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&amp;nbsp;&lt;/div&gt;
Readings from literary works that re-construct and re-map the city of Cairo.&lt;br /&gt;
&lt;br /&gt;
Bringing together writings by Egyptians, Arabs, men and women, Muslims, Copts, and Jews, this rich selection maps out many of the changes in Cairo&amp;rsquo;s geopolitics and its urban fabric, while tracing spatial and social forms of polarization and new patterns of inclusion and exclusion within the expanding megacity. Through its thematic organization, The Literary Atlas of Cairo traces the developments that have taken place over a century in modes of literary production, and presents a unique historical cross-section of the actors within the Cairene literary field, to provide an unprecedented, original, and indispensable educational and research tool for scholars and students as well as a much wider readership interested in Egypt and Cairo in particular as one of the globe&amp;rsquo;s largest historic, multi-cultural urban centers.&lt;/div&gt;
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&lt;b&gt;Samia Mehrez&lt;/b&gt; is professor of Arabic literature in the Department of Arab and Islamic Civilization and director of the Center for Translation Studies at the American University in Cairo.&lt;/div&gt;
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                <text>design, forme urbaine, environnement urbain, fashion, mode, culture urbaine, géographie urbaine, aménagement urbain, Knox Paul L.</text>
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Routledge 

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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cities, initially a product of the manufacturing era, have been thoroughly remade in the image of consumer society. Competitive spending among affluent households has intensified the importance of style and design at every scale and design professions have grown in size and importance, reflecting distinctive geographies and locating disproportionately in cities most intimately connected with global systems of key business services. Meanwhile, many observers still believe good design can make positive contributions to people&amp;rsquo;s lives.&lt;br /&gt;
&lt;br /&gt;
Cities and Design explores the complex relationships between design and urban environments. It traces the intellectual roots of urban design, presents a critical appraisal of the imprint and effectiveness of design professions in shaping urban environments, examines the role of design in the material culture of contemporary cities, and explores the complex linkages among designers, producers and distributors in contemporary cities: for example fashion and graphic design in New York; architecture, fashion and publishing in London; furniture, industrial design, interior design and fashion in Milan; haute couture in Paris; and so on.&lt;br /&gt;
&lt;br /&gt;
This book offers a distinctive social science perspective on the economic and cultural context of design in contemporary cities, presenting cities themselves as settings for design, design services and the &amp;lsquo;affect&amp;rsquo; associated with design.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Paul Knox &lt;/b&gt;is University Distinguished Professor and Senior Fellow for International Advancement at Virginia Tech, where he was Dean of the College of Architecture and Urban Studies from 1997 to 2006. &lt;/div&gt;
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Depuis la nuit des temps, H&amp;eacute;liopolis &amp;eacute;voque une ville myst&amp;eacute;rieuse de l'Egypte ancienne qui, en Orient comme en Occident, nourrit l'imaginaire collectif.&lt;/div&gt;
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Cette cit&amp;eacute; d'au moins 4500 ans, situ&amp;eacute;e &amp;agrave; la pointe du delta du Nil, n'est pas seulement le fruit d'un r&amp;ecirc;ve. Lieu de s&amp;eacute;jour pour les voyageurs de l'Antiquit&amp;eacute;, lieu de p&amp;egrave;lerinage depuis le Moyen Age et berceau d'une ville nouvelle cr&amp;eacute;&amp;eacute;e de toute pi&amp;egrave;ce &amp;agrave; l'aube du XXe si&amp;egrave;cle par le capitaine d'industrie Edouard Empain, H&amp;eacute;liopolis fait d&amp;eacute;sormais partie du Caire. Elle tire son originalit&amp;eacute; et son dynamisme actuels du dialogue entre les cultures dont elle est l'expression et qui la distingue, aujourd'hui encore, comme un des lieux les plus remarquables de cette m&amp;eacute;tropole.&lt;/div&gt;
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&lt;b&gt;Marie-C&amp;eacute;cile Bruwier&lt;/b&gt; est arch&amp;eacute;ologue et historienne de l'Art&lt;/div&gt;
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Editions de la Villette

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&amp;quot;Soit fid&amp;egrave;le &amp;agrave; ta d&amp;eacute;rive !&amp;quot;, tel est l'un des enseignements d'Andr&amp;eacute; Corboz. D&amp;eacute;rive, mais non errance. Car il y a bien une logique donnant sa coh&amp;eacute;rance &amp;agrave; &amp;quot;la n&amp;eacute;buleuse en expansion que constitue  itin&amp;eacute;raire sans dessein&amp;quot; d'Andr&amp;eacute; Corboz. Celle-ci est de l'ordre de la d&amp;eacute;marche tout autant que de la m&amp;eacute;thode. Elle consiste, notamment, en l'&amp;eacute;tonnement et la curiosit&amp;eacute;.&lt;/div&gt;
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La Nu&amp;eacute;e Bleue

