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This book tells a story about the transformation of mid-Victorian urban writing in response both to London's growing size and diversity, and Britain's shifting global fortunes. Tanya Agathocleous departs from customary understandings of realism, modernism, and the transition between them, to show how a range of writers throughout the nineteenth century - including William Wordsworth, Charles Dickens, William Morris, Henry James, Arthur Conan Doyle, and Joseph Conrad - explored the ethical, social and political implications of globalization. Showcasing a variety of different genres, Agathocleous uses the lens of cosmopolitan realism - the literary techniques used to transform the city into an image of the world - to explain how texts that seem glaringly dissimilar actually emerged from the same historical concept, and in doing so presents startlingly new ways of thinking about the meaning and effect of cosmopolitanism.&lt;/div&gt;
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&lt;b&gt;Tanya Agathocleous&lt;/b&gt; is an Assistant Professor in the Department of English at Hunter College, City University of New York.&lt;/div&gt;
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16 f&amp;eacute;vrier 2011

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Autrement

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&amp;nbsp;&lt;/div&gt;
A Mexico, les zones d'habitat pr&amp;eacute;caire cohabitent avec des quartiers ferm&amp;eacute;s et s&amp;eacute;curis&amp;eacute;s. La fortune de l'homme d'affaire Carlos Slim vient de d&amp;eacute;passer celle de Bill Gates alors que les indices de pauvret&amp;eacute; sont alarmants. Apr&amp;egrave;s les ruptures de la d&amp;eacute;cennie 1980, soulign&amp;eacute;es par le tremblement de terre de 1985, Mexico sortirait ainsi du statut de plus grande ville du Tiers-Monde pour se hisser &amp;agrave; celui de m&amp;eacute;tropole internationale. La conqu&amp;ecirc;te de ce statut suppose une reconfiguration des paysages urbains et des activit&amp;eacute;s &amp;eacute;conomiques.&lt;/div&gt;
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Mais de plus en plus souvent, l'avenir est pens&amp;eacute; en fonction du Grand Mexico : la ville de Mexico et la couronne de villes p&amp;eacute;riph&amp;eacute;riques (Puebla-Tlaxcala, Cuernavaca, Toluca...) sur un rayon de 100-150 kilom&amp;egrave;tres : ce changement d'&amp;eacute;chelle traduit-il le phantasme de la &amp;quot;m&amp;eacute;galopolisation&amp;quot;, &amp;agrave; l'image de la m&amp;eacute;galopole du Nord-est des Etats Unis ? Ou est-ce la volont&amp;eacute; de r&amp;eacute;pondre aux contradictions de l'expansion urbaine de la Vall&amp;eacute;e de Mexico ? De l'&amp;eacute;chelle de la ville-monde, au Grand Mexico ou au coeur historique, les auteurs mettent au jour am&amp;eacute;nagements (eau, transports) et jeux de d&amp;eacute;pendances, soulignant l'avenir incertain d'une ic&amp;ocirc;ne historique.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Antonine Ribardi&amp;egrave;re&lt;/b&gt; et &lt;b&gt;Bernard Tallet&lt;/b&gt; sont g&amp;eacute;ographes, enseignants &amp;agrave; l'universit&amp;eacute; Paris 1 Panth&amp;eacute;on-Sorbonne et membres de l'UMR 8586 PRODIG.&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Trying to make sense of the urban giant that is Cairo.&lt;/div&gt;
