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&amp;nbsp;&lt;/div&gt;
At the close of the nineteenth century, industrialization and urbanization marked the end of the traditional understanding of society as rooted in agriculture. Urban Modernity  examines the construction of an urban-centered, industrial-based culture&amp;mdash;an entirely new social reality based on science and technology. The authors show that this invention of modernity was brought about through the efforts of urban elites&amp;mdash;businessmen, industrialists, and officials&amp;mdash;to establish new science- and technology-related institutions. International expositions, museums, and other such institutions and projects helped stem the economic and social instability fueled by industrialization, projecting contemporary developments as part of a steady continuum of scientific and technical progress. The authors examine the dynamic that connectied urban planning, museums, educational institutions, and expositions in Paris, London, Chicago, Berlin, and Tokyo from 1870 to 1930.&lt;br /&gt;
&lt;br /&gt;
In Third Republic Paris, politicians, administrators, social scientists, architects, and engineers implemented a new form of the city through a series of commissions, agencies, and organizations; in rapidly expanding London, cultures of science and technology were both rooted in and constitutive of urban culture; in Chicago after the Great Fire, members of the Commercial Club pursued civic ideals through scientific and technological change; in Berlin, industry, scientific institutes, and the popularization of science helped create a modern metropolis; and in Meiji-era Tokyo (Edo), modernization and Westernization went hand in hand.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Dynamic Triad : City, Exposition, and Museum in Industrial Society - Miriam Levin&lt;br /&gt;
Bringing the Future to Earth in Paris, 1851&amp;ndash;1914 - Miriam Levin    &lt;br /&gt;
From Modern Babylon to White City : Science, Technology, and Urban Change in London, 1870&amp;ndash;1914 - Sophie Forgan&lt;br /&gt;
The Counterrevolution of Progress : A Civic Culture of Modernity in Chicago, 1880&amp;ndash;1910 - Robert H. Kargon&lt;br /&gt;
&amp;quot;Damned Always to Alter, but Never to Be&amp;quot; : Berlin's Culture of Change Around 1900 - Martina Hessler    &lt;br /&gt;
Promoting Scientific and Technological Change in Tokyo, 1870&amp;ndash;1930 : Museums, Industrial Exhibitions, and the City - Morris Low    &lt;br /&gt;
Coda - Miriam Levin&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Janice Perlman

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&amp;nbsp;&lt;/div&gt;
A billion people, almost half of all city dwellers in the developing world, live in squatter settlements. The most famous of these settlements are the favelas of Rio de Janeiro, which have existed for over a century and continue to outpace the rest of the city in growth.&lt;br /&gt;
&lt;br /&gt;
Janice Perlman's award-winning The Myth of Marginality was the first in-depth account of life in the favelas, and it is considered one of the most important books in global urban studies in the last 40 years. Now, in Favela , Perlman carries that story forward to the present. Re-interviewing many longtime favela residents whom she had first met in 1969--as well as their children and grandchildren--Perlman offers the only long-term perspective available on the favela families as they struggle for a better life. Perlman discovers that much has changed in four decades, but while educational levels have risen, democracy has replaced dictatorship, and material conditions have improved, many residents feel more marginalized than ever. The greatest change is the explosion of drug and arms trade and the high incidence of fatal violence that has resulted. Almost one in five people report that a member of their family has been a victim of homicide. Yet the highest priority for the residents is jobs. Above all they want a chance to do decent work for decent pay. If unemployment and under-employment are not addressed, Perlman argues, all other efforts - from housing to public security to community upgrading - will fail to resolve the fundamental issues.&lt;br /&gt;
