vignaud &amp;eacute;voque les phases principales du mouvement insurrectionnel apr&amp;egrave;s en avoir rappel&amp;eacute; les causes et dresse le &amp;laquo; portrait type &amp;raquo; du communard marseillais.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Des notices biographiques jalonnent le livre &amp;agrave; travers de nombreux encadr&amp;eacute;s ; Elles sont autant de mani&amp;egrave;res de replonger au plus pr&amp;egrave;s de ce moment de l'histoire du mouvement ouvrier du Midi. Jean-Louis Robert part &amp;agrave; la recherche des communards d'origine proven&amp;ccedil;ale ayant particip&amp;eacute; &amp;agrave; la Commune de Paris sans oublier les communards parisiens venus participer &amp;agrave; celle de Marseille.&lt;br /&gt;
&lt;br /&gt;
Notablement, le livre rappelle que l'&amp;eacute;v&amp;eacute;nement de 1870-1871 est ins&amp;eacute;parable d'une langue, l'occitan. En effet, &amp;agrave; Marseille et dans la r&amp;eacute;gion, les acteurs de l'insurrection et les classes populaires utilisent cette langue dans leur vie quotidienne. Glaudi Barsotti rappelle les fonctions de l'oralit&amp;eacute; (d&amp;eacute;bats, discussions) et de la chanson populaire et ressuscite deux r&amp;eacute;cits portant t&amp;eacute;moignage de l'ex&amp;eacute;cution de Gaston Cr&amp;eacute;mieux &amp;agrave; Marseille. Ces textes sont reproduits dans leur double version, en occitan et dans leur traduction fran&amp;ccedil;aise. &lt;br /&gt;
&lt;br /&gt;
On (re)lira aussi l'article que l'&amp;eacute;crivain Jean-Claude Izzo a consacr&amp;eacute; en 1971 &amp;agrave; l'&amp;eacute;v&amp;egrave;nement dans le journal La Marseillaise. Robert Mencherini, historien du mouvement ouvrier proven&amp;ccedil;al du 20e si&amp;egrave;cle met en perspective quelques &amp;quot;similitudes&amp;quot; d'un si&amp;egrave;cle &amp;agrave; l'autre et propose &amp;agrave; notre r&amp;eacute;flexion, pour ce qui est de la Provence, l'ancienne et r&amp;eacute;currente question pos&amp;eacute;e &amp;agrave; la Commune : &amp;quot;cr&amp;eacute;puscule&amp;quot; des r&amp;eacute;volutions du 19e si&amp;egrave;cle ou &amp;quot;aurore d'une seconde onde r&amp;eacute;volutionnaire&amp;quot;, celle du 20e si&amp;egrave;cle ? &lt;br /&gt;
&lt;br /&gt;
Jacques Rougerie, l'&amp;eacute;minent historien de la Commune conclut l'ouvrage avec ses &amp;quot;r&amp;eacute;flexions autour du communalisme marseillais&amp;quot; qui permettent au lecteur de saisir la place des acteurs des mouvements marseillais (1re Internationale, Garde nationale, etc.) et les enjeux au sein du &amp;quot;parti&amp;quot; r&amp;eacute;publicain.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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L'Ile-de-France poss&amp;egrave;de de nombreux ensembles de logements, construits pendant les Trente Glorieuses gr&amp;acirc;ce &amp;agrave; l'imagination et au savoir-faire des architectes de l'&amp;eacute;poque.&lt;br /&gt;
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Carole Sterl&amp;eacute;, journaliste, a r&amp;eacute;alis&amp;eacute; des interviews et Farid Boudjellal, sc&amp;eacute;nariste-dessinateur, a propos&amp;eacute; des dessins qui viennent rajouter une touche d'humour.&lt;/div&gt;
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International committee of historical sciences (ICHS)