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Des grands monuments aux sc&amp;egrave;nes de la vie quotidienne, Strasbourg-la-romantique a beaucoup inspir&amp;eacute; les artistes du XIXe. L&amp;rsquo;historien d&amp;rsquo;art R&amp;eacute;gis Spiegel raconte ce si&amp;egrave;cle exceptionnel, de Goethe au funeste bombardement de 1870. Avec 200 tableaux et gravures, dont beaucoup d&amp;rsquo;in&amp;eacute;dits.&lt;/div&gt;
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Les artistes-voyageurs ont d&amp;eacute;couvert Strasbourg avec passion : Gustave Courbet, Eug&amp;egrave;ne Delacroix, Victor Hugo, Alexandre Dumas, G&amp;eacute;rard de Nerval et bien d&amp;rsquo;autres s&amp;rsquo;int&amp;eacute;ressent &amp;agrave; la cath&amp;eacute;drale, &amp;agrave; ses l&amp;eacute;gendes et &amp;agrave; ses sculptures, vivent l&amp;rsquo;arriv&amp;eacute;e dans la ville, d&amp;eacute;couvrent l&amp;rsquo;ambiance des brasseries et des march&amp;eacute;s, aiment ou d&amp;eacute;testent cette ville singuli&amp;egrave;re, tout &amp;agrave; la fois allemande et fran&amp;ccedil;aise.&lt;/div&gt;
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                <text>Pour une réhabilitation de l'habitat créole à Cayenne. Aspects sociologiques</text>
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Monique Richter</text>
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1er juillet 2010

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L'Harmattan

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294</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
A Cayenne, environ six cents maisons traditionnelles sont recens&amp;eacute;es en plus ou moins bon &amp;eacute;tat de conservation. Comment r&amp;eacute;habiliter ce patrimoine ? Comment les modes d'habiter contemporains peuvent-ils redonner vie &amp;agrave; ces demeures et leur garantir une survie durable ? En effet, le mode de vie de la population locale a chang&amp;eacute;. On ne vit plus aujourd'hui comme au XIXe si&amp;egrave;cle et au d&amp;eacute;but du XXe si&amp;egrave;cle...&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le pr&amp;eacute;sent ouvrage examine ces questions, en se penchant sur l'&amp;eacute;volution r&amp;eacute;cente de la soci&amp;eacute;t&amp;eacute; guyanaise, caract&amp;eacute;ris&amp;eacute; par une grande diversit&amp;eacute; des origines culturelles.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cette d&amp;eacute;marche de recherche constitue le pr&amp;eacute;alable n&amp;eacute;cessaire d'une v&amp;eacute;ritable politique de r&amp;eacute;habilitation de l'habitat cr&amp;eacute;ole traditionnel &amp;agrave; Cayenne, souvent laiss&amp;eacute; &amp;agrave; l'abandon au fil du temps, car jug&amp;eacute; h&amp;acirc;tivement inadapt&amp;eacute; aux exigences de la vie moderne.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
L'ouvrage se termine par un ensemble de recommandations et propositions pour une r&amp;eacute;habilitation de cet habitat traditionnel qui corresponde aux objectifs &amp;eacute;nonc&amp;eacute;s.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Monique Richter&lt;/b&gt; est architecte-urbaniste. Elle travaille tout particuli&amp;egrave;rement sur le th&amp;egrave;me de la prise en compte des identit&amp;eacute;s culturelles dans le domaine de l'habitat et de l'am&amp;eacute;nagement en outre-mer fran&amp;ccedil;ais.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>L'invention du grand ensemble. La caisse des dépôts, maître d'ouvrage</text>
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Paul Landauer</text>
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30 juin 2010

