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4'15 et 4'24</text>
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G&amp;eacute;o</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Quatorze ans apr&amp;egrave;s la fin de l'apartheid, la capitale &amp;eacute;conomique de l'Afrique du sud se lance dans la r&amp;eacute;novation de son centre.&lt;br /&gt;
&lt;br /&gt;
Les &amp;quot;webreporters&amp;quot; de GEO ont enqu&amp;ecirc;t&amp;eacute; sur les cons&amp;eacute;quences de cette politique, nous offrant deux courts reportages (moins de 5 minutes chacun), l'un sur la r&amp;eacute;cup&amp;eacute;ration par les &amp;quot;riches blancs&amp;quot; d'immeubles laiss&amp;eacute;s par les plus pauvres, l'autre sur les conditions d'expulsion de ce m&amp;ecirc;me centre-ville dont est victime une population majoritairement noire et en situation de pr&amp;eacute;carit&amp;eacute;.&lt;br /&gt;
&lt;br /&gt;
Des vid&amp;eacute;os plus courtes et des cartes compl&amp;egrave;tent ces documentaires.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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Divers</text>
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                <text>&lt;div&gt;Cette collection mise en ligne par la biblioth&amp;egrave;que du congr&amp;egrave;s am&amp;eacute;ricain (&lt;a target="_blank" href="http://www.loc.gov/index.html"&gt;Library of Congress&lt;/a&gt;) propose 45 films de New York entre 1898 et 1906.&lt;br /&gt;
&lt;br /&gt;
35 d'entre-eux ont &amp;eacute;t&amp;eacute; r&amp;eacute;alis&amp;eacute;s par l'American Mutoscope and Biograph Company et les 20 restants par l'Edison Company.&lt;br /&gt;
&lt;br /&gt;
Les films sont t&amp;eacute;l&amp;eacute;chargeables en diff&amp;eacute;rents formats et r&amp;eacute;solutions.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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D&amp;eacute;cembre 2006

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30 minutes</text>
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Vid&amp;eacute;o</text>
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                <text>&lt;div&gt;La saga du G&amp;eacute;ant de la compagnie du Royal de Luxe avait commenc&amp;eacute; au Havre en 1993, il &amp;eacute;tait logique que cette histoire se termine dans cette m&amp;ecirc;me ville avec la venue du &lt;strong&gt;Sultan des Indes sur son &amp;eacute;l&amp;eacute;phant &amp;agrave; voyager dans le temps&lt;/strong&gt; en octobre 2006.&lt;br /&gt;
&lt;br /&gt;
La ville a mis en place &lt;a target="_blank" href="http://oceanes.ville-lehavre.fr/evenements/Royal2006/Index.html"&gt;un site sur les diff&amp;eacute;rents passage du Royal de luxe au Havre&lt;/a&gt;  et propose en  t&amp;eacute;l&amp;eacute;chargement le film de son dernier spectacle, en diff&amp;eacute;rents formats et dur&amp;eacute;es.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://royaldeluxe.ville-lehavre.fr/RoyalDeluxe.php"&gt;Pour t&amp;eacute;l&amp;eacute;charger la version longue&lt;/a&gt;  (30 minutes, format AVI, 300 Mo)&lt;br /&gt;
&lt;br /&gt;
&lt;a target="_blank" href="http://oceanes.ville-lehavre.fr/evenements/Royal2006/Index.html#"&gt;Pour t&amp;eacute;l&amp;eacute;charger les autres versions&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;!--FIN DU COMMENTAIRE--&gt;
&amp;nbsp;&lt;/div&gt;
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                <text>&lt;div&gt;Ce film concerne les relations entre habitants et usagers de drogue dans le quartier de la Goutte d'Or, dans le XVIII&amp;egrave;me arrondissement de Paris. Il propose un regard de g&amp;eacute;ographie sociale sur cette question &amp;agrave; partir d'une exp&amp;eacute;rience pilote en France, le dispositif de m&amp;eacute;diation coordination toxicomanie 18. &lt;br /&gt;