&lt;br /&gt;
A revealing study of the giant squatter settlements of Rio de Janeiro and of the vibrant communities of migrants who have risked everything to come to the city to provide more opportunities for their children, Favela offers a powerful look at one of the great challenges facing the modern world.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Janice Perlman &lt;/b&gt;is President and Founder of the Mega-Cities Project. Winner of a Guggenheim Award, she has been Professor of Urban and Regional Planning at the University of California-Berkeley, Visiting Professor of Urban and Regional Planning at Columbia University, and a Senior Research Scholar at New York University. She is also the author of The Myth of Marginality: Urban Poverty and Politics in Rio de Janeiro , winner of the 1976 C. Wright Mills Award.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Samuel Zipp

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Oxford University Press USA 

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&amp;nbsp;&lt;/div&gt;
Moving beyond the usual good-versus-evil story that pits master-planner Robert Moses against the plucky neighborhood advocate Jane Jacobs, Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic &amp;quot;Manhattan projects&amp;quot;--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of urban renewal. He shows how boosters hoped to make Manhattan the capital of modernity and a symbol of American power, but even as the builders executed their plans, a chorus of critics revealed the dark side of those Cold War visions, attacking urban renewal for perpetuating deindustrialization, racial segregation, and class division; for uprooting thousands, and for implanting a new, alienating cityscape. Cold War-era urban renewal was not merely a failed planning ideal, Zipp concludes, but also a crucial phase in the transformation of New York into both a world city and one mired in urban crisis.&lt;/div&gt;
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&lt;b&gt;Samuel Zipp &lt;/b&gt;is Assistant Professor of American Civilization and Urban Studies at Brown University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
A timely revisitation of renowned urbanist-activist Jane Jacobs' lifework, What We See invites thirty pundits and practitioners across fields to refresh Jacobs' economic, social and urban planning theories for the present day. Combining personal and professional observations with meditations on Jacobs' insights, essayists bring their diverse experience to bear to sketch the blueprints for the living city.&lt;br /&gt;
&lt;br /&gt;
The book models itself after Jacobs' collaborative approach to city and community building, asking community members and niche specialists to share their knowledge with a broader community, to work together toward a common goal of building the 21st century city.&lt;br /&gt;
&lt;br /&gt;
The resulting collection of original essays expounds and expands Jacobs' ideas on the qualities of a vibrant, robust urban area. It offers the generalist, the activist, and the urban planner practical examples of the benefits of planning that encourages community participation, pedestrianism, diversity, environmental responsibility and self-sufficiency.&lt;br /&gt;
&lt;br /&gt;
Bob Sirman, director of the Canada Council for the Arts, describes how built form should be an embodiment of a community narrative. Daniel Kemmis, former Mayor of Missoula, shares an imagined dialog with Jacobs,' discussing the delicate interconnection between cities and their surrounding rural areas. And Roberta Brandes Gratz&amp;mdash;urban critic, author, and former head of Public Policy of the New York State Preservation League&amp;mdash;asserts the importance of architectural preservation to environmentally sound urban planning practices.&lt;br /&gt;
