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&amp;nbsp;&lt;/div&gt;
Il y a 40 ans, l&amp;rsquo;historien de l&amp;rsquo;architecture &lt;b&gt;Yvan Christ&lt;/b&gt; publiait &lt;i&gt;Paris des utopies&lt;/i&gt;, esp&amp;egrave;ce d&amp;rsquo;inventaire &amp;agrave; la Pr&amp;eacute;vert des &amp;quot;grands projets&amp;quot; recal&amp;eacute;s &amp;agrave; l&amp;rsquo;examen de sortie. C&amp;rsquo;&amp;eacute;tait les ann&amp;eacute;es Pompidou ; Paris pleurait ses halles centrales et Malraux lui-m&amp;ecirc;me refusait tout sursis &amp;agrave; l&amp;rsquo;architecture d&amp;rsquo;Hector Guimard. l&amp;rsquo;id&amp;eacute;e d&amp;rsquo;un pont Napol&amp;eacute;on somm&amp;eacute; d&amp;rsquo;une effigie imp&amp;eacute;riale fa&amp;ccedil;on colosse de Rhodes passait alors pour une bimbeloterie pittoresque, la d&amp;eacute;mesure corbus&amp;eacute;enne la rel&amp;eacute;guant ad aeternam au placard des nains de jardin. Seulement, les modernes ont pass&amp;eacute; et, apr&amp;egrave;s eux, les post-modernes. Autoproclam&amp;eacute; &amp;quot;grand&amp;quot;, Paris s&amp;rsquo;interroge...&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Il nous a sembl&amp;eacute; opportun et jouissif de r&amp;eacute;&amp;eacute;diter ce catalogue d&amp;rsquo;extravagances s&amp;eacute;culaires. On l&amp;rsquo;a agr&amp;eacute;ment&amp;eacute; de quelques trouvailles ayant &amp;eacute;chapp&amp;eacute; &amp;agrave; l&amp;rsquo;auteur &amp;ndash; une grandiloquente p&amp;acirc;tisserie placard&amp;eacute;e &amp;agrave; l&amp;rsquo;arri&amp;egrave;re du palais de l&amp;rsquo;institut, les gratte-ciel crypto-staliniens de la porte Maillot &amp;ndash;, ainsi que des projets plus contemporains qui d&amp;eacute;montrent avec quelle vigueur la vieille capitale des M&amp;eacute;rovingiens continue d&amp;rsquo;exciter la verve des architectes.&lt;/div&gt;
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Tout sur le tramway en France !  Fran&amp;ccedil;ois Laisney d&amp;eacute;peint la renaissance du tramway dans les grandes villes, mutation majeure de l&amp;rsquo;urbanisme des quatre derni&amp;egrave;res d&amp;eacute;cennies, de la grande &amp;eacute;chelle au d&amp;eacute;tail des sols. Vingt-huit portraits de villes, r&amp;eacute;v&amp;eacute;l&amp;eacute;s au sens chimique du terme par les itin&amp;eacute;raires des lignes, sont dress&amp;eacute;s par l&amp;rsquo;auteur, sp&amp;eacute;cialiste de l&amp;rsquo;histoire et de la morphologie urbaine. Ce sont autant d&amp;rsquo;invitations &amp;agrave; nous les faire parcourir, comprendre et appr&amp;eacute;cier &amp;agrave; l&amp;rsquo;aide de cartographies originales.&lt;/div&gt;
&lt;br /&gt;
L&amp;rsquo;Atlas expose de mani&amp;egrave;re exhaustive l&amp;rsquo;apparition mouvement&amp;eacute;e sur le territoire des 28 r&amp;eacute;seaux contemporains de tramway, v&amp;eacute;ritablement invent&amp;eacute;s au sein des collectivit&amp;eacute;s locales, rythm&amp;eacute;s par sept &amp;eacute;lections municipales et port&amp;eacute;s par une politique nationale.&lt;/div&gt;
&lt;br /&gt;
L&amp;rsquo;implantation d&amp;rsquo;un tramway induit des cons&amp;eacute;quences multiples. Elle am&amp;eacute;liore la mobilit&amp;eacute; urbaine des personnes et m&amp;eacute;tamorphose l&amp;rsquo;espace public des centres, des entr&amp;eacute;es de ville et des bords de routes. Elle d&amp;eacute;senclave les quartiers en difficult&amp;eacute; et devient le pivot des nouvelles r&amp;egrave;gles de planification territoriale et des projets urbains.&lt;/div&gt;
&lt;br /&gt;
Par-del&amp;agrave; le constat d&amp;rsquo;un monde asservi &amp;agrave; l&amp;rsquo;automobile et la prise en compte des graves cons&amp;eacute;quences de la p&amp;eacute;riurbanisation, le tramway devient, &amp;agrave; c&amp;ocirc;t&amp;eacute; de la marche et du v&amp;eacute;lo et mieux que d&amp;rsquo;autres modes de transport public, un jalon essentiel de la recherche d&amp;rsquo;une alter-mobilit&amp;eacute; plus douce, d&amp;rsquo;un environnement plus accessible, d&amp;rsquo;un d&amp;eacute;veloppement plus soutenable.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Fran&amp;ccedil;ois Laisney&lt;/b&gt; est architecte urbaniste.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Des photographes contemporains du monde entier ont captur&amp;eacute; en images la ville de New York, le dynamisme de ses quartiers et ses nombreuses transformations sous forme de sc&amp;egrave;nes urbaines, de portraits, de vignettes et d&amp;rsquo;instantan&amp;eacute;s. &lt;i&gt;New York : vue par ses photographes&lt;/i&gt; refl&amp;egrave;te l&amp;rsquo;esprit avant-gardiste de la ville &amp;agrave; travers des images encore in&amp;eacute;dites d&amp;rsquo;artistes contemporains renomm&amp;eacute;s et &amp;eacute;mergents. On y retrouve plus de 200 photos prises dans les cinq quartiers de New York par une bonne centaine d&amp;rsquo;artistes, dont Jack Pierson, Atta Kim, Andreas Gursky, Vik Muniz, Jenny Holzer, Michael Eastman et bien d&amp;rsquo;autres encore.