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Nicole Girard</text>
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REF.2C

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&amp;nbsp;&lt;/div&gt;
Martigues, Venise proven&amp;ccedil;ale, ville fleurie pos&amp;eacute;e sur l&amp;rsquo;eau, le charme de ses canaux, de ses &amp;icirc;les, de ses ponts, le quartier Le miroir aux oiseaux avec ses maisons color&amp;eacute;es qui se refl&amp;egrave;tent &amp;agrave; la surface d&amp;rsquo;un petit port pittoresque... ces images, puis&amp;eacute;es dans un pass&amp;eacute; qui a su &amp;ecirc;tre pr&amp;eacute;serv&amp;eacute;, demeurent toujours vivaces. Cependant, au-del&amp;agrave; des clich&amp;eacute;s touristiques, il ne faudrait pas oublier que Martigues a connu une formidable croissance dans les d&amp;eacute;cennies qui ont suivi l&amp;rsquo;apr&amp;egrave;s Seconde Guerre mondiale. Sous les effets conjoints de l&amp;rsquo;expansion de l&amp;rsquo;agglom&amp;eacute;ration marseillaise et de l&amp;rsquo;industrialisation de l&amp;rsquo;&amp;eacute;tang de Berre, la ville s&amp;rsquo;est d&amp;eacute;velopp&amp;eacute;e ; elle s&amp;rsquo;est transform&amp;eacute;e. La croissance d&amp;eacute;mographique a connu des rythmes soutenus. Pour accueillir l&amp;rsquo;afflux de population, il a fallu b&amp;acirc;tir, am&amp;eacute;nager et structurer le territoire. Dans ce contexte, la municipalit&amp;eacute; a voulu s&amp;rsquo;assurer la ma&amp;icirc;trise de l&amp;rsquo;expansion urbaine. Pour cela, elle a cr&amp;eacute;&amp;eacute; en 1961 une soci&amp;eacute;t&amp;eacute; d&amp;rsquo;&amp;eacute;conomie mixte (SEMIVIM) charg&amp;eacute;e de r&amp;eacute;aliser des op&amp;eacute;rations immobili&amp;egrave;res et d&amp;rsquo;am&amp;eacute;nagement. Au fil des ann&amp;eacute;es, cette structure s&amp;rsquo;est affirm&amp;eacute;e comme un des principaux acteurs d&amp;rsquo;une aventure urbaine qui a chang&amp;eacute; la physionomie de ce petit port m&amp;eacute;diterran&amp;eacute;en.&lt;br /&gt;
&lt;br /&gt;
Le livre &amp;quot;Une aventure urbaine&amp;quot; raconte cette histoire, l&amp;rsquo;histoire d&amp;rsquo;une ville qui se modernise dans la seconde moiti&amp;eacute; du XXe si&amp;egrave;cle, l&amp;rsquo;histoire d&amp;rsquo;une soci&amp;eacute;t&amp;eacute; publique d&amp;rsquo;am&amp;eacute;nagement charg&amp;eacute;e de mettre en forme la politique d&amp;rsquo;urbanisation. Au-del&amp;agrave; du territoire local, cette histoire est embl&amp;eacute;matique, &amp;agrave; plusieurs titres, des processus de modernisation des paysages urbains &amp;agrave; l&amp;rsquo;oeuvre dans la France contemporaine.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Paul Claval</text>
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22 septembre 2011

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Les Carnets de l'Info

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&amp;nbsp;&lt;/div&gt;
Il fut une &amp;eacute;poque, du XVe si&amp;egrave;cle au d&amp;eacute;but du XXe,  o&amp;ugrave; les architectes avaient pour mission d'ennoblir les palais, les lieux de culte et les r&amp;eacute;sidences des puissants en les embellissant. La ma&amp;icirc;trise des projections math&amp;eacute;matiques, et de la perspective qui en d&amp;eacute;coule, donnait aux artistes et aux architectes un pouvoir nouveau ; l'id&amp;eacute;al platonicien du beau faisait accepter par tous une grammaire universelle des formes.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