&lt;br /&gt;
What We See asks us all to join the conversation about next steps for shaping socially just, environmentally friendly, and economically prosperous urban communities.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Introduction: Stephen Goldsmith and Lynne Elizabeth, Eyes Wide Open&lt;br /&gt;
Section 1: Vitality of the Neighborhood&lt;br /&gt;
1.1 Deanne Taylor, Between Utopias&lt;br /&gt;
1.2 Ray Suarez, Jane Jacobs and the &amp;quot;Battle for the Street&amp;quot;&lt;br /&gt;
1.3 Sanford Ikeda, The Mirage of the Efficient City&lt;br /&gt;
1.4 Nabeel Hamdi, The Intelligence of Informality&lt;br /&gt;
1.5 Nan Ellin, The Tao of Urbanism: Integrating Observation with Action&lt;br /&gt;
Section 2: The Virtues of Seeing&lt;br /&gt;
2.1 Arlene Goldbard, Nine Ways of Looking at Ourselves (Looking at Cities)&lt;br /&gt;
2.2 Mindy Thompson Fullilove, The Logic of Small Pieces: A Story in Three Ballets&lt;br /&gt;
2.3 Alexie M. Torres-Fleming, Of Things Seen and Unseen&lt;br /&gt;
2.4 Rob Cowan, The Fine Arts of Seeing: Professions, Places, Arts, and Urban Design&lt;br /&gt;
Section 3: Cities, Villages, Streets&lt;br /&gt;
3.1 Daniel Kemmis, Cities and the Wealth of Places&lt;br /&gt;
3.2 Elizabeth Macdonald and Allan Jacobs, Queen Street&lt;br /&gt;
3.3 Kenneth Greenberg, The Interconnectedness of Things&lt;br /&gt;
3.4 David Crombie, Jane Jacobs: The Toronto Experience&lt;br /&gt;
3.5 Matias Sendoa Echanove &amp;amp; Rahul Srivastava, The Village Inside&lt;br /&gt;
Section 4: The Organized Complexity Of Planning&lt;br /&gt;
4.1 James Stockard, The Obligation to Listen, Learn and Teach&amp;mdash;Patiently&lt;br /&gt;
4.2 Robert Sirman, Built Form and the Metaphor of Storytelling&lt;br /&gt;
4.3 Chester Hartman, Steps Toward a Just Metropolis&lt;br /&gt;
4.4 Peter Zlonicky, Illuminating Germany: Observations on Urban Planning Policies in the Light of Jane Jacobs&lt;br /&gt;
4.5 Jaime Lerner, Reviving Cities&lt;br /&gt;
Section 5: Design for Nature, Design for People&lt;br /&gt;
5.1 Janine Benyus, Recognizing What Works: A Conscious Emulation of Life's Genius&lt;br /&gt;
5.2 Hillary Brown, &amp;quot;Co-development&amp;quot; as a Principle for Next Generation Infrastructure&lt;br /&gt;
5.3 Richard Register, Jane Jacobs Basics&lt;br /&gt;
5.4 Roberta Brandes Gratz, Jane Jacobs: Environmental Preservationist&lt;br /&gt;
5.5 Jan Gehl, For You Jane&lt;br /&gt;
5.6 Janette Sadik-Khan, Think of a City and What Comes to Mind? Its Streets&lt;br /&gt;
5.7 Clare Cooper Marcus, The Needs of Children in Contemporary Cities&lt;br /&gt;
Section 6: Economic Instinct&lt;br /&gt;
6.1 Saskia Sassen, When Places Have Deep Economic Histories&lt;br /&gt;
6.2 Susan Witt, The Grace of Import Replacement&lt;br /&gt;
6.3 Pierre Desrochers &amp;amp; Samuli Lepp&amp;auml;l&amp;auml;, Rethinking &amp;quot;Jacobs Spillovers,&amp;quot; or How Diverse Cities Actually Make Individuals More Creative and Economically Successful&lt;br /&gt;
6.4 Ron Shiffman, Beyond Green Jobs: Seeking a New Paradigm&lt;br /&gt;
Epilogue: Mary Rowe, Jane's Cup of Tea&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Lynne Elizabeth&lt;/b&gt; is founder and director of New Village Press. She is past president of Architects/ Designers/ Planners for Social Responsibility (ADPSR).&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Stephen A. Goldsmith&lt;/b&gt; is an urban planner, artist and scholar, and Associate Professor in City and Metropolitan Planning at the University of Utah.