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cet ouvrage ne se contente pas de documenter le paysage physique et architectural, il livre &amp;eacute;galement une perspective d&amp;eacute;centr&amp;eacute;e &amp;ndash; et par cons&amp;eacute;quent moins connue et plus innovante &amp;ndash; du regard port&amp;eacute; sur cette ville par des artistes au vingt-et-uni&amp;egrave;me si&amp;egrave;cle. &lt;i&gt;New York : vue par ses photographes&lt;/i&gt; r&amp;eacute;v&amp;egrave;le une approche post-onze septembre d&amp;rsquo;une grande fra&amp;icirc;cheur visuelle, explore la ville comme aucune publication ne l&amp;rsquo;a fait auparavant et interpellera tant les adeptes de la photographie d&amp;rsquo;art que les fans de New York.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Ath&amp;egrave;nes, la plus vieille ville d&amp;rsquo;Europe, r&amp;eacute;p&amp;egrave;tent &amp;agrave; l&amp;rsquo;envi auteurs de guides et tour-op&amp;eacute;rateurs. Il n&amp;rsquo;existait pourtant jusqu&amp;rsquo;ici aucune synth&amp;egrave;se accessible en retra&amp;ccedil;ant l&amp;rsquo;histoire des origines &amp;agrave; nos jours. Parce que les &amp;eacute;rudits comme les &amp;eacute;crivains n&amp;rsquo;ont trop longtemps voulu voir dans Ath&amp;egrave;nes que l&amp;rsquo;Ath&amp;egrave;nes ancienne et dans l&amp;rsquo;Ath&amp;egrave;nes ancienne que l&amp;rsquo;Ath&amp;egrave;nes de P&amp;eacute;ricl&amp;egrave;s, trois mill&amp;eacute;naires ont &amp;eacute;t&amp;eacute; ramen&amp;eacute;s &amp;agrave; trois d&amp;eacute;cennies. Le tourisme de masse n&amp;rsquo;aura fait que pousser un peu plus avant le processus : l&amp;rsquo;Ath&amp;egrave;nes de P&amp;eacute;ricl&amp;egrave;s s&amp;rsquo;est trouv&amp;eacute;e r&amp;eacute;duite &amp;agrave; l&amp;rsquo;Acropole, et l&amp;rsquo;Acropole au Parth&amp;eacute;non. Le pr&amp;eacute;sent ouvrage voudrait redresser enfin les perspectives, rendre son histoire, toute son histoire, &amp;agrave; la ville d&amp;rsquo;Ath&amp;egrave;nes.&lt;/div&gt;
&lt;br /&gt;
La ville, et non pas, ce qui est trop souvent source de confusions, la cit&amp;eacute;-Etat du m&amp;ecirc;me nom, celle qui domina jadis le monde grec avant de voir, bien plus tardivement qu&amp;rsquo;on ne le croit, son prestige s&amp;rsquo;effacer. Nous connaissions ou pensions conna&amp;icirc;tre une Ath&amp;egrave;nes. Ce livre en fera d&amp;eacute;couvrir beaucoup d&amp;rsquo;autres. Se voulant aussi attentif &amp;agrave; la continuit&amp;eacute; qu&amp;rsquo;aux m&amp;eacute;tamorphoses, l&amp;rsquo;auteur a essay&amp;eacute; de suivre la ville, dont on peut dire qu&amp;rsquo;elle est aussi, &amp;agrave; sa mani&amp;egrave;re, une ville &amp;eacute;ternelle, dans ses &amp;eacute;tats successifs : l&amp;rsquo;Ath&amp;egrave;nes archa&amp;iuml;que, l&amp;rsquo;Ath&amp;egrave;nes classique, l&amp;rsquo;Ath&amp;egrave;nes hell&amp;eacute;nistique, l&amp;rsquo;Ath&amp;egrave;nes romaine, l&amp;rsquo;Ath&amp;egrave;nes byzantine, l&amp;rsquo;Ath&amp;egrave;nes ottomane, l&amp;rsquo;Ath&amp;egrave;nes moderne.&lt;/div&gt;
&lt;br /&gt;
Le nom m&amp;ecirc;me d&amp;rsquo;Ath&amp;egrave;nes, d&amp;rsquo;ailleurs, n&amp;rsquo;est-il pas au pluriel ? Telle quelle, cette Histoire d&amp;rsquo;Ath&amp;egrave;nes, qui n&amp;rsquo;h&amp;eacute;site pas &amp;agrave; prendre par moments l&amp;rsquo;allure et le ton d&amp;rsquo;un r&amp;eacute;cit &amp;quot;de voyage&amp;quot;, voudrait donner au lecteur curieux, et pas simplement au sp&amp;eacute;cialiste averti, l&amp;rsquo;envie d&amp;rsquo;aller voir ou revoir une ville aux multiples visages, o&amp;ugrave; s&amp;rsquo;est jou&amp;eacute; et se joue encore, pour le meilleur et pour le pire, une bonne part de notre destin.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Ancien &amp;eacute;l&amp;egrave;ve de l&amp;rsquo;Ecole normale sup&amp;eacute;rieure, agr&amp;eacute;g&amp;eacute; de lettres classique, &lt;b&gt;Jacques Bersani&lt;/b&gt; a exerc&amp;eacute; dans l&amp;rsquo;enseignement sup&amp;eacute;rieur, notamment &amp;agrave; l&amp;rsquo;Universit&amp;eacute; d&amp;rsquo;Ath&amp;egrave;nes, avant de devenir Inspecteur g&amp;eacute;n&amp;eacute;ral de l&amp;rsquo;Education nationale.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Growing urbanization affects women and men in fundamentally different ways, but the relationship between gender and city environments has been ignored or misunderstood. Women and men play different roles, frequent different public areas, and face different health risks. Women suffer disproportionately from disease, injury, and violence because their access to resources is often more limited than that of their male counterparts. Yet, when women are healthy and safe, so are their families and communities. Urban policy makers and public health professionals need to understand how conditions in densely populated places can help or harm the well-being of women in order to serve this large segment of humanity.