This book moves beyond superficial generalizations about Cairo as a chaotic metropolis in the developing world into an analysis of the ways the city&amp;rsquo;s eighteen million inhabitants have, in the face of a largely neglectful government, built and shaped their own city. Using a wealth of recent studies on Greater Cairo and a deep reading of informal urban processes, the city and its recent history are portrayed and mapped: the huge, spontaneous neighborhoods; housing; traffic and transport; city government; and its people and their enterprises. The book argues that understanding a city such as Cairo is not a daunting task as long as pre-conceived notions are discarded and care is taken to apprehend available information and to assess it with a critical eye. In the case of Cairo, this approach leads to a conclusion that the city can be considered a kind of success story, in spite of everything.&lt;/div&gt;
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&lt;b&gt;David Sims&lt;/b&gt; is an American economist and urban planner who has led a number of studies about Cairo&amp;rsquo;s urban development and housing.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;
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Pr&amp;eacute;face de Henri-Pierre Jeudy.&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt; &lt;br /&gt; Les &amp;eacute;lus et professionnels sont aujourd&amp;rsquo;hui en butte, avec la crise, &amp;agrave; de nouvelles demandes sociales, sur fond de mont&amp;eacute;e des pr&amp;eacute;carit&amp;eacute;s, d&amp;rsquo;augmentation du ch&amp;ocirc;mage (en particulier des jeunes) et d&amp;rsquo;ins&amp;eacute;curit&amp;eacute; persistante dans les quartiers. Dans cet environnement d&amp;eacute;grad&amp;eacute;, la politique de la ville se situe au c&amp;oelig;ur des enjeux de mixit&amp;eacute; sociale et urbaine et d&amp;rsquo;un vivre-ensemble &amp;agrave; inventer, au service de nouvelles solidarit&amp;eacute;s.&lt;br /&gt; &lt;br /&gt; Programmes ANRU, r&amp;eacute;ussite &amp;eacute;ducative, internats d&amp;rsquo;excellence, &amp;eacute;coles de la deuxi&amp;egrave;me chance, contrats aid&amp;eacute;s, d&amp;eacute;l&amp;eacute;gu&amp;eacute;s du pr&amp;eacute;fet, ateliers sant&amp;eacute;-ville, etc : les dispositifs ne manquent pas dans la politique de la ville&amp;hellip;mais comment s&amp;rsquo;y retrouver ?&lt;br /&gt; &lt;br /&gt; &amp;Agrave; travers une analyse pratique et d&amp;eacute;taill&amp;eacute;e des dispositifs et des r&amp;eacute;formes en cours (gouvernance locale et nationale, RGPP, r&amp;eacute;forme territoriale et fiscale, Grand Paris, g&amp;eacute;ographie prioritaire et DSU), ce manuel explique et pr&amp;eacute;cise le cadre actuel d&amp;rsquo;intervention de la politique de la ville et propose des leviers d&amp;rsquo;action, au service de projets de territoires ambitieux, solidaires et durables.&lt;br /&gt; &lt;br /&gt; Ce nouvel manuel de la collection Pratiques locales, didactique et complet permet aux &amp;eacute;lus, techniciens et responsables associatifs mais aussi &amp;agrave; un public plus large (universit&amp;eacute;s, grandes &amp;eacute;coles, fondations, partenaires sociaux, etc) de mieux comprendre et ma&amp;icirc;triser les ressorts de la politique de la ville d&amp;rsquo;aujourd&amp;rsquo;hui et de demain. Dix ans apr&amp;egrave;s le vote de la loi SRU et cinq ans apr&amp;egrave;s les &amp;eacute;meutes de l&amp;rsquo;automne 2005, il tombe &amp;agrave; point nomm&amp;eacute; pour identifier et mesurer les d&amp;eacute;fis des politiques de coh&amp;eacute;sion sociale et urbaine, &amp;agrave; dimension locale.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;Emmanuel Heyraud&lt;/b&gt; est responsable de la politique de la ville, des politiques de l&amp;rsquo;habitat et de l&amp;rsquo;urbanisme &amp;agrave; l&amp;rsquo;Association des maires de grandes villes de France (AMGVF). Il a &amp;eacute;t&amp;eacute;, de 1999 &amp;agrave; 2008, charg&amp;eacute; de mission &amp;agrave; l&amp;rsquo;Agence nationale pour la coh&amp;eacute;sion sociale et l&amp;rsquo;&amp;eacute;galit&amp;eacute; des chances (Acs&amp;eacute;).&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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F&amp;eacute;vrier 2011