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The International Congress of Historical Sciences takes place every five years. This Congress provides an ideal venue for extensive reports, papers, debates, exchanges, and meetings reflecting historical research in action. It is the meeting place for the global community of historians.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;List of relevant papers : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Prof. Francesca Bocchi - Innovation and Improvement in Infrastructures and Services as a Cultural Product of Italian Medieval Cities&lt;br /&gt;
Prof. Dr. Jin-Sung Chun - Prussian Classicism as postcolonial lieux de m&amp;eacute;moire: A transnational perspective on the Korean metropolis Seoul &lt;br /&gt;
Dr. Maria Pia Donato &amp;amp; Prof. Marina Formica - M&amp;eacute;tamorphoses d&amp;rsquo;une ville-t&amp;eacute;moin : la (re)cr&amp;eacute;ation de Rome &amp;agrave; l&amp;rsquo;&amp;eacute;poque moderne &lt;br /&gt;
Dr. Adri&amp;aacute;n Gorelik - The idea of &amp;quot;Latin American City&amp;quot;  &lt;br /&gt;
Prof. Dr. Catherine Horel - Le multiculturalisme dans les villes de l'empire des Habsbourg autour de 1900   &lt;br /&gt;
Dr. Luda Klusakova - History and Cultural Heritage - Transfers Between Urban and Rural Culture (European experience) &lt;br /&gt;
Dr. Marjaana Niemi - Urban cultural diversity and the quest for national unity: Helsinki and Dublin in the 1920s and 1930s&lt;br /&gt;
Prof. Dr. Lars Nilsson - From an industrial to a post-industrial urban culture &lt;br /&gt;
Prof. Dr. Ferdinand Opll - Urban Culture &amp;ndash; Cultural City: A case-study with regard to Vienna&lt;br /&gt;
Mr. Olusoji Oyeranmi - Globalization, Migration and City Development in Nigeria, Ibadan Example&lt;br /&gt;
Dr. Katia Pizzi - The City as Cultural Laboratory: Trieste 1918-1954&lt;/div&gt;
Prof. Yvan Combeau - Paris in French political historiography&lt;/div&gt;
Lauren&amp;#355;iu R&amp;#259;dvan - Town streets in the Romanian principalities&lt;/div&gt;
Marco Mostert - Medieval urban literacy&lt;/div&gt;
Carlos L&amp;oacute;pez Galviz - Metropolitan communications and the experience of urban form : London, Paris and the city railway&lt;/div&gt;
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7 d&amp;eacute;cembre 2012
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Lacurne

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Souvenirs et portraits de la haute soci&amp;eacute;t&amp;eacute; parisienne et cosmopolite de la Belle &amp;eacute;poque &amp;agrave; la Seconde guerre mondiale.&lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
Important index, enti&amp;egrave;rement revu, de plus de 1 000 noms de la soci&amp;eacute;t&amp;eacute; mondaine, litt&amp;eacute;raire et artistique.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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University of Tartu
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The 3rd International Workshop on Post-communist Urban Geographies. Actors Shaping Urban Change carries on the tradition established by two earlier workshops held in Lund (2005) and Stockholm-Tallinn (2007) with the aim (1) to draw together scholars interested in post-communist cities in order to discuss leading edge urban research in the region, and (2) to experience post-socialist urban change first hand through conference excursions.&lt;/div&gt;
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G&amp;aacute;bor Heged&amp;#369;s - The social geographical study of gated communities in most populous Hungarian cities outside Budapest agglomeration&lt;/div&gt;
Albrecht Kauffmann - Migration movements within the Russian Federation and changes in the distribution of its urban population&lt;/div&gt;
Michael Gentile, Sara Ferlander and Ilkka Henrik M&amp;auml;kinen - Experiences from carrying out a large survey in a small city : The Stakhanov health interview survey 2009&lt;/div&gt;
Anneli K&amp;auml;hrik and Kadri Leetmaa - Residential preferences towards suburban living in post-socialist metropolies&lt;/div&gt;
Oleg Golubchikov and Nicholas Phelps - Post-socialist post-suburbia? Growth machine and the emergence of 'edge city' in the metropolitan context of Moscow&lt;/div&gt;
Kadri Leetma, Kristi Anniste and Isolde Brade - Hidden new residential areas in the Tallinn metropolitan area : Soviet summer home settlements in residential suburbanisation&lt;/div&gt;
Liviu Chelcea - Gentrification as primitive accumulation : Property rights, the market and the State in a postsocialist city during the 1990s&lt;/div&gt;
Natalia Onyshchenko and Anastasia Ryabchuk - Marginalization of working class in post-soviet urban space : The case of Bilshovyk plant and shopping cenre&lt;/div&gt;
Tuari Tuvikene - From socialist city to capitalist city? The persistence of socialist places : The case of garage areas&lt;/div&gt;
Dominik Weiss - Keeping the bubble alive? The effects of urban renewal and demolition subsidies in the East German housing market&lt;/div&gt;
Panait Laura Ioana - Art and public space in Romania after 1989 : Screaming loud for re-conquering the city?&lt;/div&gt;
Anna-Liisa Unt - Design by use : The transformation of Tallinn culture and sports arena Linnahall and its surroundings&lt;/div&gt;
Nadir Kinossian - Local politics and development choices in the city of Kazan, Russia&lt;/div&gt;
Joseph Salukvadze and David Gogishvili - On the geography and typology of building construction in Tbilisi : Before and after the crisis&lt;/div&gt;
Elena Trubina - Hosting international events in a time of global crisis : Place-making and recentralization&lt;/div&gt;
Lajos Boros - Growth coalitions in post-socialist urban development - the case of Hungary&lt;/div&gt;
Ionela Iacob - Goth subculture in contemporary Romania&lt;/div&gt;
Maria Prieto - Everyday Sarajevo : Reassembling public housing and collective memory&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Certu