&lt;br /&gt; &lt;br /&gt; Women's Health and the World's Cities illuminates the intersection of gender, health, and urban environments. This collection of essays examines the impact of urban living on the physical and psychological states of women and girls in Africa, Asia, Latin America, and the United States. Urban planners, scholars, medical practitioners, and activists present original research and compelling ideas. They consider the specific needs of subpopulations of urban women and evaluate strategies for designing spaces, services, and infrastructure in ways that promote women's health. Women's Health and the World's Cities provides urban planners and public health care providers with on-the-ground examples of projects and policies that have changed women's lives for the better.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; &lt;b&gt;Afaf Ibrahim Meleis&lt;/b&gt; is Margaret Bond Simon Dean of Nursing and Professor of Nursing and Sociology at the University of Pennsylvania School of Nursing and the author of Theoretical Nursing: Development and Progress.&lt;br /&gt; &lt;b&gt;Eugenie L. Birch &lt;/b&gt;is Lawrence C. Nussdorf Professor of Urban Research and Education and Chair of the Graduate Group in City and Regional Planning at the University of Pennsylvania School of Design.&lt;br /&gt; &lt;b&gt;Susan M. Wachter&lt;/b&gt; is Richard B. Worley Professor of Financial Management and Professor of Real Estate and Finance at The Wharton School and Professor of City and Regional Planning at the University of Pennsylvania School of Design.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Cr&amp;eacute;aphis

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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Hortense Soichet a visit&amp;eacute; une centaine de logements dans le quartier de La Goutte d&amp;rsquo;Or, class&amp;eacute; en &amp;quot;zone urbaine sensible&amp;quot; (ZUS).&lt;/div&gt;
&lt;br /&gt;
Elle a enqu&amp;ecirc;t&amp;eacute; aupr&amp;egrave;s des habitants et photographi&amp;eacute; leur &amp;quot;chez soi&amp;quot;, int&amp;eacute;rieur et objets, de mani&amp;egrave;re syst&amp;eacute;matique, avec un m&amp;ecirc;me point de vue et un m&amp;ecirc;me angle. Les habitants eux-m&amp;ecirc;mes sont absents des images mais ces portraits d&amp;rsquo;appartements r&amp;eacute;v&amp;egrave;lent des mani&amp;egrave;res d&amp;rsquo;habiter sp&amp;eacute;cifiques dans un territoire urbain en mutation. De courts extraits d&amp;rsquo;entretiens &amp;quot;illustrent&amp;quot; les images. Ces habitats ont &amp;eacute;t&amp;eacute; choisis pour leur vari&amp;eacute;t&amp;eacute; et leur repr&amp;eacute;sentativit&amp;eacute; mais aussi pour leur &amp;quot;plasticit&amp;eacute;&amp;quot;.&lt;/div&gt;
&lt;br /&gt;
L&amp;rsquo;enjeu de ce travail est de contribuer &amp;agrave; une meilleure connaissance de milieux sociaux changeants par une approche anthropologique et artistique. Le livre, ouvert avec un texte in&amp;eacute;dit de l&amp;rsquo;&amp;eacute;crivain et critique d&amp;rsquo;art &lt;b&gt;Paul Ardenne&lt;/b&gt;, r&amp;eacute;unit 40 logements pr&amp;eacute;sent&amp;eacute;s chacun avec 7 photos. Un texte in&amp;eacute;dit du sociologue &lt;b&gt;Yankel Fijalkow&lt;/b&gt; et un entretien avec Hortense Soichet sont situ&amp;eacute;s en fin d&amp;rsquo;ouvrage.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Hortense Soichet&lt;/b&gt;, photographe, s&amp;rsquo;int&amp;eacute;resse &amp;agrave; la relation que les individus entretiennent avec leur territoire et notamment les modes d&amp;rsquo;habiter.&lt;/div&gt;
&lt;b&gt;Yankel Fijalkow&lt;/b&gt; est professeur des universit&amp;eacute;s, docteur de l&amp;rsquo;&amp;eacute;cole des Hautes Etudes en Sciences Sociales.&lt;/div&gt;
&lt;b&gt;Paul Ardenne&lt;/b&gt; est critique d&amp;rsquo;art et mus&amp;eacute;ologue, docteur en histoire de l&amp;rsquo;art, il enseigne &amp;agrave; la facult&amp;eacute; des arts d&amp;rsquo;Amiens.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Lire la critique du livre par Thibaud Zuppinger sur Raison-publique.fr&lt;/a&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&lt;i&gt;Ma Ville en vert&lt;/i&gt; pr&amp;eacute;sente une multitude d&amp;rsquo;id&amp;eacute;es pour r&amp;eacute;introduire la nature au coeur de la cit&amp;eacute;. De l&amp;rsquo;architecture &amp;agrave; l&amp;rsquo;activisme potager, du design au jardinage, ce livre foisonnant de r&amp;eacute;alisations d'artistes, d&amp;rsquo;architectes, de designers et de simples citoyens &amp;agrave; travers le monde r&amp;eacute;invente notre quotidien urbain avec po&amp;eacute;sie, humour, cr&amp;eacute;ativit&amp;eacute; et respect de l&amp;rsquo;environnement.&lt;br /&gt;
&lt;br /&gt;
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&amp;nbsp;&lt;/div&gt;
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Octobre 2011

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Infolio

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&lt;br /&gt;