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Picard

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288</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le milieu des ann&amp;eacute;es 50 marque un tournant dans les rapports de la Caisse des d&amp;eacute;p&amp;ocirc;ts &amp;agrave; la difficile question de l'habitat &amp;quot;populaire&amp;quot;. Alors qu'elle n'&amp;eacute;tait jusque-l&amp;agrave; qu'une banque de pr&amp;ecirc;ts pour les collectivit&amp;eacute;s publiques et les organismes constructeurs de logements, cet acteur majeur de la politique financi&amp;egrave;re, &amp;eacute;conomique et sociale du pays d&amp;eacute;cide de s'engager lui-m&amp;ecirc;me dans la r&amp;eacute;alisation d'op&amp;eacute;rations d'envergure.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La cr&amp;eacute;ation, le 11 juin 1954, d'une premi&amp;egrave;re filiale technique, la Soci&amp;eacute;t&amp;eacute; centrale immobili&amp;egrave;re de la Caisse des d&amp;eacute;p&amp;ocirc;ts (SCIC), inaugure une fonction nouvelle dans l'histoire de l'&amp;eacute;tablissement : celle de ma&amp;icirc;trise d'ouvrage. Celle-ci s'impose rapidement comme le plus important constructeur fran&amp;ccedil;ais. Le 31 d&amp;eacute;cembre 1958, jour o&amp;ugrave; est publi&amp;eacute; le d&amp;eacute;cret des &amp;quot;Zones &amp;agrave; urbaniser en priorit&amp;eacute;&amp;quot; (ZUP), elle aura lanc&amp;eacute; la r&amp;eacute;alisation de 76 455 logements sur plus de 400 programmes distincts. Cette performance rend compte d'une v&amp;eacute;ritable innovation dans la d&amp;eacute;finition des probl&amp;egrave;mes de construction et d'urbanisme comme dans le choix des modes op&amp;eacute;ratoires pour tenter de les r&amp;eacute;soudre.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
La Caisse des d&amp;eacute;p&amp;ocirc;ts devient ainsi l'initiatrice d'une nouvelle &amp;eacute;chelle d'appr&amp;eacute;ciation et d'intervention : de l'investissement direct au montage d'op&amp;eacute;ration, du groupe d'habitation &amp;agrave; la cit&amp;eacute; nouvelle, de la ville au territoire. Son r&amp;ocirc;le sera d&amp;eacute;terminant dans la d&amp;eacute;finition de la politique urbaine des ann&amp;eacute;es 1960.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Paul Landauer&lt;/b&gt; est architecte, enseignant &amp;agrave; l&amp;rsquo;&amp;Eacute;cole  d&amp;rsquo;architecture, de la ville et des territoires &amp;agrave; Marne-la-Vall&amp;eacute;e.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>Strasbourg, fin de ville, paysages ordinaires</text>
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Gauthier Sibillat</text>
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Juin 2010

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Editions Poursuite

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13</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Les photographies rassembl&amp;eacute;es ici, ont &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute;es entre 2008 et 2009 &amp;agrave; Strasbourg, plus pr&amp;eacute;cis&amp;eacute;ment dans ses p&amp;eacute;riph&amp;eacute;ries. Elles forment un portrait subjectif et non exhaustif d&amp;rsquo;une ville vue &amp;agrave; travers ses marges.&lt;/div&gt;
&lt;br /&gt;
Au-del&amp;agrave; de compl&amp;eacute;ter les archives visuelles du territoire strasbourgeois et de t&amp;eacute;moigner du constant renouvellement des limites de la ville, ce projet est avant tout port&amp;eacute; par le plaisir d&amp;rsquo;arpenter et de se perdre dans ces lieux.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Non Lieu

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L&amp;rsquo;ANRU, le logement social vous connaissez ?&lt;br /&gt;
Les &amp;eacute;meutes urbaines, les d&amp;eacute;molitions spectacles, les millions engloutis et chaque ann&amp;eacute;e le m&amp;ecirc;me constat : manque de logements, pr&amp;eacute;carit&amp;eacute;s grandissantes. Comment en sortir !&lt;/div&gt;
&lt;br /&gt;
Le r&amp;eacute;cit parfois path&amp;eacute;tique des r&amp;eacute;alit&amp;eacute;s v&amp;eacute;cues d&amp;rsquo;un quartier des zones dites sensibles de France, la Madeleine d&amp;rsquo;Evreux, par l&amp;rsquo;habitant alliant l&amp;rsquo;exp&amp;eacute;rience professionnelle de l&amp;rsquo;observation des faits &amp;agrave; l&amp;rsquo;engagement dans son territoire ouvre de nouveaux horizons.&lt;/div&gt;
&lt;br /&gt;
Jacques Caron montre comment derri&amp;egrave;re une fa&amp;ccedil;ade honorable la r&amp;eacute;novation des quartiers de logements sociaux se cache une redoutable machine &amp;agrave; paup&amp;eacute;riser &amp;agrave; fragiliser les quartiers populaires. Les destructions massives sont financ&amp;eacute;es par le 1% logement auparavant r&amp;eacute;serv&amp;eacute; &amp;agrave; la construction du logement et de son entretien. Les travaux de reconstruction font appel &amp;agrave; l&amp;rsquo;emprunt rembours&amp;eacute; par les locataires, ainsi l&amp;rsquo;ANRU contribue &amp;agrave; la crise du logement de notre pays. Les d&amp;eacute;g&amp;acirc;ts sur le patrimoine immobilier, concentrent et amplifient la d&amp;eacute;tresse humaine.&lt;/div&gt;
&lt;br /&gt;
Ce n&amp;rsquo;est pas principalement d&amp;rsquo;un nouvel urbanisme que nos quartiers ont besoin mais de citoyennet&amp;eacute;, de d&amp;eacute;mocratie, de syst&amp;egrave;me de repr&amp;eacute;sentation, de gestion, de fiscalit&amp;eacute; plus juste.&lt;/div&gt;
&lt;br /&gt;
Nos quartiers n&amp;rsquo;ont pas besoin d&amp;rsquo;argent, d&amp;rsquo;endettement suppl&amp;eacute;mentaire, mais de l&amp;rsquo;arr&amp;ecirc;t des gaspillages, d&amp;rsquo;un bon usage de l&amp;rsquo;argent public, d&amp;rsquo;une application r&amp;eacute;elle de la repr&amp;eacute;sentation r&amp;eacute;publicaine largement oubli&amp;eacute;e dans nos quartiers de logements sociaux.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Jacques Caron&lt;/b&gt; est attach&amp;eacute; principal de L&amp;rsquo;INSEE, membre d&amp;rsquo;associations de locataires depuis 42 ans, maire adjoint de la ville d&amp;rsquo;Evreux de 1977 &amp;agrave; 2001, conseiller municipal de 2004 &amp;agrave; 2008, administrateur de soci&amp;eacute;t&amp;eacute; de logements sociaux pendant 24 ans.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Michael J. Shapiro