&lt;br /&gt;
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&lt;br /&gt;
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&lt;br /&gt;
Ce film est mis en ligne sur le site du &lt;a href="index.php?option=com_content&amp;amp;task=view&amp;amp;id=913&amp;amp;Itemid=195"&gt;CERIMES&lt;/a&gt;. &lt;a target="_blank" href="http://www.cerimes.education.fr/entre-deux-portes-catalogue-films-ligne-sciences-sociales-fiches-a759s10l7_.html"&gt;&lt;br /&gt;
&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;
Ce film est mis en ligne sur le site du &lt;a href="index.php?option=com_content&amp;amp;task=view&amp;amp;id=913&amp;amp;Itemid=195"&gt;CERIMES&lt;/a&gt;.&lt;/div&gt;
&lt;!--FIN DU COMMENTAIRE--&gt;&lt;/div&gt;
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&lt;br /&gt;
&lt;strong&gt;En savoir plus :&lt;/strong&gt;&lt;br /&gt;
&lt;a href="http://www.msh-reseau.fr/IMG/pdf/Programme_previsionnel_19072007_.pdf" target="_blank"&gt; Le programme&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://www.msh-reseau.fr/IMG/pdf/RNMSH_La_construction_sociale_des_territoires_europeens.pdf" target="_blank"&gt; Document de pr&amp;eacute;sentation&lt;/a&gt; &lt;br /&gt;
&lt;a href="http://www.msh-reseau.fr/IMG/pdf/Liste_participants_finale.pdf" target="_blank"&gt; Liste des participants&lt;/a&gt;&lt;/div&gt;
&lt;!--FIN DU COMMENTAIRE--&gt;
&amp;nbsp;&lt;/div&gt;
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Donatella CALABI consacre son travail de recherche aux origines de l'urbanisme en Europe ainsi qu'&amp;agrave; la ville &amp;agrave; l'&amp;acirc;ge moderne et plus particuli&amp;egrave;rement &amp;agrave; la ville de Venise.&lt;br /&gt;
&lt;br /&gt;
Donatella Calabi est aussi pr&amp;eacute;sidente honoraire et membre du comit&amp;eacute; scientifique de la &lt;a target="_blank" href="http://www2.historia.su.se/urbanhistory/eauh/"&gt;European Association of Urban Historians&lt;/a&gt; et pr&amp;eacute;sidente de la &lt;a target="_blank" href="http://www.storiaurbana.it/"&gt;Associazione italiana di Storia urbana&lt;/a&gt; . Pendant les ann&amp;eacute;es 90, elle a &amp;eacute;t&amp;eacute; charg&amp;eacute;e par la Maison des Sciences de l'Homme d'animer un seminaire international consacr&amp;eacute; aux Etrangers dans la ville, s&amp;eacute;minaire qui a donn&amp;eacute; lieu &amp;agrave; une publication homonyme en 1999.&lt;br /&gt;
&lt;strong&gt;&lt;br /&gt;
Responsable de cet entretien :&lt;/strong&gt; Anne Gotman&lt;/div&gt;
&lt;strong&gt;  &lt;/strong&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;!--FIN DU COMMENTAIRE--&gt;
&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;
Patrizia INGALLINA&lt;/strong&gt; est architecte-urbaniste, ma&amp;icirc;tre de conf&amp;eacute;rences HDR &amp;agrave; l'Institut d'Urbanisme de Paris et professeur associ&amp;eacute; au Politecnico de Turin. Elle a la responsabilit&amp;eacute; des travaux dans le cadre de l'axe &amp;laquo; Repr&amp;eacute;sentations, projet urbain et programmation &amp;raquo; du C.R.E.T.E.I.L (Centre de Recherche sur l'Espace, les Transports, l'Environnement et les Institutions Locales).&lt;br /&gt;
&lt;br /&gt;