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Taschen GmbH

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&amp;nbsp;&lt;/div&gt;
Remplir un blanc historique. La quatri&amp;egrave;me &amp;eacute;poque de l&amp;rsquo;architecture sovi&amp;eacute;tique&lt;br /&gt;
&lt;br /&gt;
Dans cet ouvrage, le photographe Fr&amp;eacute;d&amp;eacute;ric Chaubin d&amp;eacute;voile 90 b&amp;acirc;timents situ&amp;eacute;s dans les anciennes r&amp;eacute;publiques sovi&amp;eacute;tiques qui t&amp;eacute;moignent de ce que l'on pourrait consid&amp;eacute;rer comme la quatri&amp;egrave;me &amp;eacute;poque de l'architecture sovi&amp;eacute;tique. Ils r&amp;eacute;v&amp;egrave;lent une renaissance inattendue de l'imagination, un bourgeonnement jusqu'ici inconnu qui s'est d&amp;eacute;velopp&amp;eacute; de 1970 &amp;agrave; 1990. Contrairement aux ann&amp;eacute;es vingt et trente, on ne distingue ici ni &amp;quot;&amp;eacute;cole&amp;quot; ni tendance dominante. Ces constructions repr&amp;eacute;sentent un &amp;eacute;lan chaotique provoqu&amp;eacute; par un syst&amp;egrave;me qui tombait en d&amp;eacute;cr&amp;eacute;pitude. Leur diversit&amp;eacute; annonce la fin de l'Union Sovi&amp;eacute;tique.&lt;br /&gt;
&lt;br /&gt;
Profitant de l'effondrement de cette structure monolithique, des trous dans le filet qui devenait plus l&amp;acirc;che, des architectes ont revisit&amp;eacute; toutes les p&amp;eacute;riodes et tous les styles, remontant aux sources ou innovant librement. Certains audacieux r&amp;eacute;alis&amp;egrave;rent des projets qui auraient fait r&amp;ecirc;ver les constructivistes (le sanatorium de Druzhba), d'autres ont laiss&amp;eacute; parler leur imagination d'une mani&amp;egrave;re expressionniste (le Palais du Mariage de Tbilissi). Une colonie de vacances, inspir&amp;eacute;e d'esquisses d'un prototype de base lunaire revendique son influence supr&amp;eacute;matiste (Prom&amp;eacute;th&amp;eacute;e). Sans oublier l'&amp;quot;architecture parlante&amp;quot; qui s'est g&amp;eacute;n&amp;eacute;ralis&amp;eacute;e pendant les derni&amp;egrave;res ann&amp;eacute;es de l'URSS: un crematorium orn&amp;eacute; de flammes de b&amp;eacute;ton (crematorium de Kiev), un institut technologique avec une soucoupe volante &amp;eacute;cras&amp;eacute;e sur le toit (institut de Kiev), un centre politique qui vous observe comme Big Brother (la maison des soviets de Kaliningrad). Ce puzzle de styles t&amp;eacute;moigne de tous les r&amp;ecirc;ves id&amp;eacute;ologiques de cette p&amp;eacute;riode, de l'obsession du cosmos &amp;agrave; la renaissance de la vie priv&amp;eacute;e, tout en soulignant la g&amp;eacute;ographie de l'URSS, montrant comment les influences locales ont apport&amp;eacute; leurs d&amp;eacute;tournements exotiques avant de porter le coup fatal &amp;agrave; ce pays.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Fr&amp;eacute;d&amp;eacute;ric Chaubin&lt;/b&gt; est, depuis quinze ans, le r&amp;eacute;dacteur en chef du magazine Citizen K. Depuis 2000, il affirme un regard de photographe en publiant des sujets m&amp;ecirc;lant textes et images. Le projet CCCP s&amp;rsquo;est d&amp;eacute;velopp&amp;eacute; de 2003 &amp;agrave; 2010, au gr&amp;eacute; des voyages, selon une logique intuitive. Il a donn&amp;eacute; lieu &amp;agrave; de nombreuses expositions, du Japon aux Etats-Unis.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Visualiser une interview (en anglais)&lt;/a&gt; de Fr&amp;eacute;d&amp;eacute;ric Chaubin &amp;agrave; propos de cet ouvrage et de l'exposition de ses photos au Zentrum f&amp;uuml;r Kunst und Medientechnologie Karlsruhe du 29 janvier au 27 mars 2011.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Pierre Laurence</text>
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5 f&amp;eacute;vrier 2011