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June 2010

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Routledge 

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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC.&lt;br /&gt;
&lt;br /&gt;
Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Michael J. Shapiro&lt;/b&gt; is a Professor of Political Science at the University of Hawaii.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>, aménagement urbain, capitalisme, représentations, politique culturelle, modernisation, mutation urbaine, rénovation urbaine, histoire urbaine, marxisme, Dmitrieva Marina, Kliems Alfrun,</text>
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Jovis Verlag

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                <text>&lt;div&gt;For twenty years now, cities from Central Europe to Central Asia have seen revolutionary change. Following the collapse of socialism, their outward appearance, functional composition, and symbolic representation have been shattered and reassembled by new political forces and market economies. Yet, the legacy of socialist urban planning and imagination has neither just disappeared, nor did it come to coexist peacefully with the new. Rather, the story is one of conflict and hybridity, of replacement as well as of recodification. This volume explores such transformations from a variety of perspectives. Revealing a puzzling, heterogeneous vitality, the chapters contrast similarities with local specifics across half a hemisphere from Berlin to Astana. Authors include urban planners, architects, art and political historians, and literary theorists from across the region as well as from outside. Genres range from scholarly analysis to polemic essay, supported by rich visual material.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
available from the publisher&lt;/a&gt; (click on the 'Sample Pages' PDF file).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Marina Dmitrieva &lt;/b&gt;and &lt;b&gt;Alfrun Kliems &lt;/b&gt;work at the University of Leipzig, Germany.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Caroline Gallez, 
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INRETS