A partir du XVIIIe si&amp;egrave;cle, les conditions se transforment : la soci&amp;eacute;t&amp;eacute; s&amp;rsquo;urbanise, s&amp;rsquo;industrialise et devient plus mobile : l&amp;rsquo;esth&amp;eacute;tique d&amp;rsquo;inspiration platonicienne est critiqu&amp;eacute;e ; le principe du beau est d&amp;eacute;sormais recherch&amp;eacute; du c&amp;ocirc;t&amp;eacute; de la raison ou de l&amp;rsquo;histoire. Un compromis incarn&amp;eacute; par Jacques-Nicolas-Louis Durand est imagin&amp;eacute; &amp;agrave; la jointure du XVIIIe et du XIXe si&amp;egrave;cle. Il concilie la volont&amp;eacute; d&amp;rsquo;embellissement, dont entendent d&amp;eacute;sormais b&amp;eacute;n&amp;eacute;ficier les classes moyennes, avec le souci d&amp;rsquo;efficacit&amp;eacute; fonctionnelle.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cette fa&amp;ccedil;on de concevoir l&amp;rsquo;am&amp;eacute;nagement des villes s&amp;rsquo;efface au d&amp;eacute;but du XXe si&amp;egrave;cle, au moment o&amp;ugrave; s&amp;rsquo;impose le terme d&amp;rsquo;urbanisme et le programme qu&amp;rsquo;il d&amp;eacute;signe : l&amp;rsquo;am&amp;eacute;lioration des conditions de vie de tous les citadins. L&amp;rsquo;art d&amp;rsquo;ennoblir pour embellir a cependant l&amp;eacute;gu&amp;eacute; &amp;agrave; l&amp;rsquo;urbanisme de tradition europ&amp;eacute;enne un r&amp;ecirc;ve : celui d&amp;rsquo;harmoniser les formes b&amp;acirc;ties.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Professeur &amp;eacute;m&amp;eacute;rite &amp;agrave; l'Universit&amp;eacute; de Paris-Sorbonne, &lt;b&gt;Paul Claval&lt;/b&gt; est un sp&amp;eacute;cialiste de l'&amp;eacute;pist&amp;eacute;mologie (&lt;i&gt;Epist&amp;eacute;mologie de la g&amp;eacute;ographie&lt;/i&gt;, 2007) et de l'histoire des id&amp;eacute;es g&amp;eacute;ographiques (&lt;i&gt;L'Evolution de la g&amp;eacute;ographie en France de 1870 &amp;agrave; nos jours&lt;/i&gt;, 1998).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Ellipses

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&amp;nbsp;&lt;/div&gt;
Alexandrie : le simple nom de la ville fond&amp;eacute;e par Alexandre le Grand suffit &amp;agrave; faire surgir un tourbillon d'images &amp;eacute;vocatrices. Monuments c&amp;eacute;l&amp;egrave;bres (le tombeau d'Alexandre, le Phare, la Biblioth&amp;egrave;que), figures illustres du monde gr&amp;eacute;co-romain (Jules C&amp;eacute;sar, Marc Antoine, Cl&amp;eacute;op&amp;acirc;tre), conqu&amp;eacute;rants de l'&amp;acirc;ge moderne (Bonaparte, Mehemet Ali), po&amp;egrave;tes et &amp;eacute;crivains de l'&amp;eacute;poque cosmopolite (Cavafis, Durrell) ont &amp;eacute;clair&amp;eacute; tour &amp;agrave; tour l'histoire de cette ville.&lt;br /&gt;
&lt;br /&gt;
Cet &amp;eacute;tonnant cort&amp;egrave;ge t&amp;eacute;moigne du r&amp;ocirc;le qu'a jou&amp;eacute;, pendant plus de deux mille ans, la cit&amp;eacute; des Ptol&amp;eacute;m&amp;eacute;es. Premi&amp;egrave;re m&amp;eacute;tropole du monde m&amp;eacute;diterran&amp;eacute;en dans la p&amp;eacute;riode hell&amp;eacute;nistique, rivale de Rome &amp;agrave; l'&amp;eacute;poque imp&amp;eacute;riale, Alexandrie domine les chroniques de l'Antiquit&amp;eacute;. Plate-forme commerciale du Levant apr&amp;egrave;s la conqu&amp;ecirc;te arabe, porte d'entr&amp;eacute;e en &amp;Eacute;gypte sous l'Empire ottoman, Alexandrie se trouve encore, &amp;agrave; l'&amp;eacute;poque moderne et contemporaine, au coeur des relations entre Orient et Occident : c'est devant ses murs que d&amp;eacute;barquent, en 1798, les soldats de l'exp&amp;eacute;dition d'&amp;Eacute;gypte men&amp;eacute;e par Bonaparte.&lt;br /&gt;
&lt;br /&gt;
