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University of Wales Press 

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This ground-breaking volume brings together contributions from scholars across a range of disciplines (including literary studies, history, geography and archaeology) to investigate questions of space, place and identity in the medieval city. Using Chester as a case study - with attention to its location on the border between England and Wales, its rich multi-lingual culture and surviving material fabric - the essays seek to recover the experience and understanding of the urban space by individuals and groups within the medieval city, and to offer new readings from the vantage-point of twenty-first century disciplinary and theoretical perspectives.&lt;/div&gt;
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&lt;b&gt;Catherine Clarke &lt;/b&gt;is Lecturer in English and Associate Director of the Centre for Medieval and Early Modern Research at Swansea University.&lt;/div&gt;
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L'Harmattan

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Sur la c&amp;ocirc;te atlantique du Maroc, Mazagan, aujourd'hui El Jadida, a &amp;eacute;t&amp;eacute; tour &amp;agrave; tour -de sa cr&amp;eacute;ation, au d&amp;eacute;but du XVIe si&amp;egrave;cle, &amp;agrave; l'ind&amp;eacute;pendance du pays en 1956-, cit&amp;eacute; portugaise, port cosmopolite, ville fran&amp;ccedil;aise. Durant cette longue p&amp;eacute;riode, la ville a connu en quelque sorte trois vies, qui sont le reflet et l'illustration des ambitions successives du Portugal,  de l'Europe - au travers de l'action de n&amp;eacute;gociants sardes, g&amp;eacute;nois, anglais, fran&amp;ccedil;ais et plus tard, allemands- et de la France sur un pays dont les richesses suscitaient convoitises et volont&amp;eacute; d'accaparement.&lt;/div&gt;
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                <text>, délinquance, gouvernance, ségrégation urbaine, inégalité, inequality, sécurité, renouvellement urbain, néolibéralisme, pauvreté, développement urbain, apartheid, Cape Town, Le Cap, mondialisation, global city, ville mondiale, Samara Tony Roshan</text>
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Reveals how liberal democracy and free-market economics reproduce the inequalities of apartheid in Cape Town, South Africa&lt;br /&gt; &lt;br /&gt; Nearly two decades after the dismantling of apartheid in South Africa, how different does the nation look? In Cape Town, is hardening inequality under conditions of neoliberal globalization actually reproducing the repressive governance of the apartheid era? By exploring issues of urban security and development, Tony Roshan Samara brings to light the features of urban apartheid that increasingly mark not only Cape Town but also the global cities of our day&amp;mdash;cities as diverse as Los Angeles, Rio de Janeiro, Paris, and Beijing.&lt;br /&gt; &lt;br /&gt; Cape Town after Apartheid focuses on urban renewal and urban security policies and practices in the city center and townships as this aspiring world-class city actively pursues a neoliberal approach to development. The city&amp;rsquo;s attempt to escape its past is, however, constrained by crippling inequalities, racial and ethnic tensions, political turmoil, and persistent insecurity. Samara shows how governance in Cape Town remains rooted in the perceived need to control dangerous populations and protect a somewhat fragile and unpopular economic system. In urban areas around the world, where the affluent minority and poor majority live in relative proximity to each other, aggressive security practices and strict governance reflect and reproduce the divided city.&lt;br /&gt; &lt;br /&gt; A critical case for understanding a transnational view of urban governance, especially in highly unequal, majority-poor cities, this closely observed study of postapartheid Cape Town affords valuable insight into how security and governance technologies from the global North combine with local forms to create new approaches to social control in cities across the global South.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Presses universitaires de Rennes