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&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Mieux coordonner les politiques d'urbanisme et de transport est un mot d'ordre largement partag&amp;eacute; par les professionnels, les chercheurs et les acteurs de l'am&amp;eacute;nagement urbain. Renouvel&amp;eacute;e par les enjeux du d&amp;eacute;veloppement durable, la question de l'articulation entre r&amp;eacute;seaux de transport, flux de circulation et formes urbaines est loin d'&amp;ecirc;tre nouvelle.&lt;/div&gt;
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Comment les acteurs locaux impliqu&amp;eacute;s dans la conduite des politiques d'am&amp;eacute;nagement et de transport ont-ils appr&amp;eacute;hend&amp;eacute; l'&amp;eacute;volution des perspectives des quarante derni&amp;egrave;res ann&amp;eacute;es, de la ville adapt&amp;eacute;e &amp;agrave; l'automobile &amp;agrave; la mobilit&amp;eacute; urbaine durable ? Quels facteurs ont favoris&amp;eacute; le changement ou, au contraire, expliquent la continuit&amp;eacute; des politiques ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cette recherche, financ&amp;eacute;e par le CNRS et l'Ademe, compare quatre agglom&amp;eacute;rations suisses et fran&amp;ccedil;aises : Berne, Gen&amp;egrave;ve, Strasbourg et Bordeaux. Le recul historique permet d'aborder la coordination urbanisme-transport non comme une finalit&amp;eacute;, mais comme un processus politique en (re)construction permanente.&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Il a construit mieux, plus vite et moins cher que le prix courant. &amp;Agrave; Alger, Aix ou Marseille, cela ne tirait pas trop &amp;agrave; cons&amp;eacute;quence. &amp;Agrave; Paris, cela d&amp;eacute;clencha le scandale du CNL (Comptoir national du logement) en 1961.&lt;br /&gt; &lt;br /&gt; Maladresse de l&amp;rsquo;architecte, vindicte de la profession sur fond de lutte des partisans de l&amp;rsquo;Alg&amp;eacute;rie fran&amp;ccedil;aise contre les lib&amp;eacute;raux. Pour la premi&amp;egrave;re fois, le &amp;quot;scandale&amp;quot; est &amp;eacute;tudi&amp;eacute; et tir&amp;eacute; au clair.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;Table des mati&amp;egrave;res : &lt;/b&gt;&lt;/div&gt; &lt;br /&gt; Avant-propos&lt;br /&gt; 1. Le d&amp;eacute;rangeur. La personnalit&amp;eacute; de Pouillon. L&amp;rsquo;ordre des architectes &amp;hellip; et les modernes. La promotion immobili&amp;egrave;re. La situation du logement.&lt;br /&gt; 2. Le CNL. &amp;Agrave; nous deux Paris. L&amp;rsquo;objet du scandale. La rupture. Un renflouement impossible. Explosion du scandale. La situation politique. Division au sommet de l&amp;rsquo;&amp;Eacute;tat. Une vindicte politique.&lt;br /&gt; 3. &amp;Agrave; l&amp;rsquo;ombre. La prison. Le proc&amp;egrave;s. Interrogations soulev&amp;eacute;es par le proc&amp;egrave;s. Libre. Imprudence et nouvelle incarc&amp;eacute;ration.&lt;br /&gt; 4. Amnisti&amp;eacute;, disculp&amp;eacute;, r&amp;eacute;cup&amp;eacute;r&amp;eacute;&amp;hellip; Cr&amp;eacute;teil, une ville nouvelle. Billotte et de Gaulle. R&amp;eacute;habilitation 1: le pr&amp;eacute;sident Pompidou. R&amp;eacute;habilitation 2 : le pr&amp;eacute;sident Mitterrand.&lt;br /&gt; En guise d&amp;rsquo;&amp;eacute;pilogue de Fernand Pouillon&lt;br /&gt; Annexe&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Monografik

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&amp;nbsp;&lt;/div&gt;
Archi  et BD, la ville dessin&amp;eacute;e&lt;/a&gt;&amp;quot;. Cette exposition aborde toutes les facettes de la repr&amp;eacute;sentation de la ville dans la bande dessin&amp;eacute;e - la ville comme d&amp;eacute;cor r&amp;eacute;current, mais aussi comme personnage principal de la narration - et englobe les th&amp;egrave;mes de l'architecture, de l'utopie, de la politique, du social, de l'Histoire... tout en valorisant la dimension graphique et artistique de la bande dessin&amp;eacute;e.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Le parcours de l'exposition est chronologique, de la fin du XIXe si&amp;egrave;cle &amp;agrave; nos jours, d&amp;eacute;coup&amp;eacute; en trois grandes p&amp;eacute;riodes, du patrimoine au contemporain : Il &amp;eacute;tait une fois. Winsor McCay et ses h&amp;eacute;ritiers (1900- 1958), L'id&amp;eacute;e de modernit&amp;eacute; (1958-1990), et Voyage en ville (1900-.), en s'autorisant des &amp;quot;sauts&amp;quot; temporels pour mettre l'accent sur certaines filiations ou affinit&amp;eacute;s entre les auteurs de diff&amp;eacute;rentes g&amp;eacute;n&amp;eacute;rations.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Avec la participation d'une centaine d'auteurs de bande dessin&amp;eacute;e et la pr&amp;eacute;sentation de quelques 250 oeuvres, sous forme de planches, agrandissements de planches, illustrations, tableaux, photographies, maquettes. L'exposition fait aussi le lien avec des architectes dont l'imaginaire est proche de cet art. Le commissariat a &amp;eacute;t&amp;eacute; confi&amp;eacute; &amp;agrave; Jean-Marc Th&amp;eacute;venet, sc&amp;eacute;nariste et auteur de plusieurs ouvrages sur la bande dessin&amp;eacute;e, et directeur du Festival International de la Bande Dessin&amp;eacute;e d'Angoul&amp;ecirc;me de 1998 &amp;agrave; 2006.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Northern Illinois Unversity Press