Patrizia Ingallina s'int&amp;eacute;resse &amp;agrave; la mani&amp;egrave;re dont les cultures fran&amp;ccedil;aise et italienne (aussi bien dans le jeu des institutions que dans le syst&amp;egrave;me d'id&amp;eacute;es et dans la perception des habitants) con&amp;ccedil;oivent et se repr&amp;eacute;sentent la ville et les modes d'intervention sur elle, dans une optique de transformation urbaine. La notion de &amp;laquo; recupero &amp;raquo;, abord&amp;eacute;e dans le cadre de sa th&amp;egrave;se, r&amp;eacute;sumait bien les caract&amp;eacute;ristiques italiennes de la pens&amp;eacute;e et de l'action sur la ville existante et fournissait un exemple int&amp;eacute;ressant pour la France, aidant &amp;agrave; la d&amp;eacute;finition de la notion de &amp;laquo; projet urbain &amp;raquo;. &lt;br /&gt;
&lt;br /&gt;
Ses travaux r&amp;eacute;cents sur le projet urbain comme recherche de nouvelles d&amp;eacute;marches de planification (notamment par l'introduction de la notion de strat&amp;eacute;gie) et l'int&amp;eacute;gration du paysage dans ces d&amp;eacute;marches s'effectuent toujours dans un cadre international (Italie, Canada, &amp;Eacute;tats-Unis). Il s'agit de comprendre les actions d'urbanisme, la diversit&amp;eacute; de leurs points de rencontre, dans l'espace intellectuel et pratique qui se cr&amp;eacute;e actuellement en Europe.&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Responsable de cet entretien :&lt;/strong&gt;  Charles Biljetina&lt;/div&gt;
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&lt;!--FIN DU COMMENTAIRE--&gt;
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IRD/EHESS - Paris

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                <text>Olivier Legros</text>
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                <text>Sociologie des approches critiques du développement et de la ville durables</text>
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                <text>développement durable, ville durable, ville viable, croissance, gouvernance, démocratie, écologie</text>
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1er et 2 f&amp;eacute;vrier 2012

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Colloque</text>
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                <text>&lt;div&gt;&lt;b&gt;Textes et enregistrements audios des communications du colloque organis&amp;eacute; &amp;agrave; Paris en f&amp;eacute;vrier 2012&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par l'organisateur :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Les notions de d&amp;eacute;veloppement durable et de ville durable font l&amp;rsquo;objet d&amp;rsquo;un travail critique fragmentaire de la part de nombreux chercheurs. Cependant, leur &amp;eacute;clatement et le caract&amp;egrave;re parfois marginal de l&amp;rsquo;objet &amp;ldquo;durable&amp;rdquo; dans leur d&amp;eacute;marche masquent les transversalit&amp;eacute;s critiques qui pourraient &amp;ecirc;tre mises en &amp;eacute;vidence sur ces objets du d&amp;eacute;veloppement et de la ville durables.&lt;br /&gt;
&lt;br /&gt;
Il est temps aujourd&amp;rsquo;hui nous semble-t-il, d&amp;rsquo;avoir une approche r&amp;eacute;flexive s&amp;rsquo;interrogeant &amp;agrave; la fois sur les appuis th&amp;eacute;oriques, les d&amp;eacute;marches empiriques, les corpus utilis&amp;eacute;s et les objectifs vis&amp;eacute;s. Bref, analyser les ressorts de ces critiques, leur &amp;eacute;ventuelle coh&amp;eacute;rence et les limites qu&amp;rsquo;elles rencontrent, que ces derni&amp;egrave;res soient d&amp;rsquo;ordre pratique, &amp;eacute;pist&amp;eacute;mologique, th&amp;eacute;orique ou autres.&lt;br /&gt;
&lt;br /&gt;
La probl&amp;eacute;matique de ce colloque port&amp;eacute; par l'&amp;eacute;quipe de recherche AUS, ouvre de nombreuses pistes dont seulement quelques-unes sont esquiss&amp;eacute;es ici autour de quatre axes de travail qui ne sont ni exclusifs les uns des autres ni exhaustifs, mais constituent une trame pouvant permettre aux uns et aux autres de situer leur approche :&lt;br /&gt;