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&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Pour la septi&amp;egrave;me ann&amp;eacute;e cons&amp;eacute;cutive, le Certu, la FNAU et l&amp;rsquo;Insee organisent un s&amp;eacute;minaire de l&amp;rsquo;observation urbaine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ces s&amp;eacute;minaires visent &amp;agrave; capitaliser, &amp;agrave; diffuser et &amp;agrave; partager les savoir-faire. Ils s&amp;rsquo;adressent aux charg&amp;eacute;s d&amp;rsquo;&amp;eacute;tudes des services de l&amp;rsquo;Etat, des collectivit&amp;eacute;s locales, des agences d&amp;rsquo;urbanisme, de l&amp;rsquo;Insee, des bureaux d&amp;rsquo;&amp;eacute;tudes, et aux chercheurs.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le s&amp;eacute;minaire de 2009 a &amp;eacute;t&amp;eacute; articul&amp;eacute; en trois s&amp;eacute;quences ind&amp;eacute;pendantes, ancr&amp;eacute;es dans les besoins et d&amp;eacute;veloppements d'observation de l&amp;rsquo;ann&amp;eacute;e :&lt;/div&gt;
&lt;br /&gt;
- Actualit&amp;eacute;s des bases de donn&amp;eacute;es&lt;br /&gt;
- Le carroyage en d&amp;eacute;bat&lt;br /&gt;
- Observer les territoires dans un contexte de crise&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ce rapport retrace les interventions du s&amp;eacute;minaire et les d&amp;eacute;bats qui ont suivi.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Les diapositives des pr&amp;eacute;sentations sont t&amp;eacute;l&amp;eacute;chargeables sur le site du CERTU&lt;/a&gt;&lt;/div&gt;
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Qui a d&amp;eacute;j&amp;agrave; pratiqu&amp;eacute; le v&amp;eacute;lo en ville s&amp;rsquo;est rendu compte &amp;agrave; quel point la rue appartient en priorit&amp;eacute; &amp;agrave; l&amp;rsquo;automobile. Le cycliste doit, en permanence, faire attention : &amp;agrave; la porte que le conducteur qui vient de se garer le long du trottoir ouvre pr&amp;eacute;cipitamment, aux coursiers &amp;agrave; v&amp;eacute;lomoteur ou scooter qui foncent vaille que vaille en zigzaguant, aux bus et camions qui le doublent, le privant de vue et le bloquant pr&amp;egrave;s du caniveau, aux pi&amp;eacute;tons qui traversent &amp;agrave; leur guise sans pr&amp;eacute;venir, aux nombreuses voitures qui roulent &amp;agrave; grande vitesse sans toujours indiquer lorsqu&amp;rsquo;elles tournent ou d&amp;eacute;bo&amp;icirc;tent d&amp;rsquo;une file, aux cyclistes ind&amp;eacute;licats qui stoppent brutalement pour attraper leur portable et r&amp;eacute;pondre &amp;agrave; la sonnerie sans se soucier des autres usagers de la chauss&amp;eacute;e. Bref, ce n&amp;rsquo;est pas de tout repos&amp;hellip;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Voir le sommaire complet du n&amp;deg; 366&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Marcel Bovis</text>
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12 mai 2011

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La Martini&amp;egrave;re

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Form&amp;eacute; &amp;agrave; l'&amp;Eacute;cole nationale des Arts D&amp;eacute;coratifs de Nice, &lt;b&gt;Marcel Bovis&lt;/b&gt; se convertit &amp;agrave; la photographie pendant son service militaire ; il en fait son m&amp;eacute;tier &amp;agrave; partir de 1933. Il photographie Paris de nuit d&amp;egrave;s 1927 et se passionne pour les f&amp;ecirc;tes populaires et le cirque. Son regard sur Paris traduit l'incroyable sens du cadrage et de la composition d'un homme qui se voyait avant tout comme un illustrateur. Le Paris de nuit de l'entre-deux-guerres, les f&amp;ecirc;tes foraines et le cirque, le petit peuple des grandes villes et les nus sont les th&amp;egrave;mes de pr&amp;eacute;dilection de cet autodidacte engag&amp;eacute; pour donner &amp;agrave; la profession de photographe toutes ses lettres de noblesse. Un ouvrage qui restitue parfaitement la joie, la vie et le romantisme qui ont, pour beaucoup, fond&amp;eacute; le mythe de cette ville.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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