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                <text>La Ville à l’épreuve de la démocratie</text>
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                <text>Trois jours d’échanges, de débats et de retours d’expériences qui se sont déroulés à la Friche Belle de mai les 25, 26 et 27 octobre dernier. Un colloque proposé par l’université populaire « Pensons le matin »&#13;
&#13;
Il s’agissait pour ce colloque de révéler les mécanismes de la ségrégation urbaine. Avec des analyses d’urbanistes, de chercheurs en sciences humaines et sociales, des retours d’expériences de citoyens engagés pour le droit à la ville pour tous, des interventions d’artistes et d’opérateurs culturels et sociaux.&#13;
&#13;
Sur les ondes de radio Grenouille les auditeurs ont pu entendre quatre point de vue critiques. Soit, un échantillon des nombreuses contributions qui ont nourri ce colloque.&#13;
&#13;
- 10 minutes avec Saskia Cousin, anthropologue&#13;
 &#13;
- 10 minutes avec Ben Kerste, doctorant en sociologie&#13;
 &#13;
- 10 minutes avec Jeanne Carratala, doctorante en Anthropologie urbaine&#13;
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- 10 minutes avec Stéphane Rio secrétaire adjoint du syndicat SNES-FSU – 13 </text>
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                <text>Enregistrement vidéo d'un entretien avec Elijah Anderson publié par La vie des idées.&#13;
&#13;
Selon Elijah Anderson, le ghetto noir est une source majeure de stéréotypes raciaux et de discrimination. Il en étudie me fonctionnement dans un contexte de relations raciales en pleine évolution.&#13;
&#13;
Un entretien réalisé par Linda Haapajärvi et Rébecca Ndour, traduit par Kate McNaughton&#13;
&#13;
Elijah Anderson est un sociologue américain, specialiste de l’ethnographie urbaine et enseignant à l’Université de Yale. Il est l’auteur de “The Iconic Ghetto” (The Annals of the American Academy of Political and Social Science, 2012) et de The Cosmopolitan Canopy. Race and Civility in Everyday Life (Norton Books, 2011)</text>
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                <text>Un film de 24 mn, produit et réalisé en 1983 par l'agence IM'média, remastérisé en 2013 avec des images inédites&#13;
&#13;
"Minguettes 1983 - Paix sociale ou pacification ?" a été tourné au coeur des événements du printemps et de l'été 1983 à la Zup de Vénissieux, dans la banlieue lyonnaise. Des événements à l'origine de la Marche pour l'égalité et contre le racisme, qui traversera la France profonde du 15 octobre au 3 décembre.&#13;
&#13;
Réalisé dans le cadre d'un stage média organisé à Bron / Lyon II - qui donnera naissance à l'agence IM'média-, ce film est un "objet filmique non identifié". Un "OFNI", entre journal de bord, reportage vidéo "embedded", contre-information, décryptage des mass media et film d'atelier. Il a été diffusé en boucle lors de l'exposition "Les Enfants de l'immigration" au centre culturel G. Pompidou (Beaubourg - janvier/avril 1984).&#13;
&#13;
Pour les 30 ans de la Marche, IM'média a procédé à la restauration de ce film et en propose une nouvelle version remastérisée. Tout en restituant son écriture documentaire initiale, il donne à (re)voir la contre-offensive "pacifique" des habitant-e-s de la Zup suite à un cycle infernal d'affrontements avec la police, de la bataille rangée du 21 mars 1983 jusqu'à cette soirée du 19 au 20 juin où un policier tire et blesse Toumi Djaïdja, le jeune président de l'association SOS Avenir Minguettes.&#13;
&#13;
Des images d'époque inédites présentent une Zup loin des clichés sur le "ghetto maghrébin" et sur une "zone interdite" livrée aux "loubards". A l'occasion du dynamitage spectaculaire de tours, les habitant-e-s de toutes origines, jeunes et vieux, donnent leur avis sur les "erreurs d'urbanisme" et sur une autre politique du logement possible. "On s'appelle tous Toumi Djaidja", clament-ils aussi, aux côtés de Christian Delorme et de Jean Costil (Cimade), pour manifester leur solidarité avec Toumi qui, sur son lit d'hôpital, a l'idée de lancer la Marche comme une "main tendue". Une idée présentée lors de "Forums Justice" conjointement avec celle d'un rassemblement national des familles des victimes des crimes racistes et des violences policières devant le ministère de la justice place Vendôme, à l'instar des Folles de la place de mai en Argentine. Face à l'acharnement policier ou judiciaire, face au racisme, au délire sécuritaire et à la complaisance de la plupart des médias, l'objectif est alors de se mobiliser pour rétablir la vérité des faits, d'obtenir justice, de pouvoir vivre, tout simplement.&#13;
&#13;