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Cultural diversity &amp;mdash; the multitude of different lifestyles that are not necessarily based on ethnic culture &amp;mdash; is a catchphrase increasingly used in place of multiculturalism and in conjunction with globalization. Even though it is often used as a slogan it does capture a widespread phenomenon that cities must contend with in dealing with their increasingly diverse populations. The contributors examine how Russian cities are responding and through case studies from Moscow, St. Petersburg, Novosibirsk, and Sochi explore the ways in which different cultures are inscribed into urban spaces, when and where they are present in public space, and where and how they carve out their private spaces. Through its unique exploration of the Russian example, this volume addresses the implications of the fragmented urban landscape on cultural practices and discourses, ethnicity, lifestyles and subcultures, and economic practices, and in doing so provides important insights applicable to a global context.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
1. Cultural Diversity Between Staging and the Everyday &amp;ndash; Experiences from Moscow, St. Petersburg and Other Russian Cities. An Introduction - Cordula Gdaniec  &lt;br /&gt;
2. Is Chinese Space &amp;ldquo;Chinese?&amp;rdquo; New Migrants in St. Petersburg - Megan Dixon &lt;br /&gt;
3. Contructions of the &amp;ldquo;Other&amp;rdquo;: Racialization of Migrants in Moscow and Novosibirsk - Larisa Kosygina &lt;br /&gt;
4. Reshaping Living Space: Concepts of Home Represented by Women Migrants Working in St.Petersburg - Olga Brednikova / Olga Tkach &lt;br /&gt;
5. African Communities in Moscow and St. Petersburg: Inclusion and Exclusion to Social Life in Russia - Svetlana Boltovskaya &lt;br /&gt;
6. The Construction of &amp;lsquo;Marginality&amp;rsquo; and &amp;lsquo;Normality&amp;rsquo; &amp;ndash; In Search of a Collective Identity Among Youth Cultural Scenes in Sochi - Irina Kosterina / Ulia Andreeva &lt;br /&gt;
7. &amp;ldquo;You Know What Kind of Place This is, Don&amp;rsquo;t You?&amp;rdquo; An Exploration of Lesbian Spaces In Moscow - Katja Sarajeva &lt;br /&gt;
8. Begging as Economic Practice: Urban Niches in Central St. Petersburg  - Maria Scattone&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Cordula Gdaniec&lt;/b&gt; is currently an independent researcher. From 2003&amp;ndash;2008, she was a Research Fellow and Lecturer at the Department of European Ethnology at Humboldt University in Berlin.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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La fondation des villes espagnoles outre-Atlantique a permis de dominer l'espace conquis. Instrument de la colonisation, les nouvelles cit&amp;eacute;s ont &amp;eacute;t&amp;eacute; les lieux d'installation privil&amp;eacute;gi&amp;eacute;s des conqu&amp;eacute;rants et des premiers colons. Fond&amp;eacute;es sur un mod&amp;egrave;le export&amp;eacute; de l'Ancien Monde, les nouvelles villes ont cependant connu des changements et ont vu se d&amp;eacute;velopper en leur sein une soci&amp;eacute;t&amp;eacute; multiculturelle.&lt;/div&gt;
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est  professeur d'Histoire Moderne &amp;agrave; l'universit&amp;eacute; de Reims.&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;
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Torsten Andreas Hoffmann</text>
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20 mai 2010

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Aubanel

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&amp;nbsp;&lt;/div&gt;
Torsten Andreas Hoffmann a relev&amp;eacute; le d&amp;eacute;fi de pouvoir nous &amp;eacute;tonner encore avec ces photographies, alors que New York est sans doute la ville la plus photographi&amp;eacute;e au monde...&lt;br /&gt;
&lt;br /&gt;