&lt;br /&gt;
Axe 1 : Une croissance insoutenable ?&lt;br /&gt;
&lt;br /&gt;
Axe 2 : Une gouvernementalisation des conduites ?&lt;br /&gt;
&lt;br /&gt;
Axe 3 : Une d&amp;eacute;mocratie technique ?&lt;br /&gt;
&lt;br /&gt;
Axe 4 : Une justification &amp;eacute;cologique ?&lt;br /&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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</text>
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        <name>croissance</name>
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        <name>développement durable</name>
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        <name>écologie</name>
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        <name>gouvernance</name>
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        <name>ville durable</name>
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        <name>ville viable</name>
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                <text>Shanghai</text>
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                <text>Liu Zhenchen, Malle Justine, Shangai, traumatisme urbain, portrait de ville</text>
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11 avril 2013

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Enregistrement audio</text>
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                <text>http://archives-sonores.bpi.fr/doc=3856</text>
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                <text>&lt;div&gt;

&lt;div&gt;&lt;img width="140" border="0" align="absmiddle" alt="crevilles" src="http://crevilles.org/mambo/images/crevilles.gif" /&gt;&lt;/div&gt;
&lt;div align="center" style="padding:5px; margin-bottom:5px; margin-top:5px; "&gt;&lt;strong&gt;Type&lt;/strong&gt;
&lt;div align="center" style="font-size: 11px"&gt;Enregistrement audio&lt;/div&gt;
&lt;/div&gt;
&lt;div align="center" style=" padding:5px; margin-bottom:5px; "&gt;&lt;strong&gt;Date&lt;/strong&gt;
&lt;div align="center" style="font-size: 11px"&gt;11 avril 2013&lt;/div&gt;
&lt;/div&gt;
&lt;div align="center" style="padding:5px; margin-bottom:5px; "&gt;&lt;strong&gt;Dur&amp;eacute;e&lt;/strong&gt;
&lt;div align="center" style="font-size: 11px"&gt;01h19'47&amp;quot;&lt;/div&gt;
&lt;/div&gt;
&lt;div align="center" style=" padding:5px; margin-bottom:5px; "&gt;&lt;strong&gt;Diffuseur&lt;/strong&gt;
&lt;div align="center" style="font-size: 11px"&gt;&lt;a href="http://www.bpi.fr/fr/index.html" target="_blank"&gt;BPI&lt;/a&gt;&lt;/div&gt;
&lt;div align="center" style="font-size: 11px"&gt;&amp;nbsp;&lt;/div&gt;
&lt;div align="center" style="font-size: 11px"&gt;&lt;a href="http://archives-sonores.bpi.fr/doc=3856" target="_blank"&gt;&lt;b&gt;Acc&amp;eacute;der &amp;agrave; l'enregistrement...&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;b&gt;Rencontre avec les cin&amp;eacute;astes Justine Malle et Zhenchen Liu, &amp;agrave; la suite de la projection de courts m&amp;eacute;trages : &amp;quot;Carnets de Shanghai&amp;quot; de Justine Malle, &amp;quot;Shanghai express&amp;quot;, &amp;quot;Shanghai, Shanghai&amp;quot; et &amp;quot;Under Construction&amp;quot; de Zhenchen Liu. &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par les organisateurs :&lt;/b&gt;
&amp;nbsp;&lt;/div&gt;
A travers 5 court-m&amp;eacute;trages, Shanghai d&amp;eacute;voile le paradoxe d&amp;rsquo;une ville qui d&amp;eacute;truit pour mieux s&amp;rsquo;&amp;eacute;lever. &lt;br /&gt;
&lt;br /&gt;