L&amp;rsquo;ab&amp;eacute;c&amp;eacute;daire de Marcel Roncayolo est le r&amp;eacute;sultat d&amp;rsquo;une s&amp;eacute;rie d&amp;rsquo;entretiens entre Isabelle Chesneau et Marcel Roncayolo, un des ma&amp;icirc;tres de l&amp;rsquo;urbanisme contemporain. L&amp;rsquo;interviewer a propos&amp;eacute; &amp;agrave; l&amp;rsquo;interview&amp;eacute; une s&amp;eacute;rie de th&amp;egrave;mes pr&amp;eacute;sent&amp;eacute;s dans l&amp;rsquo;ordre alphab&amp;eacute;tique, meilleur moyen de pr&amp;eacute;senter une pens&amp;eacute;e sans en faire un syst&amp;egrave;me.&lt;br /&gt;
L&amp;rsquo;ouvrage pose la question des choix m&amp;eacute;thodologiques et conceptuels de Roncayolo, et celle de la validit&amp;eacute; de leur transfert d&amp;rsquo;une discipline &amp;agrave; l&amp;rsquo;autre. En d'autres termes, il s'agit d&amp;rsquo;une r&amp;eacute;flexion sur les conditions de constitution et d&amp;rsquo;exercice d&amp;rsquo;une pens&amp;eacute;e sur la ville &amp;ndash; de ce point de vue, le caract&amp;egrave;re interg&amp;eacute;n&amp;eacute;rationnel du dialogue n'est pas que de pure forme.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Sommaire&lt;/b&gt; :&lt;br /&gt;
Anticipation / Beaut&amp;eacute; / Conjoncture / Division/ &amp;Eacute;chelle / Forme / Grammaire / Halbwachs / Imaginaire / Je-ne-sais-quoi / Kant / Limite / Nature / Ordre / Projet / Quelqu'un / Repr&amp;eacute;sentation / Strate / Territoire / Urbain / Ville / Week-end / XYZ&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Marcel Roncayolo&lt;/b&gt;, urbaniste et g&amp;eacute;ographe n&amp;eacute; en 1926, a &amp;eacute;t&amp;eacute; directeur adjoint de l'Ecole normale sup&amp;eacute;rieure de Paris, directeur d'&amp;eacute;tudes &amp;agrave; l'Ecole des hautes &amp;eacute;tudes en sciences sociales et professeur &amp;eacute;m&amp;eacute;rite &amp;agrave; l'universit&amp;eacute; Paris X &amp;ndash; Nanterre. Il a fortement marqu&amp;eacute; la g&amp;eacute;ographie urbaine fran&amp;ccedil;aise. Il a dirig&amp;eacute; de 1991 &amp;agrave; 1994 l'Institut d'Urbanisme de Paris. Il a contribu&amp;eacute; &amp;agrave; introduire en France les th&amp;eacute;ories anglo-saxonnes et europ&amp;eacute;ennes de la ville, faisant la synth&amp;egrave;se des grandes &amp;eacute;coles d'urbanisme et de g&amp;eacute;ographie urbaine du XXe si&amp;egrave;cle.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Isabelle Chesneau&lt;/b&gt;, architecte DPLG et docteur en urbanisme, est ma&amp;icirc;tre-assistante en sciences humaines et sociales &amp;agrave; l'Ecole Nationale Sup&amp;eacute;rieure d'Architecture de Paris &amp;ndash; Malaquais, chercheur associ&amp;eacute; au LADRHAUS (Laboratoire de recherche histoire architecturale &amp;mdash; soci&amp;eacute;t&amp;eacute;s) &amp;ndash; ENSAV.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Recherches

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&amp;nbsp;&lt;/div&gt;
Unifier le territoire &amp;ndash; administrativement, politiquement, &amp;eacute;conomiquement &amp;ndash;, faciliter la circulation des personnes et des marchandises : ces pr&amp;eacute;occupations ont durant tout le XIXe si&amp;egrave;cle projet&amp;eacute; au premier plan l&amp;rsquo;am&amp;eacute;lioration des r&amp;eacute;seaux de routes et de canaux, la cr&amp;eacute;ation de celui des chemins de fer. L&amp;rsquo;am&amp;eacute;nagement des villes, leur embellissement, leur extension n&amp;rsquo;en furent pas pour autant oubli&amp;eacute;s : au-del&amp;agrave; m&amp;ecirc;me de ses effets directs, la cr&amp;eacute;ation ou la modernisation d&amp;rsquo;un nouveau moyen de transport ou de d&amp;eacute;placement s&amp;rsquo;av&amp;eacute;ra le plus souvent l&amp;rsquo;occasion, pour les autorit&amp;eacute;s ou pour l&amp;rsquo;initiative priv&amp;eacute;e, agissant de concert ou s&amp;eacute;par&amp;eacute;ment, d&amp;rsquo;engager une intervention urbaine d&amp;rsquo;importance.&lt;/div&gt;
&lt;br /&gt;
Etait-ce l&amp;rsquo;infrastructure nouvelle qui devait s&amp;rsquo;adapter &amp;agrave; la ville et au territoire, ou &amp;eacute;tait-ce l&amp;rsquo;inverse ? Comment ce rapport &amp;ndash; et la fa&amp;ccedil;on de le concevoir &amp;ndash; ont-ils &amp;eacute;volu&amp;eacute; au fil des d&amp;eacute;cennies ? Du territoire &amp;agrave; la ville, du paysage &amp;agrave; l&amp;rsquo;architecture des b&amp;acirc;timents, &amp;agrave; quelles &amp;eacute;chelles peut-on lire l&amp;rsquo;impact des nouveaux r&amp;eacute;seaux ? Telles sont les questions qui sont ici pos&amp;eacute;es &amp;agrave; travers l&amp;rsquo;histoire de d&amp;eacute;bats urbains ou &amp;quot;techniques&amp;quot;, d&amp;rsquo;exemples de villes grandes, moyennes ou petites (Bourges, Colmar, Laval, N&amp;icirc;mes, Pontivy, Rennes...), de territoires aujourd&amp;rsquo;hui m&amp;eacute;tropolitains (Paris, Chicago...) ou demeur&amp;eacute;s ruraux...&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Sommaire :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Mich&amp;egrave;le Lambert-Bresson, Annie T&amp;eacute;rade - Introduction&lt;/div&gt;
&lt;br /&gt;
Cassandre &amp;Eacute;veillard-Kervarrec - Pontivy-Napol&amp;eacute;onville, projet d&amp;rsquo;une ville nouvelle sous le Premier Empire&lt;/div&gt;
&lt;br /&gt;
Pierre Pinon - La place de la Concorde sous la Restauration. R&amp;eacute;am&amp;eacute;nagements et projets &amp;agrave; l&amp;rsquo;origine de l&amp;rsquo;intervention de J.&amp;#8209;I. Hittorff&lt;/div&gt;