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Connaissances et Savoirs

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&lt;br /&gt;
De plus en plus, nous vivons en milieu urbain. Les villes occupent d&amp;eacute;sormais une place centrale dans l'organisation et la transformation des pays. Toutefois, loin d'&amp;ecirc;tre un tissu tendant &amp;agrave; l'homog&amp;eacute;n&amp;eacute;it&amp;eacute;, on assiste, corr&amp;eacute;lativement &amp;agrave; cet essor, &amp;agrave; une d&amp;eacute;gradation de certains quartiers retranch&amp;eacute;s dans la pauvret&amp;eacute; et les difficult&amp;eacute;s, voire &amp;agrave; l'apparition d'une nouvelle forme de s&amp;eacute;gr&amp;eacute;gation. Pour enrayer ce ph&amp;eacute;nom&amp;egrave;ne, des politiques de r&amp;eacute;g&amp;eacute;n&amp;eacute;ration urbaine ont &amp;eacute;t&amp;eacute; lanc&amp;eacute;es, notamment celles dites de d&amp;eacute;veloppement urbain durable fond&amp;eacute;es sur des approches int&amp;eacute;gr&amp;eacute;es. Celles-ci font aujourd'hui l'objet de l'attention de l'ouvrage compos&amp;eacute; par Pierre Laurence, chercheur qui fait le choix de la comparaison des mises en oeuvre de politiques urbaines de revitalisation au sein de trois quartiers de part et d'autre de l'Atlantique (La Croix-Rousse &amp;agrave; Lyon, Sainte-Marie &amp;agrave; Montr&amp;eacute;al, et les premiers quartiers de Trois-Rivi&amp;egrave;res au Qu&amp;eacute;bec).&lt;br /&gt;
&lt;br /&gt;
Si La ville est appel&amp;eacute;e &amp;agrave; devenir le lieu de vie privil&amp;eacute;gi&amp;eacute; de l'humanit&amp;eacute;, si l'on ne veut pas qu'elle se fragmente et devienne territoire d'in&amp;eacute;galit&amp;eacute;, il y a urgence &amp;agrave; repenser son d&amp;eacute;veloppement, son fonctionnement, ses strat&amp;eacute;gies et m&amp;eacute;thodes d'intervention de d&amp;eacute;veloppement urbain. D&amp;egrave;s lors, quel est le r&amp;ocirc;le des acteurs ? Quels leviers convient-il d'actionner ? Comment tenir compte dans un contexte urbain en mutation de la mise en oeuvre d'approches int&amp;eacute;gr&amp;eacute;es de d&amp;eacute;veloppement urbain durable ? Quels en sont les leviers ? Et comment d&amp;eacute;velopper des formules de gestion urbaine nouvelles mettant en synergie les diff&amp;eacute;rents acteurs de la ville ? Telles sont les questions soulev&amp;eacute;es au cours de la recherche men&amp;eacute;e par Pierre Laurence qui, via une &amp;eacute;tude comparative de cas en mati&amp;egrave;re de revitalisation de trois quartiers aupr&amp;egrave;s d'une centaine d'acteurs selon une conception durable du d&amp;eacute;veloppement urbain, interroge les enjeux et les limites de ce type de d&amp;eacute;marche, en particulier la reconfiguration profonde des modes d'intervention en mati&amp;egrave;re de revitalisation.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Pierre Laurence&lt;/b&gt; est intervenant, consultant, chercheur, formateur, et &amp;eacute;galement conseiller en d&amp;eacute;veloppement communautaire &amp;agrave; la Ville de Montr&amp;eacute;al, membre de l'Observatoire qu&amp;eacute;b&amp;eacute;cois sur la d&amp;eacute;mocratie et du Groupe de recherche sur la coop&amp;eacute;ration d&amp;eacute;centralis&amp;eacute;e et le d&amp;eacute;veloppement des collectivit&amp;eacute;s locales.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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3 f&amp;eacute;vrier 2011