Zhenchen Liu, artiste chinois vivant en Europe et Justine Malle,  cin&amp;eacute;aste fran&amp;ccedil;aise, s&amp;rsquo;interrogent chacun &amp;agrave; leur mani&amp;egrave;re, sur une  utopique pr&amp;eacute;servation de l&amp;rsquo;humain dans cette f&amp;eacute;brile acc&amp;eacute;l&amp;eacute;ration vers  la modernit&amp;eacute;.&lt;br /&gt;
&lt;br /&gt;
Lui-m&amp;ecirc;me originaire de Shanghai, Zhenchen Liu,  m&amp;ecirc;le art et documentaire pour parler de cette ville natale qu&amp;rsquo;il ne  reconnait jamais. Qu&amp;rsquo;il choisisse de filmer du haut d&amp;rsquo;une tour une  journ&amp;eacute;e enti&amp;egrave;re pass&amp;eacute;e en haute vitesse, de confronter la r&amp;eacute;alit&amp;eacute; de la  ville aux images de synth&amp;egrave;se du Shanghai de demain ou de laisser sa  cam&amp;eacute;ra voyager dans les quartiers d&amp;eacute;vast&amp;eacute;s, l&amp;rsquo;artiste d&amp;eacute;nonce avec une  immense sensibilit&amp;eacute; le traumatisme urbain et humain de ce changement &amp;agrave;  tout prix.&lt;br /&gt;
&lt;br /&gt;
Justine Malle se prom&amp;egrave;ne et d&amp;eacute;couvre en temps r&amp;eacute;el  la ville, dressant un portrait po&amp;eacute;tique de Shanghai &amp;agrave; partir  d'impressions subjectives et de r&amp;eacute;flexions sur la position et la  d&amp;eacute;marche de celui qui filme.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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01h19'47&amp;quot;</text>
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                <text>Des jardins pour ménager les bords de routes et de voies ferrée ?</text>
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                <text>jardin, routes, voies ferrées, ambiances, écologie, pollution, jardins familiaux, jardins ouvriers, jardins urbains</text>
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14 d&amp;eacute;cembre 2012

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Journ&amp;eacute;e d'&amp;eacute;tude</text>
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                <text>&lt;div&gt;Une journ&amp;eacute;e d&amp;rsquo;&amp;eacute;tudes organis&amp;eacute;e par Magali Paris, Sylvie Laroche et Gr&amp;eacute;goire Chelkoff, chercheurs au laboratoire Cresson, dans le cadre de la recherche &amp;quot;La nature au bord de la route&amp;quot; (2010-2012)&lt;br /&gt;
&amp;nbsp;&lt;br /&gt;
&lt;b&gt;Pr&amp;eacute;sentation par l'organisateur :&lt;/b&gt;&lt;br /&gt;
&amp;nbsp;&lt;br /&gt;
Cette journ&amp;eacute;e d&amp;rsquo;&amp;eacute;tude propose de mettre en d&amp;eacute;bat les r&amp;ocirc;les des jardins familiaux situ&amp;eacute;s en bord de route et de voie ferr&amp;eacute;e autour de 5 expos&amp;eacute;s de chercheurs et/ou de praticiens, chacun suivi d&amp;rsquo;un d&amp;eacute;bat avec des acteurs du territoire grenoblois et national.&lt;br /&gt;
5 grandes th&amp;eacute;matiques seront ici questionn&amp;eacute;es : les ambiances, l&amp;rsquo;&amp;eacute;cologie, la sociologie, l&amp;rsquo;&amp;eacute;conomie et la pollution des jardins familiaux.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Liste des interventions :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
- Les Jardins Familiaux : outils d&amp;rsquo;am&amp;eacute;nagement urbain et social, par J&amp;eacute;r&amp;ocirc;me Cl&amp;eacute;ment&lt;br /&gt;
&lt;br /&gt;
- Entre ambiances et &amp;eacute;cologie : le jardin comme &amp;eacute;cotone(s), par Gr&amp;eacute;goire Chelkoff, Magali Paris et Marine Linglart&lt;br /&gt;
&lt;br /&gt;
- Qualit&amp;eacute; des sols des jardins de bord de voies, le cas francilien, par Philippe Branchu&lt;br /&gt;
&lt;br /&gt;