Le 3 décembre 1983 à Paris, 100 000 personnes se rassemblent pour l'arrivée de la Marche. L'instant est à l'euphorie, collective, fusionnelle. Et l'espoir d'aller vers l'égalité sociale et raciale dans une société plurielle immense ...&#13;
&#13;
Contact pour obtenir le film : agence.immedia@free.fr</text>
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À travers 5 courts métrages, Shanghai dévoile le paradoxe d’une ville qui détruit pour mieux s’élever. Zhenchen Liu, artiste chinois vivant en Europe et Justine Malle, cinéaste française, s’interrogent chacun à leur manière, sur une utopique préservation de l’humain dans cette fébrile accélération vers la modernité.&#13;
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Rencontre animée par Luisa Prudentino, sinologue, spécialiste du cinéma chinois. Elle anime le site Chinacinema.fr.</text>
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&#13;
Dans le double contexte de lutte contre le changement climatique et d’enchérissement des prix de l’énergie, la question de la transition énergétique des territoires est posée. Comment réduire notre dépendance aux énergies fossiles ? A quoi destiner nos dernières gouttes de pétrole ? Quels scenarios envisageables sur l’agglomération tourangelle ? Vers une sobriété heureuse ou un rationnement autoritaire ?&#13;
&#13;
Avec :&#13;
- Jérôme Baratier, directeur de l’agence d’urbanisme de l'agglomération de Tours.&#13;
- François Bertrand, ingénieur de recherche en aménagement de l’espace à l’Université de Tours.&#13;
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&#13;
Crévilles a pris en charge l’enregistrement et la mise en ligne de ce café géographique, avec une captation et un montage par le collectif de réalisateurs Sans Canal Fixe.</text>
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&#13;
On oppose souvent au calme des champs le bruit de la ville. De jour comme de nuit, les activités des uns et des autres ne se font pas dans le silence. Deux Français sur trois se déclarent dérangés chez eux par les nuisances sonores, et près d'un sur six a même pensé à déménager selon une enquête réalisée en mai 2010 par la TNS Sofres à la demande du ministère de l'environnement. Le bruit est à la fois un phénomène quantifiable par les décibels et subjectif tant il peut être perçu de mille façons, selon l'attention portée, la provenance du bruit, les préférences personnelles, le moment de la journée. Du désagrément temporaire à la gêne constante, le rapport au bruit peut parfois virer au conflit entre les différents usagers de l'espace urbain. Comment concilier les multiples usages de la ville ? Quelles formes de négociation sont permises aux plaignants?&#13;
&#13;
Avec :&#13;
- Samira ECHAHID, doctorante en géographie à l'Université de Tours.&#13;
- Christine BLET du Mouvement de Lutte contre les Nuisances Aériennes de Tours.&#13;
- Martine BOËNNEC de l'Association des Habitants Plumereau Halles Résistance Victoire&#13;
- Sophie LEGLAND, chargée d'Opérations à Tour(s)plus, Cartographie du bruit de l'agglomération.&#13;
&#13;
Crévilles a pris en charge l’enregistrement et la mise en ligne de ce café géographique, avec une captation et un montage par le collectif de réalisateurs Sans Canal Fixe.</text>
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&#13;
L’espace urbain : miroir des inégalités homme/femme&#13;
&#13;
Quarante ans après la révolution sexuelle, les rapports hommes/femmes restent marqués par d’importants déséquilibres au sein de la société voire par le maintien de profondes inégalités sociales. Si les femmes semblent avoir pu quitté en majorité l’espace cloisonné du foyer pour entrer de plein pied dans la vie professionnelle, la question de leur place dans la ville reste entière. Ainsi, les valeurs véhiculées par l’architecture, la place répartie entre les sexes dans l’espace public nous montrent notamment à quel point l’espace urbain est le reflet de rapports de domination encore très prégnants dans notre société. La ville des femmes est-elle la même que celle des hommes ? Comment se traduisent les rapports hommes/femmes au sein de l’espace urbain ? La manière dont la ville se fait et se pense est-elle sexuée ?&#13;
 &#13;
Avec Sylvette Denèfle, professeure de sociologie à l'université François-Rabelais de Tours.&#13;
&#13;
Crévilles a pris en charge l’enregistrement et la mise en ligne de ce café géographique, avec une captation et un montage par le collectif de réalisateurs Sans Canal Fixe.</text>