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&amp;nbsp;&lt;/div&gt;
Cet ouvrage se propose de relire la ville comme un espace et une soci&amp;eacute;t&amp;eacute; mis en ordre et partag&amp;eacute;s, en amont de l&amp;rsquo;intervention polici&amp;egrave;re ou du contr&amp;ocirc;le institutionnel. Il d&amp;eacute;crit ainsi la perception de la ville que peuvent porter diff&amp;eacute;rents acteurs de l&amp;rsquo;ordre urbain, la dimension religieuse de la ville &amp;agrave; l&amp;rsquo;&amp;eacute;poque moderne ou les croisements entre partages sociaux urbains et d&amp;eacute;bats id&amp;eacute;ologiques nationaux &amp;agrave; partir de la R&amp;eacute;volution. Une image diff&amp;eacute;rente de la ville en ressort, faite d&amp;rsquo;une invention quotidienne du partage et qui m&amp;ecirc;le politique et religion, espace et soci&amp;eacute;t&amp;eacute;, normes et pratiques.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Table des mati&amp;egrave;res :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Claude Michaud - Pr&amp;eacute;face &lt;br /&gt;
Pierre Serna et Ga&amp;euml;l Rideau - Introduction g&amp;eacute;n&amp;eacute;rale&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Ecrire l&amp;rsquo;ordre urbain&lt;/b&gt;&lt;br /&gt;
Chantal Sens&amp;eacute;by - L&amp;rsquo;&amp;eacute;crit dans la tourmente. R&amp;eacute;voltes seigneuriales et ordre comtal en Anjou&lt;br /&gt;
d&amp;rsquo;apr&amp;egrave;s le t&amp;eacute;moignage de moines b&amp;eacute;n&amp;eacute;dictins du XIIe si&amp;egrave;cle&lt;br /&gt;
Nicole Dyonet - L&amp;rsquo;ordre public est-il l&amp;rsquo;objet de la police dans le Trait&amp;eacute; de Delamare ?&lt;br /&gt;
Jean-Pierre Vittu - L&amp;rsquo;inspecteur d&amp;rsquo;H&amp;eacute;mery organise ses fiches : les instruments de la police&lt;br /&gt;
du livre &amp;agrave; Paris dans la seconde moiti&amp;eacute; du XVIIIe si&amp;egrave;cle&lt;br /&gt;
Pierre Allorant - Ecrire et d&amp;eacute;chiffrer l&amp;rsquo;ordre urbain am&amp;eacute;ricain : le r&amp;eacute;cit de voyage d&amp;rsquo;un ing&amp;eacute;nieur fran&amp;ccedil;ais en 1869&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Ordre religieux et partage de la ville&lt;/b&gt;&lt;br /&gt;
Alain Cabantous - Les chanoines et la place &amp;agrave; Metz, 1753. Pouvoir urbain et paysages sociaux&lt;br /&gt;
C&amp;eacute;line Borello - D&amp;eacute;jouer l&amp;rsquo;ordre public et cr&amp;eacute;er un ordre urbain : la convivance &amp;agrave; Marseille au XVIIIe si&amp;egrave;cle&lt;br /&gt;
Ga&amp;euml;l Rideau - La construction d&amp;rsquo;un ordre en marche : les processions &amp;agrave; Orl&amp;eacute;ans (XVIIe-XVIIIe si&amp;egrave;cles)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;D&amp;eacute;sordre national, ordres politiques et partages sociaux en ville&lt;/b&gt;&lt;br /&gt;
Pierre Serna - Orl&amp;eacute;ans, la petite r&amp;eacute;publique des girouettes, ou lorsque les &amp;eacute;lites s&amp;egrave;ment le trouble en ville&lt;br /&gt;
No&amp;euml;lle Dauphin - Versailles, ville d&amp;rsquo;ordre au XIXe si&amp;egrave;cle ?&lt;br /&gt;
Bernard Gainot - Consid&amp;eacute;rations sur la police aux colonies&lt;br /&gt;
&lt;br /&gt;
Michel Pertu&amp;eacute; - Postface&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pierre Serna&lt;/b&gt; est professeur d&amp;rsquo;histoire moderne &amp;agrave; l&amp;rsquo;universit&amp;eacute; Paris I-Panth&amp;eacute;on Sorbonne et directeur de l&amp;rsquo;Institut d&amp;rsquo;histoire de la R&amp;eacute;volution fran&amp;ccedil;aise.&lt;br /&gt;