Des clich&amp;eacute;s panoramiques superbes, d'un graphisme en noir et blanc &amp;eacute;pur&amp;eacute; et &amp;eacute;l&amp;eacute;gant, qui renouvellent notre regard sur la ville-monde.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Torsten Andreas Hoffmann&lt;/b&gt; est photographe.&lt;/div&gt;
&lt;b&gt;Michael Barchet&lt;/b&gt; est &amp;eacute;crivain et &amp;eacute;diteur ind&amp;eacute;pendant.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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2010

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Routledge 

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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Public spaces mirror the complexities of urban societies: as historic social bonds have weakened and cities have become collections of individuals public open spaces have also changed from being embedded in the social fabric of the city to being a part of more impersonal and fragmented urban environments. Can making public spaces help overcome this fragmentation, where accessible spaces are created through inclusive processes? This book offers some answers to this question through analysing the process of urban design and development in international case studies, in which the changing character, level of accessibility, and the tensions of making public spaces are explored.&lt;br /&gt;
&lt;br /&gt;
The book uses a coherent theoretical outlook to investigate a series of case studies, crossing the cultural divides to examine the similarities and differences of public space in different urban contexts, and its critical analysis of the process of development, management and use of public space, with all its tensions and conflicts. While each case study investigates the specificities of a particular city, the book outlines some general themes in global urban processes. It shows how public spaces are a key theme in urban design and development everywhere, how they are appreciated and used by the people of these cities, but also being contested by and under pressure from different stakeholders.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents &lt;/b&gt;:&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
1. Introduction  - Ali Madanipour &lt;br /&gt;
Part 1. Changing Nature of Public Space in City Centres  - Ali Madanipour &lt;br /&gt;
2. Less Public Than Before? Public Space Improvement in Newcastle City Centre - M&amp;uuml;ge Akkar Ercan &lt;br /&gt;
3. Youth Participation and Revanchist Regimes: Redeveloping Old Eldon Square, Newcastle upon Tyne - Peter Rogers &lt;br /&gt;
4. Can Public Space Improvement Revive the City Centre? The Case of Taichung, Taiwan - Hong-Che Chen &lt;br /&gt;
5. Change in the public spaces of traditional cities: Zaria, Nigeria - Shaibu Bala Garba &lt;br /&gt;
Part 2. Public Space and Everyday Life in Urban Neighbourhoods - Ali Madanipour &lt;br /&gt;
6. Marginal Public Spaces in Europe - Ali Madanipour &lt;br /&gt;
7. Gating the Streets: The Changing Shape of Public Spaces in South Africa - Karina Landman &lt;br /&gt;
8. Public Spaces within Modern Residential Areas in Jeddah, Saudi Arabia - Khalid Nasralden Mandeli &lt;br /&gt;
9. The Design and Development of Public Open Spaces in an Iranian New Town &lt;br /&gt;
10. Making Public Space in Low Income Neighbourhoods in Mexico - Mauricio Hern&amp;aacute;ndez Bonilla &lt;br /&gt;
11. Co-Production of Public Space: Redefinition of Social Meaning, the Case of Nord-Pas de Calais, France - Paola Michialino &lt;br /&gt;
12. Whose Public Space? - Ali Madanipour&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Ali Madanipour&lt;/b&gt; is Professor of Urban Design at the School of Architecture, Planning and Landscape, Newcastle University, UK.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;