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Economica

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&amp;nbsp;&lt;/div&gt;
Berceau de l'automobile et ville identifi&amp;eacute;e &amp;agrave; son m&amp;eacute;tro, Paris semble aujourd'hui r&amp;eacute;server &amp;agrave; son r&amp;eacute;seau d'autobus un r&amp;ocirc;le secondaire. Un sentiment que ne pouvait partager le Parisien du XIXe si&amp;egrave;cle, marqu&amp;eacute; par l'image de l'omnibus Madeleine-Bastille, ins&amp;eacute;parable de la figure c&amp;eacute;l&amp;eacute;br&amp;eacute;e du boulevard. L'autobus aurait donc &amp;eacute;t&amp;eacute; victime d'une mobilit&amp;eacute; urbaine qui s'est massifi&amp;eacute;e. Il n'a pourtant pas rejoint la longue liste des modes disparus, des tramways aux bateaux omnibus. Comment expliquer cette adaptation d'un syst&amp;egrave;me de transport ancien &amp;agrave; une soci&amp;eacute;t&amp;eacute; urbaine qui s'est industrialis&amp;eacute;e ? A quel prix l'autobus s'est-il maintenu dans le jeu parisien ? Quelle m&amp;eacute;tamorphose le m&amp;eacute;tro et l'automobile lui-ont ils fait subir ? Au-del&amp;agrave; de l'image contemporaine d'un mode plut&amp;ocirc;t domin&amp;eacute;, l'autobus n'a-t-il pas lui aussi jou&amp;eacute; les ma&amp;icirc;tres de la chauss&amp;eacute;e et les fers de lance de la technique ? Quelle est donc cette souplesse qui caract&amp;eacute;rise l'autobus, dans les discours et les perceptions ? Comment se combine-t-elle avec les &amp;eacute;volutions de l'espace public ? Le regard propos&amp;eacute; ici se porte sur des &amp;eacute;pisodes rarement mis en avant, des conflits mondiaux aux manifestations de f&amp;eacute;vrier 1934, l'exceptionnel permettant souvent de r&amp;eacute;v&amp;eacute;ler la place de l'objet technique dans la soci&amp;eacute;t&amp;eacute;.&lt;br /&gt;
&lt;br /&gt;
C'est plus g&amp;eacute;n&amp;eacute;ralement &amp;agrave; une plong&amp;eacute;e dans l'&amp;eacute;cosyst&amp;egrave;me des modes de transport parisiens qu'invite cet ouvrage. Leurs relations, faites d'alliances, d'oppositions et d'hybridations, y sont explicit&amp;eacute;es et analys&amp;eacute;es. Au long de ce livre, le contrepoint de Londres permet de saisir les enjeux d'identit&amp;eacute; et de construction sociale qui caract&amp;eacute;risent les relations entre une ville et ses modes de transport.&lt;br /&gt;
&lt;br /&gt;
En se fondant sur l'id&amp;eacute;e de mobilit&amp;eacute; urbaine, cet ouvrage propose donc une r&amp;eacute;flexion sur ce que pourrait &amp;ecirc;tre une autre histoire des transports, int&amp;eacute;ress&amp;eacute;e aux voyageurs et aux images sociales, autant qu'aux &amp;eacute;l&amp;eacute;ments couramment &amp;eacute;tudi&amp;eacute;s que sont les chiffres de fr&amp;eacute;quentation et le mat&amp;eacute;riel roulant.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Arnaud Passalacqua&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences en histoire contemporaine &amp;agrave; l'Universit&amp;eacute; Paris Diderot Paris 7.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Fariba Zarinebaf

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University of California Press

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&amp;nbsp;&lt;/div&gt;
This vividly detailed revisionist history exposes the underworld of the largest metropolis of the early modern Mediterranean and through it the entire fabric of a complex, multicultural society. Fariba Zarinebaf maps the history of crime and punishment in Istanbul over more than one hundred years, considering transgressions such as riots, prostitution, theft, and murder and at the same time tracing how the state controlled and punished its unruly population. Taking us through the city's streets, workshops, and houses, she gives voice to ordinary people&amp;mdash;the man accused of stealing, the woman accused of prostitution, and the vagabond expelled from the city. She finds that Istanbul in this period remains mischaracterized&amp;mdash;in part by the sensational and exotic accounts of European travelers who portrayed it as the embodiment of Ottoman decline, rife with decadence, sin, and disease. Linking the history of crime and punishment to the dramatic political, economic, and social transformations that occurred in the eighteenth century, Zarinebaf finds in fact that Istanbul had much more in common with other emerging modern cities in Europe, and even in America.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Fariba Zarinebaf&lt;/b&gt; is Associate Professor of History at the University of California at Riverside.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Virginie Brunelot</text>
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F&amp;eacute;vrier 2011

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L'Harmattan

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Cayenne entre 1919 et 1939. Un entre-deux-guerres qui laisse peu de souvenirs, &amp;agrave; part ceux de quelques soubresauts politiques. L'auteure retrace le quotidien des Cayennais &amp;agrave; l'aide des archives &amp;eacute;crites, non exemptes d'erreur, d'approximation et d'omission, et de la m&amp;eacute;moire orale individuelle, soumise &amp;agrave; l'oubli (volontaire ou non) et &amp;agrave; l'interpr&amp;eacute;tation. Pour cela, l'auteure a interrog&amp;eacute; une quinzaine de Guyanais ayant v&amp;eacute;cu leur enfance &amp;agrave; Cayenne.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Virginie Brunelo&lt;/b&gt;t, bien que non historienne, &amp;eacute;crit sur l'histoire quotidienne &amp;agrave; Cayenne.&lt;/div&gt;
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Mustapha Chouiki</text>
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Janvier 2011