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Ralph Waldo Emerson once wrote "The test of civilization is the power of drawing the most benefit out of cities." The test of terrorism, then, may well be the power to inflict the greatest harm to those same centers of culture, commerce, and exchange. This is something that the September 11 terrorists well understood. Mohamed Atta was a man well acquainted with the power and majesty of cities--and presumably their durability and resilience. He was trained as an engineer, architect and urban planner. Yet, warped by fundamentalism, Atta became the "perverted dreamer" that E. B. White imagined decades ago in Here is New York, a man who would "loose the lightning" on Manhattan and attempt to destroy it, symbolically and literally. And even as the rubble of the World Trade Center smoldered in the days and weeks following September 11, pundits in the United States, too, foretold of the death of downtown and the end of the city as we know it. But cities have endured trauma and violence for millennia, much of it far worse than that unleashed by Mohamed Atta on September 11. Any study of the city in history will reveal that human settlements possess an essential ability to resurrect themselves in the wake of devastation, a point that the Resilient City colloquium hopes to reaffirm.  &#13;
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Urban Trauma and the Resilience of Cities &#13;
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This paper examines the near-ubiquity of urban resilience by analyzing the concepts of trauma, recovery, and remembrance. It questions the definition of "resilience," by exploring the relationship between recovery of the built environment and other ways that a "return to normalcy" may be measured. Urban trauma, like urban resilience, takes many forms, and can be categorized in many ways. First, there is the scale of destruction-which may range from a small single precinct to an entire city (or, potentially, an even larger area). Second, one may rank these traumas in terms of their human toll, as measured by deaths and disruption of lives. Third, one may organize these destructive acts according to their presumed cause-some result from the largely-uncontrollable forces of nature, such as earthquakes and floods; others are hybrids of natural forces and human action, such as fires; while still others result more wholly from deliberate human will, whether executed by conquering armies, aerial bombardment, or terrorist strikes. It is not enough to ask general questions about urban recovery; we must ask who recovers which aspects of the city, and by what mechanisms. The process of post-disaster recovery is a window into the power structure of the society that has been stricken. Similarly, to ask about remembrance is to inquire how what is remembered gets constructed, when, and by whom.   &#13;
&#13;
Thomas J. Campanella is a Faculty Fellow of the Institute for the Arts and Humanities at the University of North Carolina, and a former Fulbright fellow at the Chinese University of Hong Kong.&#13;
&#13;
Lawrence J. Vale is a Professor and Head of the Department of Urban Studies and Planning, MIT School of Architecture and Planning.</text>
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List of videos :  &#13;
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Mais Hergé ne retient rien du cosmopolitisme de Shanghai. Aucun bâtiment classique des rives du Huangpu — le fameux Bund, essentiellement construit par les britanniques —, aucun hôtel ou édifice caractéristique de la concession internationale n’est ici représenté. Aucun décor de la Shanghai des années trente ne subsiste dans l’illustration. L’atmosphère y est souvent nocturne, ce qui est un peu un paradoxe pour la "ligne claire". Des aplats de gris et halos de lumière, de la pluie, certains lieux sordides ou en transition…   &#13;
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Un texte argumentaire peut également être téléchargé au format pdf sur le site d'Urbain, trop urbain</text>
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&#13;
Modern Paris was indelibly shaped by the rebuilding project ordered by Napoleon III and carried out by Baron Haussmann in the 1850s and '60s. The large-scale demolition of whole neighborhoods in central Paris, coupled with a boom in industrial development outside the city, cemented a class division between center and periphery that has persisted into the twenty-first century. Curiously, this division is the obverse of the arrangement of most American cities, in which the inner city is typically impoverished while the suburbs are wealthy.&#13;
&#13;
John Merriman is Charles Seymour Professor of History at Yale University.</text>
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                <text>http://oyc.yale.edu/history/hist-276/lecture-11</text>
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