In cities around the world, individuals and groups are reclaiming and creating urban sites, temporary spaces and informal gathering places. These &amp;lsquo;insurgent public spaces&amp;rsquo; challenge conventional views of how urban areas are defined and used, and how they can transform the city environment. No longer confined to traditional public areas like neighbourhood parks and public plazas, these guerrilla spaces express the alternative social and spatial relationships in our changing cities.&lt;br /&gt;
&lt;br /&gt;
With nearly 20 illustrated case studies, this volume shows how instances of insurgent public space occur across the world. Examples range from community gardening in Seattle and Los Angeles, street dancing in Beijing, to the transformation of parking spaces into temporary parks in San Francisco.&lt;br /&gt;
&lt;br /&gt;
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available on the publisher's website&lt;/a&gt;.&lt;/div&gt;
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&lt;b&gt;Jeffrey Hou&lt;/b&gt; is Chair and Associate Professor of Landscape Architecture at the University of Washington, Seattle.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Il y a des lieux qui connaissent une destin&amp;eacute;e singuli&amp;egrave;re et tragique &amp;ndash; la Cit&amp;eacute; de la Muette &amp;agrave; Drancy est de ceux-l&amp;agrave;. Con&amp;ccedil;u par les architectes modernistes Beaudouin et Lods dans les ann&amp;eacute;es 1930 sur le mod&amp;egrave;le des cit&amp;eacute;s-jardins, cet ensemble de logements sociaux se voulait utopique. La crise &amp;eacute;conomique et politique en France devait tr&amp;egrave;s vite en d&amp;eacute;cider autrement. En effet, la Cit&amp;eacute; de la Muette fut transform&amp;eacute;e en caserne pour la gendarmerie et en prison d&amp;egrave;s avant la guerre. Lorsque l&amp;rsquo;occupant nazi s&amp;rsquo;en empara, il s&amp;rsquo;agissait d&amp;eacute;j&amp;agrave; d&amp;rsquo;un lieu d&amp;rsquo;internement ; sous son commandement, il devint un camp de concentration depuis lequel des dizaines de milliers de personnes, dont plus de 67 000 Juifs, furent d&amp;eacute;port&amp;eacute;s vers les camps de la mort, principalement &amp;agrave; Auschwitz-Birkenau, via la gare du Bourget puis, d&amp;egrave;s la mi-1943, celle de Bobigny.&lt;br /&gt; &lt;br /&gt; Dans les caves de la Cit&amp;eacute; qui &amp;eacute;taient autrefois les cachots du camp, le photographe William Betsch a retrouv&amp;eacute; de nombreuses inscriptions datant de cette sombre &amp;eacute;poque &amp;ndash; noms, dates, portraits, pri&amp;egrave;res : traces &amp;eacute;mouvantes d&amp;rsquo;une vie inscrite in extremis par des hommes et des femmes dont il tente de d&amp;eacute;couvrir l&amp;rsquo;histoire et le destin, traces qui c&amp;ocirc;toient celles laiss&amp;eacute;es peu apr&amp;egrave;s par les collaborateurs intern&amp;eacute;s dans ce m&amp;ecirc;me lieu. Les murs de Drancy forment un vertigineux palimpseste.&lt;br /&gt; La d&amp;eacute;couverte de ces inscriptions d&amp;eacute;cida Betsch &amp;agrave; enqu&amp;ecirc;ter sur ce lieu. A travers un texte richement document&amp;eacute;, il analyse les faits qui ont particip&amp;eacute; &amp;agrave; plonger en partie Drancy dans l&amp;rsquo;oubli. Il nous livre ainsi les fruits de sa recherche concernant non seulement la gen&amp;egrave;se de la Cit&amp;eacute; de la Muette, son changement de vocation, son fonctionnement sous commandement nazi, mais aussi l&amp;rsquo;&amp;eacute;nigmatique discordance des r&amp;eacute;cits portant sur le creusement d&amp;rsquo;un tunnel d&amp;rsquo;&amp;eacute;vasion d&amp;eacute;couvert par les SS peu avant son ach&amp;egrave;vement, discordance qui am&amp;egrave;ne Betsch &amp;agrave; s&amp;rsquo;interroger sur le r&amp;ocirc;le jou&amp;eacute; par le commandant allemand du camp, Alo&amp;iuml;s Brunner, dans ce projet d&amp;rsquo;&amp;eacute;vasion.&lt;br /&gt; &lt;br /&gt; Aux images des sous-sols, l&amp;rsquo;auteur oppose celles d&amp;rsquo;un Drancy en surface. Ses photographies d&amp;rsquo;appartements et de commerces dans la Cit&amp;eacute; ainsi que de rues voisines portent d&amp;rsquo;innombrables signes d&amp;rsquo;une m&amp;eacute;moire qui chercherait, avec une troublante insistance, &amp;agrave; s&amp;rsquo;imposer.