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&amp;nbsp;&lt;/div&gt;
The &amp;ldquo;Age of Great Cities&amp;rdquo; erupted in East Central Europe in the last quarter of the 19th century as migrants poured into imperial and regional capitals. For citizens of places like Cracow, discovering and enacting metropolitan identities reinforced their break from a provincial past while affirming their belonging to &amp;ldquo;modern European civilization.&amp;rdquo; Strolling the city streets, sipping coffee in caf&amp;eacute;s, riding the electric tram, and reading the popular press, Cracovians connected to modern big-city culture. In this lively account, Wood looks to the mass circulation illustrated press as well as to supporting evidence from memoirs and archives from the period to present Cracow as a case study that demonstrates the ways people identify with modern urban life.&lt;br /&gt;
&lt;br /&gt;
Wood&amp;rsquo;s original study represents a major shift in thinking about Cracovian and East Central European history at the turn of the century. Challenging the previous scholarship that has focused on nationalism, Wood demonstrates that, in the realm of everyday life, urban identities were often more immediate and compelling. Becoming Metropolitan will appeal to scholars and students of urban history and the popular press, as well as to those interested in Polish history, Eastern European history, and modern European history.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Nathaniel D. Wood&lt;/b&gt; is Assistant Professor of History at the University of Kansas.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>, histoire urbaine, histoire de l'architecture, mémoire, ségrégation urbaine, voisinage, société urbaine, mixité sociale, fragmentation sociale, Mediterranean, méditerranéen, Miller Susan Gilson, Bertagnin </text>
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2010

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Harvard University Graduate School of Design 
Distributor
Harvard University Press

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&amp;nbsp;&lt;/div&gt;
A collaborative work among historians, literary specialists, and architects, this collection is directed at filling the gap in our knowledge about minority neighborhoods in the southern Mediterranean.&lt;br /&gt;
&lt;br /&gt;
A series of portraits examines the minority quarters of six Mediterranean cities: Fez, Marrakesh, Trani, Tangier, Palermo, and Istanbul. Each chapter documents the architectural reminders of minority presence: the houses, churches, synagogues, shrines, legations, and other public spaces that have been abandoned or converted to other uses. Authors also examine the everyday experiences that shaped physical space, such as family life, the economy, interactions with the rest of the city, relations with state authorities, and ties with the hinterland, the region and the wider Mediterranean world. Finally, the book considers how minority space has been exploited and refashioned as a &amp;ldquo;place of memory&amp;rdquo; in which uncomfortable visions of the past have been revised and made suitable for current use.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Foreword - Hashim Sarkis &lt;br /&gt;
An introduction to the Mediterranean minority quarter - Susan Gilson Miller &lt;br /&gt;
Fragments of the past : reconstructing the history of Palermo's Meschita Quarter - William Granara&lt;br /&gt;
The Giudecca of Trani : a Southern Italian synthesis - Susan Gilson Miller, Ilham Khurimakdisi, and Mauro Bertagnin &lt;br /&gt;
The Mall&amp;acirc;h, the third city of Fez - Susan Gilson Miller, Attilio Petruccioli, and Mauro Bertagnin&lt;br /&gt;
The Mall&amp;acirc;h of Marrakesh : epicenter of a desert economy - Emily R. Gottreich &lt;br /&gt;
The Beni Ider Quarter of Tangier in 1900 : hybridity as a social practice - Susan Gilson Miller &lt;br /&gt;
The Balat District of Istanbul : multiethnicity on the Golden Horn - Karen A. Leal&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Susan Gilson Miller&lt;/b&gt; is Associate Professor of History at the University of California at Davis.&lt;br /&gt;
&lt;b&gt;&amp;#65279;Mauro Bertagnin&lt;/b&gt; is Professor of Technical Architecture, Department of Civil Engineering, University of Udine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Herv&amp;eacute; Marchal, 
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6 juin 2010