Mais l'histoire mill&amp;eacute;naire d'Alexandrie compte au moins autant pour elle-m&amp;ecirc;me que pour les prolongements &amp;eacute;rudits ou r&amp;ecirc;veurs qu'elle a pu susciter : depuis l'Antiquit&amp;eacute;, historiens et po&amp;egrave;tes ont cultiv&amp;eacute; sa m&amp;eacute;moire et fa&amp;ccedil;onn&amp;eacute; son image. &amp;quot;Cit&amp;eacute; d'or&amp;quot; selon le grammairien grec Ath&amp;eacute;n&amp;eacute;e, &amp;quot;premi&amp;egrave;re du monde&amp;quot; pour l'historien Diodore de Sicile, la ville de la Biblioth&amp;egrave;que et du Phare s'est inscrite &amp;agrave; jamais dans notre imaginaire. Lieu de tous les savoirs, creuset des sagesses antiques et des grandes religions, Alexandrie n'a cess&amp;eacute; d'alimenter les utopies.&lt;br /&gt;
&lt;br /&gt;
C'est l&amp;agrave;, pr&amp;eacute;cis&amp;eacute;ment, l'objet de cet ouvrage : la somme des r&amp;eacute;cits, des t&amp;eacute;moignages ou des contes par lesquels s'est form&amp;eacute;, aux confins de l'histoire et du songe, le mythe d'Alexandrie.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Paul-Andr&amp;eacute; Claudel&lt;/b&gt; est Ma&amp;icirc;tre de Conf&amp;eacute;rence en Litt&amp;eacute;rature Compar&amp;eacute;e &amp;agrave; l'Universit&amp;eacute; de Nantes.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Jeunes de banlieue. Ces mots associ&amp;eacute;s g&amp;eacute;n&amp;egrave;rent aussit&amp;ocirc;t une repr&amp;eacute;sentation caricaturale dans l&amp;rsquo;imaginaire collectif : celle d&amp;rsquo;un adolescent issu de l&amp;rsquo;immigration, portant capuche et baskets, en rupture avec la soci&amp;eacute;t&amp;eacute;. Ce livre propose d&amp;rsquo;aller au-del&amp;agrave; du clich&amp;eacute; m&amp;eacute;diatique. Car derri&amp;egrave;re le vocable &amp;quot;jeunes de banlieue&amp;quot;, il y a des filles et des gar&amp;ccedil;ons issus de toutes sortes de milieux, des banlieues franciliennes ou provinciales, ais&amp;eacute;es, pavillonnaires ou sensibles.&lt;br /&gt;
&lt;br /&gt;
Journaliste sp&amp;eacute;cialis&amp;eacute;e, &lt;b&gt;Anne Dhoquois&lt;/b&gt; est all&amp;eacute;e &amp;agrave; la rencontre de vingt jeunes, &amp;acirc;g&amp;eacute;s de 15 &amp;agrave; 24 ans. Comment voient-ils leur avenir ? la soci&amp;eacute;t&amp;eacute; ? Quels sont leurs mod&amp;egrave;les ? A quoi r&amp;ecirc;vent-ils ? Quels sont leurs engagements politiques et associatifs ? Quels sont leurs rapports &amp;agrave; la famille, &amp;agrave; l&amp;rsquo;argent, &amp;agrave; la religion ?&lt;br /&gt;
&lt;br /&gt;
Leurs r&amp;eacute;ponses sont autant de Paroles libres qui permettent &amp;agrave; ces &amp;quot;invisibles&amp;quot; de faire entendre leur voix. Lucides, courageux, porteurs d&amp;rsquo;espoirs ou touchants, leurs propos sont d&amp;eacute;crypt&amp;eacute;s par le sociologue &lt;b&gt;Ahmed Boubeker&lt;/b&gt;.&lt;/div&gt;
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Santiago de Cuba est un exemple unique dans la Cara&amp;iuml;be : fond&amp;eacute; en 1515 avec un trac&amp;eacute; r&amp;eacute;gulier, red&amp;eacute;fini &amp;agrave; la fin du XVIIe &amp;agrave; l&amp;rsquo;image des villes campements comme Santa Fe, Espagne. Le d&amp;eacute;veloppement social et urbain pr&amp;eacute;sent&amp;eacute; par les auteures est bas&amp;eacute; sur une &amp;eacute;tude rigoureuse des documents, plans et photos des diff&amp;eacute;rentes archives, la plupart in&amp;eacute;dites. L&amp;rsquo;ouvrage s&amp;rsquo;articule sur des dates cl&amp;eacute;s de l&amp;rsquo;histoire de Santiago, p&amp;eacute;riodisation nouvelle qui s&amp;rsquo;&amp;eacute;carte de celle de La&amp;#8239;Havane, afin de montrer les sp&amp;eacute;cificit&amp;eacute;s urbaines, sociales, &amp;eacute;conomiques et &amp;eacute;cologiques de Santiago &amp;thinsp;: les changements urbains &amp;agrave; partir de 1788 avec le gouverneur Vaillant, l&amp;rsquo;arriv&amp;eacute;e des Fran&amp;ccedil;ais provenant de Saint-Domingue et l&amp;rsquo;impact de cette &amp;eacute;migration sur la ville &amp;thinsp;; les flux migratoires entre la France et Cuba, notamment entre Bordeaux et Santiago, qui donnent aujourd&amp;rsquo;hui un riche patrimoine partag&amp;eacute; entre les deux pays.&lt;/div&gt;