&lt;br /&gt;
Karen Bowie - Chemins de fer &amp;quot;imparfaits&amp;quot; avant la loi de 1842 : th&amp;eacute;ories et projets de Michel Chevalier, Jean-Martial Bineau, L&amp;eacute;once Reynaud et Claude Arnoux&lt;/div&gt;
&lt;br /&gt;
Mich&amp;egrave;le Lambert-Bresson - De l&amp;rsquo;implantation du chemin de fer &amp;agrave; N&amp;icirc;mes &amp;agrave; la cr&amp;eacute;ation d&amp;rsquo;un nouveau quartier. Le dessin du quartier de l&amp;rsquo;embarcad&amp;egrave;re&lt;/div&gt;
&lt;br /&gt;
Anne Bondon - Chemin de fer et forme urbaine au XIXe si&amp;egrave;cle : les cas de Bourges, Colmar et Laval&lt;/div&gt;
&lt;br /&gt;
Christophe Le Bollan - Du d&amp;eacute;bat au consensus : le difficile choix de l&amp;rsquo;emplacement de la gare de Rennes&lt;/div&gt;
&lt;br /&gt;
Solenn Gu&amp;eacute;vel - La r&amp;eacute;novation du bassin de La Villette &amp;agrave; la fin du XIXe si&amp;egrave;cle. Modernisation du port, embellissement du paysage urbain&lt;/div&gt;
&lt;br /&gt;
Laure Ducos - Le boulevard Pereire &amp;agrave; Paris : strat&amp;eacute;gie urbanistique et ferroviaire&lt;/div&gt;
&lt;br /&gt;
Annie T&amp;eacute;rade - Un chemin de fer &amp;quot;d&amp;rsquo;int&amp;eacute;r&amp;ecirc;t g&amp;eacute;n&amp;eacute;ral&amp;quot; en Creuse : trac&amp;eacute;, effets et traces&lt;/div&gt;
&lt;br /&gt;
Jean Castex - Chicago, 1880-1930. La ville de superpositions et la couverture des voies ferr&amp;eacute;es&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Les jeunes en bande ont tout pour d&amp;eacute;plaire. D&amp;eacute;crits comme agressifs, hostiles, violents, ils incarnent une dangerosit&amp;eacute; de proximit&amp;eacute;. C&amp;rsquo;est &amp;agrave; travers leurs &amp;quot;affrontements&amp;quot;, leurs &amp;quot;agressions gratuites&amp;quot;, leurs &amp;quot;trafics&amp;quot;, leurs d&amp;eacute;foulements &amp;eacute;meutiers, leurs penchants sexistes ou homophobes, que les bandes alimentent l&amp;rsquo;actualit&amp;eacute; journalistique. La place qu&amp;rsquo;elles occupent dans les m&amp;eacute;dias est indissociable des pr&amp;eacute;dations qu&amp;rsquo;elles commettent ou qui leur sont imput&amp;eacute;es.&lt;/div&gt;
&lt;br /&gt;
Au del&amp;agrave; des faits-divers, cette r&amp;eacute;alit&amp;eacute; pose de nombreuses questions : qu&amp;rsquo;est-ce qu&amp;rsquo;une bande ? Comment se forment-elles ? Peut-on les mesurer ? Quelles &amp;eacute;volutions ? Qui attirent-elles ? Pourquoi ? Comment fonctionnent-elles ? Quelles places y occupent les transgressions ou les comportements violents ? Que disent ces groupes des &amp;eacute;volutions de notre soci&amp;eacute;t&amp;eacute; ? C&amp;rsquo;est &amp;agrave; l&amp;rsquo;ensemble de ces questions qu&amp;rsquo;est d&amp;eacute;di&amp;eacute; cet ouvrage qui est le fruit d&amp;rsquo;une longue recherche de terrain men&amp;eacute;e dans une &amp;quot;zone urbaine sensible&amp;quot; de la r&amp;eacute;gion parisienne.&lt;/div&gt;
&lt;br /&gt;
L&amp;rsquo;auteur s&amp;rsquo;est attach&amp;eacute; &amp;agrave; comprendre ce ph&amp;eacute;nom&amp;egrave;ne &amp;agrave; la fois ancien et en constante mutation. La soci&amp;eacute;t&amp;eacute; change, les bandes aussi. Il y a un demi-si&amp;egrave;cle, leur ampleur et leur dur&amp;eacute;e de vie &amp;eacute;taient limit&amp;eacute;es par le service militaire et, surtout, par le plein emploi. L&amp;rsquo;&amp;eacute;cole ne conditionnait pas autant les destins sociaux et les territoires ouvriers n&amp;rsquo;&amp;eacute;taient pas impr&amp;eacute;gn&amp;eacute;s par le &amp;quot;bizness&amp;quot;. Aujourd&amp;rsquo;hui, le public des bandes, essentiellement masculin, se construit principalement dans trois sc&amp;egrave;nes sociales : la famille, l&amp;rsquo;&amp;eacute;cole et la rue. Trois univers li&amp;eacute;s entre eux, analys&amp;eacute;s de l&amp;rsquo;int&amp;eacute;rieur, afin d&amp;rsquo;appr&amp;eacute;hender la &amp;quot;pertinence&amp;quot; des bandes pour ceux qui les forment, la recomposition des liens sociaux qu&amp;rsquo;elles imposent et leur poids dans le quotidien de ceux qui les c&amp;ocirc;toient.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Docteur en sociologie, &lt;b&gt;Marwan Mohammed&lt;/b&gt; est chercheur au CNRS depuis 2009.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Octobre 2011

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&lt;br /&gt;
La publication par les architectes am&amp;eacute;ricains Robert Venturi et Denise Scott Brown de Learning from Las Vegas, d&amp;rsquo;abord sous forme d&amp;rsquo;articles puis de livre, a entrain&amp;eacute; &amp;agrave; partir de 1968 une controverse sans &amp;eacute;quivalent dans l&amp;rsquo;histoire moderne de l&amp;rsquo;architecture. L&amp;rsquo;historien Stanislaus von Moos a parl&amp;eacute; &amp;agrave; ce propos d&amp;rsquo;&amp;laquo; une polarisation de pratiquement l&amp;rsquo;ensemble du champ architectural &amp;mdash; et pas seulement en Am&amp;eacute;rique &amp;mdash; entre les opposants et les sympathisants des suppos&amp;eacute;es ou r&amp;eacute;elles positions des Venturi. &amp;raquo;&lt;br /&gt;