&lt;b&gt;Ga&amp;euml;l Rideau&lt;/b&gt; est ma&amp;icirc;tre de conf&amp;eacute;rences d&amp;rsquo;histoire moderne &amp;agrave; l&amp;rsquo;universit&amp;eacute; d&amp;rsquo;Orl&amp;eacute;ans et membre du Savours.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Aux XVIIe et XVIIIe si&amp;egrave;cles, l&amp;rsquo;affirmation des ports s&amp;rsquo;accompagne d&amp;rsquo;une tutelle croissante exerc&amp;eacute;e sur les havres situ&amp;eacute;s dans leur environnement imm&amp;eacute;diat, entra&amp;icirc;nant la constitution d&amp;rsquo;aires portuaires maritimes. Dans le cas de Nantes, des avant-ports sont implant&amp;eacute;s au sein de l&amp;rsquo;estuaire de la Loire, notamment Paimb&amp;oelig;uf. L&amp;rsquo;&amp;eacute;tude des b&amp;acirc;timents fr&amp;eacute;quentant le port de Nantes r&amp;eacute;v&amp;egrave;le &amp;eacute;galement le r&amp;ocirc;le essentiel des flottilles des ports proches ainsi que les relations entretenues par leurs &amp;eacute;lites avec la place commerciale nantaise.&lt;/div&gt;
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Mardaga

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&lt;br /&gt;
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&lt;br /&gt;
Avec l'Immeuble-villas Le Corbusier met au point bien plus qu'un nouveau style de vie ou une technique de construction : il invente un mode de communication qui lui permet d'inscrire l'ensemble de ses projets dans le r&amp;eacute;cit qui en organise la coh&amp;eacute;rence. Ce qu'il tait dans ses publications de ses difficult&amp;eacute;s pour concr&amp;eacute;tiser son projet avec des industriels montre &amp;agrave; quel point son positionnement public - celui d'un architecte conscient des bouleversements techniques et &amp;eacute;conomiques de son temps, qui entend entretenir avec l'industrie une collaboration &amp;eacute;troite mais ma&amp;icirc;tris&amp;eacute;e dans laquelle il reste ma&amp;icirc;tre du jeu et exerce en toute autonomie - est construit sur une aporie, non r&amp;eacute;solue, entre l'architecture comme oeuvre et la maison comme produit.&lt;/div&gt;
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&lt;b&gt;Soline Nivet&lt;/b&gt; est architecte DPLG et docteur en architecture. Ma&amp;icirc;tre-assistante &amp;agrave; l'&amp;Eacute;cole Nationale sup&amp;eacute;rieure d'architecture de Paris-Malaquais, elle partage son activit&amp;eacute; entre enseignement, recherche et critique architecturale.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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W&amp;amp;N

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&amp;nbsp;&lt;/div&gt;
Rome - as a city, as an empire, as an enduring idea - is in many ways the origin of everything Robert Hughes has spent his life thinking and writing about with such dazzling irreverence and exacting rigour. In this magisterial book he traces the city's history from its mythic foundation with Romulus and Remus to Fascism, Fellini and beyond.&lt;/div&gt;
&lt;br /&gt;
For almost a thousand years, Rome held sway as the spiritual and artistic centre of the world. Hughes vividly recreates the ancient Rome of Julius Caesar, Marcus Aurelius, Nero, Caligula, Cicero, Martial and Virgil. With the artistic blossoming of the Renaissance, he casts his unwavering critical eye over the great works of Raphael, Michelangelo and Brunelleschi, shedding new light on the Old Masters. In the seventeenth, eighteenth and nineteenth centuries, when Rome's cultural predominance was assured, artists and tourists from all over Europe converged on the city. Hughes brilliantly analyses the defining works of Caravaggio, Velasquez, Rubens and Bernini.&lt;/div&gt;
&lt;br /&gt;
Hughes' Rome is a vibrant, contradictory, spectacular and secretive place; a monument both to human glory and human error. This deeply personal account reflects his own complex relationship with a city he first visited as a wide-eyed twenty-year-old, thirsting for the sights, sounds, smells and tastes he had only read about or seen in postcard reproductions. In equal parts loving, iconoclastic, enraged and wise, peopled with colourful figures and rich in unexpected details, ROME is an exhilarating journey through the story of one of the world's most timelessly fascinating cities.&lt;br /&gt;