&lt;br /&gt;
L&amp;rsquo;&amp;eacute;closion d&amp;rsquo;abord, puis la d&amp;eacute;croissance de la ville au moment des guerres d&amp;rsquo;ind&amp;eacute;pendance, malgr&amp;eacute; une volont&amp;eacute; collective de progr&amp;egrave;s dans laquelle se d&amp;eacute;tachent, &amp;agrave; la fin du XIXe, des patriotes comme Emilio Bacard&amp;iacute; et le groupe de libres-penseurs Victor Hugo pour faire rena&amp;icirc;tre la cit&amp;eacute; apr&amp;egrave;s l&amp;rsquo;intervention nord-am&amp;eacute;ricaine, sont analys&amp;eacute;es de fa&amp;ccedil;on innovante. Si l&amp;rsquo;id&amp;eacute;al collectif de progr&amp;egrave;s se brise, on voit resurgir une ville embellie par les d&amp;eacute;corations &amp;eacute;clectiques lorsque les codes Beaux-Arts passent par le filtre de l&amp;rsquo;Am&amp;eacute;rique du Nord. Santiago offre un patrimoine construit de grande valeur qui arbore ce que des g&amp;eacute;n&amp;eacute;rations de Santiagais ont r&amp;eacute;alis&amp;eacute; pour maintenir la continuit&amp;eacute; d&amp;rsquo;un dessein urbain et faire des constructions harmoniques, &amp;eacute;quilibr&amp;eacute;es, durables et r&amp;eacute;sistant aux contraintes que la Nature pose depuis des si&amp;egrave;cles &amp;agrave; la r&amp;eacute;gion cara&amp;iuml;be.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Mar&amp;iacute;a Elena Orozco-Lamore&lt;/b&gt; est Ma&amp;icirc;tre de Conf&amp;eacute;rences &amp;agrave; l&amp;rsquo;IUT Bordeaux Montesquieu, Universit&amp;eacute; Michel de Montaigne-Bordeaux IV, Professeure des Universit&amp;eacute;s associ&amp;eacute;e &amp;agrave; l&amp;rsquo;Universit&amp;eacute; d&amp;rsquo;Oriente, Santiago de Cuba, est chercheure &amp;agrave; AMERIBER (EA 3656). Elle a publi&amp;eacute; plusieurs ouvrages dont r&amp;eacute;cemment G&amp;eacute;nesis de una ciudad del Caribe. Santiago de Cuba en el umbral de la modernizaci&amp;oacute;n (2008), ainsi que de nombreux articles sur l&amp;rsquo;architecture et la soci&amp;eacute;t&amp;eacute; &amp;agrave; l&amp;rsquo;&amp;eacute;poque coloniale, &amp;agrave; Cuba et dans la Cara&amp;iuml;be.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Mar&amp;iacute;a Teresa Fleitas Monnar&lt;/b&gt; est Professeure des Universit&amp;eacute;s au D&amp;eacute;partement de Histoire de l&amp;rsquo;Art de l&amp;rsquo;Universit&amp;eacute; d&amp;rsquo;Oriente, de Santiago de Cuba. Chercheure &amp;agrave; AMERIBER (EA 3656) a publi&amp;eacute; Sociedad e imagen urbana. Santiago de Cuba a fines del XIX (2010), La modernizaci&amp;oacute;n urbana de Santiago de Cuba 1899-1930 (2011), ainsi que plusieurs articles qui portent sur l&amp;rsquo;architecture et les arts plastiques de la Cara&amp;iuml;be.&lt;/div&gt;
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La Ville de Lyon a toujours montr&amp;eacute; de la sympathie vis-&amp;agrave;-vis deHenri IV : une rue du Deuxi&amp;egrave;me arrondissement porte son nom, une c&amp;eacute;l&amp;egrave;bre maison du Vieux-Lyon a plac&amp;eacute; son buste &amp;agrave; l&amp;rsquo;un de ses angles, sa figure &amp;agrave; cheval a &amp;eacute;t&amp;eacute; hiss&amp;eacute;e au d&amp;eacute;but du XIXe si&amp;egrave;cle sur le beffroi de l&amp;rsquo;h&amp;ocirc;tel de ville.&lt;br /&gt;
&lt;br /&gt;