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Tec et Doc - Lavoisier

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
L&amp;rsquo;usage du terme &amp;quot;ghetto&amp;quot; dans les nombreux discours politico-m&amp;eacute;diatiques conduit &amp;agrave; prendre au s&amp;eacute;rieux les risques sociaux, &amp;eacute;cologiques et politiques que les villes encourent suite aux processus de ghetto&amp;iuml;sation qui les touchent en ce d&amp;eacute;but de XXIe si&amp;egrave;cle.&lt;/div&gt;
&lt;br /&gt;
La ville d&amp;rsquo;aujourd&amp;rsquo;hui s&amp;rsquo;&amp;eacute;loigne de plus en plus de la ville historique, &amp;agrave; taille humaine et aux fronti&amp;egrave;res bien d&amp;eacute;limit&amp;eacute;es, et prend le chemin d&amp;rsquo;une ville informe, fractale, s&amp;rsquo;&amp;eacute;tendant &amp;agrave; l&amp;rsquo;infini et o&amp;ugrave; les flux franchissent les fronti&amp;egrave;res nationales. Mais loin d&amp;rsquo;&amp;ecirc;tre ouvert, lisse et sans entraves, le monde urbain contemporain est &amp;agrave; la fois marqu&amp;eacute; par une forte mobilit&amp;eacute; et par le principe s&amp;eacute;paratif. Les s&amp;eacute;gr&amp;eacute;gations sont devenues dans la ville d&amp;rsquo;aujourd&amp;rsquo;hui un &amp;eacute;l&amp;eacute;ment omnipr&amp;eacute;sent, s&amp;eacute;parant riches et pauvres, classes ouvri&amp;egrave;res et classes moyennes, &amp;eacute;trangers et nationaux, ch&amp;ocirc;meurs et actifs, &amp;eacute;lites mobiles et indigents s&amp;eacute;dentaires, ou encore croyants et non-croyants. Aussi est-il possible de rep&amp;eacute;rer toute une s&amp;eacute;rie d&amp;rsquo;espaces bien identifi&amp;eacute;s, circonscrits, voire ghetto&amp;iuml;s&amp;eacute;s : centres-villes gentrifi&amp;eacute;s, edge cities, quartiers bourgeois, gated communities, Megachurches, bidonvilles, cit&amp;eacute;s HLM pr&amp;eacute;caris&amp;eacute;es&amp;hellip;&lt;/div&gt;
&lt;br /&gt;
S&amp;rsquo;appuyant sur de nombreux exemples fran&amp;ccedil;ais et &amp;eacute;trangers, La ville au risque du ghetto propose une analyse de ces espaces urbains en proie &amp;agrave; la ghetto&amp;iuml;sation, s&amp;rsquo;interrogeant ainsi sur le risque qu&amp;rsquo;ils peuvent repr&amp;eacute;senter pour la coh&amp;eacute;sion et le d&amp;eacute;veloppement durable des ensembles urbains, ainsi que pour le dialogue et la compr&amp;eacute;hension entre tous les &amp;ecirc;tres humains.&lt;/div&gt;
&lt;br /&gt;
Cet ouvrage s&amp;rsquo;adresse aux chercheurs, aux &amp;eacute;tudiants et aux enseignants en sociologie et en sciences humaines int&amp;eacute;ress&amp;eacute;s par cette question, mais aussi &amp;agrave; tous les professionnels concern&amp;eacute;s par l&amp;rsquo;am&amp;eacute;nagement du territoire.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Herv&amp;eacute; Marchal&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en sociologie &amp;agrave; l'Universit&amp;eacute;  Nancy 2 et membre du Laboratoire de sociologie urbaine, des  repr&amp;eacute;sentations et de l&amp;rsquo;environnement social (LASURES) du 2L2S.&lt;/div&gt;
&lt;b&gt;Jean-Marc St&amp;eacute;b&amp;eacute;&lt;/b&gt; est professeur de sociologie &amp;agrave; l'Universit&amp;eacute; Nancy 2  et membre du Laboratoire de sociologie urbaine, des repr&amp;eacute;sentations et de l&amp;rsquo;environnement social (LASURES) du 2L2S.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Bernard Toulier, Johan Lagae et Marc Gemoets</text>
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16 juin 2010