&lt;br /&gt;
En revenant sur les nombreux arguments mobilis&amp;eacute;s alors par les architectes, les critiques et les universitaires, et en observant la dynamique des d&amp;eacute;bats sur une dur&amp;eacute;e de vingt ans, Val&amp;eacute;ry Didelon &amp;eacute;claire ici d&amp;rsquo;un jour nouveau l&amp;rsquo;&amp;eacute;mergence du postmodernisme en architecture, mouvement culturel dont Learning from Las Vegas allait devenir &amp;agrave; tort ou &amp;agrave; raison l&amp;rsquo;un des principaux manifestes.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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J&amp;eacute;rusalem est la ville universelle, la capitale de deux peuples, le lieu saint de trois religions. Du roi David &amp;agrave; Ben Gourion, de la naissance du juda&amp;iuml;sme, du christianisme et de l&amp;rsquo;islam au conflit isra&amp;eacute;lo-palestinien, voici l&amp;rsquo;histoire de J&amp;eacute;rusalem, la cit&amp;eacute; universelle : trois mille ans de foi et de fanatisme, de conqu&amp;ecirc;te et d&amp;rsquo;occupation, de guerre et de coexistence entre diverses croyances. Simon Sebag Montefiore raconte les batailles, mais aussi les histoires d&amp;rsquo;amour et de haine des hommes et des femmes qui ont fait J&amp;eacute;rusalem &amp;mdash; soldats et proph&amp;egrave;tes, po&amp;egrave;tes et rois, courtisans et musiciens.&lt;/div&gt;
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La Contre All&amp;eacute;e

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Depuis plusieurs ann&amp;eacute;es, on constate une multiplication des actions autour de la m&amp;eacute;moire. Celles-ci prennent des formes diverses, font appel &amp;agrave; des intervenants multiples.&lt;/div&gt;
&lt;br /&gt;
Catherine Foret, sp&amp;eacute;cialis&amp;eacute;e dans les travaux m&amp;eacute;moriels, pr&amp;eacute;sente dans cet ouvrage toute une s&amp;eacute;rie de contributions sur les principales probl&amp;eacute;matiques li&amp;eacute;es aux projets M&amp;eacute;moires sur un territoire. Organis&amp;eacute; en une vingtaine d&amp;rsquo;items regroup&amp;eacute;s en deux parties, ce pr&amp;eacute;cis propose des rep&amp;egrave;res dans la r&amp;eacute;flexion sur les enjeux et les conditions de valorisation des travaux sur la m&amp;eacute;moire.&lt;br /&gt;
&lt;br /&gt;
Cet ouvrage permet &amp;agrave; chacun de les appr&amp;eacute;hender et d&amp;rsquo;&amp;eacute;viter les diff&amp;eacute;rents &amp;eacute;cueils qui peuvent se pr&amp;eacute;senter gr&amp;acirc;ce &amp;agrave; une compilation d&amp;rsquo;interventions et d&amp;rsquo;exemples sans oublier des clefs pour l&amp;rsquo;action afin de faciliter &amp;agrave; tous la gestion de projets M&amp;eacute;moires. Il s&amp;rsquo;adresse &amp;agrave; tous ceux qui s&amp;rsquo;int&amp;eacute;ressent aux probl&amp;eacute;matiques m&amp;eacute;moires et territoires.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cette publication est men&amp;eacute;e en collaboration avec l&amp;rsquo;association M&amp;eacute;moires du Travail qui m&amp;egrave;ne une s&amp;eacute;rie de s&amp;eacute;minaires sur cette th&amp;eacute;matique depuis 2005.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
G&amp;eacute;ographe et sociologue, &lt;b&gt;Catherine Foret&lt;/b&gt; travaille depuis 25 ans sur la question urbaine. Auteur de nombreuses recherches et &amp;eacute;tudes sur la transformation des quartiers populaires, sur le r&amp;ocirc;le des espaces publics en ville et sur les dynamiques culturelles &amp;ndash; en particulier les questions relatives aux m&amp;eacute;moires et aux patrimoines urbains, elle est particuli&amp;egrave;rement mobilis&amp;eacute;e sur la valorisation des travaux de recherche en sciences humaines et sociales aupr&amp;egrave;s des acteurs de la ville.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Drawing upon the literature of landscape geography, tourism studies, cultural studies, visual studies and philosophy, this book offers a multi-disciplinary approach to understanding the interaction between urban environments and tourists. This is a necessary prerequisite for cities as they make themselves into enticing destinations and compete for tourists' attention. It argues that tourists make sense of, and draw meaningful conclusions about, the places in which they tour based upon the interpretation of the signs or elements encountered within the built environment, elements such as graffiti and lamp posts.&lt;br /&gt;
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The writings of the American pragmatist Charles S. Peirce on interpretation provide the theoretical model for explaining the way in which mind and world, or thoughts and objects, result in tourists interacting with place. This theoretical framework elucidates three applied studies undertaken with foreign visitors to the Hungarian capital of Budapest. Based upon extensive ethnographic field work, these studies focus on tourists' interpretation of the urban landscape, with particular attention paid to the encounters with national culture, the role of architecture and the importance of the prosaic in urban tourism.&lt;/div&gt;