La comm&amp;eacute;moration en 2010 du 4e Centenaire de son assassinat nous a sembl&amp;eacute; &amp;ecirc;tre l&amp;rsquo;occasion de revisiter l&amp;rsquo;histoire de Lyon au d&amp;eacute;but du XVIIe si&amp;egrave;cle, au sortir des guerres de religion, en se souvenant que c&amp;rsquo;est &amp;agrave; la cath&amp;eacute;drale Saint-Jean que Henri IV &amp;eacute;pousa Marie de M&amp;eacute;dicis qu&amp;rsquo;il &amp;eacute;tait venu accueillir apr&amp;egrave;s sa victoire militaire sur le duc de Savoie. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sommaire&lt;/b&gt; :&lt;br /&gt;
&lt;br /&gt;
&amp;bull; Introduction&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;I. La ville&lt;/b&gt;&lt;br /&gt;
&amp;bull; Le Rho&amp;#770;ne aux frontie&amp;#768;res de la ville &lt;br /&gt;
&amp;bull; Lyon pendant le re&amp;#768;gne de Henri IV, urbanisme et architecture&lt;br /&gt;
&amp;bull; Populations et migrations a&amp;#768; Lyon (Fin XVIe - de&amp;#769;but XVIIe)&lt;br /&gt;
&amp;bull; L&amp;rsquo;approvisionnement d&amp;rsquo;une grande ville, Lyon&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;II. Henri IV a&amp;#768; Lyon&lt;/b&gt;&lt;br /&gt;
&amp;bull; A&amp;#768; propos des entre&amp;#769;es royales de 1595 et de 1600&lt;br /&gt;
&amp;bull; Le second mariage de Henri IV&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;III. Lyon et Henri IV&lt;/b&gt;&lt;br /&gt;
&amp;bull; Transformer l&amp;rsquo;e&amp;#769;ve&amp;#769;nement en information : la me&amp;#769;diation politique a&amp;#768; la mort de Henri IV&lt;br /&gt;
&amp;bull; L&amp;rsquo;image de Henri IV chez les Lyonnais : 1589-1829. Essai d&amp;rsquo;iconographie historique compare&amp;#769;e&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;IV. Henri IV et Lyon&lt;/b&gt;&lt;br /&gt;
&amp;bull; La fin des ligueurs&lt;br /&gt;
&amp;bull; La reconstruction e&amp;#769;conomique a&amp;#768; Lyon sous Henri IV (1598-1610)&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;bull; Conclusion&lt;/div&gt;
&lt;br /&gt;
&lt;b&gt;Fran&amp;ccedil;oise Bayard&lt;/b&gt; est professeur &amp;eacute;m&amp;eacute;rite d'histoire moderne &amp;agrave; l'universit&amp;eacute; Lumi&amp;egrave;re Lyon 2.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Cities have always had a key role in warfare, as strategic centres which periodically suffered the horrors of siege and sack. With industrialisation, however, they were drawn ever closer to the front line and to direct and continuous experience of fighting and destruction. 'Cities into Battlefields: Metropolitan Scenarios, Experiences and Commemorations of Total War' explores the cultural imprint of military conflict on metropolises world wide in the era of the First and Second World Wars. It brings together cultural and urban historians and scholars of related disciplines including anthropology, education, and geography. The volume examines how the emergence of 'total' warfare blurred the boundaries between home and front and transformed cities into battlefields. The logic of total mobilisation turned the social and cultural fabric of urban life upside down.&lt;br /&gt; &lt;br /&gt; Arranged so as to bring out the evolution of experience over time, the essays explore Eastern and Central Europe, Britain and Western Europe, and Japan and address several key themes. The first strand - scenarios - explores the apocalyptic imagination of intellectuals and experts in peacetime. Artists and writers anticipating doom presented the coming upheaval as an urban event - a commonplace of late-Victorian and post-1918 pessimism. On a different plane, civil servants and engineers materialised visions of urban chaos and devised countermeasures in case of emergencies. Both groups helped to furnish a repertoire of cultural forms which channelled and encoded the actual experience of war. The second strand deals with metropolitan experiences, notably mobilisation, deprivation, and destruction in wartime. Ruins and the