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Edition Dar Attaouhidi

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Cet ouvrage qui se veut une lecture apportant une valeur ajoute&amp;#769;e a&amp;#768; l&amp;rsquo;e&amp;#769;tude et a&amp;#768; la compre&amp;#769;hension de la ville marocaine, s&amp;rsquo;e&amp;#769;carte d&amp;rsquo;un grand nombre d&amp;rsquo;ide&amp;#769;es rec&amp;#807;ues, notamment celles qui cherchent a&amp;#768; continuer a&amp;#768; couler le phe&amp;#769;nome&amp;#768;ne urbain marocain dans un moule fait par et pour une e&amp;#769;poque re&amp;#769;volue.&lt;br /&gt;
&lt;br /&gt;
Il s&amp;rsquo;est attele&amp;#769; a&amp;#768; de&amp;#769;montrer que c&amp;rsquo;est en ville que la se&amp;#769;dimentation historique du Maroc re&amp;#769;ve&amp;#768;le la grande discordance introduite par la colonisation. C&amp;rsquo;est en ville que les mutations les plus pesantes prennent forme et provoquent les effets les plus profonds. C&amp;rsquo;est en ville que les pathologies sociales les plus lourdes de conse&amp;#769;quences naissent et se propagent. C&amp;rsquo;est en ville que s&amp;rsquo;inscrit dans l&amp;rsquo;espace, d&amp;rsquo;une fac&amp;#807;on criante la pauvrete&amp;#769; et la pre&amp;#769;carite&amp;#769;. C'est en ville que le Maroc re&amp;#769;ame&amp;#769;nage constamment sa vitrine de la modernite&amp;#769;. C&amp;rsquo;est en ville que la me&amp;#769;tamorphose des valeurs sociales fonctionne a&amp;#768; plein re&amp;#769;gime. C&amp;rsquo;est en ville que naissent et se de&amp;#769;veloppent de nouvelles couches sociales et se dessinent de nouveaux clivages sociaux. C&amp;rsquo;est en ville que se concentrent forces et symboles du pouvoir politique et du capital. C&amp;rsquo;est en fin en ville que se profile le nouveau projet de socie&amp;#769;te&amp;#769; souhaite&amp;#769; ou non, mais qui tend a&amp;#768; se ge&amp;#769;ne&amp;#769;raliser a&amp;#768; l&amp;rsquo;ensemble du pays.&lt;br /&gt;
&lt;br /&gt;
Toutes les dynamiques qui traversent la ville marocaine depuis l&amp;rsquo;accession du pays a&amp;#768; l&amp;rsquo;inde&amp;#769;pendance politique, refle&amp;#768;tent un changement qui au lieu de constituer une coupure avec le passe&amp;#769; colonial s&amp;rsquo;inscrit dans la continuite&amp;#769;, pour de&amp;#769;montrer que les pesanteurs de l&amp;rsquo;histoire imposent l&amp;rsquo;invariance comme corollaire du changement.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Mustapha CHOUIKI&lt;/b&gt; est professeur a&amp;#768; l&amp;rsquo;Universite&amp;#769; Hassan II de Casablanca, ou&amp;#768; il enseigne la ge&amp;#769;ographie urbaine et l&amp;rsquo;urbanisme. Ses travaux de recherche se focalisent depuis plus de trente ans sur la ville marocaine, au sein de l&amp;rsquo;e&amp;#769;quipe de recherche qu&amp;rsquo;il dirige (POL.AM)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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F&amp;eacute;vrier 2011

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L'Harmattan

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&amp;nbsp;&lt;/div&gt;
Les grandes villes des pays r&amp;eacute;cemment industrialis&amp;eacute;s, comme Mexico et Ath&amp;egrave;nes, pr&amp;eacute;sentent des particularit&amp;eacute;s similaires au niveau de leur structure urbaine, notamment dans les quartiers d'origine spontan&amp;eacute;e. Le concept d'&amp;quot;&amp;eacute;co-paysage urbain&amp;quot; a permis d'analyser les paysages des deux villes &amp;agrave; &amp;eacute;chelles spatiales et temporelles. L'approche &amp;eacute;cologique, historique et socio-&amp;eacute;conomique met en &amp;eacute;vidence le syst&amp;egrave;me producteur ayant donn&amp;eacute; naissance &amp;agrave; ces paysages et le r&amp;ocirc;le des acteurs sociaux.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Christy (Chryssanthi) Petropoulou&lt;/b&gt; est g&amp;eacute;ographe. Elle enseigne la g&amp;eacute;ographie  &amp;agrave; l'Universit&amp;eacute; Ouverte Hell&amp;eacute;nique et la g&amp;eacute;ographie urbaine &amp;agrave; la facult&amp;eacute; de g&amp;eacute;ographie de l'universit&amp;eacute; d'Eg&amp;eacute;e.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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 Yale University Press