&lt;br /&gt;
Prizewinning writer and critic's dazzling biography of the Eternal City.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Robert Hughes &lt;/b&gt;is &lt;i&gt;Time &lt;/i&gt;magazine's art critic, the bestselling author of 'The Fatal Shore' and the originator and narrator of the highly acclaimed TV series and book 'The Shock of the New'.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Catalogue de l''exposition &amp;quot;Architectures 80&amp;quot; pr&amp;eacute;sent&amp;eacute;e au Pavillon de l'Arsenal &amp;agrave; Paris (3 mai - 25 septembre 2011)&lt;br /&gt;
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Les travaux de plus de deux cents &amp;eacute;quipes d&amp;rsquo;architectes, urbanistes, paysagistes et designers, les &amp;eacute;crits de nombreux critiques, chercheurs, journalistes sont ainsi rassembl&amp;eacute;s pour cette premi&amp;egrave;re r&amp;eacute;trospective de notre patrimoine contemporain, riche d&amp;rsquo;enseignement pour la construction de la ville de demain.&lt;br /&gt;
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L''exposition porte sur la production architecturale et urbaine parisienne d'une p&amp;eacute;riode qui s'&amp;eacute;tend de 1980 &amp;agrave; 1990. De l'adoption du POS Parisien aux festivit&amp;eacute;s du bicentenaire de la R&amp;eacute;volution fran&amp;ccedil;aise sur les Champs-&amp;Eacute;lys&amp;eacute;es, de la Loi sur l'architecture &amp;agrave; l'inauguration des premiers grands projets mitterrandiens, quel h&amp;eacute;ritage architectural et urbain les ann&amp;eacute;es 1980 ont-elles laiss&amp;eacute; &amp;agrave; la capitale parisienne ?&lt;br /&gt;
&lt;br /&gt;
L'exposition vise &amp;agrave; rep&amp;eacute;rer les lignes de force de cette p&amp;eacute;riode-charni&amp;egrave;re pour l'histoire contemporaine de l'architecture, en restituant les projets les plus significatifs dans les d&amp;eacute;bats de la d&amp;eacute;cennie et dans leur contexte politique et culturel. Elle interrogera plus particuli&amp;egrave;rement la fortune critique et op&amp;eacute;rationnelle du post-modernisme dans les milieux de l'architecture et de l'urbanisme parisiens.&lt;/div&gt;
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Parmi les villes &amp;quot;h&amp;eacute;ro&amp;iuml;ques&amp;quot; qui se r&amp;eacute;inventent pour rena&amp;icirc;tre de la crise, Birmingham cumulait les handicaps, d&amp;eacute;figur&amp;eacute;e par la guerre et l'urbanisme moderniste, d&amp;eacute;vast&amp;eacute;e par la d&amp;eacute;pression industrielle.&lt;/div&gt;
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Sa renaissance spectaculaire repose sur une strat&amp;eacute;gie, conduite depuis plus de vingt ans, pour attirer le tourisme d'affaires et donner une priorit&amp;eacute; absolue au centre ville, &amp;eacute;largi, vivifi&amp;eacute;, embelli. Les moyens sont pragmatiques ; des projets publics ambitieux qui dynamisent l'investissement priv&amp;eacute;, transformant la ville en lieu ludique et commercial de premier plan. Les partenariats public / priv&amp;eacute;, pratiqu&amp;eacute;s depuis longtemps en Grande-Bretagne, sont riches d'enseignements, y compris pour interroger leurs cons&amp;eacute;quences sur la qualit&amp;eacute; urbaine et la coh&amp;eacute;sion sociale.&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Comment parler de la ville d&amp;egrave;s lors que l&amp;rsquo;on choisi de la traiter en tant qu&amp;rsquo;objet pr&amp;eacute;sent, isol&amp;eacute; de toute nomination, de connotation historique et culturelle ? Tel est le propos qui a conduit &amp;agrave; l&amp;rsquo;&amp;eacute;laboration de m&amp;eacute;thodologies originales et &amp;agrave; la pr&amp;eacute;sentation de nouvelles images intellectuelles du code urbain.&lt;/div&gt;
