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Today, I want to do the impossible and talk about urbanization and urban growth in fifty minutes. I'll give the classic example, which is the greatest project of human intervention or rebuilding, that is the rebuilding of Paris. In doing so, I want to emphasize a couple points. One is that the nineteenth century was a period of phenomenal urban growth and urbanization. I will distinguish those in a minute. Secondly, one of the things that emerges out of this urban growth and urbanization, but particularly the growth of cities large and medium in the nineteenth century, is an increasing geography of class segregation.   Also, one of the things that I really enjoy talking about in trying to help people understand is why it is that European suburbs are not at all like American suburbs. Why is it that some people feared by elites were perched on the edge of European cities, whether it's Vienna, Paris, or lots of other places, and not in the center; whereas, in the United States, if you think of the riots in 1967, before most of your times, in Detroit, or Newark, or Watts, or East L.A., it was people in the center with the wealthy people in the periphery fearing the poor people living in the center. Why is it just completely different?   &#13;
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John Merriman is Charles Seymour Professor of History at Yale University.</text>
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A Vancouver, sur la côte pacifique du Canada. Peter and Doe vont relever leur piège, leur trapline. Ils fouillent les poubelles pour ramasser canettes et bouteilles à 5 ou 20 cents. Le produit est ramené au dépôt de l'association United We Can, situé dans le quartier le plus pauvre.   Ces trappeurs des villes fréquentent discrètement les allées de service dans les quartiers résidentiels et s'adaptent aux rythmes de la ville, développant ainsi un savoir-faire géographique. A partir des marges, le film porte un regard sur le coeur de la société.&#13;
&#13;
Benoit Raoulx est maître de conférences (HRD) à l'université de Caen.</text>
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                <text>Les villes du futur : rêves ou cauchemars ?</text>
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                <text>Présentation par l'organisateur :&#13;
&#13;
L’avenir des villes est trop peu présent dans les débats politiques. Pourtant, c’est sans doute dans les villes que se jouera une partie du destin de l’humanité, car déjà plus de la moitié de la population de notre planète – près de 3 milliards d’individus – est aujourd’hui composée de citadins. Dans trente ans, c’est-à-dire demain, ils seront 5 milliards vivant dans plus d’une trentaine de mégapoles de plus de 10 millions d’habitants.&#13;
&#13;
Ce sont les villes qui poseront à l’avenir les problèmes les plus sérieux à l’humanité...&#13;
Les sociétés pourront-elles faire face à ces défis grâce à de nouvelles solidarités, grâce à l’innovation, aux réseaux intelligents, aux progrès des moyens de déplacement, à de nouvelles gouvernances adaptées à la maîtrise du phénomène urbain ? Pourront-elles créer suffisamment d’emplois pour les quartiers de ces villes tentaculaires ? Quelle sera la vie des femmes et des hommes dans ces futures mégapoles ? Quels scenarii prendre en compte pour agir dès maintenant sur les facteurs qui façonneront la ville de demain ? Quelles sont les réponses des prospectivistes et des urbanistes à ces questions qui interpellent le monde politique ?&#13;
&#13;
Vidéos disponibles :&#13;
&#13;
• Ouverture par M. Joël Bourdin, président de la délégation sénatoriale à la prospective&#13;
• Introduction par M. Jean-Pierre Sueur, ancien Ministre, sénateur du Loiret, rapporteur de la délégation sénatoriale à la prospective sur "les villes du futur"&#13;
&#13;
Table ronde 1 - la réponse des prospectivistes&#13;
&#13;
• Julien Damon, professeur associé à l'Institut des Sciences politiques de Paris : "Où mène l'urbanisation du monde ?"&#13;
• Jacques de Courson, président de l'ONG "Urbanistes du Monde" : "Quel est l'avenir des mégapoles ?"&#13;
• Marc Giget, président de l'institut européen de stratégies créatives et d'innovation, professeur au Centre Natonale des Arts et Métiers (CNAM) : "Vers des cités idéales ou des cités invivables ?"&#13;
• Débat avec la salle&#13;
&#13;
Table ronde 2 - la réponse des urbanistes&#13;
&#13;
• Antoine Grumbach, urbaniste et architecte, Agence Grumbach et Associés AGA : "Penser les villes du futur : utopies ou réalités ?"&#13;
• Pierre Veltz, urbaniste, enseignant membres du Conseil général des Pontes et chaussées, directeur général de l'Etablissement public de Saclay : "Pourra-t-on maîtriser le phénomène urbain ?"&#13;
• Louis Moutard, urbaniste et architecte, directeur de l'aménagement urbain de l'AREP : "Quelle vie dans les futures mégapoles ?"&#13;
• Débat avec la salle&#13;
&#13;
• Clôture de l'atelier, Jean-Pierre Sueur</text>
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              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
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                  <text>Crévilles</text>
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      <name>Moving Image</name>
      <description>A series of visual representations that, when shown in succession, impart an impression of motion.</description>
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        <name>Dublin Core</name>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Art Security Service</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>promoteur, immobilier, Bruxelles, gentrification, classes populaires</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Au printemps 2005, le promoteur immobilier Robelco frappe les trois coups médiatiques d’un projet de "revitalisation" des galeries Ravenstein à Bruxelles en y accueillant des galeries d’art. &#13;
&#13;
Véritable épure des méthodes de gentrification, le film retourne également les armes de l’art contemporain contre son instrumentalisation pour délégitimer les classes populaires.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="628254">
                <text>Bernard Mulliez</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="628255">
                <text>Agone</text>
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            <name>Date</name>
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                <text>2007</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="628257">
                <text>01:29</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="628258">
                <text>FR</text>
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          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="628259">
                <text>Vidéo</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="628260">
                <text>http://www.archive.org/details/ArtSecurityService</text>
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        <name>Bruxelles</name>
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        <name>classes populaires</name>
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      <tag tagId="128">
        <name>gentrification</name>
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      <tag tagId="360">
        <name>immobilier</name>
      </tag>
      <tag tagId="2038">
        <name>promoteur</name>
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</itemContainer>