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&lt;b&gt;Michelle M. Metro-Rola&lt;/b&gt;&lt;b&gt;nd &lt;/b&gt;is Director of Faculty and Global Program Development in the Haenicke Institute for Global Eduction, Western Michigan University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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&amp;nbsp;&lt;/div&gt;
Depuis quelques ann&amp;eacute;es &amp;eacute;merge, au-del&amp;agrave; des fronti&amp;egrave;res disciplinaires des sciences sociales, un nouvel int&amp;eacute;r&amp;ecirc;t pour la question de l&amp;rsquo;impact territorial des risques. Rester, fuir, r&amp;eacute;sister au d&amp;eacute;placement ou &amp;ecirc;tre contraint &amp;agrave; l&amp;rsquo;immobilit&amp;eacute;, comment r&amp;eacute;agissent les habitants de ces territoires ? Apr&amp;egrave;s une catastrophe, comment trouvent-ils les ressources pour se r&amp;eacute;-agencer autour d&amp;rsquo;un projet commun ? Quelle place accorder &amp;agrave; l&amp;rsquo;exp&amp;eacute;rience du risque et &amp;agrave; sa potentielle r&amp;eacute;surgence ?&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cet ouvrage retrace les processus d&amp;rsquo;identification des risques, leur saisie par les collectivit&amp;eacute;s et leur r&amp;eacute;silience post-catastrophe. Il vise &amp;agrave; donner des cl&amp;eacute;s de compr&amp;eacute;hension sur les logiques territoriales &amp;agrave; l&amp;rsquo;oeuvre dans des zones dites &amp;quot;&amp;agrave; risque&amp;quot; et veut offrir une compr&amp;eacute;hension globale des risques et de leurs cons&amp;eacute;quences sur les territoires qu&amp;rsquo;ils affectent. Ce livre r&amp;eacute;unit pour la premi&amp;egrave;re fois des contributions orient&amp;eacute;es vers l&amp;rsquo;examen de la relation &amp;quot;risques- territoires&amp;quot;, selon plusieurs horizons de recherche (anthropologie, architecture, g&amp;eacute;ographie, sociologie des sciences et techniques et urbanisme).&lt;br /&gt;
&lt;br /&gt;
Avec les contributions de : Marie Augendre, Mathilde Gralepois, Julien Grisel, Stuart N. Lane, Julien Langumier, Emmanuel Martinais, Fran&amp;ccedil;ois M&amp;eacute;lard, Val&amp;eacute;rie November, Marion Penelas, Julien Rebotier, Sandrine Revet, Jacques Roux, Pascal Viot, Sarah J. Whatmore.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Contenu :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Introduction &lt;/b&gt;&lt;/div&gt;
Questionner la relation risques-territoires&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Lieux et activit&amp;eacute;s humaines : frottements, mutations et mise en tension du risque&lt;/b&gt;&lt;br /&gt;
L&amp;rsquo;empreinte des risques : &amp;eacute;l&amp;eacute;ments de compr&amp;eacute;hension de la spatialit&amp;eacute; des risques&lt;br /&gt;
Le lieu en tant que source d&amp;rsquo;&amp;eacute;v&amp;eacute;nements&lt;br /&gt;
Peut-on se fier &amp;agrave; l&amp;rsquo;air des villes ? L&amp;rsquo;expertise profane du risque de pollution atmosph&amp;eacute;rique dans une agglom&amp;eacute;ration urbaine, Saint-Etienne, France&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Saisie du risque et effets sur les territoires touch&amp;eacute;s&lt;/b&gt; &lt;br /&gt;
Habiter les territoires et construire les risques : entre empreintes spatiales et logiques sociales&lt;br /&gt;
L&amp;rsquo;emprise du risque sur les espaces industriels &lt;br /&gt;
N&amp;eacute;gociation et controverse des p&amp;eacute;rim&amp;egrave;tres de pr&amp;eacute;vention des risques&lt;br /&gt;
Connaissances controvers&amp;eacute;es : exploration dans les sciences et les politiques des risques d&amp;rsquo;inondation&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Processus de mise en m&amp;eacute;moire de la catastrophe&lt;/b&gt; &lt;br /&gt;
M&amp;eacute;moire et oubli, peur et d&amp;eacute;ni : dynamiques du risque sur un territoire sinistr&amp;eacute;&lt;br /&gt;
Risques et catastrophes volcaniques au Japon : enseignements pour la g&amp;eacute;ographie des risques&lt;br /&gt;
Catastrophe, risques et production de localit&amp;eacute; : habiter &amp;agrave; Vargas (V&amp;eacute;n&amp;eacute;zuela) apr&amp;egrave;s les coul&amp;eacute;es de boue de 1999&lt;br /&gt;