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S&amp;rsquo;appliquant au cas bordelais, les outils d&amp;rsquo;investigation permettent de pr&amp;eacute;senter deux grands ensembles de donn&amp;eacute;es, venant certes en compl&amp;eacute;ment mais r&amp;eacute;pondant &amp;agrave; deux consid&amp;eacute;rations, la ville en tant que continuit&amp;eacute; spatiale dans un site d&amp;rsquo;une part, la ville structur&amp;eacute;e par le r&amp;eacute;seau hi&amp;eacute;rarchis&amp;eacute; d&amp;rsquo;une voirie qui forme l&amp;rsquo;espace tout en s&amp;rsquo;inscrivant strictement dans la nappe urbaine. &lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ainsi, une image originale de l&amp;rsquo;espace urbain va na&amp;icirc;tre combinant un expos&amp;eacute; dense sur les modalit&amp;eacute;s de l&amp;rsquo;agglom&amp;eacute;ration spatiale structur&amp;eacute;e par une mission organis&amp;eacute;e d&amp;rsquo;un r&amp;eacute;seau de voiries imaginant et maintenant la solidit&amp;eacute; de la ville.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ouverture &amp;ndash; La cr&amp;eacute;ation d'une ville sans histoire(s), par Jean Dumas&lt;br /&gt;
&lt;br /&gt;
Premi&amp;egrave;re partie &amp;ndash; La ville ajust&amp;eacute;e, par Agn&amp;egrave;s Berland-Berthon et Michel Favory&lt;br /&gt;
Introduction, par Jean Dumas&lt;br /&gt;
Chapitre 1 &amp;ndash; La narration descriptive et la forme spatiale urbaine&lt;br /&gt;
Chapitre 2 &amp;ndash; La ville comme archive totale&lt;br /&gt;
&lt;br /&gt;
Deuxi&amp;egrave;me partie &amp;ndash; Vers un langage de la mat&amp;eacute;rialit&amp;eacute; urbaine : la le&amp;ccedil;on bordelaise, par Claire Parin&lt;br /&gt;
Introduction, par Jean Dumas&lt;br /&gt;
Objectifs et hypoth&amp;egrave;ses&lt;br /&gt;
Chapitre 1 &amp;ndash; Les apports de l'analyse urbaine&lt;br /&gt;
Chapitre 2 &amp;ndash; Regard sur le mode de d&amp;eacute;cryptage de l'espace bordelais : de l'exp&amp;eacute;rimentation &amp;agrave; la m&amp;eacute;thode&lt;br /&gt;
&lt;br /&gt;
Pour conclure en &amp;eacute;largissant, par Jean Dumas&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Fifty years after the publication of her most influential book, The Death and Life of Great American Cities, Jane Jacobs is perhaps the most widely read urbanist ever. Her ideas contributed to the wholesale reevaluation of the tenets of contemporary planning: urban renewal, public housing, highways, and zoning. It is hard to imagine the renewed appreciation of neighborhood life, the rejection of urban renewal and public housing complexes, and the rise of the new urbanist movement without Jane Jacobs. It may be hard to imagine gated communities, gentrification, and the Disneyfication of urban centers without her as well.&lt;br /&gt; &lt;br /&gt; This volume begins with the premise that the deepest respect is shown through honest critique. One of the greatest problems in understanding the influence of Jane Jacobs on cities and planning is that she has for much of the past five decades been &amp;quot;Saint Jane,&amp;quot; the &amp;quot;housewife&amp;quot; who upended urban renewal and gave us back our cities. Over time, she has become a saintly stick figure, a font of simple wisdom for urban health that allows many to recite her ideas and few to understand their complexity. She has been the victim of her own success.&lt;br /&gt; &lt;br /&gt; Reconsidering Jane Jacobs gives this important thinker the respect she deserves, reminding planning professionals of the full range and complexity of her ideas and offering thoughtful critiques on the unintended consequences of her ideas on cities and planning today. It also looks at the international relevance &amp;mdash; or lack thereof &amp;mdash; of her work, with essays on urbanism in Abu Dhabi, Argentina, China, the Netherlands, and elsewhere.