&lt;br /&gt; &lt;br /&gt; Au travers des nombreuses interrogations qu&amp;rsquo;il soul&amp;egrave;ve, William Betsch r&amp;eacute;v&amp;egrave;le les points d&amp;rsquo;ombre qui demeurent &amp;agrave; Drancy et nous incite &amp;agrave; comprendre pour ne pas oublier.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;William Betsch&lt;/b&gt; est photographe.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Dirk Van der Cruysse</text>
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12 mai 2010

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Fayard

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;quot;Auberge des oc&amp;eacute;ans&amp;quot;, bout du monde et aboutissement d&amp;rsquo;un continent, Le Cap est une ville mythique dont la l&amp;eacute;gende est sans doute mieux connue que l&amp;rsquo;histoire v&amp;eacute;ritable. Lieu d&amp;rsquo;escale incontournable sur la route de l&amp;rsquo;Asie avant le percement du canal de Suez, elle a vu d&amp;eacute;filer d&amp;rsquo;illustres voyageurs qui l&amp;rsquo;ont parcourue et d&amp;eacute;crite avec admiration, comme Choisy, Bougainville, Cook, Bernardin de Saint-Pierre, Le Vaillant ou Darwin.&lt;/div&gt;
&lt;br /&gt;
Site d&amp;eacute;couvert par les Portugais alors qu&amp;rsquo;il est habit&amp;eacute; des seuls San et Khoi, Le Cap devient au milieu du XVIIe si&amp;egrave;cle une station de ravitaillement pour les flottes marchandes de la VOC, la Compagnie hollandaise des Indes orientales, dot&amp;eacute;e d&amp;rsquo;un grand jardin et d&amp;rsquo;un fort dont la garnison prot&amp;egrave;ge la baie de la Table. Autour de ce noyau se d&amp;eacute;veloppe bient&amp;ocirc;t un hameau qui devient une ville lov&amp;eacute;e dans l&amp;rsquo;amphith&amp;eacute;&amp;acirc;tre des montagnes qui la prot&amp;egrave;gent des temp&amp;ecirc;tes australes. L&amp;rsquo;&amp;eacute;poque napol&amp;eacute;onienne voit la ville devenir et redevenir anglaise. Imp&amp;eacute;riale et fi&amp;egrave;re de l&amp;rsquo;&amp;ecirc;tre, elle vit vers la fin du XIXe si&amp;egrave;cle l&amp;rsquo;exaltante &amp;eacute;pop&amp;eacute;e de la ru&amp;eacute;e vers les diamants et l&amp;rsquo;or d&amp;eacute;couverts au c&amp;oelig;ur du pays.&lt;/div&gt;
&lt;br /&gt;
&amp;Agrave; la cr&amp;eacute;ation de l&amp;rsquo;Union de l&amp;rsquo;Afrique du Sud en 1910, apr&amp;egrave;s la guerre des Boers, Le Cap devient la capitale l&amp;eacute;gislative de la nouvelle nation. C&amp;rsquo;est en 1948 que tombe sur le pays la chape de plomb de l&amp;rsquo;apartheid, impos&amp;eacute; par un r&amp;eacute;gime blanc crisp&amp;eacute; par la peur du swart gevaar (le &amp;quot;danger des Noirs&amp;quot;, qui constituent les trois quarts de la population). Le Cap sera une cit&amp;eacute; phare dans la r&amp;eacute;sistance &amp;agrave; la s&amp;eacute;gr&amp;eacute;gation raciale, dans laquelle s&amp;rsquo;illustreront Desmond Tutu, le charismatique &amp;eacute;v&amp;ecirc;que anglican du Cap, et bien s&amp;ucirc;r Nelson Mandela, enferm&amp;eacute; depuis 1964 &amp;agrave; Robben Island dans la baie de la Table.&lt;/div&gt;
&lt;br /&gt;
Sous la plume &amp;eacute;rudite de Dirk Van der Cruysse, l&amp;rsquo;histoire de cette ville &amp;quot;arc-en-ciel&amp;quot; de ses origines jusqu&amp;rsquo;&amp;agrave; la fin du mandat d&amp;rsquo;Helen Zille (2009) prend des airs de roman d&amp;rsquo;aventures.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Dirk Van der Cruysse&lt;/b&gt;, de l&amp;rsquo;Acad&amp;eacute;mie royale de Belgique, est professeur &amp;eacute;m&amp;eacute;rite de l&amp;rsquo;universit&amp;eacute; d&amp;rsquo;Anvers.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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