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&amp;nbsp;&lt;/div&gt;
In this pioneering study of the water infrastructure of Renaissance Rome, urban historian Katherine Rinne offers a new understanding of how technological and scientific developments in aqueduct and fountain architecture helped turn a medieval backwater into the preeminent city of early modern Europe. Supported by the author&amp;rsquo;s extensive topographical research, this book presents a unified vision of the city that links improvements to public and private water systems with political, religious, and social change. Between 1560 and 1630, in a spectacular burst of urban renewal, Rome&amp;rsquo;s religious and civil authorities sponsored the construction of aqueducts, private and public fountains for drinking, washing, and industry, and the magnificent ceremonial fountains that are Rome&amp;rsquo;s glory. Tying together the technological, sociopolitical, and artistic questions that faced the designers during an age of turmoil in which the Catholic Church found its authority threatened and the infrastructure of the city was in a state of decay, Rinne shows how these public works projects transformed Rome in a successful marriage of innovative engineering and strategic urban planning.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Katherine Wentworth Rinne&lt;/b&gt; is an urban designer and historian of Renaissance and baroque architecture and urbanism. She is adjunct professor in the department of architecture at the California College of the Arts and associate fellow at the Institute for Advanced Technology in the Humanities at the University of Virginia.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Waters of the city of Rome&lt;/a&gt;'&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Bernard Gourmelen, 
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Mamoutou Tour&amp;eacute;</text>
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F&amp;eacute;vrier 2011

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L'Harmattan

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En Afrique, la rue est devenue le lieu de survie pour nombre de personnes &amp;eacute;chappant au travail salari&amp;eacute;. Les deux auteurs ont profit&amp;eacute; de leurs exp&amp;eacute;riences professionnelles dans le domaine de l'emploi pour observer de plus pr&amp;egrave;s ce qui se passait &amp;agrave; Abidjan.&lt;/div&gt;
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Simon Sebag Montefiore

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Weidenfeld &amp;amp; Nicolson (Orion) 

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Jerusalem is the universal city, the capital of two peoples, the shrine of three faiths; it is the prize of empires, the site of Judgement Day and the battlefield of today's clash of civilisations. From King David to Barack Obama, from the birth of Judaism, Christianity and Islam to the Israel-Palestine conflict, this is the epic history of 3,000 years of faith, slaughter, fanaticism and coexistence.&lt;/div&gt;
&lt;br /&gt;
How did this small, remote town become the Holy City, the 'centre of the world' and now the key to peace in the Middle East? In a gripping narrative, Simon Sebag Montefiore reveals this ever-changing city in its many incarnations, bringing every epoch and character blazingly to life. Jerusalem's biography is told through the wars, love affairs and revelations of the men and women - kings, empresses, prophets, poets, saints, conquerors and whores - who created, destroyed, chronicled and believed in Jerusalem. As well as the many ordinary Jerusalemites who have left their mark on the city, its cast varies from Solomon, Saladin and Suleiman the Magnificent to Cleopatra, Caligula and Churchill; from Abraham to Jesus and Muhammad; from the ancient world of Jezebel, Nebuchadnezzar, Herod and Nero to the modern times of the Kaiser, Disraeli, Mark Twain, Rasputin and Lawrence of Arabia.&lt;/div&gt;
&lt;br /&gt;
Drawing on new archives, current scholarship, his own family papers and a lifetime's study, Montefiore illuminates the essence of sanctity and mysticism, identity and empire in a unique story of the city that many believe will be the setting for the Apocalypse. This is how Jerusalem became Jerusalem: the only city that exists twice - in heaven and on earth.&lt;br /&gt;
&lt;br /&gt;
The epic story of Jerusalem told through the lives of the men and women who created, ruled and inhabited it.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Simon Sebag Montefiore &lt;/b&gt;is an historian and award-winning author of books including 'Young Stalin' and 'Stalin : The court of the red Tsar'.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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