- Le mesnage dans les communaut&amp;eacute;s-territoires rurbaines, par Claude Jacquier&lt;br /&gt;
&lt;br /&gt;
- Les collectifs de jardins urbains fran&amp;ccedil;ais dans le miroir du jardinage urbain &amp;agrave; grande &amp;eacute;chelle de Russie, par Marcel Marloie&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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19 mars 2013

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&lt;div align="center" style="font-size: 11px"&gt;MRSH Caen&lt;/div&gt;
&lt;div align="center" style="font-size: 11px"&gt;&amp;nbsp;&lt;/div&gt;
&lt;div align="center" style="font-size: 11px"&gt;&lt;a href="http://www.unicaen.fr/recherche/mrsh/forge/6551" target="_blank"&gt;&lt;b&gt;Acc&amp;eacute;der &amp;agrave; l'enregistrement sur la Forge Num&amp;eacute;rique&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Cette conf&amp;eacute;rence a &amp;eacute;t&amp;eacute; enregistr&amp;eacute;e dans le cadre du s&amp;eacute;minaire pluridisciplinaire &amp;quot;Villes&amp;quot; de la MRSH, consacr&amp;eacute; en 2012-2013 aux Villes et la mer&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Laurence Montel&lt;/b&gt; est ma&amp;icirc;tresse de conf&amp;eacute;rences en histoire contemporaine &amp;agrave; l'Universit&amp;eacute; de Caen Basse-Normandie. Ses th&amp;egrave;mes de recherche portent sur les villes portuaires au XIXe et XXe si&amp;egrave;cles, sur la police et la justice au XIXe si&amp;egrave;cle, sur les &amp;eacute;conomies informelles et les mondes criminels.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;R&amp;eacute;sum&amp;eacute; de la conf&amp;eacute;rence :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Laurence Montel propose une histoire du banditisme et de l'enqu&amp;ecirc;te judiciaire entre la fin du XIX&amp;egrave;me si&amp;egrave;cle et les ann&amp;eacute;es 1930. Son terrain de pr&amp;eacute;dilection est Marseille : le port et plus g&amp;eacute;n&amp;eacute;ralement la ville. Laurence Montel tente de d&amp;eacute;finir la notion de &amp;laquo; grand banditisme &amp;raquo; dans le cas marseillais. Selon elle, trois crit&amp;egrave;res sont &amp;agrave; retenir : la vis&amp;eacute;e p&amp;eacute;cuniaire, la r&amp;eacute;currence des d&amp;eacute;lits ainsi que les interactions suscit&amp;eacute;es par ces derniers (client&amp;egrave;le int&amp;eacute;ress&amp;eacute;e par les objets acquis ill&amp;eacute;galement, receleurs, organisation d'une bande de malfrats, etc.).&lt;br /&gt;
&lt;br /&gt;
En plus de l'histoire polici&amp;egrave;re et judiciaire du banditisme marseillais &amp;agrave; partir de sources techniques comme les dossiers de proc&amp;eacute;dure correctionnelle, Laurence Montel s'attache aux repr&amp;eacute;sentations produites par cet objet d'histoire que repr&amp;eacute;sente le crime organis&amp;eacute; marseillais. Cet imaginaire se d&amp;eacute;veloppe &amp;agrave; partir de la fin du XIX&amp;egrave;me si&amp;egrave;cle et du d&amp;eacute;but du XX&amp;egrave;me, au moment o&amp;ugrave; l'activit&amp;eacute; portuaire se d&amp;eacute;veloppe vers l'Asie et le Moyen-Orient. &lt;b&gt; &lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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2 janvier 2013

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Emission radio</text>
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                <text>&lt;div&gt;&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