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Contents : &lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Max Page - Introduction : More than meets the eye&lt;/div&gt; Peter L. Laurence - The unknown Jane Jacobs : Geographer, propagandist, city planning idealist&lt;/div&gt; Jane M. Jacobs - An Australian Jane Jacobs&lt;/div&gt; Jamin Creed Rowan - The literary craft of Jane Jacobs&lt;/div&gt; Sergio Kiernan - Urban warfare : The battles for Buenos Aires&lt;/div&gt; Richard Harris - The magpie and the bee : Jane Jacobs's magnificent obsession&lt;/div&gt; Gert-Jan Hospers - Jane Jacobs in Dutch cities and towns : Metropolitan romance in provincial reality&lt;/div&gt; Jill L. Grant - Time, scale, and control : How new urbanism (mis)uses Jane Jacobs&lt;/div&gt; Rudanya Abdo and Geoffrey M. Batzel - Planning the modern Arab city : The case of Abu Dhabi&lt;/div&gt; Timonty Mennel - Jane Jacobs, Andy Warhol, and the kind of problem a community is&lt;/div&gt; Nathan Cherry - A Chinese perspective&lt;/div&gt; Thomas J. Campanella - Jane Jacobs and the death and life of American planning&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Presses universitaires de Rennes

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cet ouvrage montre que s&amp;rsquo;il existe des capitales, il est difficile de dresser l&amp;rsquo;id&amp;eacute;al-type d&amp;rsquo;une capitale de la Renaissance car les configurations politiques sont diverses dans une Europe qui compte des monarchies, des empires, des r&amp;eacute;publiques urbaines ou cit&amp;eacute;s-&amp;eacute;tats, des monarchies composites&amp;hellip; Aussi, loin d&amp;rsquo;une analyse exclusivement fonctionnaliste, sont retenues dans ce livre des capitales de la Renaissance qui ne le sont plus forc&amp;eacute;ment aujourd&amp;rsquo;hui, invitant ainsi le lecteur &amp;agrave; &amp;eacute;chapper &amp;agrave; une histoire des capitales qui ne soit que le r&amp;eacute;cit t&amp;eacute;l&amp;eacute;ologique de celles qui le demeurent encore&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Jean-Marie Le Gall - Introduction&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Espaces sans capitale&lt;/b&gt;&lt;br /&gt;
Olivier Chaline - Le Saint-Empire sans capitale&lt;br /&gt;
Giovanni Ricci - L&amp;rsquo;ordre des villes dans l&amp;rsquo;Italie de la Renaissance&lt;br /&gt;
et le cas de Bologne, capitale manqu&amp;eacute;e &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Capitales en questions&lt;/b&gt;&lt;br /&gt;
Jean-Marie Le Gall - Paris &amp;agrave; la Renaissance : capitale ou premi&amp;egrave;re des bonnes villes ? &lt;br /&gt;
Philippe Hamon - Quelle(s) capitale(s) pour la Bretagne (XVe-XVIIe si&amp;egrave;cle) ? &lt;br /&gt;
Olivier Rouchon - Florence cit&amp;eacute; dominante : les historiens et le probl&amp;egrave;me de la capitale&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Choisir une capitale&lt;/b&gt;&lt;br /&gt;
Przemyslaw Mrozowski - Cracovie-Vilnius-Varsovie : trois capitales de l&amp;rsquo;&amp;Eacute;tat polono-lituanien au XVIe si&amp;egrave;cle &lt;br /&gt;
Pierre Ragon - De Tenochtitlan &amp;agrave; Mexico &lt;br /&gt;
Marie-Karine Schaub - Capitale et id&amp;eacute;ologie imp&amp;eacute;riale en Russie : de Kiev &amp;agrave; Saint-P&amp;eacute;tersbourg&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;D&amp;eacute;placer la capital&lt;/b&gt;e&lt;br /&gt;
Maria Jos&amp;eacute; Del Rio Barredo - Le transfert de la cour de Madrid &amp;agrave; Valladolid et le d&amp;eacute;bat sur l&amp;rsquo;&amp;eacute;tablissement&lt;br /&gt;
d&amp;rsquo;une capitale permanente en Espagne vers 1600 &lt;br /&gt;
Paolo Cozzo - De Chamb&amp;eacute;ry &amp;agrave; Turin : le transfert de la capitale du duch&amp;eacute; de Savoie au XVIe si&amp;egrave;cle&lt;br /&gt;
Alain Cabantous - Conclusion : les seuils des villes capitales&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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