repercussions of war is the central theme of the third strand - commemorations - which investigates post-war efforts to remember and forget. The quest for meaningful forms of commemoration was hard enough after the First World War; the Second World War, which saw whole cities disappear in flames, raised the possibility that the limits of representation had been reached. The central contention of this volume - that total war in the twentieth century has a significant but often overlooked metropolitan dimension - is fully addressed, thereby filling a conspicuous gap in the currently available literature.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Contents:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Stefan Goebel and Derek Keene - Towards a metropolitan history of total war: An introduction&lt;/div&gt; Susan R. Grayzel - 'A promise of terror to come&amp;quot;: Air power and the destruction of cities in British imagination and experience, 1908-39&lt;/div&gt; Peter Stansky - '9/7', the first day of the London blitz: The context&lt;/div&gt; Patrice Higonnet - Parisian peculiarities: The French capital in the age of total war&lt;/div&gt; Eyal Ginio - Constructing a symbol of defeat and national rejuvenation: Edirne (Adrianople) in Ottoman propaganda and writing during the Balkan Wars&lt;/div&gt; Jovana Kneževic - Reclaiming their city: Belgraders and the combat against Habsburg propaganda through rumours, 1915-81&lt;/div&gt; Maureen Healey  - Local space and total war: Enemies in Vienna in the two world wars&lt;/div&gt; Tim Cole - Ghettos and the remaking of urban space: A comparative study of Budapest and Warsaw&lt;/div&gt; Antony Beevor - Total warfare in a city: Stalingrad, Berlin - and Baghdad&lt;/div&gt; Stefan Goebel - Commemorative cosmopolis: Transnational networks of remembrance in post-war Coventry&lt;/div&gt; Lisa Yoneyama - Memories in ruins: Hiroshima's nuclear annihilation and beyond&lt;/div&gt; Julie Higashi - The spirit of war remains intact: The politics of space in Tokyo and the Yasukuni shrine&lt;/div&gt; Jay Winter - Conclusion: Metropolitan history and national history in the age of total war&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Stefan Goebel &lt;/b&gt;is Senior Lecturer in History and Director of Learning and Teaching at the University of Kent.&lt;/div&gt; &lt;b&gt;Derek Keene &lt;/b&gt;is Leverhulme Professor of Comparative Metropolitan History at the Institute of Historical Research, University of London.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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12 septembre 2011

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La personne et la personnalit&amp;eacute; de Jean-Eudes Roullier (1931-2010) sont indissociables de l'histoire de l'am&amp;eacute;nagement urbain du dernier tiers du XXe si&amp;egrave;cle. Cet &amp;eacute;narque, devenu inspecteur des Finances r&amp;eacute;alisera l'essentiel de sa carri&amp;egrave;re au sein du minist&amp;egrave;re de l'&amp;Eacute;quipement. Directeur de l'urbanisme et des paysages puis d&amp;eacute;l&amp;eacute;gu&amp;eacute; &amp;agrave; la recherche et &amp;agrave; l'innovation, son nom reste associ&amp;eacute; &amp;agrave; une conception d&amp;eacute;cloisonn&amp;eacute;e de l'urbanisme.&lt;/div&gt;