C&amp;rsquo;est l&amp;rsquo;autre Las Vegas. Celui des centaines de kilom&amp;egrave;tres de tunnels. De ces &amp;eacute;gouts o&amp;ugrave; se terrent des dizaines, des centaines de naufrag&amp;eacute;s de &amp;quot;Sin City&amp;quot;, la ville du p&amp;ecirc;ch&amp;eacute;. Pour s&amp;rsquo;y rendre, il faut courber l&amp;rsquo;&amp;eacute;chine, crisper les r&amp;eacute;tines. Dans la fra&amp;icirc;cheur de la p&amp;eacute;nombre, on y d&amp;eacute;couvre l&amp;rsquo;antre de ces hommes-taupes, clochards, joueurs fauch&amp;eacute;s, la plupart toxicomanes, fant&amp;ocirc;mes des catacombes.&lt;br /&gt;
&lt;br /&gt;
Chacune de leur vie raconte une histoire am&amp;eacute;ricaine. Certains ont fui la justice, d&amp;rsquo;autres ont &amp;eacute;chou&amp;eacute; l&amp;agrave;, mendiant le jour dans les rues ou faisant du &amp;quot;silver mining&amp;quot; la nuit, cette collecte des pi&amp;egrave;ces oubli&amp;eacute;es dans les machines &amp;agrave; sous des casinos.&lt;br /&gt;
&lt;br /&gt;
Cet autre Las Vegas est &amp;quot;un no man&amp;rsquo;s land travers&amp;eacute; de voies ferr&amp;eacute;es et d&amp;rsquo;&amp;eacute;changeurs autoroutiers o&amp;ugrave; le r&amp;ecirc;ve am&amp;eacute;ricain rampe dans un trou noir pour y crever&amp;quot;.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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21 mars 2013

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                <text>&lt;div&gt;Une rencontre co-organis&amp;eacute;e par la biblioth&amp;egrave;que universitaire, le GRIC et l&amp;rsquo;association des Industries du Havre&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Pr&amp;eacute;sentation par les organisateurs :&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Les villes divis&amp;eacute;es est le th&amp;egrave;me de la rencontre organis&amp;eacute;e autour du travail de Fr&amp;eacute;d&amp;eacute;ric Sautereau le 21 mars 2013.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Alain Frilet, ancien directeur &amp;eacute;ditorial de l&amp;rsquo;agence Magnum animera la rencontre qui, outre Fr&amp;eacute;d&amp;eacute;ric Sautereau, r&amp;eacute;unira Ren&amp;eacute; Backmann, du Nouvel Observateur, fin connaisseur de la question isra&amp;euml;lo-palestinienne, Jean Hatzfeld (sous r&amp;eacute;serve), grand reporter, pour son travail en ex-Yougoslavie, Bruno Lecoquierre, g&amp;eacute;ographe de l&amp;rsquo;Universit&amp;eacute; du Havre, Alain Keler, photojournaliste, prix W. Eugene Smith 1997, invit&amp;eacute; 2012 de la Biblioth&amp;egrave;que universitaire et du GRIC, qui a beaucoup travaill&amp;eacute; en Isra&amp;euml;l et dans les territoires occup&amp;eacute;s.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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19 mars 2013

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Emission radio</text>
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&amp;nbsp;&lt;/div&gt;
Une &amp;eacute;mission exp&amp;eacute;rimentale pluri-m&amp;eacute;dia&lt;br /&gt;
&lt;br /&gt;
Qu&amp;rsquo;est ce que &amp;ccedil;a donne quand, Zinc, Chez Albert et Radio Grenouille se retrouvent au Transistor &amp;agrave; la Friche Belle de Mai ?&lt;br /&gt;
&amp;Ccedil;a donne une &amp;eacute;mission de radio en direct et en public, une cr&amp;eacute;ation web en live, une expo &amp;eacute;volutive et participative sur l&amp;rsquo;enjeu de la r&amp;eacute;habilitation des gens, des b&amp;acirc;timents et des villes. &lt;br /&gt;
&lt;br /&gt;
Le tout combin&amp;eacute; au m&amp;ecirc;me endroit et au m&amp;ecirc;me moment, au Transistor &amp;agrave; la Friche Belle de Mai, le mardi 19 mars &amp;agrave; 18h.&lt;br /&gt;
&lt;br /&gt;