Gestion des risques et projet d&amp;rsquo;architecture : la reconstruction du village de Gondo&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par l'&amp;eacute;diteur :&lt;/b&gt;&lt;br /&gt; &lt;br /&gt; La ville est le milieu artificiel le plus productif gr&amp;acirc;ce aux ressources qu'il offre aux entreprises comme aux citadins, Ces ressources se sont r&amp;eacute;guli&amp;egrave;rement &amp;eacute;largies du fait de la complexification de l'organisation urbaine. Celle-ci a permis une adaptation continue de la ville &amp;agrave; des besoins nouveaux et de plus en plus diversifi&amp;eacute;s. Mais en m&amp;ecirc;me temps, la ville a une fragilit&amp;eacute; intrins&amp;egrave;que et court des risques d'effondrements. L'intervention de la puissance publique, &amp;agrave; tous les niveaux, de l'Europe aux communes, est n&amp;eacute;cessaire pour piloter l'&amp;eacute;volution, sans pr&amp;eacute;tendre la ma&amp;icirc;triser, et r&amp;eacute;duire les risques et fragilit&amp;eacute;s.&lt;/div&gt; &amp;nbsp;&lt;/div&gt; Ainsi, &amp;agrave; Pourquoi faire de l'urbanisme ? la r&amp;eacute;ponse renvoie &amp;agrave; toute une s&amp;eacute;rie de questions : Quelles sont nos pratiques ? Quelles sont leurs origines ? Pourquoi les villes sont-elles devenues l'habitat principal de l'homme ? Faut-il une action publique sur la ville ? Comment est organis&amp;eacute; le droit de l'urbanisme ? Quels instruments sont pr&amp;eacute;vus pour agir sur la ville ? Qu'est-ce que la composition urbaine ?, etc. Destin&amp;eacute; &amp;agrave; ceux qui veulent comprendre la pratique de l'urbanisme - pouvoir intervenir en tant qu'&amp;eacute;lus, fonctionnaires ou en tant que citoyens int&amp;eacute;ress&amp;eacute;s par les d&amp;eacute;bats publics - comme aux &amp;eacute;tudiants qui voudraient en avoir un aper&amp;ccedil;u global, cet ouvrage apporte une r&amp;eacute;ponse globale &amp;agrave; ces questions. Sa lecture peut se faire en continu, par th&amp;egrave;me, ou par acc&amp;egrave;s direct aux sujets gr&amp;acirc;ce &amp;agrave; un index d&amp;eacute;taill&amp;eacute;.&lt;br /&gt; &lt;br /&gt; &lt;b&gt;Tewfik Guerroudj &lt;/b&gt;est architecte urbaniste&lt;/div&gt; &amp;nbsp;&lt;/div&gt; </text>
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Ashgate

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                <text>&lt;div&gt;&lt;b&gt;Abstract from the publisher:&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Current planning practices have largely neglected the needs of the Lesbian, Gay, Bisexual, and Transgender (LGBT) community for safe urban spaces in which to live, work, and play. This volume fills the gap in the literature on the planning and development of queer spaces, and highlights some of the resistance within the planning profession to incorporate gay and lesbian concerns into the planning mainstream. Planning lags behind other disciplines concerned with queer urban issues. In contrast, the field of geography has developed a rich sub-specialty in the geographies of sex and gender that examines spaces and the variety of non-heteronormative populations that inhabit them. This volume brings together both planners and geographers with experience in planning to examine some of the fundamental assumptions of urban planning as they relate to the LGBT community.&lt;br /&gt;
&lt;br /&gt;
The first few chapters are substantial revisions and expansions of earlier influential work on planning for non-conformist populations and the preservation of LGBT neighborhoods. Subsequent chapters comprise original contributions that draw on the rich literature from queer theory, planning theory and the geography of sexualities to explore the ways that nonconformist populations struggle with heteronormative expectations embedded in planning theory and procedures. These chapters consider the intersection of planning and a range of populations including transgendered and gender variant individuals. Subsequent chapters examine the ways that variations in the scale of urban and regional governance influence local politics around the implementation of more equitable policies at the city level. In addition, several chapters critically examine the implications of using the tolerance component of Richard Florida's &amp;quot;creative cities&amp;quot; arguments. The final section consists of two chapters that explore the ways that urban planning regimes have been used to regulate sexually-oriented businesses and the way this regulation of sexualized spaces has implications on the heteronormativity of plans and planners.&lt;br /&gt;
&lt;br /&gt;
In summary, these chapters interrogate planning practice and pose questions for academic and professional planners about the ways that the queer community and its needs for spaces have shifted. What do those changes mean for the practice of planning 40 years after the North American Stonewall rebellion and looking forward to the next 40 years? To what extent does existing planning practice constrain the evolution of queer communities or seek to commercialize such spaces to the benefit of large developers and the detriment of marginalized members of the community? How might planning practice change to provide more direct support to the evolution of queer people and the spaces in which they live?&lt;br /&gt;
&lt;br /&gt;
This volume draws on these insights as well as the experiences of the various authors to lay out possible future directions for the field of planning to create truly inclusive urban areas.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Petra L. Doan &lt;/b&gt;is Associate Professor in the Department of Urban and Regional Planning at Florida State University.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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