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Somogy

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&amp;nbsp;&lt;/div&gt;
Parmi les plus vastes m&amp;eacute;galopoles, Kinshasa t&amp;eacute;moigne d'une urbanisation d&amp;eacute;brid&amp;eacute;e. De son noyau colonial historique aux banlieues en construction, la ville et ses habitants sont en perp&amp;eacute;tuel mouvement. Richement illustr&amp;eacute;, l'ouvrage retrace les &amp;eacute;tapes de la construction urbaine de la capitale de la R&amp;eacute;publique d&amp;eacute;mocratique du Congo, depuis l'&amp;eacute;poque pr&amp;eacute;historique jusqu'&amp;agrave; nos jours : bungalows pr&amp;eacute;fabriqu&amp;eacute;s en bois import&amp;eacute;s d'Angleterre, immeubles Art d&amp;eacute;co de l'entre deux-guerres, cit&amp;eacute;s indig&amp;egrave;nes des ann&amp;eacute;es 1950, ou constructions post-coloniales de la jeune g&amp;eacute;n&amp;eacute;ration d'architectes congolais... Un ouvrage en forme d'hommage &amp;agrave; Kin-la-Belle.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Bernard Toulier&lt;/b&gt; est conservateur en chef du patrimoine.&lt;br /&gt;
&lt;b&gt;Johan Lagae&lt;/b&gt;  est ing&amp;eacute;nieur architecte, docteur en histoire de l&amp;rsquo;architecture de l&amp;rsquo;Universit&amp;eacute; de Gand.&lt;br /&gt;
&lt;b&gt;Marc Gemoets&lt;/b&gt; est urbaniste et architecte-paysagiste.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cities, with their rising populations and complex configurations, have become key symbols of a fast-changing modernity. This timely collection gathers together various urban writings from a range of relevant disciplines, including architecture, geography, sociology, visual art, ethnography and psychoanalysis. Its focus, however, is performance. Underscoring the importance of the field, it shows how performance functions as a dynamic, interdisciplinary mechanism which is central not only to understanding the multiplicity of urban living but also to the way the identities of cities are shaped.&lt;br /&gt;
&lt;br /&gt;
Gathering together key writings on the city and performance by authors ranging from Walter Benjamin to Tim Etchells to Carl Lavery, the reader can be navigated in any number of ways. Supported by extensive introductory material, it will be essential and evocative reading for anyone interested in making connections between performance and urban life.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Preamble&lt;br /&gt;
Introduction&lt;br /&gt;
PART I: WALKING/THEATRES&lt;br /&gt;
Introduction&lt;br /&gt;
How Scratched Car Revealed the Price of a Peasant's Life - J. Watts Naples; W. Benjamin and A. Lacis&lt;br /&gt;
Eight Fragments on Theatre and the City -  T. Etchells&lt;br /&gt;
Sleepwalking in the Modern City: Walter Benjamin and Sigmund Freud in the World of Dreams -  S. Pile&lt;br /&gt;
Moving in the Cityscape: Performance and the Embodied Experience of the Fl&amp;acirc;neur - P. K&amp;uuml;ppers&lt;br /&gt;
A Manifesto for a New Walking Culture: 'Dealing with the City' - Wrights and Sites&lt;br /&gt;
PART II: DRIFTING/THINGS&lt;br /&gt;
Introduction&lt;br /&gt;
Situationism - C.Lavery&lt;br /&gt;
'The Map is not the Territory': The Unfinished Journey of the Situationist International - A. Hussey&lt;br /&gt;
'The Accident of Where I Live' - Journeys on the Caledonian Road - R. Wentworth&lt;br /&gt;
'How Long I 'Been On?': Marc Dion's Performative Archaeology of the City - A. Coles&lt;br /&gt;
What a Carry On - L. Gardner&lt;br /&gt;
Nosing Around: A Singapore Scent Trail - P. Rae with L. K. Hong&lt;br /&gt;
PART III: SOUNDING/RHYTHMS&lt;br /&gt;
Introduction&lt;br /&gt;
The Pepys of London E11: Graeme Miller and the Politics of Linked - C. Lavery&lt;br /&gt;
Wandering and Wondering: Following Janet Cardiff's Missing Voice - S. Gorman&lt;br /&gt;
Attempt at Rhythmanalysis of Mediterranean Cities - H. Lefebvre and C. R&amp;eacute;gulier&lt;br /&gt;
Rumours: A Conversation Between Francis Al&amp;yuml;s and James Lingwood (extract)&lt;br /&gt;
PART IV: PLAYING/PLACE&lt;br /&gt;
Introduction&lt;br /&gt;
Graffiti - S. J. Smith&lt;br /&gt;
Skating on Thin Eyes: the First Walk (extract) - I. Sinclair&lt;br /&gt;
The Policing of the Artist - M. Bunting&lt;br /&gt;
Horror Vacui - U. Hofbauer and F. Derschmidt&lt;br /&gt;
Radioballet - LIGNA&lt;br /&gt;
Circle Line Party - Space Hijackers&lt;br /&gt;
Paris Plage - B. Delano&amp;euml;&lt;br /&gt;
An Explosion of Delight - G. Dyer&lt;br /&gt;
Non-places - M. Aug&amp;eacute;&lt;br /&gt;
All the World's a Car Park - J. Winter&lt;br /&gt;
By Way of a Conclusion: One Place After Another (extract) - M. Kwon&lt;br /&gt;
Performing the City: Kyrysztof Wodiczko - N. Kaye&lt;br /&gt;
PART V: VISIONING/FLOWS&lt;br /&gt;
Introduction&lt;br /&gt;
The Right to Participate in the Work of the Imagination - A. Appadurai&lt;br /&gt;
Zero Tolerance, Maximum Surveillance?: Deviance, Difference and Crime Control in the Late Modern City - N. Fyfe&lt;br /&gt;
A Nigger in Cyberspace - K. Piper&lt;br /&gt;
Cyborg City - J. Harkin&lt;br /&gt;
25 Instructions for Performance in Cities - C. Lavery&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Nicolas Whybrow &lt;/b&gt;is Associate Professor of Theatre and Performance Studies at the University of Warwick, UK.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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