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Ce proche collaborateur de Paul Delouvrier est aussi l'un des p&amp;egrave;res fondateurs des villes nouvelles. Issus pour partie d'une journ&amp;eacute;e tenue &amp;agrave; Paris en octobre 2010, les textes ici r&amp;eacute;unis aident &amp;agrave; comprendre sa place aussi singuli&amp;egrave;re qu'essentielle dans l'histoire urbaine r&amp;eacute;cente. Amis, t&amp;eacute;moins et chercheurs invitent ici &amp;agrave; s'interroger sur l'articulation de l'histoire individuelle et de l'histoire collective. L'ouvrage est jalonn&amp;eacute; d'interviews in&amp;eacute;dites ou d'&amp;eacute;crits rares de Jean-Eudes Roullier qui permettent de saisir la finesse de son raisonnement et sa capacit&amp;eacute; &amp;agrave; transformer le doute en levier des politiques de l'espace urbain.&lt;/div&gt;
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&lt;b&gt;Lo&amp;iuml;c Vadelorge&lt;/b&gt; est historien et enseigne &amp;agrave; l'universit&amp;eacute; Paris XIII.&lt;/div&gt;
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Avant que les bulldozers ne le transforment au d&amp;eacute;but des ann&amp;eacute;es soixante-dix, Belleville &amp;eacute;tait encore ce village dans la Ville, avec ses rues pentues bord&amp;eacute;es de fa&amp;ccedil;ades us&amp;eacute;es, ses petits m&amp;eacute;tiers, son argot et ses troquets o&amp;ugrave; l&amp;rsquo;on buvait ferme le ginguet. Une mani&amp;egrave;re de vivre unissait alors les Bellevillois les uns aux autres. Combien de trag&amp;eacute;dies et de mis&amp;egrave;res recelait le Belleville des ann&amp;eacute;es quarante &amp;agrave; soixante, mais combien de joies simples et sinc&amp;egrave;res il donnait aussi &amp;agrave; sa population amalgam&amp;eacute;e !&lt;br /&gt;
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&lt;br /&gt;
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&amp;nbsp;&lt;/div&gt;
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Gr&amp;uuml;nd

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&amp;nbsp;&lt;/div&gt;
De nos jours, New York est l'une des villes les plus importantes au monde d'un point de vue &amp;eacute;conomique, politique et culturel. Si la statue de la Libert&amp;eacute; et la ligne des gratte-ciel sont des images universelles, il est difficile d'imaginer comment, en presque quatre si&amp;egrave;cles, la petite colonie de quelques centaines d'Indiens, d'Europ&amp;eacute;ens et d'Africains est devenue non seulement la plus grande ville des Etats-Unis, mais &amp;eacute;galement la plus dense et la plus diverse.&lt;br /&gt;
&lt;br /&gt;
Organis&amp;eacute; de mani&amp;egrave;re th&amp;eacute;matique et chronologique, ce livre nous raconte la fondation de la Nouvelle-Amsterdam et le r&amp;ocirc;le jou&amp;eacute; par New York dans plusieurs des &amp;eacute;pisodes fondamentaux de l'histoire des Etats-Unis. A travers les chapitres sur l'industrialisation de la ville, son r&amp;ocirc;le de terre d'accueil pour de nombreux immigrants et sa croissance autour des cinq boroughs : la l&amp;eacute;gendaire New York prend vie. Le livre souligne aussi l'implication de la ville dans les domaines de la litt&amp;eacute;rature, de la musique, de la mode et de l'art. Au fur et &amp;agrave; mesure des chapitres, la grande diversit&amp;eacute; de New York est mise en valeur.&lt;br /&gt;
&lt;br /&gt;
Ouvrage r&amp;eacute;alis&amp;eacute; en collaboration avec le Museum of the City of New York et illustr&amp;eacute; de nombreux documents originaux provenant des riches collections du mus&amp;eacute;e. 20 fac-simil&amp;eacute;s d&amp;eacute;tachables superbement reproduits illustrent les hauts et les bas de son pass&amp;eacute; : une invitation &amp;agrave; l'inauguration du pont de Brooklyn, la une du journal le jour des fun&amp;eacute;railles de Lincoln, le premier ticket de m&amp;eacute;tro, des papiers d'immigrants, le programme d'un match de base-ball, les instructions de s&amp;eacute;curit&amp;eacute; lors de la Seconde Guerre mondiale, un catalogue de mode... Comme l'a dit un jour Agatha Christie : &amp;quot;Il est inutile d'&amp;eacute;crire un roman policier qui se d&amp;eacute;roule &amp;agrave; New York, New York est d&amp;eacute;j&amp;agrave; en elle-m&amp;ecirc;me un roman policier.&amp;quot;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Yasmine Abbas</text>