&amp;Eacute;labor&amp;eacute; &amp;agrave; partir du feuilleton Baumettes / Mucem d&amp;eacute;velopp&amp;eacute; chez Albert, cette &amp;eacute;mission-cr&amp;eacute;ation a m&amp;eacute;lang&amp;eacute; durant une heure sons, textes, photos, vid&amp;eacute;os, en ligne et hors-ligne, dedans et dehors.&lt;br /&gt;
&lt;br /&gt;
Par Zinc, centre de cr&amp;eacute;ation des arts et cultures num&amp;eacute;riques, Chez Albert, site d&amp;rsquo;information et Grenouille.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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19 mars 2013

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Lindsey Freeman</text>
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&amp;nbsp;&lt;/div&gt;
&lt;b&gt;Pr&amp;eacute;sentation par le diffuseur :&lt;/b&gt;&lt;br /&gt;
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During the Second World War, Oak Ridge, Tennessee, was a secret government city created from scratch for the Manhattan Project. Despite the fact that the city was built at a furious pace for an urgent war project and was meant to be invisible, great care was taken with the design of the town. Oak Ridge was socially engineered to be the &amp;lsquo;uranium center of excellence,' an atomic Levittown before Levittown. On its way to becoming the uranium center of excellence, there are two interlocking tropes that are primarily used to describe the town's early construction and design: the frontier and utopia. In Oak Ridge, the frontier and utopian imaginations do not compete so much as nestle alongside and within each other. Of course the frontier and utopian imaginations are not unique to the former secret atomic city of Oak Ridge, but characteristic of other regional and national myths as well. What is unique is how these common tropes are used to tell the story of a particular town at the emergence of atomic modernity. &lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Lindsey A. Freeman&lt;/b&gt; is a PhD, Sociology and Historical Studies at the New School for Social Research. Her research concerns the secret atomic cities of the Manhattan Project and examines the legacies of the Atomic Age in a post-nuclear landscape. She has published articles on atomic history, atomic tourism, and the relationship between artists and social scientists as they intersect in a museal context. She is also a founding member of the New School Interdisciplinary Memory Studies Group. In the Spring of 2013, Lindsey will be a Visiting Assistant Professor at the University of Caen-Normandy in the Geography Department in conjunction with Espaces et Soci&amp;eacute;t&amp;eacute;s (Space and Society) and Le Centre national de la recherche scientifique (CNRS).&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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14 mars 2013

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Enregistrement audio</text>
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La projection du film documentaire &amp;quot;Le bateau en carton&amp;quot; de Jos&amp;eacute; Viera (2010) et la pr&amp;eacute;sentation de la bande dessin&amp;eacute;e &amp;quot;Demain, demain&amp;quot; de Laurent Maffre (Actes Sud BD, 2012) sont suivies d'une rencontre entre Jos&amp;eacute; Viera, r&amp;eacute;alisateur et Laurent Maffre, professeur d'arts appliqu&amp;eacute;s, auteur et dessinateur de bande dessin&amp;eacute;e, anim&amp;eacute;e par Anne Brunswic, journaliste et &amp;eacute;crivain.&lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
Intervenants : Laurent Maffre et Jos&amp;eacute; Viera&lt;br /&gt;
Mod&amp;eacute;ratrice : Anne Brunswic&lt;br /&gt;
Commissaire : Florence Verdeille-Osowski &lt;/div&gt;
&amp;nbsp;&lt;/div&gt;
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