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5 septembre 2011

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FYP

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&amp;nbsp;&lt;/div&gt;
La mobilit&amp;eacute; d&amp;rsquo;aujourd&amp;rsquo;hui se conjugue au pluriel. &amp;Agrave; la fois physique, num&amp;eacute;rique et mentale, elle induit une condition nouvelle, une forme de nomadisme parfois impos&amp;eacute;, souvent voulu, parfois jusqu&amp;rsquo;au-boutiste, pas toujours bien v&amp;eacute;cu. Ce n&amp;eacute;o-nomadisme donne naissance &amp;agrave; des modes de vie autrefois atypiques qui, d&amp;eacute;sormais, se g&amp;eacute;n&amp;eacute;ralisent. Il apporte aussi un &amp;eacute;tat d&amp;rsquo;esprit g&amp;eacute;n&amp;eacute;rant transgressions et situations in&amp;eacute;dites, qui nous am&amp;egrave;nent &amp;agrave; nous interroger sur ses cons&amp;eacute;quences profondes.&lt;br /&gt;
&lt;br /&gt;
Quels sont les nouveaux liens qui se tissent entre les personnes, les objets, les donn&amp;eacute;es et les lieux ? Quel est l&amp;rsquo;impact de ces mutations sur l&amp;rsquo;identit&amp;eacute; des individus, autant connect&amp;eacute;s qu&amp;rsquo;isol&amp;eacute;s, sur les territoires et les espaces ?&lt;br /&gt;
&lt;br /&gt;
Dans un contexte n&amp;eacute;o-nomade, les technologies de l&amp;rsquo;information sont-elles lib&amp;eacute;ratrices ou ali&amp;eacute;nantes ? Que deviennent le r&amp;ocirc;le de l&amp;rsquo;urbaniste et celui de l&amp;rsquo;architecte, confront&amp;eacute;s &amp;agrave; une instabilit&amp;eacute; qui oblige &amp;agrave; red&amp;eacute;finir les contours de la ville et son accessibilit&amp;eacute; ? Comment ces transformations peuvent-elles s&amp;rsquo;inscrire dans une dynamique de durabilit&amp;eacute;, au plan environnemental, &amp;eacute;conomique et social ?&lt;br /&gt;
&lt;br /&gt;
Cet essai critique porte un regard sans concession sur les transformations issues de ces nouvelles mobilit&amp;eacute;s, et fournit les cl&amp;eacute;s pour en comprendre les risques et mieux les appr&amp;eacute;hender.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Yasmine Abbas&lt;/b&gt; est architecte.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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septembre 2011

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&amp;nbsp;&lt;/div&gt;
L'installation architecturale est une intervention de petite &amp;eacute;chelle limit&amp;eacute;e dans le temps. Tel un agent provocateur, elle est un dispositif qui agit sur son environnement, sans fonction d&amp;eacute;termin&amp;eacute;e : l''installation architecturale navigue dans l'inutile. Faisant maintenant bien partie de nos paysages urbains, elle stimule, engage et transforme nos mani&amp;egrave;res d'appr&amp;eacute;hender l'architecture et la ville.&lt;br /&gt;
&lt;br /&gt;
Cet ouvrage explore les fondements de ces petites constructions temporaires et postule que ces choses qui arrivent, qui s'installent et repartent sans crier gare, sont des outils avec lesquels explorer des questions disciplinaires plus larges et articuler l'utilit&amp;eacute; de l'inutile.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Carole L&amp;eacute;vesque&lt;/b&gt; enseigne &amp;agrave; la Facult&amp;eacute; d'ing&amp;eacute;nierie et d'rchitecture &amp;agrave; l'universit&amp;eacute; am&amp;eacute;ricaine de Beyrouth.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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